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Film reviews from some of the biggest movies in UK cinemas. We also review short films, indie films, and documentaries. Find a movie review now. Film Reviews Here at UK Film Review we like to tackle all kinds film reviews. Our writers come from all walks of life, and feel passionate about critiquing the movies they watch. From the latest Theatrical Releases to Short Films, Indie Films, Documentaries and even Animation, the contributors of UK Film Review are as eager to please as Dev Patel in The Best Exotic Marigold Hotel (2011). If you are a filmmaker, or are working in film PR and want to promote one of your clients, please get in touch using the Submit Your Film button under the drop-down menu for Home. Take a look at our list of film reviews below from some of the hottest releases in UK cinemas. Simply click the image of the review you would like, or the title of the movie. Or use the search button to find the movie you are looking for. We have given any feature length film a star rating (out of 5) in order to help viewers sort the Citizen Kanes from the Waterworlds, the Inceptions from the Transformers. Michael Bay will be given a fair film review from our writers, but that probably will not go in his favour. Speaking of Filmmakers, head over to our Filmmaker Features page for awesome articles about some of the best filmmaking geniuses who ever lived. Movie Trailers are also available, either underneath the film reviews, or on the Movie Trailers page. And lastly, if you like your film reviews verbalised. Simply because reading is boring and listening is marvellous, then make sure you Subscribe to the UK Film Review Podcast. Our critics offer up some banterous opinions on the best and worst movies across all genres. Head over to the Podcast page, or click this link to go straight to iTunes. If you would like to read or view any of the following, simply use the navigation. Alternatively, you can click on one of the images to read the film reviews here, or simply have a ganders at the lovely movie artwork on display. Remember to listen to film reviews on our regular film podcast. GET REVIEWED average rating is 4 out of 5 Wuthering Heights Read Review average rating is 3 out of 5 Sweetness Read Review average rating is 3 out of 5 We Buy Souls Read Review average rating is 3 out of 5 GOAT Read Review average rating is 4 out of 5 Good Luck, Have Fun, Don't Die Read Review average rating is 3 out of 5 The Mortuary Assistant Read Review average rating is 3 out of 5 Cutaways Read Review average rating is 3 out of 5 The Art of Telling Lies Read Review average rating is 2 out of 5 Iron Lung Read Review average rating is 4 out of 5 Boy Read Review average rating is 3 out of 5 Animus Read Review average rating is 2 out of 5 Dracula Read Review Spoilers in our film reviews As with all digital forms of expression sometimes people may find something that upsets them online. Spoilers can often be one of these things! Whilst we do our best to ensure that major plot points, twists, character deaths and celebrity cameos are not found in our reviews, it can sometimes be difficult to judge what each and every film lover on the planet would to be a spoiler. If you feel that one of our film reviews contains one too many details then please do let us (politely) know using our social media platforms. We may then take serious action, such as expelling the critic responsible from this and every other movie publication past and present, declaring war against the studio for leading our writer into temptation, or we may do nothing at all. To be honest, it is most likely going to be the latter unless some serious rules have been broken. You may also see some movie trailers in our reviews that could also contain potential spoilers. In which case anyone who is hoping to avoid these should probably not click the play button on them. Or click the play button, turn the sound down on your device, then leave the room for a least 28 minutes whilst the trailer finishes and leaves your life naturally. You may be wondering what you could do with all 28 of those minutes! Why not read some more film reviews on another device? Or make a short film of your cat playing with a piece of string? Spend it wisely guys and gals.

Mouse! film review by UK film critic Jason Knight. Starring Vikash Bhai, Rakhee Thakrar, Sanish Shah, Deepak Anand directed by Max Fisher. HOME | FILMS | REVIEWS Mouse! Film Review average rating is 4 out of 5 Critic: Jason Knight | Posted on: Feb 13, 2026 Directed by: Max Fisher Written by: Max Fisher Starring: Vikash Bhai, Rakhee Thakrar, Sanish Shah, Deepak Anand A short drama written and directed by Max Fisher and starring Vikash Bhai, Rakhee Thakrar, Sanish Shah and Deepak Anand. COVID-19 lockdown is taking place and a family in England is suffering the effects of the global pandemic. Taxi driver Rajiv (Bhai), his wife, Priya (Thakrar) and their young son, Moni (Shah) live together in a flat. After Rajiv's father (Anand) passes away due to the virus, the family is left grieving. Things take an unexpected turn when Moni finds a mouse wondering inside the apartment and decides to keep it as a pet. However, when his father discovers the little rodent, he is determined to destroy it. A family drama. A story about the COVID-19 pandemic. A story about a mouse. The screenplay is moving and, at times, contains some humour too. A significant part of the narrative focuses on Moni spending time with his new mammal friend, playing with it and making miniature structures for it to climb on and Rajiv looking to get rid of the rodent by purchasing mouse traps while planning his father's funeral. The miscommunication between Rajiv and Moni is the source of the plot and the mouse ends up becoming a way that reconnects them and brings the family together. This is simultaneously a father-and-son, mother-and-son and grandfather-and-grandchild story and Carson Aune's bittersweet music greatly influences the experience. The script focuses significantly on character development and the performances are strong. Rajiv is a man who, having had an estranged relationship with his father, seems to have created a similar situation between him and Moni. Although a well-meaning person, he appears to be dealing with distractions that are preventing him from bonding with his boy. Moni is a simple child, keen on having fun and not fully comprehending the severity of unfortunate events. Priya is a loving mother and wife, who is aware of the gap that is growing between Rajiv and Moni and is very concerned. To a degree, this short serves as a commentary about the pandemic and its effects on people, such as lockdown, isolation and fatality. The main centre appears to be loss and grief and lack of communication. More positively, childhood innocence, having a pet, family values and the importance of connecting with loved ones are also acknowledged. A moving and hard-hitting story about loss and the significance of family bonding. About the Film Critic Jason Knight Short Film < All Reviews Next Film Review >

Short film reviews from some of the best movies in the UK. Read reviews from some of the best short film critics. Short Film Reviews Welcome to the UK Film Review page for short film reviews . Here you will find some of the best and brightest sparks in a sea of cinema. Filmmakers from across the globe submit their short films to us to be reviewed, and our Contributors lovingly dissect them. If you would like one of our team to write a film review of your short film, please use the form on our Submit Your Film page Our short film reviews are written by passionate film critics across the UK and aim to highlight and promote terrific filmmaking when we find it. We are always honest with our reviews, so if you are looking to submit your short film for review, please do so knowing that we will not alter what we have said because you don't like it. There is a wealth of amazing talent in the short film industry, and we hope by writing film reviews about this underexposed creativity we can get your movies to a new audience...but we need your help. Please join in the chatter on our social media channels so that we can grow our community and share the joy. Use the buttons in the footer to Like us on Facebook, Follow us on Twitter, and Subscribe to us on YouTube #supportindiefilm. The selection of short film reviews you see below are mostly for films submitted to us. In this instance, the filmmaker has requested us to watch and provide a short film review. Alternatively, visit our Latest Short Film Reviews page . Get Your Short Film Reviewed More Film Reviews Mouse! Jason Knight Ms Green and Other Lovely Beasts William Curzon We Buy Souls William Hemingway Them That's Not William Curzon I Wonder What's Keeping My True Love Tonight Jason Knight The Air Between Us Jason Knight Boy William Hemingway The Current State of the Backyard Pool Industry William Curzon Equal Opportunity Jason Knight Animus Patrick Foley In Search of Forgotten Crafts - The Heart of the Iron William Curzon Coping Chris Olson Little Brother William Curzon It Must be Done James Learoyd Solstice Jason Knight Ovary-Acting William Hemingway Without Kelly William Curzon Monkey Drum Holly Baker $13 Patrick Foley The Itch William Hemingway The Last Act William Curzon Save Me From Heaven Jason Knight The Freedom of Uselessness William Curzon Garden of an Angry God Jason Knight The Supply Teacher James Learoyd Load More Reviews What is a short film review? A short film review is often written by a movie critic and it's their opinion on a film that is less than sixty minutes long. Short film reviews still explore every aspect of a movie. How do I write a short film review? Writing a short film review needs to cover multiple aspects of the movie. Including the script, the characters, performances, cinematography, score & sound design, editing and so on. Sometimes we consider the piece only as a short film; whether it works in that format, other times we may think of it as a "proof of concept" for something longer, or perhaps a piece of a web series/TV show. These can be important to consider when writing a short film review. How long should a film review be? A film review should be as long as the house style. Some publications provide lengthier reviews than others. A general minimum word count would be 500. This may be also for SEO reasons, as short film reviews that are longer may be more likely to rank higher on Google. The important thing to remember is that the review should be well-structured, not full of bloated points to fill up the word count. How much money do film critics make? Film critic salaries depend massively on their publication. Many film critics are freelancers, meaning they get paid per review and sometimes this is based on word count. Making money through film reviews can be challenging. Video Short Film Reviews Below you will find a selection of short film reviews in video form! This is where one of the UK Film Review Critics records their review and we upload it to our YouTube channel (as well as TikTok and Meta Reels in some cases). A Place to Fall Down Short Film Review by Chris Olson A short film about coping with loss and grief, film critic Chris Olson gave A Place to Fall Down 4 stars. Watch his video short film review here to here from the man himself about his thoughts and feelings. OK/NOTOK Short Film Review by Patrick Foley In this short film review from Patrick Foley, he gives us his opinion of the brilliant movie OK/NOTOK. Set in a futuristic world where AI robots are available as companions (as long as you can afford the subscription), it's a riveting piece. Betrayed Short Film Review by Chris Buick Film critic Chris Buick offers up a fantastic video short film review for Betrayed. A movie about a girl with special powers who, with the help of her protective father, must elude those who would use her for nefarious means.

Film Feature by Chris Olson There is a particular kind of weight that comes with the name Paul McCartney. For many of us, his melodies are not just songs; they are the architectural blueprints of our musical understanding. As an avid singer-songwriter myself, I have spent countless hours hunched over an acoustic guitar, trying to deconstruct the effortless genius of a McCartney bridge or the deceptive simplicity of his lyrical phrasing. My obsession was not born in a vacuum, of course. Like so many of my generation, I was introduced to The Beatles through my parents, whose vinyl collection served as my primary education. It is with this personal history in mind that I greeted the news of the upcoming Amazon Prime Video release, Man on the Run . Set to debut on the streaming platform later this month, the film promises an intimate, deep-dive exploration of arguably the most challenging and creatively fertile period of McCartney’s life: the immediate aftermath of the world’s most famous band breaking up. Directed by the acclaimed Morgan Neville, the documentary focuses on the decade following 1966. While the world often focuses on the "Mop Top" era or the psychedelic studio years of the late sixties, Man on the Run  looks at the man behind the myth as he navigated the 1970s. This was the era of Wings, of domestic bliss on a Scottish farm, and of a man desperately trying to find his voice again while the shadow of the Fab Four loomed large over everything he touched. As a songwriter, I find this specific narrative arc incredibly compelling. There is a profound vulnerability in seeing a global icon retreat from the stadium lights to start again from scratch. The trailer and promotional materials suggest a film that is less of a standard tribute and more of a psychological profile. We see Paul and Linda McCartney forging a new path together, defying the critics who dismissed Wings as a mere vanity project, and eventually conquering the charts once again with Band on the Run . The film utilizes a wealth of never-before-seen archival footage, including home movies and photographs from the McCartney family’s personal collection. For a fan, this is holy grail territory. To see the domesticity that fuelled hits like "Maybe I’m Amazed" provides a context that only enriches the music. It reminds us that behind the multi-platinum records was a man trying to protect his family and his sanity during a period of immense legal and emotional turmoil. Man on the Run Official Film Trailer Some people may know I am a huge fan of the "rockumentary" as a genre, but also that those movies can sometimes feel formulaic. However, with Neville at the helm—the man responsible for the sublime 20 Feet from Stardom —there is every reason to believe this will be a cut above the rest. The focus seems to be on the transition from the "we" of The Beatles to the "me" of a solo artist, a journey that is fraught with creative insecurity and the sheer terrifying freedom of having nothing left to prove but everything to lose. Man on the Run  feels like a necessary piece of the puzzle. It is likely to be a testament to the endurance of McCartney’s spirit. As the film prepares to land on Prime Video, I find myself reaching for my guitar, and breaking out a cat-distressing rendition of Let It Be.

Film Feature by Chris Olson There is a particular kind of audacity required to walk into a London record label and demand to be heard, but it takes an entirely different level of chutzpah to do so while pretending to be from California when you are actually from Dundee. This is the incredible, almost unbelievable true story at the heart of California Schemin , and with the release of the new official trailer, we are finally getting a proper look at what promises to be one of the most vibrant British films of the year. The film serves as the directorial debut for James McAvoy, a man whose acting pedigree needs no introduction to the UK Film Review audience. Having spent decades in front of the lens delivering powerhouse performances in everything from small-scale indies to Hollywood blockbusters, McAvoy has stepped into the director's chair to tell a story that feels remarkably close to home. It is a bold first step into filmmaking, and if the trailer is anything to go by, he has brought a kinetic, gritty, and deeply empathetic energy to the project. Based on the real-life exploits of Gavin Bain and Billy Boyd, the film explores the rise and fall of Silibil N’ Brains. In the early 2000s, these two aspiring Scottish rappers found themselves repeatedly shut out by a music industry that simply would not take two lads with thick regional accents seriously. Their solution was as chaotic as it was brilliant: they reinvented themselves as a hard-partying duo from the West Coast of America. The new footage shows just how far they were willing to go, swapping their Dundonian vowels for Californian drawls and successfully conning the very gatekeepers who had previously laughed them out of the room. Califonia Schemin Official Trailer Califonia Schemin Official Film Trailer from Studiocanal The official trailer for California Schemin introduces us to the central duo, played by Séamus McLean Ross and Samuel Bottomley. There is an immediate chemistry between the two that seems to anchor the film’s more outlandish moments. Ross, in particular, looks to be channelling a desperate, wide-eyed ambition that feels both hilarious and heartbreaking. We see the pair in their cramped flats, meticulously practising their accents and fabricating a past of "sunny LA" while staring out at a rainy Scottish landscape. It is a classic underdog setup, but one infused with a sharp, modern edge. What makes this trailer stand out is the way McAvoy seems to be balancing the tone. While there is plenty of humour to be found in the absurdity of the con, the footage also hints at the heavy price of living a lie. As the duo gains traction, signing a record deal and finding themselves on MTV, the cracks begin to show. The pressure of maintaining the persona starts to erode their friendship and their own sense of identity. It is not just a comedy about a prank; it is a study of the lengths people will go to for a seat at the table when the doors are perpetually locked. The supporting cast is equally impressive, featuring Lucy Halliday and Rebekah Murrell, alongside a cameo of sorts from McAvoy himself as a record producer. The visual style, captured by cinematographer James Rhodes, looks to be a blend of high-energy music video aesthetics and grounded, kitchen-sink realism. It perfectly reflects the dual lives the protagonists are leading—the neon-soaked fantasy of the pop world versus the grey reality of their origins. For McAvoy, choosing this specific story for his debut feels like a statement of intent. It is a film about class, about the regional biases of the British creative industries, and about the sheer, unadulterated power of "faking it until you make it." There is a clear affection for the characters and the setting, suggesting that McAvoy is not just interested in the spectacle of the hoax, but in the heart of the people behind it. Califonia Schemin UK Release Date As we look toward the 10 April 2026 release date, the anticipation is certainly building. UK Film Review has always championed stories that find the extraordinary in the ordinary, and California Schemin appears to be doing exactly that. It is a film that looks to celebrate the Scottish spirit while taking a healthy swing at the vanity of the music business. With a soundtrack that promises to be as brash as the boys themselves, and a directorial vision that feels surprisingly assured for a first-timer, James McAvoy might just have a hit on his hands. This isn't just another biopic; it’s a riotous, rhythmic, and quintessentially British tale of what happens when you decide to stop asking for permission and start taking it—even if you have to lie through your teeth to do so.

Film Podcast Feature by Chris Olson In the ever-expanding universe of the UK Film Review Podcast , we are constantly seeking out the voices that define modern cinema. This particularly insightful instalment of " The Films Of ", presented by my esteemed colleagues Callum Ewing and James Leroyd, marks a significant milestone for the show as they pivot from dissecting directorial oeuvres to examining their first-ever actor: the indomitable Margot Robbie . The timing could not be more apt, with Robbie set to grace our screens in the upcoming Wuthering Heights . Over the course of their discussion, Callum and James trace the remarkable trajectory of an artist who has transitioned from a breakout star to the highest-paid actress of 2023, all while wielding significant power behind the camera through her production company, LuckyChap Entertainment. Wuthering Heights official trailer The Wolf of Wall Street The conversation naturally begins with the film that served as Robbie’s definitive breakout. Callum reminds us that while Robbie had appeared in About Time (one of my favourite all-time films!) it was Martin Scorsese’s The Wolf of Wall Street  that truly launched her into the stratosphere. At just 22 or 23 years old, she held her own against Leonardo DiCaprio, delivering a performance James describes as "iconic". They discuss how she wasn't just a "pretty face" in this role; she was a comedic "firecracker" with an impeccable New York accent. James highlights the "fucking owl" line as a testament to her early understanding of joke delivery and screen presence. It was a performance that announced a major talent, even if it initially risked her being over-sexualized by the industry. I, Tonya I, Tonya Official Trailer For Callum, the pinnacle of Robbie’s career thus far is her transformative turn as Tonya Harding in I, Tonya . This was the project that earned her a first Academy Award nomination and, more importantly, forced the world to take her seriously as a powerhouse actress. Callum notes how she fully committed to the role, from the physical demands of ice skating to the heartbreaking vulnerability of the courtroom scene. James, while less enamoured with the film's overall "assaultive" style, agrees that the courtroom moment is Robbie at her best, where the filmmaking finally slows down to let her performance breathe. It remains a definitive example of her ability to disappear into a character, moving far beyond the "bombshell" archetype. Babylon Babylon Official Film Trailer James offers a more divisive pick for his favourite performance: Nellie LaRoy in Damien Chazelle’s Babylon . Though the film itself split critics, James argues that Robbie is "at her best" here, showcasing an incredible energy and physicality. He describes her as a "dynamic screen presence" who hypnotises everyone around her, particularly during the manic opening sequences. The hosts discuss how Babylon  reflects the "gumption" Robbie brings to her work, handling the chaos of a film-within-a-film production with elegance. It is a "capital G great performance" that demonstrates her range and willingness to go to extreme emotional and physical places. Barbie Barbie Official Film Trailer No discussion of Margot Robbie would be complete without the cultural phenomenon that is Barbie . Callum and James view this as the "ultimate Margot Robbie movie," a perfect fusion of her stardom, her business acumen as a producer, and her ability to elevate material. They praise the "masterful" chemistry between Robbie and Ryan Gosling, which James suggests is her best pairing to date. Callum points out that while the role relies on her looks, it does so reflexively. Robbie plays a character designed for perfection who must navigate the choice to be human and flawed. James notes that while it's a quieter performance than Babylon , it is no less impactful, representing a peak of her professional life where she is firing on all cylinders. Once Upon a Time in Hollywood Once Upon a Time in Hollywood Official Film Trailer The hosts also take time to celebrate Robbie’s skill in supporting roles, specifically her portrayal of Sharon Tate in Quentin Tarantino’s Once Upon a Time in Hollywood . James dismisses the common criticism regarding her limited screen time, arguing that a supporting performance is meant to "elevate" the film, which she does with a sense of pure joy. The scene where Tate watches her own film in a cinema is singled out as a "wonderful" moment of performance that avoids being exploitative. It serves as a reminder that Robbie does not need to be the lead to leave a lasting impression on the audience. Suicide Squad and Birds of Prey Birds of Prey Official Film Trailer Robbie’s tenure as Harley Quinn is discussed with a mix of admiration and frustration. While they both find the original Suicide Squad  to be a "bad film" that over-sexualises the character, they agree that Robbie’s commitment to the role was its saving grace. Callum notes how she "saved the film" multiple times with her performance. They much prefer her later turns in the role, where the writing finally caught up to her talent. Through her production work on Birds of Prey , she was able to reclaim the character, moving Harley Quinn away from being a "nightmarish" caricature to a more fleshed-out and interesting figure. The Legend of Tarzan and Bombshell In the spirit of a complete retrospective, Callum and James also touch upon the less successful entries in her filmography. Callum selects The Legend of Tarzan  as a "mundane" low point, noting that while Robbie isn't bad in it, the character of Jane Porter is unmemorable and the film itself is largely forgotten. James is even more critical of Bombshell , describing it as a film that already feels "ancient" and "outdated". He finds Robbie's composite character to be awkwardly written, though he acknowledges she plays the emotional breakdown scenes well. These examples, they argue, are rare instances where the material fails to meet the standard of the performer. The Producer’s Path Beyond the acting, Callum and James are clearly impressed by Robbie’s "entrepreneurial spirit". Through LuckyChap, she has produced not only her own vehicles like I, Tonya  and Barbie  but also critically acclaimed hits like Promising Young Woman  and Saltburn . They conclude that Robbie is an actor who knows exactly what she wants, selectively choosing to work with world-class directors like Wes Anderson, Greta Gerwig, and Martin Scorsese. Whether she is playing a historical figure, a comic book anti-hero, or a plastic doll, she remains one of the most vital and interesting figures in cinema today. This episode of "The Films Of" is a deep dive into a career that is still, incredibly, in its early stages. We invite you to join Callum and James as they celebrate the range, the risk-taking, and the remarkable rise of Margot Robbie. It is a conversation that reminds us why we love the movies—and why we should always keep an eye on what Robbie does next.