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- Film Reviews and Movie Trailers | UK Film Review
FILM REVIEWS UK UK Film Review is a film reviews website based in London, UK. We promote films and movie trailers from around the world and support indie films that would usually find it hard to find the spotlight against the bigger films of cinema. From the latest blockbusters, to small indie cinema, we tackle as many films as we can. Reviewing them from all aspects, not just how many digital landscapes they blow up using CGI. We also review short films in the UK and internationally, helping filmmakers to promote their movies and raise their profile. If you would like to have a short or indie film reviewed by us, please submit all info using the button below. Take a look around, enjoy the spoils of filmmaking, film festivals and artistic expression. Our merry band of film critics are constantly hard at work, writing film reviews, or watching movie trailers for some of the most exciting movies coming out in UK cinemas. So to keep their morale up, please be nice...or at least funny if you choose to troll. Because, in the immortal words of Rick Moranis in the movie Spaceballs, "Keep firing A**holes!". By the way, on this film reviews website, you may see several references to Spaceballs. If you have not seen that classic Mel Brooks film, you MUST seek it out and tell us what you think. SUBMIT YOUR FILM Are You a Film Podcast Fan? Film critics Chris Olson and Brian Penn host a monthly podcast for all types of film fans! Whether you like the latest blockbuster releases, or streaming is your thing - we have you covered. We even review short and independent films on the podcast. Our final review is usually for a "Nostalgia" pick - something from the past worth revisiting. Previous picks for this have included Jaws, The Fly, and Good Will Hunting. Search UK Film Review Podcast wherever you like to listen and join our global community of film lovers. Film Reviews from UK film critics LATEST REVIEWS I'll Be Frank Get Away The Last Ranger Y2K Peace Process Bull Street That Christmas Perform Lots Love Walnuts Til Your Last Breath Maria Load More
- I'll Be Frank Review | Film Reviews
HOME | FILMS | REVIEWS I'll Be Frank Film Review average rating is 4 out of 5 Critic: Jason Knight | Posted on: Dec 4, 2024 Directed by: Carleton Rodgers Written by: Carleton Rodgers Starring: Jake Doyle, Helena Bereen, Bernadette Brown, James Devlin, Eimear Bailie A short comedy drama from Northern Ireland written and directed by Carleton Rodgers and starring Jake Doyle, Helena Bereen and Bernadette Brown. Teenager Danny (Doyle) lives in Northern Ireland and is a massive fan of American singer and actor Frank Sinatra, having decorated his bedroom with photographs and newpaper articles about the celebrity and listening to and singing his hits. However, he keeps his admiration a secret from others, especially his friends. Then, the boiler in his home needs to be replaced and his family cannot afford a new one. When his grandmother (Bereen) informs him that his school is organising a talent show that offers prize money to the winner, a reluctant Danny must decide whether he can overcome his personal issues and perform and win so that they can buy a new boiler. A feel-good story with a likeable protagonist and supporting characters. Since the plot involves Sinatra, it should come as no surprise that the soundtrack includes some of the singer's hits such as It All Depends on You , It Had to Be You and Someone to Watch Over Me , making the audible experience quite pleasant and even more pleasant thanks to the contributions from composer James Everett and The Belfast Jazz Swing Orchestra. As good as the audio is, the screenplay is also to be commended as it is intriguing and inspiring, focusing on a youth who has a big passion, yet is does not seem to have the courage to share it with the world because he thinks low of himself. The overall atmopshere is uplifting, with humour, heart-warming moments and plenty of singing. Although the film has a good script, perhaps the characters of Danny' mother (Brown) and Hannah (Bailie), Danny's love interest, could had been explored in more depth with the intention of adding more quality to these two characters. Doyle delivers a sympathetic performance as Danny, a nice, well-meaning guy who adores Sinatra and sadly lacks the self-esteem to reveal it to others as he is worried about what other people will think of him. Bereen stands out as Danny's grandmother, an optimistic and cheerful elderly woman who also likes Sinatra. She believes in her grandson and encourages him to share his passion with the world. Unfortunately, his mother thinks otherwise. The group of boys that serve as Danny's friends are different than him, as they are loud and a bit unruly and are led by Ciaran (Devlin), who is wild but a good guy. Through Danny's character the film explores low self-esteem, having an idol and a passion. His grandmother represents the significance of support and the idea that one should not be afraid to be who they really are and that by doing so, good things happen. Furthermore, the story explores financial difficulties, that money does not matter and that great joy is to be found when a person reveals their passion. And of course, the happiness that can be found in singing is present and the film pays homage to Frank Sinatra. What is there to gain by viewing this short? Experiencing an uplifting and moving story about sharing one's passion with others. Fans of Sinatra will most likely enjoy it and so will people who appreciate a story about being oneself and pursuing what makes them happy. About the Film Critic Jason Knight Short Film < All Reviews Next Film Review >
- Short Film Reviews | UK Film Review
Short Film Reviews Welcome to the UK Film Review page for short film reviews . Here you will find some of the best and brightest sparks in a sea of cinema. Filmmakers from across the globe submit their short films to us to be reviewed, and our Contributors lovingly dissect them. If you would like one of our team to write a film review of your short film, please use the form on our Submit Your Film page Our short film reviews are written by passionate film critics across the UK and aim to highlight and promote terrific filmmaking when we find it. We are always honest with our reviews, so if you are looking to submit your short film for review, please do so knowing that we will not alter what we have said because you don't like it. There is a wealth of amazing talent in the short film industry, and we hope by writing film reviews about this underexposed creativity we can get your movies to a new audience...but we need your help. Please join in the chatter on our social media channels so that we can grow our community and share the joy. Use the buttons in the footer to Like us on Facebook, Follow us on Twitter, and Subscribe to us on YouTube #supportindiefilm. The selection of short film reviews you see below are mostly for films submitted to us. In this instance, the filmmaker has requested us to watch and provide a short film review. Get Your Short Film Reviewed The Curious Clever and Collectively Convoluted Case of Detective Ebeneezer Maisonette Short Film Review Hardwicke Circus: The Prison Gig Short Film Review Through the Stew Short Film Review Filmmaker Interview with Zehua Yang Isabella Short Film Review Finger Food Short Film Review Warrior: Predator Short Film Review A Hell of a Trip to Delicias Short Film Review No Tell! Short Film Review Last Rendezvous Short Film Review In The Moonlight Short Film Review Bridge Short Film Review Bird Drone Short Film Review Ain’t my Vibe Short Music Video Review Surprise Short Film Review A Happy Ending Short Film Review Shear Disturbance Short Film Review Watch What I Do Short Film Review After Hours Short Movie Review Cinerama (Music Video) Short Film Review More Film Reviews I'll Be Frank Jason Knight The Last Ranger William Hemingway Peace Process James Learoyd Perform Jason Knight Lots Love Patrick Foley Til Your Last Breath Chris Buick Farewell James Learoyd Lovesick William Hemingway The Other Birthday Jason Knight Molina Chris Buick Mouse James Learoyd Moeder William Hemingway Happy Pals Jason Knight To Hell With You Joe Beck Buscando Alma James Learoyd Kruste Chris Olson Flirting with Darkness Jason Knight A Place to Fall Down Chris Olson My Week with Maisy Joe Beck From Above Chris Olson Meal Ticket James Learoyd Neither Donkey Nor Horse Chris Olson Picture Day James Learoyd Seven Jewish Children Brian Penn Tomorrow William Hemingway Load More Reviews What is a short film review? A short film review is often written by a movie critic and it's their opinion on a film that is less than sixty minutes long. Short film reviews still explore every aspect of a movie. How do I write a short film review? Writing a short film review needs to cover multiple aspects of the movie. Including the script, the characters, performances, cinematography, score & sound design, editing and so on. Sometimes we consider the piece only as a short film; whether it works in that format, other times we may think of it as a "proof of concept" for something longer, or perhaps a piece of a web series/TV show. These can be important to consider when writing a short film review. How long should a film review be? A film review should be as long as the house style. Some publications provide lengthier reviews than others. A general minimum word count would be 500. This may be also for SEO reasons, as short film reviews that are longer may be more likely to rank higher on Google. The important thing to remember is that the review should be well-structured, not full of bloated points to fill up the word count. How much money do film critics make? Film critic salaries depend massively on their publication. Many film critics are freelancers, meaning they get paid per review and sometimes this is based on word count. Making money through film reviews can be challenging. Video Short Film Reviews Below you will find a selection of short film reviews in video form! This is where one of the UK Film Review Critics records their review and we upload it to our YouTube channel (as well as TikTok and Meta Reels in some cases). A Place to Fall Down Short Film Review by Chris Olson A short film about coping with loss and grief, film critic Chris Olson gave A Place to Fall Down 4 stars. Watch his video short film review here to here from the man himself about his thoughts and feelings. OK/NOTOK Short Film Review by Patrick Foley In this short film review from Patrick Foley, he gives us his opinion of the brilliant movie OK/NOTOK. Set in a futuristic world where AI robots are available as companions (as long as you can afford the subscription), it's a riveting piece. Betrayed Short Film Review by Chris Buick Film critic Chris Buick offers up a fantastic video short film review for Betrayed. A movie about a girl with special powers who, with the help of her protective father, must elude those who would use her for nefarious means.
Blog Posts (5076)
- The Curious Clever and Collectively Convoluted Case of Detective Ebeneezer Maisonette Short Film Review
★★★★ Starring: #JacobRenouf, #EvanEmanuel, #RachelScott, #JamieMarsh, #MattDavis Directed by: #JamieMarsh Short Film Review by: Alexandra James A short film following eccentric detective Ebeneezer Maisonette and his associate Percival Farley. A new case has fallen on their lap and its up to them to recover a stolen ruby and save the day. Unfortunately, they are not your typical detectives and some of their ways can be considered a little unusual to say the least. As the case progresses, things are not all as they seem and with twists and turns thrown into the mix, it made our genius detective question everything. Ebeneezer Maisonette is not your conventional detective, he has no filter and a fascinating style, from the crazy moustache to the magnified glasses, however, despite his unusual presence, he has a passion for solving crime and a keen eye for detail. This is a similar attribute to this short film, the details included from the costumes to the locations. It can be difficult with a small budget to be able find a location suitable, especially when filming a period film. This is set around the early 1900’s, so it can be tough to scout spaces and areas that are able to reflect this timeframe, considering this is a low budget film, it was great to see how they worked around this barrier and made it work, using areas with cobbled streets or cathedrals and old churches to set the scene. Each character is witty, interesting and adds a certain flare to the story. Although the central story is around a crime, the story itself is funny and light-hearted. Director Jamie Marsh has created a good balance between comedic scenes but also clever and humorous dialogue. A way to improve this further would be the editing, there were some scenes that did not have a smooth transition compared to others, however, a majority was good quality and included some great artistic techniques and Marsh was able to add his own stamp and style to this film. An incredibly entertaining short film with great comical characters, it would be great to see other episodes of this and discover new adventures for Ebeneezer Maisonette and his associate to go on, as well to really explore the characters and establish a Marsh’s style of filmmaking.
- Hardwicke Circus: The Prison Gig Short Film Review
★★★★ Starring: #InmatesofStanfordHillHMP and #HardwickeCircus Directed by: #BenArcher Short Film Review by: Alexandra James This short documentary follows a small band from the north of England, on a mission to spread music and passion to prisoners across the UK. Director Ben Archer focuses on the bands message that all of us deserve to have access to the arts world. Music can enlighten and allow people the opportunity to express themselves in an artistic way, it can be difficult to share your inner deepest thoughts and fears, but with music there is a platform that allows people to have a voice and turn it into something positive where others can connect as well as take solace in the fact that they are not alone. Lead singer of Hardwicke Circus, Jonny Foster, creates a music workshop at Stanford Hill HMP, a men’s prison on the Isle of Sheppey. Ben Archer captures the band interacting with the inmates and the uplifting jam session that inspire and encourage many. This was a very moving film that highlights the importance of giving back to the community, and the necessity of art. People may debate as to whether prisoners should be deserving of live bands performing for them or being able to play and share their talents to others. However, there are so many benefits to this and with this documentary, it shows how powerful music can be and allows the inmates to express themselves, channel their emotions and look to the future. The documentary shows singer Jonny Foster share his thoughts over the whole concept, he states that inmates have discussed with him how to get into the music industry and about life on the road. It shows that there is something else to focus on and strive towards. Hardwicke Circus: The Prison Gig showed great moments of the band playing and bringing on inmates on stage to showcase their talent. Many of the inmates were able to just forget where they were for a moment and just be a part of something bigger and enjoy a break from the mundane routine. Ben Archer uses the ‘gonzo’ style of filmmaking which is in some of his other pieces of work. It’s a type of fly-on-the-wall documentary. It makes for a very raw film and shows the audience the connection and positivity between the band and inmates. Ben Archer has been able to feature the good work Hardwicke Circus have been able to achieve by spreading their love of music to others who may not have envisioned this as an option outside of prison.
- Through the Stew Short Film Review
★★★ Starring: #WillowBarrett, #SydWalsh and #ChuckBones Directed by: #BenArcher and #SalRedpath Short Film Review by: Alexandra James Directed by Ben Archer and Sal Redpath, Through the Stew, follows Anton a young punk whose attitude is subdued, and who clearly has no strong desires in life. Anton moves aimlessly through the streets of New York city knowing that this is his last day alive in the chaos. With just a packet of cigarettes and an old radio, Anton attempts to settle some of his affairs before he departs forever. This film uses super 8 footage and is black and white throughout, this can be seen as an extremely difficult and challenging way to capture a story. However, it also created a gritty edge to this film and provided the audience with a new perspective on the city of New York as well as the character Anton himself. Through the Stew shows Anton as extremely detached from the world, completely ignoring his surroundings and the electricity emanating from the city. He was very much aloof and the only way in which the audience could connect or get a sense of his emotions was through this 50’s style radio that he carried around with him that seemed to be sending out messages occasionally. Through the Stew is a dark and mysterious film and draws a lot of inspiration from No wave cinema and guerilla filmmaking. However, Archer and Redpath have shaped this type of cinematography into their own by weaving the theme of punk rock through the characters and their fashion choices. There appears to be an ageless feel as well, it’s one that cannot be placed in a specific timeframe, with the combination of super 8 footage, a 50s radio with noir recordings as well as elements of punk rock style, this makes it captivating as the piece is layered with a mix of a variety of eras and is perfectly unique in its own right. Ben Archer and Sal Redpath’s , Through the Stew, is an intense and edgy film that draws in aspects that connect with the punk rock era. The punk rock ethos being freedom, non-conforming and anti-establishment. A lot of the aesthetics are reflected in this film, with its underground and minimalist style and the promotion of individual freedom. An incredibly intriguing film with an original spin on No wave cinema and the backdrop of a hectic New York city as a distant, lonely man leaves it all behind.
Forum Posts (804)
- “YOUR MOVE” - REVIEW: Over the Edge, Into the DarknessIn Film Reviews·January 27, 2018There is an apocryphal saying - variously attributed to Tolstoy, Dostoevsky, Mark Twain and a host of others - that there are only two stories we tell each other in our literature, our movies, our narrative arts. In the first, a person goes on a journey; in the second, a stranger comes to town. What matters is not which of these stories an artist chooses, but how it’s told, and how it illuminates another corner of the human soul, be it dark or light. With “Your Move” actor/director/writer Luke Goss effectively combines the two in the person of his protagonist, who must go on a journey to save what he loves most in the world, becoming a stranger in the dark underworld of a Mexican town where clues and danger are virtually indistinguishable. Goss - up to now known as an actor’s actor and platinum-selling musician - proves highly adept at this newest iteration of his abilities, guiding what in other hands might be a standard genre story forward with skill and subtlety. By keeping the focus on the inner workings of his characters Goss creates as much nerve-wracking tension with a quiet tableau between two people as he does with an all-out chase scene. Goss plays New York businessman David Miller, a man with a good life and a family he adores. While on a video call with his wife Isabel (Patricia De Leon) and young daughter Savannah (Laura Martin), who are in Mexico visiting Isabel’s parents, David - back home in New York - witnesses a brutal attack on them that ends in an apparent kidnapping. Stuck thousands of miles away and not knowing where to turn, David calls the local NYPD, whose skeptical response only makes him realize how dire his family’s situation actually is. As an actor Goss is deeply likable, exceptionally effective at translating what his characters are feeling, and the terror David experiences at not knowing what has happened to his loved ones is brutal and palpable. In Mexico he meets the cop in charge of the case, Detective Romero (the superb Robert Davi, in a richly nuanced performance). David wants answers, action, anything to make him feel that progress is being made. Romero, a good detective, understands the need to build his case on facts, and while Romero feels for David’s plight, the man is also his worst nightmare - an uncontrolled wild card who could blow the case at a moment’s notice by being in the wrong place at the wrong time. Romero’s careful, low-key approach to the investigation seems like dangerous and deadly plodding from David’s point of view, sure to get his wife and daughter killed. On the other side of the coin is Isabel’s father, Señor Barrabas, a wealthy patrón of weight and gravity. Luis Gatica plays Barrabas with a quiet intensity that is at once civilized and menacing. Though he treats David and the detective as equals, he appears to engender fear and respect everywhere else. Accompanied at all times by a suited, hulking - and likely armed - bodyguard, who Goss subtley keeps just at the edge of the frame, Barrabas’ business dealings can only be guessed at. When it appears that he agrees with Romero’s method of handling the case, David panicks and takes matters into his own hands. Though fit and athletic, David has no “special set of skills” with which to make the bad guy’s life hell a’la the uber-hero in “Taken”, relying instead on instinct and sheer persistence, driven by the certain terror that if he doesn’t use every means at his disposal to track his family down, he will never see them again. Agonizing every step of the way over what he must become to get the job done, he isolates himself from both family and the authorities and relies instead on his gut. Goss’s abilities as a visual stylist and storyteller are well-matched to his subject matter and the camerawork is assured, but he doesn’t sacrifice character development for the sake of style. Goss - who also wrote the script - keeps the dialogue spare and measured, making wonderful use of the players’ inner lives to push the narrative and generate emotion. The acting is uniformly superb and the casting and directing are spot-on, with a touching and almost Fellini-esque sensibility, making scenes with even the most secondary characters satisfying and rewarding. The landscape of the human face as a map of the psyche clearly fascinates Goss at the deepest levels, and his painterly use of color, light and shadow add to the suspense and the unfolding story, while allowing the audience their own visual and emotional journey. And though the church is never explicitly mentioned there is a strain of lush religious iconography running through the film, implying religion as a particularly horrifying form of self-justification for the antagonist, played by Alain Mora in a performance that is a revelatory and disturbing portrayal of a man with a terrifying split in his psyche. The film may be billed as a psychological thriller, but the execution and performances defy simple genre categorization. It would appear that “Your Move” marks the auspicious start of yet another successful branch of Goss’s multi-hyphenate career. “Your Move” has its UK premiere on January 27, 2017. Watch the trailer, here: Writer: Kely Lyons - Los Angeles - January 27, 2018361949
- "Crazy Right" movie trailerIn Movie Trailers·March 5, 201824182
- Beauty and the Beast (2017) ReviewIn Film Reviews·November 1, 2017Disney is back with another live-action adaptation of one of their animated films. This time it was up to Beauty and the Beast to be remade and please the audience. But if we look at the final product that the film is, it seems to be that Disney did it more for the money than for the audience. Will the audience end up roaring for the new film or will it just be Disney happily roaring their victory over their audience? I think we all know the answer to that question. Beauty and the Beast is directed by Bill Condon and tells the tale of Belle. Belle (Emma Watson) is a young adult, who loves to read books and dreaming of playing a part in the adventures that are depicted on those pages. But when she leaves her small village to find her missing father (Kevin Kline), she encounters a large castle in which lives a horrifying Beast (Dan Stevens). As Belle stays with the Beast, she learns that true beauty is found within. Right from the beginning, the film wants to make very clear what kind of a jerk the Beast was before he came a Beast. Just like in the original animated film, where they spend a short monologue on the case. However, in this live-action adaptation they take more then a few minutes to make it clear that the Beast is a jerk. The problem is not that it is not well done, because making the Beast look arrogant is something the movie does is quite well, but the problem is that right from the beginning one of our main characters is an unlikeable prick, which creates a situation wherein you cannot root for the Beast to become normal again. You want him to stay a Beast, because that’s what he honestly deserves to be. He acts like a Beast for the first two acts of the movie. Then the filmmakers remembered that the Beast also must become a human at the end, so they quickly shoved moments in the movie trying to make the Beast look less like a prick and more like an misunderstood young adult. In the original animated film, the Beast had a compelling arc. In this film he does have an arc, but it’s not compelling because the Beast is arrogant throughout most of the film and acts like a prick to everyone around him. The arc is also rushed to the point that it makes you care even less for the Beast. Do you want examples of how much of a prick the Beast is? Well, the Beast doesn’t even give Belle a minute to say goodbye to her father, the Beast keeps correcting and interrupting Belle, the Beast wouldn’t give Belle a room, the Beast forces Belle to eat with him and lets her starve when she says she won’t eat with him etc. The thing with this movie is that they like to exaggerate everything the original did, to the point that this movie feels more like a dark cartoon then the original did.The scriptwriters Stephen Chbosky and Evan Spiliotopoulos also try to add new story elements to the script. There is a new back-story how both Belle and the Beast lost their mothers and it adds nothing new to the story. The scriptwriters probably did this trying to make the Beast, after first writing him as such an unlikable character, look more sympathetic and to give Belle an arc. Only thing is that the new back-story doesn’t make Beast look more sympathetic, he still comes across, as a bitter young adult and Belle never gets a conclusion to her arc. Her mother died when she was just a baby. Belle never knew her mother and this has had a great impact on her. However when she finally finds out, what happened to her mother, the subplot is quickly moved aside to continue the main story. Her arc is never resolved or even started to be honest. It just a waste of time. The script also tries to give Belle more personality. They did this by making her amazing in everything. She is good in reading, good with children, good in teaching, good in inventing, good in drawing, good in taming wild beasts (get it?). However, as expected, being good in everything doesn’t count as a trademark for a character. She isn’t Leonardo Da Vinci. Belle is a dreamer, who gets inspired by the books she reads. Belle is intellectual. Indeed. But in this movie they exaggerated her intelligence to the point that this Belle feels more like a cartoon character then her animated counterpart. There are also some continuity errors. Belle on Phillipe, the horse, move like the Flash when needed. Belle just arrives shortly after the villagers arrive at the castle, while the villagers had a big head start. The sound effects are also sometimes off in the final battle. Oh right, forgot. To please the immature and the children, the movie also includes butt and poop jokes. Yeah! There is also a mystery subplot for the character Agathe, which turns out to be the witch that cursed the Beast. This is so poorly done and unnecessary. She just comes and goes when the story needs her to come an go. And her importance to the story is never explained. Which leaves another unsolved subplot.The CGI in this film is, in contrary to the beautiful The Jungle Book, more creepy than fantasy provoking. Nobody wants to see a CGI teapot smiling. They created some nice nightmare related visuals for the younger kids. Can’t wait to see this on a childhood trauma list.Not everything is bad though. The acting is on point. Especially Gaston is likeable, which feels weird because he’s supposed to be villain of the film. Well don’t worry, because for this first half of the film Gaston comes across as a normal, somewhat dimwitted, individual, but in the second half, he leaves Maurice for the wolves stuck at a tree. Something the animated Gaston would probably also be able to do. The Gaston song is also very amusing. Their is actually an illiterate joke in their that works. The song also contains one exciting, maybe little expectable, but still amusing shot. In the end, Beauty and the Beast, is another Disney remake that is poorly executed and is solely done for the money. This movie in particular felt more like a cash grab than the other Disney movies. That is probably because the effect of the original is still untouched by other Disney movies. It is the only animated movie to be nominated for best picture. It is one of the most well known Disney movies. These were the reasons for which Disney thought that their live-action version could earn some big money. Sadly, it did. Overall, it’s not a complete failure. There are some genuine emotional moments. Some new interesting ideas, that all don’t workout however. And sometimes a joke works. But in the end, the movie is still pretty bad, mostly thanks to the poor script.15160