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Read music video reviews by film critics at UK Film Review. Submit your music video for review by clicking Get Reviewed at the top of the website. Music Video Reviews One of the most exciting sub-genres our critics review is music videos. They are often incredible pieces of storytelling, either in their own right or aligned with the song playing over them. On this page you will find a great selection of music video reviews from the team of critics at UK Film Review. If you are a filmmaker or artist who would like us to review your music video, submit your film here . When it comes to reviewing a music video, the process differs slightly from perhaps a narrative short film or documentary. The music has to be explored far more intimately than if it were a soundtrack because that's where the story originates from rather than being added further down the line. Music videos do conform to genres but these are often musical genres rather than film categories, for example pop, folk, rock, rap etc. So this will also influence the music video review our critics write because the target audience is going to be considered. Music videos may take a variety of forms or even combine different aspects to create a different effect on the viewer. For example, it is common for a music video to contain a small narrative, as well as live performance footage. Top filmmakers making music videos will be able to immerse you into the song and story without leaving you feeling like you have just watched a promo piece. Choreography is also a common trait in music videos, with dance sequences and flash mobs recurring - often in pop music videos. Editors of music videos will have their work cut out to ensure the choreography looks tight and engaging without it feeling staged or lifeless. Hopefully the array of music video reviews you see below will include some gems for you to peruse. Don't forget to scroll to the bottom of the article, as we often include the actual music video so you can watch it for yourself. Psiblingz - Till We're Found William Curzon Mammoth: Adventures In Gnomeman's Land William Hemingway Flesh Wanting Blood William Hemingway Lovin' You James Learoyd To Be Frank Chris Olson The Wanderer Matt Trapp The Sanctity of Faith Patrick Foley 2024 Patrick Foley The Road Back Patrick Foley Bitter Cherry – Hunger Short Film Review alexjames96 Jun 3 2 min read Ain’t my Vibe Short Music Video Review alexjames96 Jun 6, 2024 2 min read Cinerama (Music Video) Short Film Review alexjames96 Mar 17, 2024 2 min read Homecoming (Music Video) Short Film Review alexjames96 Dec 19, 2023 2 min read Sheep F-cked In the Head Short Film Review alexjames96 Nov 16, 2023 2 min read Service for The King short film review Theo Aug 1, 2022 2 min read More Film Reviews

Film reviews from some of the biggest movies in UK cinemas. We also review short films, indie films, and documentaries. Find a movie review now. Film Reviews Here at UK Film Review we like to tackle all kinds film reviews. Our writers come from all walks of life, and feel passionate about critiquing the movies they watch. From the latest Theatrical Releases to Short Films, Indie Films, Documentaries and even Animation, the contributors of UK Film Review are as eager to please as Dev Patel in The Best Exotic Marigold Hotel (2011). If you are a filmmaker, or are working in film PR and want to promote one of your clients, please get in touch using the Submit Your Film button under the drop-down menu for Home. Take a look at our list of film reviews below from some of the hottest releases in UK cinemas. Simply click the image of the review you would like, or the title of the movie. Or use the search button to find the movie you are looking for. We have given any feature length film a star rating (out of 5) in order to help viewers sort the Citizen Kanes from the Waterworlds, the Inceptions from the Transformers. Michael Bay will be given a fair film review from our writers, but that probably will not go in his favour. Speaking of Filmmakers, head over to our Filmmaker Features page for awesome articles about some of the best filmmaking geniuses who ever lived. Movie Trailers are also available, either underneath the film reviews, or on the Movie Trailers page. And lastly, if you like your film reviews verbalised. Simply because reading is boring and listening is marvellous, then make sure you Subscribe to the UK Film Review Podcast. Our critics offer up some banterous opinions on the best and worst movies across all genres. Head over to the Podcast page, or click this link to go straight to iTunes. If you would like to read or view any of the following, simply use the navigation. Alternatively, you can click on one of the images to read the film reviews here, or simply have a ganders at the lovely movie artwork on display. Remember to listen to film reviews on our regular film podcast. GET REVIEWED average rating is 4 out of 5 Cake Read Review average rating is 3 out of 5 Snare Read Review average rating is 3 out of 5 Stitch Head Read Review average rating is 2 out of 5 Anniversary Read Review average rating is 2 out of 5 Arena Wars Read Review average rating is 2 out of 5 Kontinental '25 Read Review average rating is 4 out of 5 Springsteen: Deliver Me From Nowhere Read Review average rating is 3 out of 5 TV Man (Te(L)o Comando) Read Review average rating is 3 out of 5 The Hand That Rocks the Cradle Read Review average rating is 4 out of 5 Love + War Read Review average rating is 4 out of 5 Antithesis Read Review average rating is 3 out of 5 The Whip Read Review Spoilers in our film reviews As with all digital forms of expression sometimes people may find something that upsets them online. Spoilers can often be one of these things! Whilst we do our best to ensure that major plot points, twists, character deaths and celebrity cameos are not found in our reviews, it can sometimes be difficult to judge what each and every film lover on the planet would to be a spoiler. If you feel that one of our film reviews contains one too many details then please do let us (politely) know using our social media platforms. We may then take serious action, such as expelling the critic responsible from this and every other movie publication past and present, declaring war against the studio for leading our writer into temptation, or we may do nothing at all. To be honest, it is most likely going to be the latter unless some serious rules have been broken. You may also see some movie trailers in our reviews that could also contain potential spoilers. In which case anyone who is hoping to avoid these should probably not click the play button on them. Or click the play button, turn the sound down on your device, then leave the room for a least 28 minutes whilst the trailer finishes and leaves your life naturally. You may be wondering what you could do with all 28 of those minutes! Why not read some more film reviews on another device? Or make a short film of your cat playing with a piece of string? Spend it wisely guys and gals.

Short film reviews from some of the best movies in the UK. Read reviews from some of the best short film critics. Short Film Reviews Welcome to the UK Film Review page for short film reviews . Here you will find some of the best and brightest sparks in a sea of cinema. Filmmakers from across the globe submit their short films to us to be reviewed, and our Contributors lovingly dissect them. If you would like one of our team to write a film review of your short film, please use the form on our Submit Your Film page Our short film reviews are written by passionate film critics across the UK and aim to highlight and promote terrific filmmaking when we find it. We are always honest with our reviews, so if you are looking to submit your short film for review, please do so knowing that we will not alter what we have said because you don't like it. There is a wealth of amazing talent in the short film industry, and we hope by writing film reviews about this underexposed creativity we can get your movies to a new audience...but we need your help. Please join in the chatter on our social media channels so that we can grow our community and share the joy. Use the buttons in the footer to Like us on Facebook, Follow us on Twitter, and Subscribe to us on YouTube #supportindiefilm. The selection of short film reviews you see below are mostly for films submitted to us. In this instance, the filmmaker has requested us to watch and provide a short film review. Alternatively, visit our Latest Short Film Reviews page . Get Your Short Film Reviewed More Film Reviews Cake William Hemingway La Mort Pourpre Jason Knight Stan Ritchie Chris Olson Snare Patrick Foley The Secret Assistants William Curzon There's Something I Have to Tell You Jason Knight TV Man (Te(L)o Comando) Patrick Foley The Valley of Hearts Delight William Curzon Sign Your Name Jason Knight In Absence James Learoyd As A Joke Jason Knight Antithesis Patrick Foley A Wanderer's World Jason Knight Witchez are Bitchez Nina Romain The Dog Matt Trapp Man on the Hill Patrick Foley Lost And California William Hemingway The Reveal James Learoyd Shazmine: The Life of a Popstar Jason Knight The Sweater William Curzon Ellipsis in Writing Patrick Foley Is This The Bed We Lie In? Holly Baker Solers United William Curzon The Craftsman Jason Knight Milk, Rice, and the Blood Nina Romain Load More Reviews What is a short film review? A short film review is often written by a movie critic and it's their opinion on a film that is less than sixty minutes long. Short film reviews still explore every aspect of a movie. How do I write a short film review? Writing a short film review needs to cover multiple aspects of the movie. Including the script, the characters, performances, cinematography, score & sound design, editing and so on. Sometimes we consider the piece only as a short film; whether it works in that format, other times we may think of it as a "proof of concept" for something longer, or perhaps a piece of a web series/TV show. These can be important to consider when writing a short film review. How long should a film review be? A film review should be as long as the house style. Some publications provide lengthier reviews than others. A general minimum word count would be 500. This may be also for SEO reasons, as short film reviews that are longer may be more likely to rank higher on Google. The important thing to remember is that the review should be well-structured, not full of bloated points to fill up the word count. How much money do film critics make? Film critic salaries depend massively on their publication. Many film critics are freelancers, meaning they get paid per review and sometimes this is based on word count. Making money through film reviews can be challenging. Video Short Film Reviews Below you will find a selection of short film reviews in video form! This is where one of the UK Film Review Critics records their review and we upload it to our YouTube channel (as well as TikTok and Meta Reels in some cases). A Place to Fall Down Short Film Review by Chris Olson A short film about coping with loss and grief, film critic Chris Olson gave A Place to Fall Down 4 stars. Watch his video short film review here to here from the man himself about his thoughts and feelings. OK/NOTOK Short Film Review by Patrick Foley In this short film review from Patrick Foley, he gives us his opinion of the brilliant movie OK/NOTOK. Set in a futuristic world where AI robots are available as companions (as long as you can afford the subscription), it's a riveting piece. Betrayed Short Film Review by Chris Buick Film critic Chris Buick offers up a fantastic video short film review for Betrayed. A movie about a girl with special powers who, with the help of her protective father, must elude those who would use her for nefarious means.

Film Feature by Chris Olson As the nights draw in and the first dusting of festive cheer settles across Britain, the film industry traditionally saves its heaviest hitters for December. It is a period when the multiplexes transform into a crucial battleground, hosting both the big-budget tentpoles designed to dominate the Christmas box office and the prestige dramas aiming for Oscar glory. For those of us at UK Film Review, this is arguably the most exciting month of the calendar, offering a staggering wealth of choice for every cinematic palate. December 2025 looks set to be a truly spectacular affair, combining beloved franchises, high-concept original thrillers, and serious, thoughtful fare guaranteed to spark spirited debate around the dinner table. So pour yourself a hot drink, grab a mince pie, and let us walk you through the very best films demanding your attention in UK cinemas this Yuletide, with some of the most epic film trailers on offer too. The biggest news dominating the pre-Christmas schedule, and frankly the global film discourse, is the long-awaited return to Pandora. James Cameron unleashes the latest chapter in his epic saga on the 19th of the month with Avatar: Fire and Ash . Following the colossal commercial success of The Way of Water , expectations are astronomically high. While plot specifics remain cloaked in secrecy, we anticipate Cameron once again pushing the technological boundaries of filmmaking, delivering an immersive 3D experience unlike any other. The title alone suggests a darker, more volatile turn for Jake Sully and Neytiri, potentially forcing them to confront new and devastating environmental or military conflicts. For sheer spectacle and jaw-dropping visual majesty, this is the undisputed cinema event of the year, providing a perfect, transportive escape from the damp British weather. Arriving a week earlier, on the 12th, is a film that offers a very different kind of blockbuster thrill, one defined by dialogue and deception rather than explosions. The return of writer-director Rian Johnson’s super-sleuth Benoit Blanc is here in Wake Up Dead Man: A Knives Out Mystery . The previous two instalments proved that contemporary whodunnits can be both fiendishly clever and supremely entertaining, and this third chapter promises to maintain that deliciously witty tone. With an entirely fresh, star-studded ensemble cast trapped in a new, luxurious location, we are eager to see the sartorial detective, with his idiosyncratic drawl, dissect another complex web of lies and privilege. The Knives Out  franchise has become the gold standard for modern mystery cinema, and this is a sure-fire hit that offers the perfect antidote to traditional festive schmaltz. Beyond the behemoths of franchise cinema, December also gifts us a host of genre entries that look set to keep us on the edge of our seats. Kicking off the month on the 5th is Five Nights at Freddy's 2 . The surprise success of the original demonstrated the massive appetite for video game horror adaptations, and the sequel is poised to continue that dark, animatronic nightmare. It lands perfectly for younger audiences on their school holidays, seeking a sophisticated, jump-scare-laden thrill. Later in the month, around Boxing Day, look out for The Housemaid , a psychological thriller that appears to follow a young woman taking a seemingly fresh start in a new, high-status job, only for the environment to become increasingly oppressive and terrifying. Directed by a filmmaker with a surprising pedigree in comedy, this adaptation is generating considerable buzz for its claustrophobic tension and chilling atmosphere. The heart of December, however, is always dominated by the films designed to impress the major voting bodies. This year, the awards contenders are particularly strong, mixing literary adaptation with true-life musical drama. Leading the charge is Hamnet , scheduled for release on the 12th. Based on the acclaimed novel, the film presents an imagined, poignant story of Agnes Hathaway, the wife of William Shakespeare, as she navigates the crushing loss of their young son, Hamnet. Set against the backdrop of late sixteenth-century England, this promises to be a deeply moving, beautifully shot historical drama, exploring themes of grief, creativity, and the hidden lives of women in history. Expect stellar performances, meticulous period detail, and the kind of quiet emotional power that lingers long after the credits roll. Towards Christmas Day, a pair of biopics and dramas should be on your radar. Marty Supreme , which lands on the 25th, is said to be loosely inspired by the life of the flamboyant and legendary pro ping pong player Marty Reisman. While the sport itself may seem an unlikely subject for big-screen drama, the film is described as a character study rich in period detail, exploring the drive, showmanship, and personal complexity behind an unorthodox sporting career. Simultaneously, Song Sung Blue  offers a captivating music-focused drama, based on the true story of two down-on-their-luck musicians who unexpectedly find harmony by performing the works of Neil Diamond. With high-profile stars attached, this film looks set to be the sort of feel-good, yet grounded, musical offering that the Christmas holidays often thrive on—a perfect blend of melancholy and joyous performance. Finally, Christmas simply isn't complete without a dose of pure, unadulterated escapism. The 26th of December sees the UK release of The SpongeBob Movie: Search for SquarePants . The animated adventures of the residents of Bikini Bottom are always a treat, offering ludicrously surreal humour that manages to entertain children and adults alike. It’s an ideal outing for a foggy post-Christmas afternoon. Equally, while the notion might raise an eyebrow, the reboot of Anaconda , described as a comedic adventure, offers another piece of festive, schlocky fun on Christmas Day. The original film has achieved a cult status, and if this new take can lean into the inherent absurdity of chasing the world's largest snake, it could be a highly enjoyable piece of escapism. December 2025 looks to be one of the most creatively and commercially vibrant months for British cinema in years. Whether you crave high-octane fantasy, cerebral mystery, sensitive historical drama, or an all-out family cartoon, the offerings this month are exceptional. Do make sure you support your local cinema and experience these films where they belong: up on the big screen. And remember to subscribe to the UK Film Review Podcast for the latest movie reviews , film banter, and all other good things.

The digital silence was broken today by the bone-chilling ring of a familiar rotary phone. Paramount Pictures finally dropped the official trailer for Scream 7 , and for fans of the enduring horror franchise, it felt less like a teaser and more like a necessary homecoming. After months of intense speculation and tabloid conjecture, we have absolute confirmation: Sydney Prescott, played by the incomparable Neve Campbell, is back, and the stakes in the fictional town of Woodsboro—or wherever this new nightmare is set—have never been higher. This isn't just another modern whodunit; this is a deeply personal, brutal continuation of a saga that started nearly three decades ago. Horror film fans have watched this series evolve, often brilliantly, and this new footage suggests the creative team fully understands the weight and gravity of bringing the original ‘final girl’ back into the fray. The palpable excitement surrounding this picture is entirely warranted; from the two-minute footage alone, it is clear that the 2026 release date is going to deliver a genuinely terrifying cinematic experience that respects its legacy while forging a devastating new path. The trailer opens with a deceptively quaint, almost rustic #horror atmosphere, immediately establishing a new kind of setting for the familiar terror. We hear a voice remarking on a rather macabre choice of accommodation: "This is it. I can't believe we're staying at the psycho killer B&B." It's a classic Scream meta-moment, acknowledging the genre trope even as the characters walk right into the trap. The initial tension is quickly ratcheted up by the iconic sight of a motion detector being triggered, leading us into the inevitable phone call. And what a phone call it is. The voice on the other end, distorted but instantly recognisable as Ghostface, cuts through the casual dialogue with horrifying familiarity: "Hello, Sydney. Did you miss me?" This single line confirms the film’s central conceit: the killer's focus is laser-sharp, bypassing the usual ensemble cast to strike right at the heart of the franchise’s matriarch. The new location is described as a "nice little town," an immediate throwback to the Woodboro of the original films, and the threat is immediate, including a spine-chilling reference to Sydney’s "pretty daughter," Tatum. The idyllic small-town setting is thus instantly contaminated by the terror that Sydney thought she had left behind for good. Neve Campbell’s presence throughout the preview is, frankly, electric. Her return is the emotional anchor the film desperately needed after the departures in recent entries. Sydney is no longer the traumatised teenager or the wary adult; she is a mother forced to become a warrior once more. When she finally engages with the killer, the emotional weariness is replaced by a fierce, primal maternal protectiveness. Her initial response to the killer is a tired yet defiant call-out: "Wow, you sure know a lot about me for another arsehole hiding behind a voice changer." But the killer’s reply is deeply unsettling: "Oh, I'm not hiding, Sydney. Not this time." This single sentence shifts the dynamic entirely. The film is setting up a conclusive showdown, not a desperate hunt. The most poignant and arguably the most devastating emotional moment of the trailer comes from her daughter, Tatum, who says, "Mom! I want to be a fighter, like you." It's a truly heartbreaking line that encapsulates Sydney’s horrific legacy—her trauma is now the blueprint for her child's survival. This cycle of violence and strength forms the narrative backbone of the entire preview. Furthermore, the inclusion of Courteney Cox as Gale Weathers, even in brief flashes, suggests the original trio—or what remains of them—will finally be united against an existential threat. This reunion is something British fans, who cherish the original programme, have been demanding for years. The villain in Scream 7 is presented as perhaps the most brazen iteration of Ghostface yet. The claim of "I'm not hiding, Sydney. Not this time," implies a significant departure from the masked killer’s usual modus operandi of blending in and maintaining perfect secrecy. This Ghostface wants Sydney to know who they are, or at least that their intentions are purely focused on her destruction and the demolition of her life. The classic, cynical Scream wit is present in the line, "All your friends die for just being near you," a morbid, accurate summary of Sydney's entire life story. This is a killer weaponising Sydney's history against her to maximum effect. The motivation seems to be more than just a media spectacle; it is personal vengeance of the highest, most horrifying order. The final minute of the official trailer for Scream 7 is a masterclass in tension building. We transition from dialogue to high-stakes action as Sydney is desperate to save her daughter. In a terrifying and ingenious sequence, Sydney must coach Tatum on how to survive a Ghostface encounter in real-time. "He's trying to find another way in. We’re going to do this together. You’re going to have to shoot him through the wall... Shoot him now! Do it now!" The breathless urgency of this moment is palpable, turning a standard horror sequence into a thrilling parental sacrifice play. The relief is instantaneous but short-lived: "Oh, you got him. He's dead." But the trailer doesn't let us rest for a second. The familiar voice returns with a chilling, instructional warning: "You need to make sure you shoot him in the head." It is the ultimate rug-pull, confirming that the initial victory was a momentary lapse of attention. This Ghostface is relentless and perhaps a more cunning foe than ever before. The final shots, including the killer proclaiming, "This is gonna be fun," leaves us with a genuinely unsettling and frightening feeling. This is precisely the trailer the franchise needed. It confirms the long-awaited return of its matriarch, raises the emotional and physical stakes to an unprecedented level, and promises a film that is both a loving tribute to the past and a terrifying vision for the future. The quality of the production looks exceptional, the performances seem utterly committed, and the central premise—Sydney Prescott, the mother, facing her ultimate demon—is gold-plated horror territory. Scream 7 has managed to feel fresh and vital while leaning heavily on the nostalgia that gives it such emotional weight. If the full picture can maintain this level of gripping, personal terror, we may just have the definitive final word on the legendary Ghostface saga when it hits cinemas in 2026. This is essential viewing, and we simply cannot wait. Watch the Official Trailer for Scream 7 Below

Directed by: Kiarash Dadgar Written by: Kiarash Dadgar - Ali Narimani 'Every frame a painting’ is a maxim that many film-makers have adhered to over the decades, and this director is no exception. Steak is a very painterly piece, rich in symbolism. The narrative is clear and simple: a child’s birthday party is interrupted in the most horrific way imaginable. The context, only ever seen from inside the house- a brilliant narrative choice- is war and political violence. From this premise of a child’s birthday at home in the middle of violent chaos, the film makes masterly use of juxtaposition, both narrative and visual, throughout. Visually and sonically, the film is a feast of dualities. The colour palette is earthy and light, contrasting with the red of the stake that is cooking. The child holds a yellow balloon, a symbol of childhood and innocence, in a way reminiscent of the most well-known graffiti art in deep contrast to the noise of violence outside, a contrast almost jarring. This in turn opposes with the only noise made by a character in this film: whistling. The space of the kitchen and the action of cooking inside the house are juxtaposed to the chaos and destruction outside. Thematically, this film speaks painfully to our times and the experiences that a growing number of children in the world are facing. Ordinary people going about their lives while violence, not of their making, rages outside is defining of this generation, in every continent. And here the lack of dialogue is revealed as a sharp creative choice, not just the simple overlap of silence inside and chaos outside, but perhaps a reference to the crushing silence to which people and society more generally is increasingly forced in the face of difficulties, injustices and, as in this piece, extreme violence- in this case perpetrated against women, by men. In particular, the exquisite 360-pan shot at the end is an inspired expression of life’s vertiginous and many times violent nature. Again in the language of contrasts, a sharp change in rhythm from the static frame beginning. An expression of the distortion piercing through this story. There is a spiritual quality to this film. A portrayal of fragility, a sequence where security is in the heart and mind. Even if life ravages and the balloon floats away, feelings, thoughts and memories, even the simplest one like a childhood birthday, cannot be killed.