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m.brammah95
Jun 08, 2018
In Film Reviews
Lee Chandler experiences a life changing event, and with this internal transformation we witness an external transformation, thanks to the effective costume designs of Melissa Toth. During flashbacks showing Chandler’s earlier life with a wife and children, he dresses in light and colourful clothing, such as a bright mustard t-shirt and beige shorts. These colours reflect the presence of a brighter and more comedic personality at this point, and as well as the presence of purpose in his life as a father and husband. During the present, Chandler has lost his children and subsequently his wife. This is paralleled with the loss of colour and brightness in his wardrobe. He is now seen is dark shades of blue, grey and green. This loss of colour and variation evidences his loss of joy and expression of individuality. The absence of boldness/brightness matches his absence of purpose and love/emotions in his life. Black is the colour of grief, so utilising this colour predominantly works to evidence the enduring sorrow Chandler is facing. It also emphasises the mysteriousness of this character, highlighting his loss of ability to connect to those around him in the way he used to. Furthermore, the contrast in styles and colours expresses the change in his life. Flashbacks to Chandler’s previous lifestyle show a variety of activities, such as going fishing with his nephew, or hanging out with his friends, hence a wide-ranging colourful wardrobe. Now, Chandler is mostly seen working and spending time alone and therefore restricts himself to more monotonous styles and colours. These seemingly subtle yet important developments in wardrobe assist in the shifting of moods and circumstances, as well as helping to navigate where in time the scene lies.
Character and costumes: Manchester By The Sea (2016) content media
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