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- Short Film Reviews | UK Film Review
Short film reviews from some of the best movies in the UK. Read reviews from some of the best short film critics. Short Film Reviews Welcome to the UK Film Review page for short film reviews . Here you will find some of the best and brightest sparks in a sea of cinema. Filmmakers from across the globe submit their short films to us to be reviewed, and our Contributors lovingly dissect them. If you would like one of our team to write a film review of your short film, please use the form on our Submit Your Film page Our short film reviews are written by passionate film critics across the UK and aim to highlight and promote terrific filmmaking when we find it. We are always honest with our reviews, so if you are looking to submit your short film for review, please do so knowing that we will not alter what we have said because you don't like it. There is a wealth of amazing talent in the short film industry, and we hope by writing film reviews about this underexposed creativity we can get your movies to a new audience...but we need your help. Please join in the chatter on our social media channels so that we can grow our community and share the joy. Use the buttons in the footer to Like us on Facebook, Follow us on Twitter, and Subscribe to us on YouTube #supportindiefilm. The selection of short film reviews you see below are mostly for films submitted to us. In this instance, the filmmaker has requested us to watch and provide a short film review. Alternatively, visit our Latest Short Film Reviews page . Get Your Short Film Reviewed More Film Reviews Time to Go Jason Knight Sorry We're Closed William Hemingway Neram Nallaruku Jason Knight Gloria’s Cut James Learoyd Belonging and the Scene Jason Knight Eructation William Curzon Drowned Patrick Foley The Crusader Jason Knight Return Matt Trapp Big Jay's Day Out Matt Trapp SCRUTINY Matt Trapp Song of the Selkie William Curzon Nostalgie James Learoyd Meat Locker Jason Knight Becoming Sidney Patrick Foley Mouse! Jason Knight Ms Green and Other Lovely Beasts William Curzon We Buy Souls William Hemingway Them That's Not William Curzon I Wonder What's Keeping My True Love Tonight Jason Knight The Air Between Us Jason Knight Boy William Hemingway The Current State of the Backyard Pool Industry William Curzon Equal Opportunity Jason Knight Animus Patrick Foley Load More Reviews What is a short film review? A short film review is often written by a movie critic and it's their opinion on a film that is less than sixty minutes long. Short film reviews still explore every aspect of a movie. How do I write a short film review? Writing a short film review needs to cover multiple aspects of the movie. Including the script, the characters, performances, cinematography, score & sound design, editing and so on. Sometimes we consider the piece only as a short film; whether it works in that format, other times we may think of it as a "proof of concept" for something longer, or perhaps a piece of a web series/TV show. These can be important to consider when writing a short film review. How long should a film review be? A film review should be as long as the house style. Some publications provide lengthier reviews than others. A general minimum word count would be 500. This may be also for SEO reasons, as short film reviews that are longer may be more likely to rank higher on Google. The important thing to remember is that the review should be well-structured, not full of bloated points to fill up the word count. How much money do film critics make? Film critic salaries depend massively on their publication. Many film critics are freelancers, meaning they get paid per review and sometimes this is based on word count. Making money through film reviews can be challenging. Video Short Film Reviews Below you will find a selection of short film reviews in video form! This is where one of the UK Film Review Critics records their review and we upload it to our YouTube channel (as well as TikTok and Meta Reels in some cases). A Place to Fall Down Short Film Review by Chris Olson A short film about coping with loss and grief, film critic Chris Olson gave A Place to Fall Down 4 stars. Watch his video short film review here to here from the man himself about his thoughts and feelings. OK/NOTOK Short Film Review by Patrick Foley In this short film review from Patrick Foley, he gives us his opinion of the brilliant movie OK/NOTOK. Set in a futuristic world where AI robots are available as companions (as long as you can afford the subscription), it's a riveting piece. Betrayed Short Film Review by Chris Buick Film critic Chris Buick offers up a fantastic video short film review for Betrayed. A movie about a girl with special powers who, with the help of her protective father, must elude those who would use her for nefarious means.
- Latest Film Reviews | UK Film Review
Reviews from the latest movies, short films, indie features and more. Check out the UK Film Review Reviews section. Latest Film Reviews The latest movie reviews from UK film critics, this is the page to find the newest reviews from our team. The UK Film Review critics are assembled from around the globe, covering all types of movies. Whether these are movie reviews for films currently in UK cinemas (or even globally) or for films on streaming sites such as Netflix, Prime Video or Disney Plus, we cover them all. On this page you will also find the latest film reviews for indie and short films from the UK and around the world. Every month, UK Film Review receives a large selection of submissions from filmmakers requesting us to watch their independently made film and review it. We treat all movies the same and our reviews are never (ever) paid for! We do receive payment from PR companies and other filmmakers for services such as promoting their film, or skipping to queue, but this has nothing to do with the movie review itself. Whilst you will see our latest movie reviews here you should also follow UK Film Review on our social media profiles, as well as subscribe to our popular film podcast. This will help you stay up-to-date with the latest releases, as well as the goings-on from our community of film lovers and critics. average rating is 4 out of 5 Time to Go Read Review average rating is 3 out of 5 WallDale Read Review average rating is 3 out of 5 Sorry We're Closed Read Review average rating is 3 out of 5 The Gospel of Dating Read Review average rating is 3 out of 5 Neram Nallaruku Read Review average rating is 5 out of 5 Phase Read Review average rating is 3 out of 5 One of the Good Ones Read Review average rating is 3 out of 5 Heel Read Review average rating is 4 out of 5 The Bride! Read Review average rating is 3 out of 5 Billy Idol Should Be Dead Read Review average rating is 4 out of 5 Hoppers Read Review average rating is 4 out of 5 Gloria’s Cut Read Review average rating is 4 out of 5 Belonging and the Scene Read Review average rating is 3 out of 5 Eructation Read Review average rating is 3 out of 5 Drowned Read Review average rating is 3 out of 5 Scream 7 Read Review average rating is 5 out of 5 The Crusader Read Review average rating is 3 out of 5 Dreams Read Review average rating is 4 out of 5 Crazy Old Lady Read Review average rating is 4 out of 5 The President's Cake Read Review average rating is 5 out of 5 Fight Like A Girl Read Review average rating is 5 out of 5 Return Read Review average rating is 3 out of 5 Big Jay's Day Out Read Review average rating is 5 out of 5 SCRUTINY Read Review average rating is 5 out of 5 Being Ola Read Review average rating is 3 out of 5 Dolly Read Review average rating is 5 out of 5 Disremember Read Review average rating is 4 out of 5 Song of the Selkie Read Review average rating is 4 out of 5 Think of England Read Review average rating is 4 out of 5 Crime 101 Read Review average rating is 5 out of 5 The Toymaker's Key Read Review average rating is 3 out of 5 Psycho Killer Read Review average rating is 2 out of 5 The Dreadful Read Review average rating is 3 out of 5 Ghost Train Read Review average rating is 5 out of 5 Nostalgie Read Review average rating is 4 out of 5 Paul McCartmey: Man on the Run Read Review average rating is 4 out of 5 Meat Locker Read Review average rating is 3 out of 5 Becoming Sidney Read Review average rating is 4 out of 5 Searching for Satyrus Read Review average rating is 3 out of 5 The Last Sacrifice Read Review average rating is 3 out of 5 Blackout Read Review average rating is 4 out of 5 Mouse! Read Review average rating is 4 out of 5 Wuthering Heights Read Review average rating is 3 out of 5 Ms Green and Other Lovely Beasts Read Review average rating is 3 out of 5 Sweetness Read Review average rating is 4 out of 5 Our Planet, The People, My Blood Read Review average rating is 3 out of 5 We Buy Souls Read Review average rating is 3 out of 5 GOAT Read Review average rating is 4 out of 5 Good Luck, Have Fun, Don't Die Read Review average rating is 3 out of 5 The Mortuary Assistant Read Review average rating is 3 out of 5 Cutaways Read Review average rating is 3 out of 5 The Art of Telling Lies Read Review average rating is 5 out of 5 Them That's Not Read Review average rating is 3 out of 5 I Wonder What's Keeping My True Love Tonight Read Review average rating is 2 out of 5 Iron Lung Read Review average rating is 4 out of 5 The Air Between Us Read Review average rating is 4 out of 5 Boy Read Review average rating is 3 out of 5 The Current State of the Backyard Pool Industry Read Review average rating is 4 out of 5 Pops Read Review average rating is 4 out of 5 Equal Opportunity Read Review average rating is 3 out of 5 Animus Read Review average rating is 2 out of 5 Dracula Read Review average rating is 4 out of 5 Goodbye Breasts! Read Review average rating is 4 out of 5 In Search of Forgotten Crafts - The Heart of the Iron Read Review average rating is 4 out of 5 Coping Read Review average rating is 4 out of 5 Little Brother Read Review average rating is 3 out of 5 Untitled Home Invasion Romance Read Review average rating is 3 out of 5 Mr. Wonderful Read Review average rating is 3 out of 5 Send Help Read Review average rating is 2 out of 5 Alien Love Read Review average rating is 4 out of 5 Arco Read Review average rating is 3 out of 5 Blood in the Snow Read Review average rating is 4 out of 5 RAUNCHADELIC Read Review average rating is 3 out of 5 Shelter Read Review average rating is 3 out of 5 It Must be Done Read Review average rating is 1 out of 5 The Hunt Read Review average rating is 3 out of 5 Last Hit Read Review average rating is 3 out of 5 Gone to Ground Read Review average rating is 5 out of 5 Solstice Read Review average rating is 1 out of 5 Return to Silent Hill Read Review average rating is 4 out of 5 Dope Queens Read Review average rating is 4 out of 5 Ovary-Acting Read Review average rating is 4 out of 5 Magellan Read Review average rating is 4 out of 5 The Testament of Ann Lee Read Review average rating is 4 out of 5 A Gangster's Life Read Review average rating is 3 out of 5 In Cold Light Read Review average rating is 4 out of 5 Without Kelly Read Review average rating is 5 out of 5 Monkey Drum Read Review average rating is 4 out of 5 To Die Alone Read Review average rating is 4 out of 5 $13 Read Review average rating is 3 out of 5 To The Victory! Read Review average rating is 3 out of 5 The Itch Read Review average rating is 4 out of 5 The Last Act Read Review average rating is 3 out of 5 Night Patrol Read Review average rating is 4 out of 5 Dead Man's Wire Read Review average rating is 4 out of 5 Resurrection Read Review average rating is 3 out of 5 #Models Wanted Read Review average rating is 4 out of 5 Save Me From Heaven Read Review average rating is 4 out of 5 28 Years Later: The Bone Temple Read Review average rating is 3 out of 5 The Sky's Forest Read Review
- The Toymaker's Key Review | Film Reviews
The Toymaker's Key film review by UK film critic Jason Knight. Starring Harry Shotta, Drew Casson, Peter Kingston, Kele Le Roc, Rhys Earlson Ray, Kimberly Wyatt directed by Andy Turner, Drew Casson. HOME | FILMS | REVIEWS The Toymaker's Key Film Review average rating is 5 out of 5 Critic: Jason Knight | Posted on: Feb 20, 2026 Directed by: Andy Turner, Drew Casson Written by: Jamie Christofersen Starring: Harry Shotta, Drew Casson, Peter Kingston, Kele Le Roc, Rhys Earlson Ray, Kimberly Wyatt Created & Story by Andy Turner. A feature-length animated fantasy adventure directed by Andy Turner and Drew Casson, with a screenplay by Jamie Christofersen and featuring the voices of Harry Shotta, Casson, Peter Kingston, Kele Le Roc, Kimberly Wyatt, and Rhys Earlson Ray. Terrific animation, fantastic music and an intriguing story all come together to deliver an enchanting experience. The year is 1945 and a young man named Tommy (Shotta) has returned injured to his wealthy home in Sussex after having fought in the Second World War. He has been informed that his father (Kingston) has gone missing and retrieves a special key that belonged to his parent. This key was discovered in a forest by Tommy's great-grandmother and it has magical powers that lead to another world, a magical place. Tommy uses the key to open a chest and is magically transported to that world. There, he finds out that his father has been captured by evil fiends and with the help of a number of unique allies, he sets out to rescue him. The plot is a Good vs Evil. A group of good individuals going against an army of evildoers in an otherworldly place. Tommy and his new friends traverse this strange world, encountering obstacle after obstacle, gaining new allies and fighting the bad guys. It is a concept that is not unusual, however it works well, with significant character development and tense fighting scenes. Regarding the visuals, they look amazing. The 2D hand-drawn animation contains rich colours and lighting and the editing makes the viewing look like a graphic novel, with characters being motionless for the majority of the film but with letters replaced by voices. ThE ToYMaKeR’s KeY Film has been made from a beautiful graphic novel, which is releasing this year. Some of the things that viewers will see, are magical locations that include forests, snow-covered areas and a vast castle. Then, there are the characters and it is the ones who inhabit the magic world that stand out. These beings include the Butterfly People, a tribe of people who have giant butterfly wings on their back and a led by iO (Le Roc), the leader of their kind. Others are Darwin (Cosmo Wellings) a man with the appearance of a clown, who performs acrobatics and speaks in rhymes, Rhu (Ray) a young boy from the Butterfly People who is having his own misfortunes and the Grandmaster (Casson), a man in a hooded robe who has defferent coloured eyes. These are some of the good guys. The bad guys consist of an army of medieval soldiers armed with sharp weaponry, who are led by the General (also Casson), a brutal knight in a dark armour who plans to replace Tommy's father as the creator of this other world. Another character who should be mentioned is Nekos (Turner) a warrior who is also a werewolf. All characters look great, however, it is the bad guys who stand out the most. The music is another huge plus. It is mesmerising and dynamic, effectively creating an atmosphere that is adventurous, dreadful and emotional. The plot involves fighting evil and saving people. It is also about tyranny, cruelty, support, bravery and redemption. The screenplay also manages to be a World War II story and a family drama. This animated film succeeds in every aspect, making it a pleasure to view the visuals, to listen to the music and the voice acting and to enjoy the story. Huge commendations go to everyone who contributed to the development of this project. About the Film Critic Jason Knight Indie Feature Film, Animation < All Reviews Next Film Review >
Blog Posts (5252)
- New Netflix Movie - Remarkably Bright Creatures - Drops Teaser
Netflix Film Feature by Chris Olson There is something inherently calming about a story that finds magic in the mundane, and if the first teaser for Remarkably Bright Creatures is anything to go by, Netflix might just have found the cinematic equivalent of a warm blanket for the soul. Based on Shelby Van Pelt’s sensationally popular novel, the film appears to be leaning heavily into the quiet, poignant charm that made the book such a word-of-mouth hit. While I have not yet had the pleasure of a full screening, the brief glimpse offered by this new trailer suggests a production that understands the delicate balance between human grief and the whimsy of the natural world. At the heart of the story is Tova, played by the incomparable Sally Field. Seeing Field back in a lead role that requires such a nuanced mixture of strength and vulnerability is always a treat for any film lover. She portrays a widow who takes a job working the night shift at an aquarium, a setting that the teaser captures with a beautifully ethereal, almost nocturnal glow. It is here that she forms an improbable bond with Marcellus, a giant Pacific octopus. Now, bringing a sentient, highly intelligent mollusc to life on screen is no small feat, but the teaser introduces us to the voice of Alfred Molina as Marcellus, and it feels like a stroke of casting genius. Molina has that perfect blend of gravitas and weary wit, providing a narration that suggests the octopus might just be the most observant character in the room. The supporting cast looks equally impressive, suggesting a depth to the narrative that extends well beyond the glass of the aquarium tanks. Lewis Pullman, who has been on a fantastic run lately, appears as Cameron, a young man at a crossroads who finds his life intersecting with Tova’s in ways neither of them expected. The ensemble is bolstered by veteran talents like Colm Meaney, Joan Chen, and Kathy Baker, which gives me a great deal of confidence in the emotional weight of the piece. When you see names of this calibre attached to a project, it usually signals a script with real meat on its bones. Director Olivia Newman, who previously showed her knack for adapting atmospheric, landscape-driven bestsellers with Where the Crawdads Sing, seems to be the right hand at the tiller here. The teaser suggests a film that is visually lush but grounded in the tactile reality of a small coastal town. There is a sense of mystery hinted at, a life-changing discovery that ties these characters together, but the trailer wisely keeps the specifics under wraps, focusing instead on the atmosphere of wonder and the theme of finding connection in the most unlikely of places. As a critic, I am always a bit wary of adaptations that rely on a non-human narrator, but there is something so distinctly charming about the way this teaser presents Marcellus’s perspective on the blundering nature of humans. It feels less like a gimmick and more like a fresh lens through which to view our own struggles with loss and loneliness. If the film can maintain the heart-swelling sincerity shown in these few minutes of footage, we are in for something quite special. Remarkably Bright Creatures premieres on Netflix 8th May, and it is certainly sitting right at the top of my must-watch list for the spring. It looks to be a film that celebrates the quiet victories of the human spirit, aided by a very clever eight-armed friend. Remarkably Bright Creates - Official Netflix Teaser Trailer
- Universal Pictures Dropped The Final Trailer for The Super Mario Galaxy Movie
Film Feature by Chris Olson The wait is finally over, and if you are anything like me, your levels of anticipation for this sequel have reached a fever pitch. As a massive fan of the first film, which was a colourful, joyous celebration of everything we love about the Mushroom Kingdom, I have been keeping a very close eye on what Illumination and Nintendo have been cooking up. They have delivered the goods in spectacular fashion by dropping the final trailer for The Super Mario Galaxy Movie , and it looks like an absolute cosmic beauty. Watching the first film back in 2023, I remember feeling a sense of pure relief that they had finally gotten Mario right on the big screen. It was fun, fast, and full of heart. But this new trailer suggests that the filmmakers, Aaron Horvath and Michael Jelenic, are not just resting on their laurels. They are taking the plumbers and the rest of the gang into deep space, and the visual scope on display here is frankly breathtaking. The final trailer gives us our best look yet at the gravity-defying action that defined the original Wii game, and seeing Mario engage longer with Bowser Jr. in glorious animation is enough to give any long-term fan goosebumps. The plot looks to be raising the stakes significantly. We see a miniaturised Bowser, still reeling from his defeat in the first film, but the real threat this time appears to be his son. Bowser Jr. is making his big cinematic debut, voiced by Benny Safdie, and he looks like a fantastic addition to the rogue’s gallery. The way he abducts Peach’s entire castle and hauls it into the stars sets the stage for an adventure that feels much bigger than the Mushroom Kingdom. It is that classic Mario charm mixed with a genuine sense of wonder that only a space-faring adventure can provide. The Super Mario Galaxy Movie Final Film Trailer One of the biggest talking points from this final trailer is the incredible voice cast. We already knew that Brie Larson would be joining as the ethereal Princess Rosalina, and she sounds perfectly cast as the protector of the Lumas. However, the new trailer also confirmed some massive additions that have me even more excited. Donald Glover is lending his voice to Yoshi, and based on the snippets we hear, he brings a wonderful energy to the iconic green dinosaur. Seeing Mario and Yoshi finally reunited on screen is a moment I have been waiting for since the post-credits tease of the last movie. We also got confirmation that Luis Guzmán will be voicing Wart and Issa Rae will be playing the Honey Queen, which shows just how deep into the lore this sequel is willing to go. The music, once again handled by the brilliant Brian Tyler, sounds like it is going to be a highlight. The trailer is underpinned by orchestral arrangements of those classic Galaxy themes that are so synonymous with grand, sweeping adventure. It is clear that the team understands the emotional weight that those melodies carry for the fans. I cannot wait for April 1 to arrive. There is a slight worry that the release date might be an elaborate April Fools’ prank by Nintendo, but given that tickets are already on sale, I think we are safe to start the countdown. The Super Mario Galaxy Movie looks like it will be everything a sequel should be: bigger, bolder, and more imaginative, while still retaining the core magic of its predecessor. It is going to be a long few weeks, but if this trailer is anything to go by, it will be well worth the wait.
- The Last Supper (2026) Film Review
Star rating: 4/5 Directed by: Mauro Borrelli Written by: Mauro Borrelli, John Collins Starring: Jamie Ward, James Oliver Wheatley, James Faulkner, Robert Knepper Film Review by: Jason Knight A biblical drama feature directed by Mauro Borrelli, written by Borrelli and John Collins and starring Jamie Ward, James Oliver Wheatley, James Faulkner and Robert Knepper. As the title indicates, the story involves Jesus Christ (Ward) and a significant part of it takes place during the Last Supper. The narrative begins with Jesus and his apostles arriving in Jerusalem for the final meal, after having become known for his preachings and miracles. Tensions are high, as Caiaphas (Faulkner), the High Priest of Israel, condemns Jesus's actions and plots his downfall and Judas (Knepper), one of his disciples, is unconvinced of his teacher's beliefs and contemplates turning against him. The Last Supper Film Trailer The screenplay views the events through the perspectives of Jesus, Peter (another close apostle of Jesus), Caiaphas and Judas and contains significant events, including the Last Supper, Jesus feeding a crowd of thousands by multiplying fish and loaves, his Crucifixion, Caiaphas convincing Judas to betray Jesus and Jesus realising that he will be betrayed by one of his own disciples. The film concentrates significantly on Jesus's preachings and the protagonists' struggles regarding Jesus's imminent fate. Visually, the feature looks terrific, with an impressive production value. Costume designer Nezha Dakil does a great job and the buildings and furniture are very convincing, all of which look even better thanks to Vladislav Opelyants's cinematography. The audio is also a big plus, with the music by Leo Z being very appropriate and the song No Greater Love by Chris Tomlin effectively ending the film. Ward proves that he was a good choice for the role of Jesus, portraying the preacher and religious leader sympathetically, presenting him as a man of wisdom and righteousness. A great deal of time is devoted to Peter and Wheatley dramatically reveals the struggle that his character is going through due to believing that he failed Jesus. Faulkner is sinister as Caiaphas, a character who works as the antagonist. Knepper plays Judas as a troubled and disorientated individual, repeatedly being tormented by a snake (Satan). Other appearing characters include Mary Magdalene (Nathalie Rapti Gomez), Nicodemus (Henry Garrett) and John the Apostle (Charlie MacGechan). This version of the story of Jesus Christ tells a story about religion, faith, courage, betrayal, goodwill, desperation and cruelty. Moreover, it encourages hope and unity and states that Good triumphs over Evil. So many films have been made about Jesus and it would be fair to say that this one does not explore anything new. Nevertheless, it is a very well-made film and a rather decent addition to the category of biblical features. Dazzler Media presents The Last Supper in UK and Irish cinemas from 20th March.
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- “YOUR MOVE” - REVIEW: Over the Edge, Into the DarknessIn Film Reviews·January 27, 2018There is an apocryphal saying - variously attributed to Tolstoy, Dostoevsky, Mark Twain and a host of others - that there are only two stories we tell each other in our literature, our movies, our narrative arts. In the first, a person goes on a journey; in the second, a stranger comes to town. What matters is not which of these stories an artist chooses, but how it’s told, and how it illuminates another corner of the human soul, be it dark or light. With “Your Move” actor/director/writer Luke Goss effectively combines the two in the person of his protagonist, who must go on a journey to save what he loves most in the world, becoming a stranger in the dark underworld of a Mexican town where clues and danger are virtually indistinguishable. Goss - up to now known as an actor’s actor and platinum-selling musician - proves highly adept at this newest iteration of his abilities, guiding what in other hands might be a standard genre story forward with skill and subtlety. By keeping the focus on the inner workings of his characters Goss creates as much nerve-wracking tension with a quiet tableau between two people as he does with an all-out chase scene. Goss plays New York businessman David Miller, a man with a good life and a family he adores. While on a video call with his wife Isabel (Patricia De Leon) and young daughter Savannah (Laura Martin), who are in Mexico visiting Isabel’s parents, David - back home in New York - witnesses a brutal attack on them that ends in an apparent kidnapping. Stuck thousands of miles away and not knowing where to turn, David calls the local NYPD, whose skeptical response only makes him realize how dire his family’s situation actually is. As an actor Goss is deeply likable, exceptionally effective at translating what his characters are feeling, and the terror David experiences at not knowing what has happened to his loved ones is brutal and palpable. In Mexico he meets the cop in charge of the case, Detective Romero (the superb Robert Davi, in a richly nuanced performance). David wants answers, action, anything to make him feel that progress is being made. Romero, a good detective, understands the need to build his case on facts, and while Romero feels for David’s plight, the man is also his worst nightmare - an uncontrolled wild card who could blow the case at a moment’s notice by being in the wrong place at the wrong time. Romero’s careful, low-key approach to the investigation seems like dangerous and deadly plodding from David’s point of view, sure to get his wife and daughter killed. On the other side of the coin is Isabel’s father, Señor Barrabas, a wealthy patrón of weight and gravity. Luis Gatica plays Barrabas with a quiet intensity that is at once civilized and menacing. Though he treats David and the detective as equals, he appears to engender fear and respect everywhere else. Accompanied at all times by a suited, hulking - and likely armed - bodyguard, who Goss subtley keeps just at the edge of the frame, Barrabas’ business dealings can only be guessed at. When it appears that he agrees with Romero’s method of handling the case, David panicks and takes matters into his own hands. Though fit and athletic, David has no “special set of skills” with which to make the bad guy’s life hell a’la the uber-hero in “Taken”, relying instead on instinct and sheer persistence, driven by the certain terror that if he doesn’t use every means at his disposal to track his family down, he will never see them again. Agonizing every step of the way over what he must become to get the job done, he isolates himself from both family and the authorities and relies instead on his gut. Goss’s abilities as a visual stylist and storyteller are well-matched to his subject matter and the camerawork is assured, but he doesn’t sacrifice character development for the sake of style. Goss - who also wrote the script - keeps the dialogue spare and measured, making wonderful use of the players’ inner lives to push the narrative and generate emotion. The acting is uniformly superb and the casting and directing are spot-on, with a touching and almost Fellini-esque sensibility, making scenes with even the most secondary characters satisfying and rewarding. The landscape of the human face as a map of the psyche clearly fascinates Goss at the deepest levels, and his painterly use of color, light and shadow add to the suspense and the unfolding story, while allowing the audience their own visual and emotional journey. And though the church is never explicitly mentioned there is a strain of lush religious iconography running through the film, implying religion as a particularly horrifying form of self-justification for the antagonist, played by Alain Mora in a performance that is a revelatory and disturbing portrayal of a man with a terrifying split in his psyche. The film may be billed as a psychological thriller, but the execution and performances defy simple genre categorization. It would appear that “Your Move” marks the auspicious start of yet another successful branch of Goss’s multi-hyphenate career. “Your Move” has its UK premiere on January 27, 2017. Watch the trailer, here: Writer: Kely Lyons - Los Angeles - January 27, 2018361967
- "Crazy Right" movie trailerIn Movie Trailers·March 5, 201824186
- Beauty and the Beast (2017) ReviewIn Film Reviews·November 1, 2017Disney is back with another live-action adaptation of one of their animated films. This time it was up to Beauty and the Beast to be remade and please the audience. But if we look at the final product that the film is, it seems to be that Disney did it more for the money than for the audience. Will the audience end up roaring for the new film or will it just be Disney happily roaring their victory over their audience? I think we all know the answer to that question. Beauty and the Beast is directed by Bill Condon and tells the tale of Belle. Belle (Emma Watson) is a young adult, who loves to read books and dreaming of playing a part in the adventures that are depicted on those pages. But when she leaves her small village to find her missing father (Kevin Kline), she encounters a large castle in which lives a horrifying Beast (Dan Stevens). As Belle stays with the Beast, she learns that true beauty is found within. Right from the beginning, the film wants to make very clear what kind of a jerk the Beast was before he came a Beast. Just like in the original animated film, where they spend a short monologue on the case. However, in this live-action adaptation they take more then a few minutes to make it clear that the Beast is a jerk. The problem is not that it is not well done, because making the Beast look arrogant is something the movie does is quite well, but the problem is that right from the beginning one of our main characters is an unlikeable prick, which creates a situation wherein you cannot root for the Beast to become normal again. You want him to stay a Beast, because that’s what he honestly deserves to be. He acts like a Beast for the first two acts of the movie. Then the filmmakers remembered that the Beast also must become a human at the end, so they quickly shoved moments in the movie trying to make the Beast look less like a prick and more like an misunderstood young adult. In the original animated film, the Beast had a compelling arc. In this film he does have an arc, but it’s not compelling because the Beast is arrogant throughout most of the film and acts like a prick to everyone around him. The arc is also rushed to the point that it makes you care even less for the Beast. Do you want examples of how much of a prick the Beast is? Well, the Beast doesn’t even give Belle a minute to say goodbye to her father, the Beast keeps correcting and interrupting Belle, the Beast wouldn’t give Belle a room, the Beast forces Belle to eat with him and lets her starve when she says she won’t eat with him etc. The thing with this movie is that they like to exaggerate everything the original did, to the point that this movie feels more like a dark cartoon then the original did.The scriptwriters Stephen Chbosky and Evan Spiliotopoulos also try to add new story elements to the script. There is a new back-story how both Belle and the Beast lost their mothers and it adds nothing new to the story. The scriptwriters probably did this trying to make the Beast, after first writing him as such an unlikable character, look more sympathetic and to give Belle an arc. Only thing is that the new back-story doesn’t make Beast look more sympathetic, he still comes across, as a bitter young adult and Belle never gets a conclusion to her arc. Her mother died when she was just a baby. Belle never knew her mother and this has had a great impact on her. However when she finally finds out, what happened to her mother, the subplot is quickly moved aside to continue the main story. Her arc is never resolved or even started to be honest. It just a waste of time. The script also tries to give Belle more personality. They did this by making her amazing in everything. She is good in reading, good with children, good in teaching, good in inventing, good in drawing, good in taming wild beasts (get it?). However, as expected, being good in everything doesn’t count as a trademark for a character. She isn’t Leonardo Da Vinci. Belle is a dreamer, who gets inspired by the books she reads. Belle is intellectual. Indeed. But in this movie they exaggerated her intelligence to the point that this Belle feels more like a cartoon character then her animated counterpart. There are also some continuity errors. Belle on Phillipe, the horse, move like the Flash when needed. Belle just arrives shortly after the villagers arrive at the castle, while the villagers had a big head start. The sound effects are also sometimes off in the final battle. Oh right, forgot. To please the immature and the children, the movie also includes butt and poop jokes. Yeah! There is also a mystery subplot for the character Agathe, which turns out to be the witch that cursed the Beast. This is so poorly done and unnecessary. She just comes and goes when the story needs her to come an go. And her importance to the story is never explained. Which leaves another unsolved subplot.The CGI in this film is, in contrary to the beautiful The Jungle Book, more creepy than fantasy provoking. Nobody wants to see a CGI teapot smiling. They created some nice nightmare related visuals for the younger kids. Can’t wait to see this on a childhood trauma list.Not everything is bad though. The acting is on point. Especially Gaston is likeable, which feels weird because he’s supposed to be villain of the film. Well don’t worry, because for this first half of the film Gaston comes across as a normal, somewhat dimwitted, individual, but in the second half, he leaves Maurice for the wolves stuck at a tree. Something the animated Gaston would probably also be able to do. The Gaston song is also very amusing. Their is actually an illiterate joke in their that works. The song also contains one exciting, maybe little expectable, but still amusing shot. In the end, Beauty and the Beast, is another Disney remake that is poorly executed and is solely done for the money. This movie in particular felt more like a cash grab than the other Disney movies. That is probably because the effect of the original is still untouched by other Disney movies. It is the only animated movie to be nominated for best picture. It is one of the most well known Disney movies. These were the reasons for which Disney thought that their live-action version could earn some big money. Sadly, it did. Overall, it’s not a complete failure. There are some genuine emotional moments. Some new interesting ideas, that all don’t workout however. And sometimes a joke works. But in the end, the movie is still pretty bad, mostly thanks to the poor script.15182
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