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Werwulf
When Robert Eggers sets his directorial sights on historical horror, cinema audiences are guaranteed an immersive trip into visceral dread. Having mastered puritanical terror in The Witch and gothic nightmare in Nosferatu, Eggers returns with the freshly dropped official trailer for Werwulf, and it looks utterly astonishing.
The footage plunges us directly into 14th-century England, a world drenched in mud, paranoia, and plague. Shot on 35mm film by cinematographer Jarin Blaschke, every frame of the trailer feels heavily textured, illuminated by flickering torches and grey, mist-choked forests. Aaron Taylor-Johnson takes center stage as a tormented man fighting to protect his family in a rural village haunted by a voracious beast. However, Eggers immediately strips away modern cinema's campy lycanthrope tropes; there are no shiny digital transformations or silver bullet clichés here, only raw, folkloric terror.
The teaser builds unbearable tension through sparse dialogue and suffocating atmosphere. We get gripping glimpses of Lily-Rose Depp as a woman paralyzed by fear and Willem Dafoe as an Old Hunter, his gravelly voice delivering chilling warnings about the evil lurking in the dark. Coupled with Ralph Ineson's imposing presence and Robin Carolan's unsettling score, the footage promises a deeply psychological and violent exploration of damnation and human vulnerability.
This trailer suggests Eggers has crafted another masterclass in period-accurate horror. Werwulf looks set to be an unmissable, terrifying cinematic experience when Universal Pictures releases it in UK cinemas on 1st January 2027.
Power Ballad
What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life.
Dune: Part Three
Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair.
