A Shot Through the Wall
Jan 19, 2022
Kenny Leu, Ciara Renee, Fiona Fu
“It’s important … that I understand your side of the story.”
Writer and director Aimee Long tackles a big topic with her debut feature, A Shot Through the Wall. Focusing on the aftermath of the shooting of a Black man shot by a police officer, Long tries to present the issue in shades of gray rather than the black and white portrayal often warring in the news or across social media.
When two police officers stop a group of Black teenagers on the street, a chase leads to an accidental shooting.
In a blink-and-you’ll-miss-it moment, Officer Michael Tan (Kenny Leu) draws his weapon in the pursuit of one of the teenagers and his gun discharges. Whether the result of a misfire or a jumpy trigger finger is never made clear, but that’s not Long’s point. From Tan’s perspective -and his is the one on which we’re focused – it’s an accident.
This is one of the more troubling aspects of Long’s film. While it’s made clear from the beginning that Tan never meant to hurt anyone, we’re not given the alternative perspective of what the killing of a Black man at police hands means for the family or the community.
A moment in the film’s first act allows us a chance to see the anger and the demand for justice, but this is depicted as a blanket response. No one takes the time to show us how the hole in the wall of an apartment rips a hole in so many lives. Be it accidental or intentional, the result is more victims of an unjust system.
The only chance we get to understand the victim’s side comes in the form of Tan’s fiancée, a Black woman. Portrayed by Ciara Renée, Candace is the strongest character as her dual role in the conflict gives us a little more insight.
However, that’s not to say the other actors don’t inhabit their roles. Each one brings depth that makes up for the film’s storytelling weaknesses.
A few tough questions are raised in the film. Is Tan’s race a factor in his indictment? Would a white cop face the same legal persecution?
There is strength in the film’s second act, as we get a chance to know Tan, but it falls apart at the end. The idea that violence begets violence leads to a (forgive the pun) cop out.
There is no real justice to find here. Only more of the same in a society where oppression and injustice are too often the norm.