All That Glitters

All That Glitters is a beautiful film with a strong, narrative-driven story that relishes a common on-screen theme (drug culture) while challenging it from a different angle.

The story follows timid protagonist Christopher as he is thrown into a world of drugs that exist within his American High School. The film, written and directed by Noah Meister, comments on a multitude of important social issues that are frequent yet new and profound for Christopher. This format allows audiences to be exposed to unfamiliar surroundings at the same time as the main character, providing viewers an opportunity to connect with Christopher and root for his success.

Upon his sudden and unexpected involvement in the selling of a large amount of cocaine, Christopher asks for the help of Mack, another student. Their quest forms a friendship that flourishes across a reciprocated network of support, adding humane and heartwarming elements.

The secondary characters also carry lots of emotional weight, with the relationship issues of Sarah and Dominic creating tension that heightens during scenes set at the party. It is satisfying to see how multiple storylines connect as these characters link directly to the chaotic plans of Christopher and Mack, eventually catapulting into a messy and complex situation.

The stark contrast between characters who are heavily involved in drugs and others who are not ensures the film represents different perspectives of realistic experiences, whilst drawing upon other crazy circumstances that create an engaging watch for viewers.

For a debut feature film, the production levels are strong, with potent cinematography and the originally composed score being prominent features. The performance of Christopher, played by Jack Welshons, is extremely rewarding and believable. His on-screen presence is large and has the ability to capture audiences wonderfully throughout.

The character arcs develop notably, with each of the characters carrying a firm awareness of their flaws that become prominent as the events of the story unfold. A small detail audiences will appreciate is the repeated visualisation of Christopher being in his underwear. Despite this also providing comedic relief, it symbolises the progression of the main character. The film begins with a dream sequence where Christopher turns up to class in his boxers (a dream most of us have experienced). His embarrassment transforms into self-assurance as he stands somewhat confidently in his underwear during the party towards the end of the film.

Overall, the film and story in particular are strong, with traditional narrative elements being utilised assertively. The anxious nature of Christopher begins as a captivating equilibrium, before his call to action and sudden participation in a drug deal provide him with the opportunity to build new relationships and learn many valuable lessons, overall amplifying his clear character development. This film deserves to reach more audiences and enlighten them about drug culture issues that may be surrounding different communities, unbeknownst to them.