Search Results

Latest Film Reviews average rating is 1 out of 5 Megalopolis Read Review average rating is 3 out of 5 Adze The African Vampire Read Review average rating is 3 out of 5 Faceless After Dark Read Review average rating is 2 out of 5 Another Mother's Day Read Review average rating is 2 out of 5 Furiosa: A Mad Max Saga Read Review average rating is 3 out of 5 Back to Black Read Review average rating is 4 out of 5 Evil Does Not Exist Read Review average rating is 4 out of 5 Original Skin Read Review average rating is 3 out of 5 The Second Act Read Review average rating is 3 out of 5 Nightwatch: Demons Are Forever Read Review average rating is 4 out of 5 Voyager Read Review average rating is 4 out of 5 Depression Is A Beast Read Review average rating is 3 out of 5 Gunslingers Read Review average rating is 4 out of 5 Adam the First Read Review average rating is 3 out of 5 Pandæmonium Read Review average rating is 3 out of 5 Red Lantern Read Review average rating is 4 out of 5 Tomorrow Read Review average rating is 3 out of 5 Maiken Read Review average rating is 4 out of 5 Denmark Doesn't Exist Read Review average rating is 4 out of 5 The Last Stop in Yuma County Read Review average rating is 4 out of 5 The Feeling That the Time for Doing Something has Passed Read Review average rating is 5 out of 5 Do Not Expect Too Much from the End of the World Read Review average rating is 4 out of 5 Kingdom of the Planet of the Apes Read Review average rating is 3 out of 5 The Thin Black Line Read Review average rating is 3 out of 5 Tomorrow Never Comes Read Review average rating is 4 out of 5 Imperfect Read Review average rating is 3 out of 5 The Call Read Review average rating is 3 out of 5 bad lunch. Read Review average rating is 4 out of 5 Kenny Read Review average rating is 3 out of 5 The Fall Guy Read Review average rating is 3 out of 5 Cast Away Read Review average rating is 3 out of 5 The Protégé Read Review average rating is 2 out of 5 On My Level Read Review average rating is 3 out of 5 Changing Tides Read Review average rating is 3 out of 5 The Storm Read Review average rating is 4 out of 5 Challengers Read Review average rating is 5 out of 5 Jane Austen's Period Drama Read Review average rating is 3 out of 5 Mother Maker Lover Taker Read Review average rating is 3 out of 5 Humane Read Review average rating is 1 out of 5 Cruel Read Review average rating is 3 out of 5 Company Read Review average rating is 3 out of 5 Boy Kills World Read Review average rating is 4 out of 5 The Beast Read Review average rating is 4 out of 5 No Mercy Read Review average rating is 4 out of 5 Infested Read Review average rating is 3 out of 5 Paddling Read Review average rating is 3 out of 5 Boy.With.Angel.Wings Read Review average rating is 2 out of 5 Wait Till It Drops Read Review average rating is 5 out of 5 Fugue Read Review average rating is 3 out of 5 Circus Read Review average rating is 3 out of 5 Ghostbusters: Frozen Empire Read Review average rating is 4 out of 5 It Could Be You Read Review average rating is 2 out of 5 Bestias Read Review average rating is 3 out of 5 Back to Black Read Review average rating is 4 out of 5 The People's Joker Read Review average rating is 4 out of 5 Alba Rosa Read Review average rating is 4 out of 5 OBA OMO (The King Child) Read Review average rating is 3 out of 5 IRAN: A People Forever in Revolution Read Review average rating is 3 out of 5 Hello in Here Read Review average rating is 3 out of 5 Guilty Read Review average rating is 2 out of 5 Devon Read Review average rating is 3 out of 5 I am the Wanderer: Director's Cut Read Review average rating is 5 out of 5 My Obsession with Death Read Review average rating is 3 out of 5 Death of a Mule Read Review average rating is 4 out of 5 Clodagh Read Review average rating is 3 out of 5 Alleviate Read Review average rating is 4 out of 5 Whippy Read Review average rating is 4 out of 5 The Other John Read Review average rating is 3 out of 5 Straight Through Crew Read Review average rating is 5 out of 5 Civil War Read Review average rating is 3 out of 5 What I'm Hiding From You Read Review average rating is 3 out of 5 Sting Read Review average rating is 3 out of 5 Rooftops Read Review average rating is 2 out of 5 The Siren Read Review average rating is 4 out of 5 Music to Die For Read Review average rating is 4 out of 5 Who We Were Read Review average rating is 2 out of 5 The Founder Effect Read Review average rating is 4 out of 5 Monkey Man Read Review average rating is 2 out of 5 The First Omen Read Review average rating is 4 out of 5 Femme Read Review average rating is 2 out of 5 Disrupted Expectations 2: Becoming the Research Director Read Review average rating is 3 out of 5 Wicked Little Letters Read Review average rating is 4 out of 5 Remembering Gene Wilder Read Review average rating is 4 out of 5 Bound Read Review average rating is 5 out of 5 Rwd Fwd Read Review average rating is 3 out of 5 James Read Review average rating is 4 out of 5 Lochgoilhead Forever Read Review average rating is 4 out of 5 Waiting for a Train Read Review average rating is 4 out of 5 Dolce Far Niente Read Review average rating is 3 out of 5 Make a Wish Read Review average rating is 3 out of 5 Godzilla x Kong: Thew New E,mpire Read Review average rating is 3 out of 5 Lousy Carter Read Review average rating is 4 out of 5 They Shot the Piano Player Read Review average rating is 2 out of 5 Night Explorers: The Asylum Read Review average rating is 3 out of 5 Swords of Justice II Read Review average rating is 3 out of 5 Earlybird Read Review average rating is 4 out of 5 Dustlight Read Review average rating is 3 out of 5 Shear Disturbance Read Review average rating is 3 out of 5 Deep It Read Review average rating is 3 out of 5 Bitter 17 Read Review

FILM REVIEWS UK UK Film Review is a film reviews website based in London, UK. We promote films and movie trailers from around the world and support indie films that would usually find it hard to find the spotlight against the bigger films of cinema. From the latest blockbusters, to small indie cinema, we tackle as many films as we can. Reviewing them from all aspects, not just how many digital landscapes they blow up using CGI. We also review short films in the UK and internationally, helping filmmakers to promote their movies and raise their profile. If you would like to have a short or indie film reviewed by us, please submit all info using the button below. Take a look around, enjoy the spoils of filmmaking, film festivals and artistic expression. Our merry band of film critics are constantly hard at work, writing film reviews, or watching movie trailers for some of the most exciting movies coming out in UK cinemas. So to keep their morale up, please be nice...or at least funny if you choose to troll. Because, in the immortal words of Rick Moranis in the movie Spaceballs, "Keep firing A**holes!". By the way, on this film reviews website, you may see several references to Spaceballs. If you have not seen that classic Mel Brooks film, you MUST seek it out and tell us what you think. SUBMIT YOUR FILM Are You a Film Podcast Fan? Film critics Chris Olson and Brian Penn host a monthly podcast for all types of film fans! ​ Whether you like the latest blockbuster releases, or streaming is your thing - we have you covered. ​ We even review short and independent films on the podcast. ​ Our final review is usually for a "Nostalgia" pick - something from the past worth revisiting. Previous picks for this have included Jaws, The Fly, and Good Will Hunting. ​ Search UK Film Review Podcast wherever you like to listen and join our global community of film lovers. Film Reviews from UK film critics LATEST REVIEWS Megalopolis Adze The African Vampire Faceless After Dark Another Mother's Day Furiosa: A Mad Max Saga Back to Black Evil Does Not Exist Original Skin The Second Act Nightwatch: Demons Are Forever Voyager Depression Is A Beast Load More

Music Video Reviews One of the most exciting sub-genres our critics review is music videos. They are often incredible pieces of storytelling, either in their own right or aligned with the song playing over them. On this page you will find a great selection of music video reviews from the team of critics at UK Film Review. ​ If you are a filmmaker or artist who would like us to review your music video, submit your film here . ​ When it comes to reviewing a music video, the process differs slightly from perhaps a narrative short film or documentary. The music has to be explored far more intimately than if it were a soundtrack because that's where the story originates from rather than being added further down the line. Music videos do conform to genres but these are often musical genres rather than film categories, for example pop, folk, rock, rap etc. So this will also influence the music video review our critics write because the target audience is going to be considered. ​ Music videos may take a variety of forms or even combine different aspects to create a different effect on the viewer. For example, it is common for a music video to contain a small narrative, as well as live performance footage. Top filmmakers making music videos will be able to immerse you into the song and story without leaving you feeling like you have just watched a promo piece. ​ Choreography is also a common trait in music videos, with dance sequences and flash mobs recurring - often in pop music videos. Editors of music videos will have their work cut out to ensure the choreography looks tight and engaging without it feeling staged or lifeless. ​ Hopefully the array of music video reviews you see below will include some gems for you to peruse. Don't forget to scroll to the bottom of the article, as we often include the actual music video so you can watch it for yourself. Rooftop Screamers Joe Beck Hot Chip Eleanor Swati Verma A New Kind of Life Jason Knight Vaarwell - Quarter Life Crisis - EP Campaign Patrick Foley KYTLY - "Neverending" Patrick Foley Rebel Rob Jones Millais Flower Honey - Sugarless Rob Jones Som.1-Ultimatum Jason Knight My Brain Does Not Compute William Hemingway alexjames96 Mar 17 2 min Cinerama (Music Video) Short Film Review alexjames96 Dec 19, 2023 2 min Homecoming (Music Video) Short Film Review alexjames96 Nov 16, 2023 2 min Sheep F-cked In the Head Short Film Review Theo Aug 1, 2022 2 min Service for The King short film review Chris Olson Sep 28, 2021 2 min Stroke Code Music Video Review Alicia Moore Sep 22, 2021 3 min COVID 19 Music Video Review More Film Reviews

Short Film Reviews Welcome to the UK Film Review page for short film reviews . Here you will find some of the best and brightest sparks in a sea of cinema. Filmmakers from across the globe submit their short films to us to be reviewed, and our Contributors lovingly dissect them. If you would like one of our team to write a film review of your short film, please use the form below or visit our Submit Your Film page Our short film reviews are written by passionate film critics across the UK and aim to highlight and promote terrific filmmaking when we find it. We are always honest with our reviews, so if you are looking to submit your short film for review, please do so knowing that we will not alter what we have said because you don't like it. There is a wealth of amazing talent in the short film industry, and we hope by writing film reviews about this underexposed creativity we can get your movies to a new audience...but we need your help. Please join in the chatter on our social media channels so that we can grow our community and share the joy. Use the buttons in the footer to Like us on Facebook, Follow us on Twitter, and Subscribe to us on YouTube #supportindiefilm. Get Your Short Film Reviewed ↓ alexjames96 Apr 19 2 min A Happy Ending Short Film Review alexjames96 Apr 19 2 min Shear Disturbance Short Film Review alexjames96 Apr 19 2 min Watch What I Do Short Film Review alexjames96 Mar 17 2 min After Hours Short Movie Review alexjames96 Mar 17 2 min Cinerama (Music Video) Short Film Review Chris Olson Mar 1 3 min Film Podcast: George Clooney Rowing Biopic Scoops Film of the Month Chris Olson Feb 22 3 min Film Podcast: Anthony Hopkins drama crowned "Film of the Month" alexjames96 Feb 17 2 min Mannequin Short Film Review alexjames96 Feb 17 2 min The Separation Short Film Review alexjames96 Feb 17 2 min Bare Foot Short Film Review William Hemingway Jan 18 8 min Filmmaker Interview with Jiwon Lee alexjames96 Dec 19, 2023 2 min Dominion Short Film Review alexjames96 Dec 19, 2023 2 min Homecoming (Music Video) Short Film Review alexjames96 Dec 19, 2023 2 min Sunset Drive Short Film Review Chris Olson Nov 28, 2023 5 min Filmmaker Interview with Alexander Ratter alexjames96 Nov 16, 2023 2 min Purely Cosmetic Short Film Review alexjames96 Nov 16, 2023 2 min What Remains Short Film Review alexjames96 Nov 16, 2023 2 min Sheep F-cked In the Head Short Film Review Chris Olson Nov 13, 2023 3 min Filmmaker Interview with Aimie Willemse alexjames96 Oct 13, 2023 2 min Uncharted Expedition Short Film Review More Film Reviews Another Mother's Day Patrick Foley Original Skin Joe Beck Voyager Jason Knight Depression Is A Beast William Hemingway Gunslingers Patrick Foley Red Lantern Chris Buick Tomorrow Joe Beck Maiken William Hemingway Denmark Doesn't Exist Patrick Foley The Call William Hemingway bad lunch. Joe Beck Kenny Patrick Foley Cast Away Joe Beck The Protégé Chris Buick On My Level William Hemingway Changing Tides Patrick Foley Jane Austen's Period Drama Joe Beck Company Chris Buick Boy.With.Angel.Wings William Hemingway Wait Till It Drops Joe Beck Fugue Jason Knight Circus Swati Verma It Could Be You Jason Knight Bestias Patrick Foley OBA OMO (The King Child) James Learoyd Load More Reviews What is a short film review? A short film review is often written by a movie critic and it's their opinion on a film that is less than sixty minutes long. Short film reviews still explore every aspect of a movie. How do I write a short film review? Writing a short film review needs to cover multiple aspects of the movie. Including the script, the characters, performances, cinematography, score & sound design, editing and so on. How long should a film review be? A film review should be as long as the house style. Some publications provide lengthier reviews than others. A general minimum word count would be 300. How much money do film critics make? Film critic salaries depend massively on their publication. Many film critics are freelancers, meaning they get paid per review and sometimes this is based on word count. Making money through film reviews can be challenging.

Film Reviews Here at UK Film Review we like to tackle all kinds film reviews. Our writers come from all walks of life, and feel passionate about critiquing the movies they watch. From the latest Theatrical Releases to Short Films, Indie Films, Documentaries and even Animation, the contributors of UK Film Review are as eager to please as Dev Patel in The Best Exotic Marigold Hotel (2011). If you are a filmmaker, or are working in film PR and want to promote one of your clients, please get in touch using the Submit Your Film button under the drop-down menu for Home. Take a look at our list of film reviews below from some of the hottest releases in UK cinemas. Simply click the image of the review you would like, or the title of the movie. Or use the search button to find the movie you are looking for. We have given any feature length film a star rating (out of 5) in order to help viewers sort the Citizen Kanes from the Waterworlds, the Inceptions from the Transformers. Michael Bay will be given a fair film review from our writers, but that probably will not go in his favour. Speaking of Filmmakers, head over to our Filmmaker Features page for awesome articles about some of the best filmmaking geniuses who ever lived. Movie Trailers are also available, either underneath the film reviews, or on the Movie Trailers page. And lastly, if you like your film reviews verbalised. Simply because reading is boring and listening is marvellous, then make sure you Subscribe to the UK Film Review Podcast. Our critics offer up some banterous opinions on the best and worst movies across all genres. Head over to the Podcast page, or click this link to go straight to iTunes. If you would like to read or view any of the following, simply use the navigation. Alternatively, you can click on one of the images to read the film reviews here, or simply have a ganders at the lovely movie artwork on display. Remember to listen to film reviews on our regular film podcast. GET REVIEWED average rating is 3 out of 5 Faceless After Dark Read Review average rating is 2 out of 5 Another Mother's Day Read Review average rating is 3 out of 5 Back to Black Read Review average rating is 4 out of 5 Evil Does Not Exist Read Review average rating is 3 out of 5 Nightwatch: Demons Are Forever Read Review average rating is 3 out of 5 Gunslingers Read Review average rating is 4 out of 5 Adam the First Read Review average rating is 4 out of 5 Denmark Doesn't Exist Read Review average rating is 4 out of 5 The Last Stop in Yuma County Read Review average rating is 4 out of 5 The Feeling That the Time for Doing Something has Passed Read Review average rating is 5 out of 5 Do Not Expect Too Much from the End of the World Read Review average rating is 4 out of 5 Kingdom of the Planet of the Apes Read Review Chris Olson Mar 8 2 min Film Podcast - Dune: Part 2 Chris Olson Mar 1 3 min Film Podcast: George Clooney Rowing Biopic Scoops Film of the Month Jan 20, 2023 3 min TAR FILM REVIEW Taryll Baker Oct 13, 2022 2 min Empire of Light - Film Review Oct 11, 2022 3 min Bones and All LFF Review Oct 7, 2022 3 min White Noise (2022) LFF Review Sep 20, 2022 2 min Sanctuary TIFF Review UK Film Review Sep 13, 2022 5 min FrightFest 2022 Highlights May 25, 2022 3 min Top Gun: Maverick Film Review Apr 23, 2022 3 min The Unbearable Weight of Massive Talent Film Review Spoilers in our film reviews As with all digital forms of expression sometimes people may find something that upsets them online. Spoilers can often be one of these things! Whilst we do our best to ensure that major plot points, twists, character deaths and celebrity cameos are not found in our reviews, it can sometimes be difficult to judge what each and every film lover on the planet would to be a spoiler. If you feel that one of our film reviews contains one too many details then please do let us (politely) know using our social media platforms. We may then take serious action, such as expelling the critic responsible from this and every other movie publication past and present, declaring war against the studio for leading our writer into temptation, or we may do nothing at all. To be honest, it is most likely going to be the latter unless some serious rules have been broken. You may also see some movie trailers in our reviews that could also contain potential spoilers. In which case anyone who is hoping to avoid these should probably not click the play button on them. Or click the play button, turn the sound down on your device, then leave the room for a least 28 minutes whilst the trailer finishes and leaves your life naturally. You may be wondering what you could do with all 28 of those minutes! Why not read some more film reviews on another device? Or make a short film of your cat playing with a piece of string? Spend it wisely guys and gals.

HOME | FILMS | REVIEWS Furiosa: A Mad Max Saga Film Review average rating is 2 out of 5 Critic: Jack Salvadori | Posted on: May 16, 2024 Directed by: George Miller Written by: George Miller, Nico Lathouris Starring: Anya Taylor-Joy, Chris Hemsworth George Miller takes us back to his iconic dystopian, post-apocalyptic Australian Wasteland in a reverse journey to discover the origins of Furiosa, played by a roaring Charlize Theron in Mad Max: Fury Road in 2013. Anya Taylor-Joy takes on the titular, fearless, character in her younger version. But you better “fasten your seatbelts, it’s going to be a bumpy ride”… This time, however, the film’s engine is flooded. There was little doubt that this prequel would not manage to replicate the epic success of Fury Road, also presented at Cannes and swiping six Academy Awards, but Furiosa changes gear and takes a drastically dangerous U-turn. Miller is invested in expanding his world rather than focusing on the action, which is the fuel for the predecessor’s achievement. And so not only we go back to the familiar Citadel, but we get to see the Bullet Farm and Gas Town too. But if Fury Road works it's because of its incessant rhythm, covering three hellish days for the gutsy Mad Max with very little narrative and relentless set pieces. Instead, Furiosa spans over fifteen years, divided into an idle chapter structure, filled with cringe exposition by two-dimensional characters who beg not to be taken seriously. The car chases are still mesmerising, and they definitely carry Miller’s uniquely entertaining touch, but they are massively reduced for exposition and backstories. Chris Hemsworth has fun playing the unhinged villain and warlord Dementus, while Taylor-Joy brings a very physical performance, having only about twenty lines of dialogues. And so we see her kidnapping from the female-led oasis that she dreams about in Fury Road, her eventual loss or childhood and rise to power among the ranks of the Citadel- basically what is already explained in the previous film. Thus the question, did we need a visual version of it? Overall, removing the expectations, the A-list cast, and inevitable glow from the previous film, Furiosa is but a very expensive B-movie that targets spectacle over substance. But for such purpose, two and a half hours is way too long. It feels like George Miller attempted to build on his universe and its mythology, aiming to craft an Australian Star Wars in the desert. But alas, the result is more an erratic, long, car ride when you’re not at the wheel. About the Film Critic Jack Salvadori Film Festival < All Reviews Next Film Review >

HOME | FILMS | REVIEWS Megalopolis Film Review average rating is 1 out of 5 Critic: Jack Salvadori | Posted on: May 17, 2024 Directed by: Francis Ford Coppola Written by: Francis Ford Coppola Starring: Adam Driver, Giancarlo Esposito, Nathalie Emmanuel I believed in America. And I believed in New Hollywood, helmed by Francis Ford Coppola. Thus, it particularly saddens me that Megalopolis , the legendary director’s long-awaited epic dream, is not the late masterpiece I anticipated. Forty-five years after the triumph of Apocalypse Now on the Croisette, Coppola competes for the Palm d’Or once again. Expectations were insurmountable, especially after the hyped reactions from an industry screening last month, classifying the project as extremely unconventional. Well, that’s a very kind way to put it… You would assume that studios have been ungrateful to Coppola, who, after crafting some of the greatest masterpieces in film history not only had to self-finance his latest project, but he is also struggling to score distribution deals. For once, however, the studios may have a point. The idea at the core is promising and fascinating: an alternative universe where New York is instead New Rome, and its society is shaped around the customs and style of a hypothetical modern Roman empire. Patrician families pull the strings of the city, with Mayor Cicero (Giancarlo Esposito) on one side, and genius Nobel Prize winning architect Cesar Catilina (Adam Driver) as his vocal opponent. The latter desires to rebuild the metropolis from scratch into a utopian society, structured around principles and technological advancements. Just like the film, Cesar’s dreamland is theoretically promising, but once it shines on the silver screen, it’s an embarrassing cluster of bad CGI, resembling a Windows 2000 screensaver. What is not computer generated is blandly shot like a perfume ad, which goes hand in hand with the flat music, soapy dialogues and over the top performances a-la-Dick Tracey. The colourful characters plot against each other in dollar-store Machiavellian schemes, and a very talented ensemble of actors feels highly underused, most notably Dustin Hoffman relegated to an unflattering side role. The plot-holes increase exponentially, and despite its 138 minutes a lot seems to be missing, perhaps due to the infinite rewrites of the script (rumours claim that there have been over 300 versions). Coppola’s eye is cast on concepts rather than characters. However, these ideas such as living in a better world for the future generations, sound preachy and shallowly kitsch. By the end of the film, one has more questions than answers, with the main one being: how is this possible? Comparing a director’s heights with his latest works is never a fair assessment, but how can He be the same master who delivered those perfect scenes from The Godfather and The Conversation , where no detail was left unnoticed? The egomaniac and delusional architect who wants to build an idealistic empire in his own way inevitably mirrors the octogenarian filmmaker, who challenged all conventional production standards and the studio system, making the movie entirely through his own means. It is therefore impossible to discern the artistic qualities of Megalopolis with this audacious personal bet, and it should be appreciated under this light rather than as a picture per se. Coppola’s spot in film history is secured, and yet he gambles everything on what, at $120 million, can be considered the most expensive “experimental” movie ever made. He is determined to redefine how a movie can be told, including an unprecedented theatrical interaction midway through the screening, with the lights going up to show a journalist in the cinema interviewing Cesar on the screen. Unexpected, but eventually this is but a gimmick that does not matter in the film. If history is cyclical, Francis Ford Coppola wants to be Marcus Aurelius, but turns into Nero. About the Film Critic Jack Salvadori Film Festival < All Reviews Next Film Review >

HOME | FILMS | REVIEWS Adze The African Vampire Film Review average rating is 3 out of 5 Critic: Jason Knight | Posted on: May 17, 2024 Directed by: John Droese Written by: John Droese, Benedicta Onyero Droese Starring: Shawntae Hughes, Branden Greenberg, Nichole Banna, Kayla Jordan, Benedicta Onyero Droese Four social media influencers attempt to track down a mysterious creature. A feature-length horror film that appears to pay homage to the vampire and found footage genres. The plot is one that is often seen in horror films: a group of people go to an isolated location in the countryside where something bad happens. In this case, the group of people are four online celebrities and a cameraman and the isolated location is a house near a forest where presumably the Azde, a deadly entity from African mythology, exists and feeds on blood. The influencers are Jack (Greenberg), who deals with fitness and reality TV, Sasha (Banna), who is involved in fashion, Raven (Jordan), who does video games and is an ex-military and Mr Big Money (Hughes), who investigates strange beings around the world, wears an eyepatch and is the one who organised the expedition. After obtaining information and advice from Prof. Elumah (Droese), who specialises in African mythology and folklore, the team set off to find the monster (if there is one) and there is a big cash prize to be won if it is found. Almost the entire feature was filmed as found footage by utilising fixed cameras and smartphones, as the expedition that the characters embark on is to be filmed and posted online. Therefore, as is often the case in this type of filmmaking, the protagonists are usually looking at the camera while they talk. The screenplay might be a problem. The film starts off interestingly enough, with the potential existence of the titular entity being discussed and then things go off-track. As the group is split into two (Money and Raven being one and Jack, Sasha and Bogo (the cameraman who is played by Kevin Miller) the other), the topics move away from the creature and focus on character exploration that includes trauma, relationships andJack's disrespectful behaviour. Eventually, the third act improves things, with the feature making good on its title. Regarding the music, it has its ups and downs. It is adventurous, ominous and emotional and its presence does make the viewing experience better. However, at certain points it sounds unnecessary, especially when it is sinister, making the scenes feel awkward. What type of film is this? A found footage vampire story should be an appropriate description. Although for a while it makes the viewer forget that this is a feature about a vampire, it is still an enjoyable experience with interesting characters and film references. About the Film Critic Jason Knight Indie Feature Film < All Reviews Next Film Review >

HOME | FILMS | REVIEWS Faceless After Dark Film Review average rating is 3 out of 5 Critic: Hope Madden | Posted on: May 16, 2024 Directed by: Raymond Wood Written by: Todd Jacobs, Jenna Kanell Starring: Jena Kanell, Danielle Lyn, Danny Kang Back in 2016, Jenna Kanell made a horror movie, a low budget affair, the unofficial sequel to a very minor indie nearly no one saw. By that point in her career, Kanell had made half dozen or more low budget indie features, done loads of TV, shorts, and a few music videos. In all likelihood, Terrifier didn’t register at the time as anything other than one more microbudget horror flick. But that is not what Terrifier turned out to be, is it? The little clown killer that could undoubtedly changed Kanell’s career, perhaps not in all the ways the actor/writer/director/stunt performer might have wanted it to. What’s a not-final girl to do? Kanell channeled the experience into the new feature, Faceless After Dark , which she co-wrote with Todd Jacobs. Directed by Raymond Wood, the film follows a disgruntled struggling actress named Bowie (Kanell) who pays more bills selling autographs at horror cons than through actual acting gigs—but the clown from her hit movie earns more. Plus, her more famous girlfriend is still closeted about the relationship, and her longtime best friend’s film got greenlit—as long as he gives the lead to a different actress. And, of course, you have the creepy fans. It all gets to be too much one night, until Bowie taps into her own creativity and becomes the artist she was meant to be. Meta can get very tiresome, especially in horror, but there’s something wearily honest about its application in Faceless After Dark . At its best, the film is a reflection of the maddening obstacles facing people—women, specifically—trying to survive Hollywood. Kanell delivers a commanding performance and the writing is sound, even if the plotting is a little obvious and superficial and the psychotic break feels unearned. But as a showcase for Kanell’s charisma, and an often satisfying reaction to the rampant misogyny in cinema and particularly in fan culture, it’s fun. About the Film Critic Hope Madden Digital / DVD Release, Indie Feature Film, LGBTQ+ < All Reviews Next Film Review >

HOME | FILMS | REVIEWS Another Mother's Day Film Review average rating is 2 out of 5 Critic: Patrick Foley | Posted on: May 16, 2024 Directed by: Ira Sakolsky Written by: Ira Sakolsky Starring: Jennifer Blaine In our globalised world, thanks to differing dates in the UK and the US, the second Sunday in May has become a day that everyone on this side of the pond jerks up in a panic upon seeing a stateside celebrity tweet a Mother’s Day message, thinking we have forgotten to send even a box of chocolates to our poor old mum before we remember that the end of March is the day we all fight for a reservation at the Toby Carvery and florists across the nation count their bank notes like Tony Montana. The heart behind Another Mother’s Day applies worldwide however, with admiration for our mother being one of those universal human connectors that we can all appreciate. The music video features the vocals of Jennifer Blain and features stock footage of mothers and their children from all over the world and of various ages and backgrounds. Created by youtuber Tweak Unique, and arranged by Ira Sakolsky, the film is an amusing and heartfelt look at motherhood – including the unappreciated trials and tests that mothers have to go through. The vocal performance of Blain is impressive, echoing the vocal stylings of Idina Menzel. Her voice carries a strength that is both endearing and also on the verge of bursting into maniacal outrage to realise the often-contradictory reality of being a mother – that you can have immense love for your child whilst they play the most difficult and frustrating role in your life. The lyrics make reference to common examples of this, such as the singer’s mother feeding the child who has just bit her. Blain’s powerful performance means that strength, femininity and motherhood are woven together unbreakably throughout the video. However aside from a kind heart, there is a lack of real depth to the film that means it never really penetrates emotionally beyond surface level. The film often threatens to veer into interesting spaces, such as exploring the mother’s frustration and resentment in a more complex form than it ends up doing. Yet it pulls back into the sickly sweetness of appreciation – which is admirable, but unengaging. Stock imagery and home videos make up the video itself, generally to provide visual realisation of the lyrical content. The director’s use of their own family is a welcome and wholesome touch, validating the emotional themes of the film. The stock imagery (as it so often does) feels inauthentic, overly vibrant and stylised, and disconnected to the more intricate messaging of the film. As a lower-budget project it is forgivable that it is utilised, but it definitely detracts from the video. Another Mother’s Day is a music video version of a Mother’s Day Hallmark card. It has heart and kind presentation, and I’ve no doubt your mother will appreciate it (not as much as a phone call though guys…). But there’s little else to it beyond sentiment, lacking depth or real personality. About the Film Critic Patrick Foley Digital / DVD Release, Short Film < All Reviews Next Film Review >

HOME | FILMS | REVIEWS Back to Black Film Review average rating is 3 out of 5 Critic: George Wolf | Posted on: May 16, 2024 Directed by: Sam Taylor-Johnson Written by: Matt Greenhalgh Starring: Marisa Abela, Eddie Marsan, JackO'Connell Since Walk Hard gave the music biopic genre a well-deserved skewering nearly 20 years ago, new entries have scored with ambitious fantasy (Rocketman ), pandered with crowd-pleasing safety (Bohemian Rhapsody ) and curiously turned a superstar into a one note supporting player (Elvis ). Back to Black ‘s biggest drawback is a failure to commit to one vision, rightly giving Amy Winehouse agency for her own destiny, but pulling some important punches that could have deepened the impact. Marisa Abela (Barbie ‘s “Teen Talk Barbie,” TV’s Industry ) is sensational as Amy, ably capturing the wounded soul and the defiant train wreck while laying down some impressive lip sync performances. Her chemistry with an equally terrific Jack O’Connell (as Blake Fielder-Civil) fuels the film’s best moments, as the tortured lovers navigate between heartsick devotion and toxic co-dependency, sometimes reminiscent of Sid and Nancy . Biopics usually benefit from narrowing the focus, but director Sam Taylor-Johnson and writer Matt Greenhalgh reach outside the romance for a rushed look at Amy’s journey to stardom and some seemingly sanitized takes on her relationships with Dad Mitch (Eddie Marsan) and “Nan” Cynthia (Lesley Manville). Anyone who remembers the Oscar-winning doc Amy will notice a much different treatment of Mitch Winehouse here. How much of this was required for the family blessing is unclear, but the film does benefit from a depiction of Amy that finds a balance of forgiveness and accountability. Taylor-Johnson’s hand is steady but fairly generic, with a tendency to revisit some obvious visual metaphors. And though you end up wishing Back to Black could have confidence enough to sharpen its edge, stellar performances flesh out the sad tragedy of a gifted life spiraling out of control. About the Film Critic George Wolf Theatrical Release < All Reviews Next Film Review >

HOME | FILMS | REVIEWS Evil Does Not Exist Film Review average rating is 4 out of 5 Critic: George Wolf | Posted on: May 15, 2024 Directed by: Ryûsuke Hamaguchi Written by: Ryûsuke Hamaguchi Starring: Hitoshi Omika, Ryûsuke Hamaguchi Two years ago, the magnificent Drive My Car became the first Japanese film to garner a Best Picture Oscar nomination, and earned Ryûsuke Hamaguchi well-earned noms for writing and directing. Now, writer/director Hamaguchi rewards his wider audience with Evil Does Not Exist (Aku wa sonzai shinai) , another thoughtful, gracefully intellectual tale that finds him in an even more enigmatic mood. Takumi and his young daughter live in Mizubiki, a Japanese village near Tokyo. Father teaches daughter about the wonders of nature, and about her place in the village’s careful balance of give and take. That balance is threatened when a big firm plans to build a ”glamping” (glamorous camping) site very close to Takumi’s own house. Two P.R. reps come to convince the villagers that the company will also be careful, but these townsfolk know manure when they smell it. The reps try to curry favor by offering Takumi a job as caretaker of the glamping site, but the more time they spend with this pillar of the simple life, the more they start to see wisdom in his ways. Hamaguchi delivers some salient points on ecology while showcasing his skill with probing character purpose, motivation and the different ways they interact. At a town meeting, an older villager gently reminds the P.R. reps about the responsibilities that come with “living upstream,” and the speech becomes an eloquent metaphor that the film begins dissecting with sometimes abstract detail. And though the one hundred six-minute running time might seem rushed for a filmmaker that has favored three, four, and even five-hour films, Hamaguchi’s storytelling here is more patient than ever. Yoshio Kitagawa’s exquisite cinematography often showcases nature’s beauty in wordless wonder, always buoyed by an Eiko Ishibashi score that is evocative and moving. What Evil Does Not Exist doesn’t do is provide any easy answers for the dramatic choices Takumi makes once his daughter goes missing. The film ends as it begins, staring into the natural world and asking us to ponder how we best fit in. About the Film Critic George Wolf Theatrical Release, World Cinema < All Reviews Next Film Review >