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- Film Reviews | UK Film Review
Film reviews from some of the biggest movies in UK cinemas. We also review short films, indie films, and documentaries. Find a movie review now. Film Reviews Here at UK Film Review we like to tackle all kinds film reviews. Our writers come from all walks of life, and feel passionate about critiquing the movies they watch. From the latest Theatrical Releases to Short Films, Indie Films, Documentaries and even Animation, the contributors of UK Film Review are as eager to please as Dev Patel in The Best Exotic Marigold Hotel (2011). If you are a filmmaker, or are working in film PR and want to promote one of your clients, please get in touch using the Submit Your Film button under the drop-down menu for Home. Take a look at our list of film reviews below from some of the hottest releases in UK cinemas. Simply click the image of the review you would like, or the title of the movie. Or use the search button to find the movie you are looking for. We have given any feature length film a star rating (out of 5) in order to help viewers sort the Citizen Kanes from the Waterworlds, the Inceptions from the Transformers. Michael Bay will be given a fair film review from our writers, but that probably will not go in his favour. Speaking of Filmmakers, head over to our Filmmaker Features page for awesome articles about some of the best filmmaking geniuses who ever lived. Movie Trailers are also available, either underneath the film reviews, or on the Movie Trailers page. And lastly, if you like your film reviews verbalised. Simply because reading is boring and listening is marvellous, then make sure you Subscribe to the UK Film Review Podcast. Our critics offer up some banterous opinions on the best and worst movies across all genres. Head over to the Podcast page, or click this link to go straight to iTunes. If you would like to read or view any of the following, simply use the navigation. Alternatively, you can click on one of the images to read the film reviews here, or simply have a ganders at the lovely movie artwork on display. Remember to listen to film reviews on our regular film podcast. GET REVIEWED average rating is 2 out of 5 Iron Lung Read Review average rating is 4 out of 5 Boy Read Review average rating is 3 out of 5 Animus Read Review average rating is 2 out of 5 Dracula Read Review average rating is 3 out of 5 Untitled Home Invasion Romance Read Review average rating is 3 out of 5 Mr. Wonderful Read Review average rating is 3 out of 5 Send Help Read Review average rating is 4 out of 5 Arco Read Review average rating is 3 out of 5 Shelter Read Review average rating is 1 out of 5 The Hunt Read Review average rating is 1 out of 5 Return to Silent Hill Read Review average rating is 4 out of 5 Ovary-Acting Read Review Spoilers in our film reviews As with all digital forms of expression sometimes people may find something that upsets them online. Spoilers can often be one of these things! Whilst we do our best to ensure that major plot points, twists, character deaths and celebrity cameos are not found in our reviews, it can sometimes be difficult to judge what each and every film lover on the planet would to be a spoiler. If you feel that one of our film reviews contains one too many details then please do let us (politely) know using our social media platforms. We may then take serious action, such as expelling the critic responsible from this and every other movie publication past and present, declaring war against the studio for leading our writer into temptation, or we may do nothing at all. To be honest, it is most likely going to be the latter unless some serious rules have been broken. You may also see some movie trailers in our reviews that could also contain potential spoilers. In which case anyone who is hoping to avoid these should probably not click the play button on them. Or click the play button, turn the sound down on your device, then leave the room for a least 28 minutes whilst the trailer finishes and leaves your life naturally. You may be wondering what you could do with all 28 of those minutes! Why not read some more film reviews on another device? Or make a short film of your cat playing with a piece of string? Spend it wisely guys and gals.
- Latest Film Reviews | UK Film Review
Reviews from the latest movies, short films, indie features and more. Check out the UK Film Review Reviews section. Latest Film Reviews The latest movie reviews from UK film critics, this is the page to find the newest reviews from our team. The UK Film Review critics are assembled from around the globe, covering all types of movies. Whether these are movie reviews for films currently in UK cinemas (or even globally) or for films on streaming sites such as Netflix, Prime Video or Disney Plus, we cover them all. On this page you will also find the latest film reviews for indie and short films from the UK and around the world. Every month, UK Film Review receives a large selection of submissions from filmmakers requesting us to watch their independently made film and review it. We treat all movies the same and our reviews are never (ever) paid for! We do receive payment from PR companies and other filmmakers for services such as promoting their film, or skipping to queue, but this has nothing to do with the movie review itself. Whilst you will see our latest movie reviews here you should also follow UK Film Review on our social media profiles, as well as subscribe to our popular film podcast. This will help you stay up-to-date with the latest releases, as well as the goings-on from our community of film lovers and critics. average rating is 2 out of 5 Iron Lung Read Review average rating is 4 out of 5 The Air Between Us Read Review average rating is 4 out of 5 Boy Read Review average rating is 3 out of 5 The Current State of the Backyard Pool Industry Read Review average rating is 4 out of 5 Pops Read Review average rating is 4 out of 5 Equal Opportunity Read Review average rating is 3 out of 5 Animus Read Review average rating is 2 out of 5 Dracula Read Review average rating is 4 out of 5 Goodbye Breasts! Read Review average rating is 4 out of 5 In Search of Forgotten Crafts - The Heart of the Iron Read Review average rating is 4 out of 5 Coping Read Review average rating is 4 out of 5 Little Brother Read Review average rating is 3 out of 5 Untitled Home Invasion Romance Read Review average rating is 3 out of 5 Mr. Wonderful Read Review average rating is 3 out of 5 Send Help Read Review average rating is 2 out of 5 Alien Love Read Review average rating is 4 out of 5 Arco Read Review average rating is 3 out of 5 Blood in the Snow Read Review average rating is 4 out of 5 RAUNCHADELIC Read Review average rating is 3 out of 5 Shelter Read Review average rating is 3 out of 5 It Must be Done Read Review average rating is 1 out of 5 The Hunt Read Review average rating is 3 out of 5 Last Hit Read Review average rating is 3 out of 5 Gone to Ground Read Review average rating is 5 out of 5 Solstice Read Review average rating is 1 out of 5 Return to Silent Hill Read Review average rating is 4 out of 5 Dope Queens Read Review average rating is 4 out of 5 Ovary-Acting Read Review average rating is 4 out of 5 Magellan Read Review average rating is 4 out of 5 The Testament of Ann Lee Read Review average rating is 4 out of 5 A Gangster's Life Read Review average rating is 3 out of 5 In Cold Light Read Review average rating is 4 out of 5 Without Kelly Read Review average rating is 5 out of 5 Monkey Drum Read Review average rating is 4 out of 5 To Die Alone Read Review average rating is 4 out of 5 $13 Read Review average rating is 3 out of 5 To The Victory! Read Review average rating is 3 out of 5 The Itch Read Review average rating is 4 out of 5 The Last Act Read Review average rating is 3 out of 5 Night Patrol Read Review average rating is 4 out of 5 Dead Man's Wire Read Review average rating is 4 out of 5 Resurrection Read Review average rating is 3 out of 5 #Models Wanted Read Review average rating is 4 out of 5 Save Me From Heaven Read Review average rating is 4 out of 5 28 Years Later: The Bone Temple Read Review average rating is 3 out of 5 The Sky's Forest Read Review average rating is 4 out of 5 Raoul Wallenberg: Missing Inaction Read Review average rating is 3 out of 5 The Freedom of Uselessness Read Review average rating is 3 out of 5 Garden of an Angry God Read Review average rating is 4 out of 5 Burt Read Review average rating is 4 out of 5 All That's Left Of You Read Review average rating is 4 out of 5 Gifted Pain Read Review average rating is 2 out of 5 Whispers Read Review average rating is 4 out of 5 The Chronology of Water Read Review average rating is 4 out of 5 The Supply Teacher Read Review average rating is 4 out of 5 The Forgotten Occupation: Jim Crow Goes to Haiti Read Review average rating is 4 out of 5 Is This Thing On? Read Review average rating is 4 out of 5 The Way Things Used 2 B Read Review average rating is 2 out of 5 Primate Read Review average rating is 3 out of 5 Teddy and the Mountain Read Review average rating is 4 out of 5 Jamarcus Rose & Da 5 Bullet Holes Read Review average rating is 3 out of 5 The Belles Read Review average rating is 3 out of 5 The Whisper 2: Natural Connection Read Review average rating is 3 out of 5 Gradient Descent Read Review average rating is 4 out of 5 The Group Read Review average rating is 5 out of 5 The Best of the Best: Jazz from Detroit Read Review average rating is 3 out of 5 Love Has Nothing To Do With It Read Review average rating is 4 out of 5 Menus-Plaisirs, les Troisgros Read Review average rating is 3 out of 5 The Apocalypse Box Read Review average rating is 4 out of 5 Spoken Movement Family Honour Read Review average rating is 4 out of 5 With Arms Raised Read Review average rating is 4 out of 5 The Abyss Below Read Review average rating is 4 out of 5 Honeyjoon Read Review average rating is 2 out of 5 Romancing Sydney Read Review average rating is 4 out of 5 After the Devil is Dead Read Review average rating is 3 out of 5 Africa is Home Read Review average rating is 4 out of 5 STUDS Read Review average rating is 3 out of 5 Fervor Read Review average rating is 4 out of 5 Cursed Memory Read Review average rating is 5 out of 5 Behind the Pose Read Review average rating is 5 out of 5 Raindog Read Review average rating is 3 out of 5 Rotten Society Read Review average rating is 4 out of 5 Starboy Read Review average rating is 3 out of 5 A Week Read Review average rating is 3 out of 5 For You, The Disappeared Read Review average rating is 4 out of 5 An Ríomh Read Review average rating is 4 out of 5 Influencers Read Review average rating is 3 out of 5 Silent Night, Deadly Night Read Review average rating is 3 out of 5 Trust Me Read Review average rating is 4 out of 5 The Caretaker Read Review average rating is 3 out of 5 Essentially Amy Read Review average rating is 4 out of 5 Lampros Read Review average rating is 1 out of 5 Lunavom Read Review average rating is 4 out of 5 Forever Young Read Review average rating is 4 out of 5 Roadman: The Pilot Read Review average rating is 3 out of 5 Armstrong: Dark Secrets Read Review average rating is 3 out of 5 Tripping Beneath The Spring Clouds Read Review average rating is 4 out of 5 Eraserheads: Combo on the Run Read Review average rating is 3 out of 5 Jake & Pete’s Christmas Special Read Review average rating is 3 out of 5 Merrily We Roll Along Read Review
- Music Video Reviews | UK Film Review
Read music video reviews by film critics at UK Film Review. Submit your music video for review by clicking Get Reviewed at the top of the website. Music Video Reviews One of the most exciting sub-genres our critics review is music videos. They are often incredible pieces of storytelling, either in their own right or aligned with the song playing over them. On this page you will find a great selection of music video reviews from the team of critics at UK Film Review. If you are a filmmaker or artist who would like us to review your music video, submit your film here . When it comes to reviewing a music video, the process differs slightly from perhaps a narrative short film or documentary. The music has to be explored far more intimately than if it were a soundtrack because that's where the story originates from rather than being added further down the line. Music videos do conform to genres but these are often musical genres rather than film categories, for example pop, folk, rock, rap etc. So this will also influence the music video review our critics write because the target audience is going to be considered. Music videos may take a variety of forms or even combine different aspects to create a different effect on the viewer. For example, it is common for a music video to contain a small narrative, as well as live performance footage. Top filmmakers making music videos will be able to immerse you into the song and story without leaving you feeling like you have just watched a promo piece. Choreography is also a common trait in music videos, with dance sequences and flash mobs recurring - often in pop music videos. Editors of music videos will have their work cut out to ensure the choreography looks tight and engaging without it feeling staged or lifeless. Hopefully the array of music video reviews you see below will include some gems for you to peruse. Don't forget to scroll to the bottom of the article, as we often include the actual music video so you can watch it for yourself. RAUNCHADELIC Matt Trapp CATACLYSM William Curzon Psiblingz - Till We're Found William Curzon Mammoth: Adventures In Gnomeman's Land William Hemingway Flesh Wanting Blood William Hemingway Lovin' You James Learoyd To Be Frank Chris Olson The Wanderer Matt Trapp The Sanctity of Faith Patrick Foley Bitter Cherry – Hunger Short Film Review alexjames96 Jun 3, 2025 2 min read Ain’t my Vibe Short Music Video Review alexjames96 Jun 6, 2024 2 min read Cinerama (Music Video) Short Film Review alexjames96 Mar 17, 2024 2 min read Homecoming (Music Video) Short Film Review alexjames96 Dec 19, 2023 2 min read Sheep F-cked In the Head Short Film Review alexjames96 Nov 16, 2023 2 min read Service for The King short film review Theo Aug 1, 2022 2 min read More Film Reviews
Blog Posts (5222)
- The Devil Wears Prada 2 UK Release Date, Casting and Official Trailer
Film Feature by Chris Olson Film fans, and myself included, are often cynical about the "legacy sequel" trend, but when the news broke that the original trifecta of Meryl Streep, Anne Hathaway, and Emily Blunt were officially returning to the offices of Runway , even my stony critic’s heart skipped a beat. I haven't had the pleasure of a private screening yet—trust me, I’ve checked the post every morning—but the flurry of information surrounding The Devil Wears Prada 2 has me more excited than Nigel (Stanley Tucci) at a sample sale. After stumbling upon the official trailer on YouTube, I knew it was time to dive into what we actually know about this high-fashion homecoming. The UK Release Date for The Devil Wears Prada 2 Mark your calendars and perhaps start looking for a coat that doesn’t look like a "lumpy blue sweater." 20th Century Studios has confirmed that the film will have a simultaneous global rollout. For those of us in the UK, The Devil Wears Prada 2 is currently scheduled to hit cinemas on 1 May 2026 . Bear in mind, this can all change, so don't shout at me if it gets pushed back. It’s a poetic bit of scheduling, landing almost exactly twenty years after the original film redefined the workplace comedy. While there was some initial internet chatter about a potential streaming-only debut, the massive trailer views have clearly convinced the studio that this is a "theatrical-must". The Devil Wears Prada 2 Official Film Trailer The Devil Wears Prada 2 Casting The biggest draw, of course, is the return of the "Holy Trinity." Meryl Streep is back as Miranda Priestly, and from the early whispers, she hasn’t softened with age. Anne Hathaway reprises her role as Andy Sachs—reportedly now a senior Features Editor—while Emily Blunt returns as Emily Charlton. The plot twist? Emily is no longer the assistant scurrying for coffee. Reports from Variety and The Hollywood Reporter suggest she is now a high-powered executive at a luxury conglomerate, holding the very advertising dollars that a struggling Miranda desperately needs to save Runway in a dying print market. Adding to the excitement is a stellar supporting cast. Stanley Tucci is back as Nigel (thank goodness), joined by newcomers including Kenneth Branagh (playing Miranda’s new husband), Lucy Liu , Justin Theroux , and Simone Ashley . There are even confirmed cameos from Lady Gaga and Donatella Versace , ensuring the fashion credentials remain impeccable. The Official Trailer If you haven't seen the trailer that dropped earlier this week, and someone skipped past it in this article, you are missing out on some sparky fun. These characters don't seem to have been impacted by the distance since their last outing, coming across as engagingly wry and full of snide and disdain for each other. Whilst we have been mildly let down by sequels emerging decades after the original (looking at you Happy Gilmore 2), and the original film here being another lightning-in-a-bottle moment, with director David Frankel and screenwriter Aline Brosh McKenna returning, there is a real sense that this isn't just a cash-grab. It’s a continuation of a story that, much like a classic Chanel suit, never truly goes out of style.
- The Internet Is Guessing The Spider-Man: Brand New Day Villains
Film Feature by Chris Olson If there is one thing that fuels the engine of the film industry more than caffeine and blockbuster budgets, it is the glorious, chaotic, and often contradictory world of internet speculation. We are currently staring down the barrel of 2026, and the anticipation for Spider-Man: Brand New Day has reached a fever pitch that would make even J. Jonah Jameson’s blood pressure spike. Tom Halland in Spider-Man: Brand New Day Suit Reveal I must admit I am finding an almost childlike joy in the sheer variety of "leaks" and "confirmed" reports floating around the digital ether. I’ve been happily drowning in the sea of theories. From street-level mobsters to reality-warping goddesses, the internet seems convinced that Peter Parker isn’t just facing a villain; he’s facing an entire phone book of them. The Seven-Year Itch: Michael Mando’s Scorpion The most persistent—and frankly, most satisfying—rumour involves the return of Michael Mando as Mac Gargan. We first met him in 2017’s Spider-Man: Homecoming , and the internet has never forgotten that mid-credits scene. Collider and various scooper sites have been buzzing about Mando finally donning the stinger. He also currently sits on the film's IMDb page. There is a delicious irony in the "Brand New Day" title if the film reaches back nearly a decade to settle an old score. Rumours suggest he might be the "big bad" or perhaps an enforcer funded by a certain angry newsman. After Mando’s powerhouse performance in Better Call Saul , the consensus online is that we are long overdue for a bit of Scorpion-themed mayhem. SPIDER-MAN: BRAND NEW DAY - Day One on Set The Crime Boss: Marvin Jones III as Tombstone One of the more concrete "leaks" that has sent fans into a frenzy comes from Flickering Myth and several production trackers, claiming that Marvin Jones III has been cast as Lonnie Lincoln, better known as Tombstone. Spider-Man Brand New Day Adds Marvin Jones Who Reprises Tombstone What makes this so delightful is the meta-layer: Jones already voiced the character to chilling effect in Into the Spider-Verse . The internet is currently debating whether he will be a hulking, street-level rival to the Kingpin or a supernatural force. Either way, the idea of a monochromatic mob boss terrorising a post-memory-wipe Peter Parker fits the "back to basics" tone Kevin Feige has been teasing. The Nicole Kidman Mystery: Chameleon or Spider-Queen? This is where the speculation gets truly wild. Heroic Hollywood and several Reddit sleuths have been dissecting a rumour that Nicole Kidman is being eyed for a major antagonistic role. The guesses here are all over the map. Some think she’s a gender-swapped Chameleon , a master of disguise who could explain how a "mysterious force" begins to unravel the city. Others are holding out hope for the Spider-Queen , suggesting a more horrific, "Man-Spider" mutation plotline inspired by the 90s animated series. There’s even a vocal minority wondering if she’s a multiverse-hopping threat like Shathra . It’s the kind of high-profile casting rumour that keeps the forums alive at 3 am. The Anti-Hero Antagonists: Punisher and Savage Hulk While not strictly "villains" in the traditional sense, the internet is convinced that Frank Castle and Bruce Banner will be giving Spidey a very hard time. Screen Rant and GamesRadar have highlighted set photos (reportedly from the Glasgow shoot) showing Jon Bernthal ’s Punisher pointing a firearm directly at our web-slinger. The prevailing theory is that Spidey will be caught in the crossfire of a brutal gang war, with Bernthal’s Punisher acting as a lethal foil to Peter’s "no-kill" rule. Add to that the whispers from The Cosmic Circus about Mark Ruffalo returning as a "Savage Hulk"—triggered by trauma or perhaps the mental manipulations of a hidden foe—and you have a recipe for a film that feels less like a solo outing and more like a street-level "Civil War." The Mister Negative Debate For a few weeks, the internet was certain that Mister Negative and his Inner Demons were the primary threat, sparked by set photos of an armoured truck bearing a very familiar "demon" logo. However, in true internet fashion, the tide has recently turned. The Cosmic Circus recently suggested that Martin Li might not appear at all, or that the "demon" imagery was a misdirection. This has led to a fascinating split in the fanbase: half are mourning the loss of a live-action Steven Yeun as Li, while the other half are pivoting to the idea that the "demons" are actually enforcers for Tombstone or Hammerhead . Whatever the truth may be, the joy is in the guessing. Whether we get a grounded crime thriller or a supernatural nightmare involving Nicole Kidman as an insect goddess, the internet has ensured that Spider-Man: Brand New Day is already the most talked-about enigma of 2026. Spider-Man: Brand New Day: Suit Reveal
- The 16 Academy Award Nominations for Sinners
Film Feature by Chris Olson I have a confession to make, and it feels somewhat appropriate given the title of the film currently dominating every headline in Hollywood. I have not yet seen Sinners . As the editor of UK Film Review , I usually pride myself on being at the front of the queue, but life—and perhaps a subconscious fear of Ryan Coogler’s vampire-infested Mississippi Delta—got in the way. However, after my UK Film Club Podcast co-host Brian Penn declared it his absolute favourite film of 2025, I’ve found myself in a state of frantic anticipation. Brian is not a man given to easy hyperbole; if he says a supernatural thriller set in the Jim Crow era is a masterpiece, you book the IMAX ticket immediately. The Academy clearly agrees, as Sinners has just made history by racking up a staggering 16 nominations . Here is a breakdown of the nods for the film that has me feeling like the only person left in the dark. Best Picture This is the big one. Sinners joins an elite club of films that define their era. By securing 16 nominations, it has surpassed the record of 14 held by All About Eve (1950), Titanic (1997), and La La Land (2016) . For a horror-inflected drama to be the frontrunner for the night's top prize suggests Coogler has crafted something far more profound than a mere genre piece. Best Director - Ryan Coogler It is almost hard to believe this is Coogler's first nomination in this category. After being arguably overlooked for Black Panther , he has finally forced the Academy’s hand. He follows in the footsteps of legends like William Friedkin and Jordan Peele , who proved that "genre" films can be high art. Sinners Official Film Trailer 2 Best Actor - Michael B. Jordan Jordan pulls double duty here as the Smokestack twins, Elijah and Elias. To be nominated for playing two characters in one film is a rare feat, reminiscent of Nicolas Cage in Adaptation or Jeremy Irons in Dead Ringers . Brian tells me the distinction between the two brothers is so seamless you forget you’re watching the same actor. Best Supporting Actor - Delroy Lindo Lindo plays Delta Slim, and his inclusion was one of the morning's most celebrated surprises. Lindo has long been a titan of the screen, and seeing him nominated brings to mind the late-career recognition of actors like Christopher Plummer for Beginners . Best Supporting Actress - Wunmi Mosaku As Annie, a Hoodoo practitioner, Mosaku has supposedly delivered the performance of her career. The Academy has a history of rewarding powerful supporting turns in atmospheric dramas, much like Mo’Nique in Precious . Mo’Nique in Precious Best Original Screenplay - Ryan Coogler Coogler didn’t just direct; he wrote this haunting tale of twins returning to a hometown that holds more than just human monsters. This nomination puts him in the company of storytellers like Quentin Tarantino , who often blend historical tension with explosive fiction. Best Casting - Francine Maisler This is a historic nomination, as it marks the inaugural year for the Best Casting category. Sinners is a fitting first nominee, given the ensemble that ranges from veterans like Lindo to the film debut of Miles Caton . Best Cinematography - Autumn Durald Arkapaw Arkapaw is only the fourth woman ever nominated in this category. Her work on Sinners is being compared to the lush, terrifying visuals of Robert Richardson ’s work. Seeing the 1930s South through her lens is, apparently, a transformative experience. Best Original Score - Ludwig Göransson Göransson is quickly becoming the most decorated composer of his generation. Having already won for Oppenheimer , his work here blends Delta blues with supernatural dread. It’s a sonic landscape that follows the trail blazed by Ennio Morricone . Oppenheimer Official Film Trailer Best Original Song - "I Lied To You" The music is central to Sinners , and this nomination highlights the film’s "musical-adjacent" soul. It sits in the tradition of haunting cinematic songs like Bruce Springsteen ’s "Streets of Philadelphia." Best Film Editing - Michael P. Shawver Cutting a film where the lead actor plays twins requires surgical precision. Shawver’s nomination reflects the technical mastery required to make the "Smokestack Twins" a reality, much like the seamless editing in The Social Network . Best Production Design - Hannah Beachler and Monique Champagne Beachler already made history with Black Panther , and her recreation of a 1930s Mississippi "juke joint" is said to be a character in its own right. It’s the kind of world-building that won The Great Gatsby its Oscars. The Great Gatsby Official Film Trailer Best Costume Design - Ruth E. Carter With this fifth nomination, Carter becomes the most-nominated Black woman in Oscar history. Her ability to tell stories through fabric is legendary, following the path of great designers like Edith Head . Best Makeup and Hairstyling Transforming Michael B. Jordan into two distinct men—and presumably dealing with the more "vampiric" elements of the plot—earned the team this nod. This category has previously honoured the transformative work in films like An American Werewolf in London . Best Sound In a film where music and supernatural horror collide, the soundscape is vital. This nomination acknowledges the intricate balance between the foot-stomping blues and the chilling whispers of the night. Best Visual Effects Rounding out the 16 is a nod for the effects that bring Coogler’s "music-loving vampires" to life. It’s a testament to the film’s scale that it can compete here alongside the biggest blockbusters of the year. I feel like a sinner myself for having missed this cinematic event during its initial run. Brian’s relentless praise was the first spark, but these 16 nominations have turned that spark into a bonfire. It is time for me to catch up, and luckily, Sinners is currently available to watch in the UK on Sky Cinema/NowTV.
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- “YOUR MOVE” - REVIEW: Over the Edge, Into the DarknessIn Film Reviews·January 27, 2018There is an apocryphal saying - variously attributed to Tolstoy, Dostoevsky, Mark Twain and a host of others - that there are only two stories we tell each other in our literature, our movies, our narrative arts. In the first, a person goes on a journey; in the second, a stranger comes to town. What matters is not which of these stories an artist chooses, but how it’s told, and how it illuminates another corner of the human soul, be it dark or light. With “Your Move” actor/director/writer Luke Goss effectively combines the two in the person of his protagonist, who must go on a journey to save what he loves most in the world, becoming a stranger in the dark underworld of a Mexican town where clues and danger are virtually indistinguishable. Goss - up to now known as an actor’s actor and platinum-selling musician - proves highly adept at this newest iteration of his abilities, guiding what in other hands might be a standard genre story forward with skill and subtlety. By keeping the focus on the inner workings of his characters Goss creates as much nerve-wracking tension with a quiet tableau between two people as he does with an all-out chase scene. Goss plays New York businessman David Miller, a man with a good life and a family he adores. While on a video call with his wife Isabel (Patricia De Leon) and young daughter Savannah (Laura Martin), who are in Mexico visiting Isabel’s parents, David - back home in New York - witnesses a brutal attack on them that ends in an apparent kidnapping. Stuck thousands of miles away and not knowing where to turn, David calls the local NYPD, whose skeptical response only makes him realize how dire his family’s situation actually is. As an actor Goss is deeply likable, exceptionally effective at translating what his characters are feeling, and the terror David experiences at not knowing what has happened to his loved ones is brutal and palpable. In Mexico he meets the cop in charge of the case, Detective Romero (the superb Robert Davi, in a richly nuanced performance). David wants answers, action, anything to make him feel that progress is being made. Romero, a good detective, understands the need to build his case on facts, and while Romero feels for David’s plight, the man is also his worst nightmare - an uncontrolled wild card who could blow the case at a moment’s notice by being in the wrong place at the wrong time. Romero’s careful, low-key approach to the investigation seems like dangerous and deadly plodding from David’s point of view, sure to get his wife and daughter killed. On the other side of the coin is Isabel’s father, Señor Barrabas, a wealthy patrón of weight and gravity. Luis Gatica plays Barrabas with a quiet intensity that is at once civilized and menacing. Though he treats David and the detective as equals, he appears to engender fear and respect everywhere else. Accompanied at all times by a suited, hulking - and likely armed - bodyguard, who Goss subtley keeps just at the edge of the frame, Barrabas’ business dealings can only be guessed at. When it appears that he agrees with Romero’s method of handling the case, David panicks and takes matters into his own hands. Though fit and athletic, David has no “special set of skills” with which to make the bad guy’s life hell a’la the uber-hero in “Taken”, relying instead on instinct and sheer persistence, driven by the certain terror that if he doesn’t use every means at his disposal to track his family down, he will never see them again. Agonizing every step of the way over what he must become to get the job done, he isolates himself from both family and the authorities and relies instead on his gut. Goss’s abilities as a visual stylist and storyteller are well-matched to his subject matter and the camerawork is assured, but he doesn’t sacrifice character development for the sake of style. Goss - who also wrote the script - keeps the dialogue spare and measured, making wonderful use of the players’ inner lives to push the narrative and generate emotion. The acting is uniformly superb and the casting and directing are spot-on, with a touching and almost Fellini-esque sensibility, making scenes with even the most secondary characters satisfying and rewarding. The landscape of the human face as a map of the psyche clearly fascinates Goss at the deepest levels, and his painterly use of color, light and shadow add to the suspense and the unfolding story, while allowing the audience their own visual and emotional journey. And though the church is never explicitly mentioned there is a strain of lush religious iconography running through the film, implying religion as a particularly horrifying form of self-justification for the antagonist, played by Alain Mora in a performance that is a revelatory and disturbing portrayal of a man with a terrifying split in his psyche. The film may be billed as a psychological thriller, but the execution and performances defy simple genre categorization. It would appear that “Your Move” marks the auspicious start of yet another successful branch of Goss’s multi-hyphenate career. “Your Move” has its UK premiere on January 27, 2017. Watch the trailer, here: Writer: Kely Lyons - Los Angeles - January 27, 2018361965
- "Crazy Right" movie trailerIn Movie Trailers·March 5, 201824186
- Beauty and the Beast (2017) ReviewIn Film Reviews·November 1, 2017Disney is back with another live-action adaptation of one of their animated films. This time it was up to Beauty and the Beast to be remade and please the audience. But if we look at the final product that the film is, it seems to be that Disney did it more for the money than for the audience. Will the audience end up roaring for the new film or will it just be Disney happily roaring their victory over their audience? I think we all know the answer to that question. Beauty and the Beast is directed by Bill Condon and tells the tale of Belle. Belle (Emma Watson) is a young adult, who loves to read books and dreaming of playing a part in the adventures that are depicted on those pages. But when she leaves her small village to find her missing father (Kevin Kline), she encounters a large castle in which lives a horrifying Beast (Dan Stevens). As Belle stays with the Beast, she learns that true beauty is found within. Right from the beginning, the film wants to make very clear what kind of a jerk the Beast was before he came a Beast. Just like in the original animated film, where they spend a short monologue on the case. However, in this live-action adaptation they take more then a few minutes to make it clear that the Beast is a jerk. The problem is not that it is not well done, because making the Beast look arrogant is something the movie does is quite well, but the problem is that right from the beginning one of our main characters is an unlikeable prick, which creates a situation wherein you cannot root for the Beast to become normal again. You want him to stay a Beast, because that’s what he honestly deserves to be. He acts like a Beast for the first two acts of the movie. Then the filmmakers remembered that the Beast also must become a human at the end, so they quickly shoved moments in the movie trying to make the Beast look less like a prick and more like an misunderstood young adult. In the original animated film, the Beast had a compelling arc. In this film he does have an arc, but it’s not compelling because the Beast is arrogant throughout most of the film and acts like a prick to everyone around him. The arc is also rushed to the point that it makes you care even less for the Beast. Do you want examples of how much of a prick the Beast is? Well, the Beast doesn’t even give Belle a minute to say goodbye to her father, the Beast keeps correcting and interrupting Belle, the Beast wouldn’t give Belle a room, the Beast forces Belle to eat with him and lets her starve when she says she won’t eat with him etc. The thing with this movie is that they like to exaggerate everything the original did, to the point that this movie feels more like a dark cartoon then the original did.The scriptwriters Stephen Chbosky and Evan Spiliotopoulos also try to add new story elements to the script. There is a new back-story how both Belle and the Beast lost their mothers and it adds nothing new to the story. The scriptwriters probably did this trying to make the Beast, after first writing him as such an unlikable character, look more sympathetic and to give Belle an arc. Only thing is that the new back-story doesn’t make Beast look more sympathetic, he still comes across, as a bitter young adult and Belle never gets a conclusion to her arc. Her mother died when she was just a baby. Belle never knew her mother and this has had a great impact on her. However when she finally finds out, what happened to her mother, the subplot is quickly moved aside to continue the main story. Her arc is never resolved or even started to be honest. It just a waste of time. The script also tries to give Belle more personality. They did this by making her amazing in everything. She is good in reading, good with children, good in teaching, good in inventing, good in drawing, good in taming wild beasts (get it?). However, as expected, being good in everything doesn’t count as a trademark for a character. She isn’t Leonardo Da Vinci. Belle is a dreamer, who gets inspired by the books she reads. Belle is intellectual. Indeed. But in this movie they exaggerated her intelligence to the point that this Belle feels more like a cartoon character then her animated counterpart. There are also some continuity errors. Belle on Phillipe, the horse, move like the Flash when needed. Belle just arrives shortly after the villagers arrive at the castle, while the villagers had a big head start. The sound effects are also sometimes off in the final battle. Oh right, forgot. To please the immature and the children, the movie also includes butt and poop jokes. Yeah! There is also a mystery subplot for the character Agathe, which turns out to be the witch that cursed the Beast. This is so poorly done and unnecessary. She just comes and goes when the story needs her to come an go. And her importance to the story is never explained. Which leaves another unsolved subplot.The CGI in this film is, in contrary to the beautiful The Jungle Book, more creepy than fantasy provoking. Nobody wants to see a CGI teapot smiling. They created some nice nightmare related visuals for the younger kids. Can’t wait to see this on a childhood trauma list.Not everything is bad though. The acting is on point. Especially Gaston is likeable, which feels weird because he’s supposed to be villain of the film. Well don’t worry, because for this first half of the film Gaston comes across as a normal, somewhat dimwitted, individual, but in the second half, he leaves Maurice for the wolves stuck at a tree. Something the animated Gaston would probably also be able to do. The Gaston song is also very amusing. Their is actually an illiterate joke in their that works. The song also contains one exciting, maybe little expectable, but still amusing shot. In the end, Beauty and the Beast, is another Disney remake that is poorly executed and is solely done for the money. This movie in particular felt more like a cash grab than the other Disney movies. That is probably because the effect of the original is still untouched by other Disney movies. It is the only animated movie to be nominated for best picture. It is one of the most well known Disney movies. These were the reasons for which Disney thought that their live-action version could earn some big money. Sadly, it did. Overall, it’s not a complete failure. There are some genuine emotional moments. Some new interesting ideas, that all don’t workout however. And sometimes a joke works. But in the end, the movie is still pretty bad, mostly thanks to the poor script.15182
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