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Film Feature by Chris Olson Directed by Jonathan Entwistle and starring Jackie Chan, Ben Wang and Joshua Jackson, a new Karate Kid movie was released in the UK today. Karate Kid: Legends (2025) is rated a 12A by the BBFC, so a perfect end-of-half-term option for families with older children this weekend. Forced to trade the tranquillity of his martial arts training for the concrete jungle of New York, kung fu prodigy Li Fong finds himself an outsider at a demanding new school. His attempts to forge a normal life are shattered when his innate talent sparks a rivalry with an undefeated karate champion. With his newfound friendships hanging in the balance, Li commits to entering the city's premier karate competition. His path forward is illuminated by two legends: his devoted kung fu master, Mr. Han, and the seasoned wisdom of Daniel LaRusso. Together, they help Li forge a unique fighting philosophy, preparing him for an epic clash that will test his limits and honour a martial arts legacy. Fans of The Karate Kid (2010), are likely excited to see Jackie Chan back in action and those of the original 1984 film will be happy to see Ralph Macchio in the lineup. For those who don't remember, here's a synopsis of the original The Karate Kid movie: Uprooted from his familiar New Jersey life, awkward teenager Daniel LaRusso finds himself a fish out of water in sunny Los Angeles. His attempts to make friends and impress a local girl quickly backfire, drawing the relentless ire of Johnny Lawrence, the charismatic leader of the menacing Cobra Kai karate dojo. Constantly targeted and outmatched, Daniel's despair leads him to the unassuming apartment handyman, Mr. Miyagi. What begins as a plea for protection blossoms into an extraordinary mentorship. Miyagi, a quiet and wise Okinawan immigrant, agrees to teach Daniel karate, but not in any way Daniel expects. Through mundane chores like waxing cars and sanding floors, Daniel unknowingly masters fundamental defensive techniques, learning that true martial arts are about balance, discipline, and inner peace, not aggression. As the bullying escalates, Miyagi orchestrates a truce: Daniel will face his tormentors on neutral ground at the upcoming All-Valley Karate Tournament. With Miyagi's unconventional wisdom and unwavering support, Daniel transforms from a victim into a determined contender, ready to confront Johnny and the "strike first, strike hard, no mercy" philosophy of Cobra Kai in a climactic showdown that will test his newfound skills and spirit. About the Director Jonathan Entwistle is a highly regarded British director celebrated for his distinctive visual style and ability to craft compelling narratives, particularly those with a blend of dark humour and poignant character development. He first gained widespread critical acclaim as a director and executive producer for the BAFTA-winning Netflix series The End of the F*ing World, which cemented his reputation for unique storytelling. Following this success, Entwistle continued to make his mark in television with the similarly acclaimed series I Am Not Okay with This and the retro-futuristic Hello Tomorrow!. His talent for bringing fresh perspectives to established properties has also extended to feature films. He helmed the upcoming Karate Kid: Legends and is attached to other high-profile projects like Power Rangers and The Lost Boys, showcasing his versatility across genres. From his earlier short films like Human Beings to his current slate of major studio productions, Entwistle has consistently demonstrated a keen eye for evocative atmosphere and an innate understanding of his characters' journeys.

Filmmaker Interview by Chris Olson Hi Ranw, great to be interviewing you. Please tell us a little bit about you and your filmmaking? Great to be here—thanks for having me! My name is Ranw Aso-Rashid. My journey into filmmaking has been anything but traditional. I originally studied Biomedicine at the University of Westminster before becoming a qualified science teacher and later Head of Department at a secondary school. But storytelling has always been a passion of mine. At 19, I made my first micro-short film on an iPhone. Later, while teaching, I started making films with my students, which eventually led me to establish AR Studios. Since then, I’ve written, produced, and directed 10 films, including Whispers of Redemption, The Silent Choice (a KINO Original currently on the international festival circuit), and Our Little Act of Rebellion, an international co-production. At AR Studios, I’m fortunate to work with incredible industry mentors, including development consultant Deborah Sheppard, script consultant Pete Daly, and Executive Producer Marcus Liversedge. Our ambitious documentary slate is now entering production, with support from Oscar-nominated producer Hanna Polak and BAFTA-nominated executive producer Clare Richards (Founder of We Are Doc Women). Beyond my work as a filmmaker, I also serve as a judge for the BIFA-qualifying KINO Film Festival and the British Short Film Awards. Filmmaking, for me, is about telling stories that challenge perspectives and leave a lasting impact. I’m always looking for bold, meaningful narratives that push boundaries. Tell us about your new film, Our Little Act of Rebellion. How would you describe the plot of the movie? At 75, Konstantine spends his birthday reminiscing over old photographs with his caregiver, Eleni. But when he stumbles upon a picture of Aysha—a woman he met in a private music club in 1974—memories he thought were long buried begin to resurface. What starts as nostalgia soon unravels into something deeper, revealing a past intertwined with political turmoil, forbidden love, and the secrets hidden within music. As the echoes of that fleeting yet powerful connection grow stronger, Konstantine is drawn back to the club that once changed everything. But some stories aren’t finished yet. Why did you want to make this film? I was drawn to this story because it weaves together themes of forbidden love, political tension, and personal memory—elements that resonate across cultures and generations. At its heart, it’s a deeply human story about connection, loss, and the way the past lingers in unexpected ways, especially regarding experiences that have remained hidden until this film came along. Unlike many filmmakers, especially producers, I am risk-focused rather than risk-averse. I actively seek out bold, challenging projects rather than shying away from them. Knowing how complex this film would be—both as a story and as an international co-production—only fueled my determination to make it happen. I also saw it as an opportunity to push myself, working with a reasonably sized professional crew while ensuring underrepresented stories reach a wider audience in mainstream indie cinema. It sounds great! What were the challenges getting it made? Every film comes with its challenges, and this one was no exception. Time always seemed to be slipping away—long shoots, tight schedules, and the constant race against the clock. There were moments when shots needed to be changed, and I had to ensure the crew stayed on track to keep to our schedule. But, honestly, I thrive in high-stress situations, and I approached these challenges with humor and a calm mindset, which helped keep the momentum going. I made sure to personally know the crew by name, thank everyone for their efforts, and keep the camaraderie with the cast strong. They were absolutely superb, and maintaining that positive energy throughout the process was key. The live music scenes were particularly time-consuming to set up, but I leaned on my teaching background to break down clear instructions for the crew, ensuring everyone knew exactly what we were doing. Seeing the crew and cast working in harmony was incredibly rewarding. Despite the long hours, I found it all fun—there's something exhilarating about being in the thick of it. I remember when we wrapped at nearly 2am on July 31st, I still had the energy to shoot! But, of course, we had to wrap eventually. What stage is the film currently in? The film finished post-production in February 2025, and is about to begin its festival journey, courtesy of KINO London. Our world premiere will take place in Athens this summer, followed by a special screening in London later this year. For those eager to get a first look, we’ll also be releasing the official trailer on our social media channels soon. We’re currently in talks with ERTFLIX for a Greece-territory acquisition, as well as discussions with distributors for global distribution. After completing its festival run, the film will be available on demand via Vimeo and other key distribution platforms before eventually being fully publicly available online. Why do you make movies? I make films because stories are the most powerful way to connect us—to our emotions, to each other, and to the truths we sometimes struggle to face. At the heart of my work is human fragility—the raw, unfiltered moments that shape us. My stories often come from the many students and young people I have taught, coached, and mentored. Their struggles, dreams, and resilience have profoundly influenced my storytelling. I want to give voices to experiences that might otherwise go unheard, to explore sensitive topics with honesty, and to challenge genre conventions in ways that feel fresh and daring. I am heavily inspired by Frank Darabont’s screenwriting, the visceral, unapologetic storytelling of Quentin Tarantino, and the way Christopher Nolan elevates narrative through music—how a single note can change everything. There is always a part of me in the stories I write, produce, and direct. Each film is, in some way, a reflection of something deeply personal. And ultimately, telling these stories isn’t just thrilling—it’s cathartic. It’s therapeutic. My journey into filmmaking began in the classroom, at Friern Barnet School, with the support of my headteacher, Simon Horne. I started making films with my students, and that experience changed everything for me. Watching young people gain confidence, discover their creative voices, and see new career possibilities because of filmmaking—that was the moment I knew this was what I had to do. To this day, I’ve had over 130 students involved in my productions, gaining work experience, volunteering, receiving mentorship, and even landing their first paid jobs. That impact, that ability to shape lives through film, is what drives me. I make movies because I believe in the power of storytelling—not just to entertain, but to inspire, challenge, and transform. What advice would you give to someone just starting a career in filmmaking? The best advice I can give is simple: just start. Film school can help, but not essential. I did biomedicine at university and have learnt my way into the industry. Only do it if you're passionate though. Don’t wait for permission, don’t wait for the perfect camera—use your iPhone, your Android, whatever you have. Make films with your friends. Experiment. Learn by doing. The more you create, the more you’ll grow. Go to networking events. Find people who are passionate about what you love. Surround yourself with those who push you to be better. And if you’re serious about getting into the industry, reach out to AR Studios. We’re highly connected in the independent film scene, not just in the UK but increasingly in Europe and the USA. We’ve provided countless opportunities for young filmmakers to connect with experienced Heads of Department and industry professionals—people who can help you take that next step. But beyond that, understand this: filmmaking is an incredible but tough industry. Don’t enter it expecting to make friends in the personal sense—protect your boundaries, know your worth, and be mindful of who you let into your creative space. Educate yourself on the challenges and issues within the industry, and always stay informed. Read up on what’s happening in film every week using online outlets. Knowledge is power. Above all—keep making work. No one’s going to hand you a career. You build it, one film at a time. Who would you love to work with and why? I would absolutely love to work with Colman Domingo. As an actor, he brings an incredible depth to every role he plays, and his performances are always layered with so much truth and intensity. What really draws me to him is not just his talent, but his dedication to storytelling—how he fully commits to his characters and elevates every project he’s part of. I also deeply admire the way he helped bring Sing Sing to life. His involvement went beyond acting—he was part of the creative process, working to ensure the film was made with authenticity and heart. That kind of passion for storytelling and commitment to meaningful projects is something I resonate with. Working with someone like him, who not only delivers powerhouse performances but also understands the bigger picture of filmmaking, would be an incredible experience. What's next for you? Next, I’m diving deeper into TV development. I’m currently working on three TV series, one of which is an adaptation of Our Little Act of Rebellion. It’s a project I’m incredibly excited about, and I’m in talks with a potential co-producer to bring it to life. On top of that, a major streamer has officially solicited the submission of the project, which is a thrilling next step.

Film Feature by Chris Olson Whether you are a West, Keaton, Bale, Pattinson or other when it comes to who your top Bruce Wayne/Batman is, film fans can't deny Matt Reeves's 2022 noir crime drama The Batman gave us a noteworthy addition and something to look forward to when another movie was announced. Having found plaudits aplenty starring in numerous arthouse films and more independent outings, actor Robert Pattinson has been able to glide above his initial stardom found as the vampire Edward Cullen in the Twilight Saga films. In his most recent film, Die, My Love , he stars alongside Jennifer Lawrence and the film is garnering quick critical praise (indeed, a 5-star review for UK Film Review). Robert Pattinson's depiction of Batman in the 2022 version generally received strong positive critical feedback, with many film critics praising his fresh and intense take on the character. In his review for UKFR, movie critic George Wolf said this about the performance: "Pattinson’s Emo Batman works well within the structure and aesthetic Reeves develops. He carves out a very different crusader, one more introspective and heartbroken than righteous. This Bruce Wayne views the bat signal as both a call and a warning, and Pattinson is able to effectively keep the tortured soul’s head above self-pitying water." The Batman (2022) was a commercial success, grossing a total of $770,860,380 at the worldwide box office. With this and a steady stream of die-hard fans always eager for another Gotham-set movie, it's no surprise that studios are greenlighting yet another Batman movie. After the incredible success of Christopher Nolan's trilogy of Dark Knight movies, and the much-praised Tim Burton movies (we don't talk about the two after that), it will be interesting to see how many Batman movies starring Robert Pattinson get made in end, if indeed the actor wishes to continue with a franchise role having such a troubled relationship with them in the past. The release date for The Batman Part II is currently October 1st 2027 (this may change).

Film Feature by Chris Olson Whether it's the final instalment of the Mission: Impossible franchise or not, The Final Reckoning has received a middling response at best from critics. It also got dunked on financially by Lilo & Stitch at the box office, garnering only $64m on its opening weekend in the US & Canada, compared to $146m by Dean Fleischer Camp's 2025 live-action L&S. That being said, there have been questions about how much money Tom Cruise got paid for Mission: Impossible - The Final Reckoning , as well as the money he's made in total from all of the M:I movies. One outlet suggested he's made $600m across all of the movies from the franchise, with $120m from the final film alone. When it comes to star power, no one can deny that Tom Cruise should have been paid that much for the Mission: Impossible movies. His face is synonymous with cinema and gets more bums on seats than pretty much any other Hollywood actor. From the ludicrous stunts to the exponentially convoluted storylines, the M:I movies are not for everyone, as the critical backlash to The Final Reckoning is showing, but one cannot deny their solid place amongst cinematic royalty. Few movie franchises have been able to accomplish such an impossible feat and the paycheck Tom Cruise has received marries up with his contribution fittingly. It's possible the Mission: Impossible film series has collectively earned over $4.35 billion worldwide. Tom Cruise's indelible mark on the Mission: Impossible franchise extends far beyond his iconic portrayal of Ethan Hunt. As both the lead actor and a dedicated producer, his contributions are arguably the primary driving force behind the series' enduring critical and commercial success, which has collectively grossed over $4.35 billion worldwide. Firstly, Cruise's unwavering commitment to the character of Ethan Hunt provides a consistent, compelling anchor for the films. He has meticulously shaped Hunt into a relatable, albeit extraordinary, hero whose moral compass and relentless determination resonate deeply with audiences across two decades. This continuity in character and performance builds trust and anticipation for each new instalment. Secondly, Cruise's role as a producer grants him significant creative control, allowing him to champion visionary directors and ensure a high standard of quality. He's known for his meticulous involvement in every aspect of production, from script development to post-production, fostering a collaborative environment that pushes boundaries and maintains artistic integrity. This hands-on approach ensures that each film feels fresh and ambitious, avoiding the common pitfalls of long-running franchises. Perhaps most famously, Cruise's dedication to performing increasingly elaborate and dangerous practical stunts is a monumental draw. From scaling the Burj Khalifa to HALO jumps and intricate motorcycle chases, these real-world feats create a visceral sense of excitement and authenticity that CGI often struggles to replicate. This commitment not only thrills audiences but also generates immense buzz, making the "how did they do that?" factor a key marketing asset. Finally, Cruise is a fervent advocate for the theatrical experience. His passion for cinema and his insistence on delivering spectacle-driven entertainment have helped keep audiences returning to the big screen, even in an evolving media landscape. His singular vision and relentless pursuit of excellence have transformed Mission: Impossible from a film series into a benchmark for action cinema, securing its place as one of the most successful and respected franchises in history. Will The Final Reckoning be the last M:I movie? That remains to be seen and speaking with film critic Brian Penn recently on the UK Film Club Podcast, he thinks they left the door open for more. With the amount of money Tom Cruise gets paid, it's perhaps a mission he can't ever walk away from.

Film feature by Chris Olson Fresh from the Cannes Film Festival , our critic Jack Salvadori posted a glowing 5-star film review of Die My Love on the 19th of May. Whilst his review picked out many of the fantastic aspects of Lynn Ramsay's new movie, it was his adulation of Jennifer Lawrence's performance that struck many of the UK Film Review readers. "Jennifer Lawrence gives a career-best performance as Grace, a young mother exiled to a remote Montana countryside home with her partner Jackson (Robert Pattinson)." Having won the Academy Award for Best Actress in 2013 for her performance in "Silver Linings Playbook", many film fans are aware of the acting prowess of Jennifer Lawrence. Her incredible filmography includes performances in the likes of American Hustle (2013), Joy (2016), and Mother! (2017). Even Lawrence's franchise appearances have garnered her positive critical acclaim, from her best-known role as Katniss Everdeen in The Hunger Games films, to playing Raven/Mystique in three X-Men films (two of which are very good films - you know the ones I mean). In Die, My Love, Jennifer Lawrence is acting opposite another popular actor with a similarly accomplished background, Robert Pattinson . Brought to global popularity with the Twilight and Harry Potter films, Pattinson has proven himself time and again as a fantastic on-screen presence. If you haven't seen his more niche films such as The Rover (2014), Good Time (2017), or The Lighthouse (2019) then you are missing out. He also pops up in many bigger movies, such as the 2022 version of The Batman and in Christopher Nolan's divisive Tenet (2020). Listen to the UK Film Review Podcast episodes on Nolan's films to see what we all thought of that. I first came to know of director Lynne Ramsay with her extraordinary 2011 film We Need to Talk About Kevin, starring Tilda Swinton. An adaption of the 2003 novel by author Lionel Shriver, Eva Khatchadourian (Tilda Swinton) grapples with the aftermath of a horrific school massacre committed by her son, Kevin (Ezra Miller). Told through fragmented flashbacks and Eva's present-day struggles, the film explores her challenging relationship with Kevin from infancy. From a young age, Kevin exhibits disturbing, manipulative behaviour, often hidden from his father (John C. Reilly). Eva constantly questions whether his malevolence is inherent or a result of her own perceived lack of maternal affection. The chilling narrative delves into themes of nature versus nurture, parental guilt, and the unspeakable horror of a child capable of such evil. Film fans will rejoice to know that Die, My Love is coming to cinemas on June 6th 2025.

Filmmaker Interview by Chris Olson Hi Tope, thanks so much for doing this interview with UK Film Review. Please can you tell our readers a little bit about yourself? My name is Tope Laguda. A lot of people can't pronounce my name but the closest to it is toh-pay. As long as you don't call me toupe, I'm good. I am a new filmmaker but relatively late to the industry. I'm what you would call a late starter in general. I tend to do my own things in my own time. I guess that kinda makes me special. I had a stint in TV commercials as a kid in primary school, was in the drama club and the social prefect in secondary school and a really good dancer too so, it hasn't been a surprise to a lot of people who have known me from when I was little that I would eventually make my own film. I wrote the screenplay for my film, " What No One Knows " but still suffer from impostor syndrome. Haha! I am currently writing 2 screenplays, but it would be good if I could finish one though. My mind flits from one task to another and no, I do not have ADHD. Good to know haha. Can you tell us the name and a bit more about the film(s) you are working on? I am still trying to decide a name for them. I feel like a mom-to-be who will only know what to call her child once she sees their face. I guess I'll be more decisive once the story is done. If however, you mean latest latest, then it will be What No One Knows which is currently streaming on Prime Video and I'm working on the marketing for it. For those who haven't yet seen What No One Knows, what's the synopsis you give to a potential viewer? Two women, lifelong friends, embark on a shocking act of deceit, which they believe will help them both, neither foreseeing the devastating impact it will ultimately have on each of them and their families. When me and Brian reviewed the film on the UK Film Club Podcast , we loved it. Why did you want to make this film? It had been bugging me for so long! It was conceived in 2006 when my daughter was 8 months old and I tried to bring it to life, but wasn't getting any success,s and I soon forgot about it, but in 2018, when it looked like my life was going nowhere, I picked it up and started developing it. As fate would have it, the delay worked in our favour because my daughter, the same one who inspired the story, ended up playing the younger version of my character in the film. I wanted to fulfil my dream of bringing my talent to as many people as possible. That's amazing! I can imagine there were plenty of challenges along the way? Oh my goodness! There were and still are a lot of challenges. Putting the funds together, we couldn't find anyone to believe in us enough to invest in the project so, we ended up funding it ourselves. Then we had the pleasure of working with challenging actors who made production actual hell on earth. My co-star threatened to beat me up on set! It was chaotic and for a first-time production, it almost put me off but for the love of filmmaking. I always knew it was what I wanted to do. Then there is the challenge of selling the film as a black female first time filmmaker! It is an absolute jungle out there. Not to talk of falling into the hands of unscrupulous individuals who claim to be sales agents lie and take your money and not deliver on their promises. I can only talk about how I've overcome them when I have overcome them, but right now, I am still going through them and I am staying positive. After all, my film is now on Prime Video. It's another step forward. That sounds terrible. It's great you still have such a fire burning for filmmaking. Why do you make movies? The best way to get away from reality is to create your own reality. Filmmaking gives you that control. Writing allows you to decide where you want to take your characters, what you want to do to them and whether you want the audience to love them or hate them. You are in absolute control (if you have the money haha!), which is something that life doesn't allow you to do. Believe it or not, Home Alone lit a fire in me. The young Kevin McAllister, and everything about the 1st and 2nd instalment. I watched them so many times I knew the whole screenplay by heart. Shonda Rhimes as a writer/creator/producer, is an inspiration. I love me some Viola Davis and Mr Spielberg, but ultimately I'm inspired by my environment and everyday people like myself. I'm quite picky about where I get my inspiration from :) What advice would you give to someone just starting their career? Do not trust everyone who tells you they know what they are doing or that they've got experience and know better than you do. Always do your due diligence on people and ask questions. Anyone who asks you to put money down before they help you is not there to help you. Filmmaking is not for the weak, do it if you really love it. If you are going into it for commercial reasons, you might want to look elsewhere. That's sound advice. Who would you love to work with and why? Viola Davis, Shonda Rhimes, Kevin Hart. Viola and Shonda are powerhouses that will challenge me and make me unlearn and relearn everything! Kevin Hart will help me explore my funny side and it would be mad fun to be with him on set. Other than promoting What No One Knows on Prime Video, what's next for you? I will continue to work on my next two scripts which I believe will raise the bar even higher than what we have done with What No One Knows. You can find out more about Tope and her filmmaking below: https://ihaveanideaent.com https://www.instagram.com/whatnooneknowsthemovie/ #ChrisOlson #FilmmakerInterview

★★★★★ Starring: #Graham Slater, #BenRufusGreen, #Basil Bottler, #KirstyConway and #StuartAshworth Directed by: #DanielReid Short Film Review by: Alexandra James Kim is about a man who has become reclusive and is very much set in his ways, his reluctance to leave his home has forced his inner thoughts to manifest into an old red British telephone, where Kim is left constantly bombarded with phone calls encouraging him to leave his home and see the world. A very quirky and eccentric character, Kim discovers that the outside world is not as bad as he thinks and endeavours on an adventure meeting new people and exploring his surroundings, this film follows his journey and the interactions he has with equally eccentric people just like him. Kim is a rather odd character, his bedroom is filled with childhood 80s toys, and he seems to live in a very innocent world, with a fear of everyone outside, especially those that tease and bully him for his peculiar ways. However, its his inner thoughts at the end of the phoneline that force him to get out there and interact with new people instead sitting at home feeding his parrot, that is dead by the way! Although there were some scenes that appeared rather strange, this was the films allure. I really enjoyed all the unusual and weird characters, everyone seemed odd, but it became fascinating to see how they all interacted with one another. The scenery and the aesthetic appeared nostalgic in a way and created a very retro world within a modern setting. The costumes and props used to emphasise Kim’s character were so detailed and really conveyed the characters personality. From the bowl of cornflakes to the electric toothbrush and even the telephone itself, it was such a well thought out storyline that just left me wanting to know more about Kim and how his journey continues. The diverse use of camera angles and shots were incredibly clever, with the use of aerial shots highlighting just how big the outside feels for Kim and shows the contrast of how this must feel for a recluse, and just how vast and scary the outside world can seem to some. The dialogue was funny and silly and sometimes baffling but that created the charm to this short film, the nonsensicalness of this film was perfection. I loved all the characters and found them incredibly comical, it was engaging throughout with a wacky story that flowed well.

★★ Starring: #IraSakolsky, #VivianaVasquez, #AmyBuckley, #CarrieNeri, #LaurieSullivan Directed by: #RyanPhelps Short Film Review by: Alexandra James If you are looking for a bit of light relief, something to brighten your day and get rid of your Monday blues, then this short Dancing with a Dog! is the clip for you. An upbeat and visually intriguing video that shows us just how much our canine friends love being in our company. A fun-loving tune which gives the audience an insight into just how much our pets love us and what exactly are they thinking about? It’s a question that many of us would like to know, Dancing with a Dog! reveals to us exactly how dogs feel about their human companion. This short does start off in a muddling way, it is a very exaggerated clip but at the same time it is a very engaging with a catchy tune that sticks with you. There is a mixture of scenes that makes this piece even crazier, scenes with dogs dancing with families but also show dogs performing with their trainer. There is a large combination of scenes, sometimes a bit misplaced, however, it was interesting to watch. The main element to take away is that it is a cheerful short for animal lovers. There were some fun shots that helped to elevate the short by placing the camera on a dog’s back so that we can see everything from the pet’s perspective, even some scenes in black and white which is exactly how dogs view the world. The lyrics to the tune could have been a bit stronger, however, there is an innocent theme to this short clip which makes everything feel playful and engaging but there needs to be more of a flow between scenes as there were random cutaways which unfortunately did not flow entirely well. For example, the opening scene was very brief and looked a bit disjointed to the rest of the video, if there was a smoother transition which included more of a context to the rest of the video, it would have flowed much better. A simple but very fun and engaging short with a likeable tune that just makes you want to get up and Dance with your dog!

★★★★★ Starring: #RyanHayes, #BenjaminSchnau and #DeanRidge Directed by: #TobyKearton Short Film Review by: Alexandra James Kamerad, a short film based on a true story. Set during the onset of World War 1 in 1918, this is a harrowing story that highlights the brutalities of war and the humanity within man. Trapped within a crater in no mans land, two soldiers fighting for their country but battling with their conscience on what is moral and their duty. As the soldiers confront each other, the story unfolds and the audience enter a dark and dramatic setting that shows the tension between the two men, with the looming question of trust clouding the scene. The thrilling element to this film is that it is based on a real soldier, Henry James Tandey, a soldier granted Britain’s highest award for gallantry. This significant event could have changed history as we know it, director Toby Kearton captured this crucial and emotional moment. A painful but moving short film that reveals the darkness of war where every decision can become life changing. The beginning of this short, starts off exciting as the audience are quickly introduced to two soldiers battling one another to the death, throwing us deep within the heart of the action. It becomes clear that the soldiers are entrapped in a deep crater in the middle of no man’s land, with nothing but a gun and strength to get them out but only one can leave alive. As the pair struggle, it is the British soldier Tandey that manages to survive by the skin of his teeth, but soon becomes confronted by another German soldier, one who is severely injured as he crawls to the centre of the pit. Tandey is left with the dilemma of whether to kill or walk away. This was a seriously intense and gripping scene, the close ups of the soldiers’ eyes were mesmerising, you could see the fear deep within. The uncertainty with watching the action play out on screen, completely unaware of their next moves. Occasionally, the audience could sense a degree of solidarity between the two but there was still that unpredictability and apprehension, they clearly did not have confidence that they were entirely safe. This short portrayed the very real moments that occur on the battlefield, it appears as though the soldiers fighting for their country are programmed to just kill, to have no remorse and humanity it totally removed from their being. However, this is not the case, within everyone there is fear, compassion and a conscience. Although some may have this repressed, Kamerad exposes the inner thoughts that run through man when face to face with an enemy. It was a difficult watch but extremely moving and historically accurate. I was not aware of the soldier Henry James Tandey, and so the ending became a real shock and does make you wonder what if? And how would you respond when faced with this decision in the moment?

★★★★ Starring: #Demz, #RoryWaltonSmith, #TeniOsho Directed by: #Shayaan Short Film Review by: Alexandra James Demzzz Type Beat , directed by Shayaan follows three gang members as they make themselves known across the city, inflicting violence on those that attempt to cross them. However, for one of the members, he becomes haunted by those he has killed, and we witness the conflict between the loyalty to his crew and his conscience. With a few twists and turns Shayaan creates a dark and gritty short film and exposes the dangerous corners of the city and those that fight to become top dog at all costs. What really stood out within this short film was the editing, from the beginning the audience are met with a very enticing scene as our main character is walking towards the screen and another character is running backwards in slow motion. Very intense and dramatic and completely gripped me. The locations in every scene were similarly noteworthy, looking up at the city and taking it all in the vastness and striking buildings, contrasted by the underground dark and gloomy car parks with the broken lights adds a lot of depth to the story. The acting was a bit of a mixture, many of the scenes were convincing and reflected that hard exterior of a gangster. However, there were times when that masked slipped and points where we needed that strong, no-nonsense attitude which did not always seem to come across. For the main character, this is where that blend of toughness and fear was prominent and necessary, the character himself had many layers than what meets the eye. This was a very interesting storyline and character to pick apart, as you go deeper into his conscience you can see that there is more to him that is complex as he battles with what’s right and wrong but also keeping up this tough persona which makes for a perfect main character to follow. A very hard-hitting short film with great characters that make you want to invest more. Director Shayaan has really elevated this piece with his use of dynamic editing which really added his own uniqueness and created an original flare, these simple touches are what shapes your own stamp to your work and sets this film apart from the rest.

★★★ Starring: #AshleyLarson, #JakeMoon, #CristenStephansky, #ClareWilliams, #AndyZibritosksy Directed by: #JimHails Short Film Review by: Alexandra James Chocolate chip a crazy an absurd short film that shows the effects of how bad pregnancy cravings can get! However, this might be a slightly exaggerated interpretation, but the emotions are very much the same. Director Jim Hails creates a series of surreal scenes and introduces us first to the character Sarah Wilson, a young woman who is heavily pregnant eating snacks and watching TV late into the night. An advertisement for a chocolate chip cookie appears on the screen, this is all she can focus on and becomes fixated with feeding this hunger. After much deliberation she decides to make the journey to locate some cookies, however, along the way Sarah is met with some extraordinary scenarios. One word to describe this film would be trippy, there is an edge to this film that makes it unique and even have a retro feel to it, from the style in which the TV adverts were filmed to the locations such as the small diners and laser tag spot. The film is left to the audience to determine whether this is a hallucinogenic nightmare or an anxiety driven storyline from the perspective of Sarah. It’s an attempt to convey just how deep her emotions run from the viewpoint of a pregnant woman. As Sarah attempts to scout out the chocolate chip cookies, she has a strange encounter with a robber, who demands all the money from the till but also all the chocolate chip cookies in the joint. A disgruntled Sarah abides but can’t help but think this is completely unfair and takes it upon herself to track down this cookie thief and take back what’s rightfully hers! This film may seem a little far-fetched to some, but it does make for a funny and engaging storyline. The acting seemed overexaggerated in some scenes, but this was to match the overall craziness and did still work well. I did really enjoy the way this short was filmed the look and feel of the film did have that retro vibe which ultimately felt quite comforting in a strange way, but coupled with the crazy storyline it gave the film a twist and want to engage more with the characters and ultimately find out how this story ends for poor Sarah and her strong desire for a simple chocolate chip cookie. Jim Hail certainly pushes the boundaries of absurdities and Chocolate Chip  reflects this madness in every sense. The cinematography, locations and actors really helped to develop Hails own flare to build a very strange short film that boggles the mind and question reality, as well as really crave a chocolate chip cookie!

★★★★ Starring: #SarahJohn, #ChayBrowne, #ChrisKyriacou and #PebbleLillyLeslie Directed by: #MichaelPSpencer Short Film Review by: Alexandra James A Plus , a short film that follows a young couple, Cassie and Ade, who are determined to do what’s best for their 10-year-old daughter. Much like any parent, they want their daughter to get the best education and to thrive in a world where opportunities can be made available to her. However, at what cost? Cassie and Ade take some extreme measures to give their daughter a fighting chance and take matters into their own hands to ensure her success. Director Michael. P. Spencer’s comedy asks the audience, just how far would you go to give your child the best start in life? The story begins at a petrol station, the couple seem quite tense with each other and eager to leave and move forward with their ‘plan’. Ade walks out of the shop with some apple juice and asks Cassie’s opinion on some duct tape. With the shadiness of their actions, we can only assume that they are preparing to commit a dangerous crime and inflict violence on someone which does not suit the couple’s personality. At this stage, the audience are left confused as to what type of people this couple are, especially when listening to their conversation, as they share their thoughts and opinions on education and the best ways in which a child can learn. Things seem a little mismatched here and only makes the story that much more interesting as the plot begins to thicken. The cinematic style for this short film is fantastic, edgy and dark and completely throws the audience off the scent to the direction of the narrative. I enjoyed the juxtaposition of scenes and imagery throughout; it made for a successful comedic relief once the audience find out the couple’s real plan. Delaying that ultimate reveal made it that much funnier when we discover the family’s true intent. Without too many spoilers, this family are very keen to make sure their daughter gets good grades across the board and will stop at nothing to make sure that happens.   A Plus  is a funny short film with a few surprises along the way that draws the viewer in as we attempt to determine the intentions of our main characters and their mysterious and unusual behaviour, only to be hit with a very witty and unexpected ending. This short will lead you down a journey of a mixture of emotions but will have you laughing by the end!