We Want the Virus film review by UK film critic William Curzon. Starring Paul Santoli, Cody Schultz, Amy Lyndon directed by Paul Santoli. HOME | FILMS | REVIEWS We Want the Virus Film Review average rating is 3 out of 5 Critic: William Curzon | Posted on: Aug 12, 2026 Directed by: Paul Santoli Written by: Daniel Gualajara, Paul Santoli Starring: Paul Santoli, Cody Schultz, Amy Lyndon We Want the Virus follows two lifelong friends and struggling actors, Adam (Paul Santoli) and Greg (Cody Schultz), as they wake up and realise they raised 22,000 dollars by falsely claiming they had the Coronavirus through a fundraiser. They must go to extreme lengths to get a positive COVID test in 48 hours and collect their cash prize. The piece is a feature-length independent comedy with an incredibly minimal budget made by a team of 12 people. We Want the Virus employs an incredibly absurd narrative while never losing sight of its character-driven focus. Both Adam and Greg are endearing, likeable characters who do whatever they can to hustle and get a positive COVID test within a 48-hour window, making their increasingly inventive schemes a pleasure to watch. The piece never takes itself too seriously and balances its comedic and dramatic tone exceptionally well. It feels like a love letter to LA with its Once Upon a Time in Hollywood (2019) homage and clear love for filmmaking without ever feeling overly self-indulgent. Its uplifting and feel-good spirit also helps, as both characters' sentimentality is the driving force of the narrative and one of the reasons it works so well. The narrative is suitably paced without ever overstaying its welcome thanks to the litany of characters introduced throughout. Each character in the ensemble feels naturally woven into the narrative, adding to the absurdity of Adam and Greg’s increasingly outlandish actions. While the second half of the narrative meanders as both central characters work through a variety of schemes, the montage sequences are well executed, and the piece maintains its energetic and uplifting tone. The coming-of-age elements are particularly effective, while the chemistry among the ensemble grounds the narrative's central ideas and themes. The camerawork is exceptional throughout. Most of the piece relies on wide framing, shifting to close-ups during intimate, dialogue-heavy moments. It's an apt choice, as the tighter framing allows each performance to shine. The music is equally creative throughout, incorporating synthwave motifs in the final third while adopting a more understated tone during the quieter moments of character interaction. Despite how incredibly silly and absurd the narrative is, the direction and technical elements keep the piece compelling. Given the film's minimalist team and budget, it’s astounding what was accomplished with the limited resources they had. Despite how over-convoluted the final stretch feels, it wraps up satisfyingly. Both central performances from Paul Santoli and Cody Schultz in their portrayals of Adam and Greg, respectively, are endearing thanks to their uplifting chemistry throughout. The 81-minute runtime allows for their character arcs to develop, and both performances convey their struggles and personalities profoundly. It's compelling to watch Adam and Greg attempt to find their way out of the central conflict, and the performances shine through each sequence. The supporting players are also incredibly memorable and add to the charm of the piece. We Want the Virus is a heartfelt buddy comedy crafted with uplifting intent by a group of individuals who love Hollywood and filmmaking. Held together by two terrific lead performances and a memorable ensemble, We Want the Virus is a fun ride that makes profound use of its absurd narrative. Buy UKFR Banner Space About the Film Critic William Curzon Indie Feature Film < All Reviews Next Film Review >

Daniel Baldwin writes movie reviews for UK Film Critic. As one of the talented UK film critics, find out more here. Daniel Baldwin Danial Baldwin is a film critic who writes for UK Film Review. Be sure to check out Daniel's film reviews on the website and remember to follow UK Film Review on social media to stay up to date with all the latest movie reviews, news, and film podcast episodes. Read Latest Film Reviews Absolution Read Film Reviews Daniel Baldwin Hundreds of Beavers Read Film Reviews Daniel Baldwin Shrapnel Read Film Reviews Daniel Baldwin A Fistful of Water Read Film Reviews Daniel Baldwin Abruptio Read Film Reviews Daniel Baldwin Caverna Read Film Reviews Daniel Baldwin TheTank Read Film Reviews Daniel Baldwin The Fist of the Condor Read Film Reviews Daniel Baldwin Murder Ballads: How to Make It in Rock 'n' Roll Read Film Reviews Daniel Baldwin Bad City Read Film Reviews Daniel Baldwin Ran Mi Lowo (Help Me) Read Film Reviews Daniel Baldwin

Finding Kendrick Johnson film review by UK film critic Rachel Willis. Starring Jackie Johnson, Kenneth Johnson directed by Jason Pollock. HOME | FILMS | REVIEWS Finding Kendrick Johnson Film Review average rating is 3 out of 5 Critic: Rachel Willis | Posted on: Aug 17, 2021 Directed by: Jason Pollock Written by: Jason Pollock Starring: Jackie Johnson, Kenneth Johnson In 2013, in Valdosta, Georgia, a black teenager was found dead in his high school gym. The officials ruled his death a tragic accident. There were a few unsatisfied by that ruling – including director Jason Pollock. The result of his four-year, undercover investigation is the unflinching documentary, Finding Kendrick Johnson. Drawing on interviews with Kendrick Johnson’s family, official investigators, as well as news footage, crime scene photos, and Valdosta’s brutal history, Pollock makes his own case for what happened to Kendrick. We’re told early on this information is being presented in a way that will allow viewers “to make up their own minds.” This isn’t an issue when focusing on what happened to Kendrick. However, the film makes a hard accusation. This isn’t to say whether or not the accusations are unfounded, but in the age of internet vengeance, it doesn’t sit well. It’s not done without reason. The accusation allows the film to draw parallels. If the roles were reversed, if a white child was murdered and the accused was black, the case would be handled very differently. A black teenager would certainly not be allowed to live his life, nor would a white teenager’s murder be handled so carelessly (and with utter disregard) by local law enforcement. Narrators, even in documentaries, often deliver a hard sell. Many times, movies fare better without the voiceover giving you the details. But this film wants the viewer to be very clear about what it’s presenting. In case you missed a detail, Jenifer Lewis’s narration helps call your attention to the many contradictions in the case. Numerous graphic and violent images haunt the screen. Crime scene and autopsy photos of Kendrick allow the viewer to see what happened to Kendrick in gory detail. It might be too much for some, particularly as the documentary draws comparisons to past lynchings, but it’s necessary to highlight the injustices against Black Americans. Too often, Black men, women, and children are murdered, and no one is held accountable. In the past, these crimes would be known, celebrated, and ignored by the justice system. These days, the justice system tries to pass off a murder as an accident in hopes it will go away. This documentary, along with Johnson’s family, wants to ensure that doesn’t happen to Kendrick. Kendrick Johnson deserves justice. His family demands it. Maybe this documentary will help them get it. Buy UKFR Banner Space About the Film Critic Rachel Willis Digital / DVD Release, Indie Feature Film, Documentary < All Reviews Next Film Review >

The Boogeyman film review by UK film critic George Wolf. Starring Sophie Thatcher, ChrisMessina, Vivien Lyra Blair directed by Rob Savage. HOME | FILMS | REVIEWS The Boogeyman Film Review average rating is 2 out of 5 Critic: George Wolf | Posted on: Jun 1, 2023 Directed by: Rob Savage Written by: Scott Beck, Bryan Woods, Mark Heyman Starring: Sophie Thatcher, ChrisMessina, Vivien Lyra Blair You see that a new horror flick is PG-13, and you might begin making some assumptions. There will be jump scares, some dream sequence fake-outs, maybe a conveniently placed box ‘O clues. It’s hard to blame you for these expectations, and The Boogeyman does little to upend them. Therapist Dr. William Harper (Chris Messina) recently lost his wife in a car accident. His teenage daughter Sadie (Yellowjackets ‘ Sophie Thatcher) is withdrawing, while his younger one, Sawyer (supercute Vivien Lyra Blair from Bird Box and the Obi-Wan Kenobi series), has developed a strong fear of the dark. And just when the family is trying to get back into some sort of routine, the troubled Lester Billings (David Dastmalchian) crashes the Dr.’s office with a wild claim. Lester didn’t kill his three kids like the cops are claiming. A monster did it. A monster that lives in the darkness. A monster that follows you to places like home offices. Writers Scott Beck and Bryan Woods help adapt a Stephen King short story with little of the tension or thrills that drove their script for A Quiet Place. Director Rob Savage (Host ) has some visual fun with Sawyer’s round nite lite rolling through dark spaces, but it isn’t long before the familiar beats, questionable internal logic and middling creature effects bog the film’s 98 minutes down in tedium. The cast (including Marin Ireland as a battle-weary Mrs. Billings) is strong and willing, but the darkened playground of The Boogeyman is only for the scaredy-est of cats. And for horror fans wanting another PG-13 gem like The Ring , or a grief metaphor as deeply felt as The Babadook , the long wait just gets longer. Buy UKFR Banner Space About the Film Critic George Wolf Theatrical Release < All Reviews Next Film Review >

DreamWorks launch official trailer for The Bad Guys. Nobody has ever failed so hard at trying to be good as The Bad Guys.. Brand new film trailers. The Bad Guys Official Trailer DreamWorks launch official trailer for The Bad Guys Nobody has ever failed so hard at trying to be good as The Bad Guys. In the new action-comedy from DreamWorks Animation, based on the New York Times best-selling book series, a crackerjack criminal crew of animal outlaws are about to attempt their most challenging con yet—becoming model citizens. Never have there been five friends as infamous as The Bad Guys—dashing pickpocket Mr. Wolf (Academy Award® winner Sam Rockwell, Three Billboards Outside Ebbing, Missouri), seen-it-all safecracker Mr. Snake (Marc Maron, GLOW), chill master-of-disguise Mr. Shark (Craig Robinson, Hot Tub Time Machine franchise), short-fused “muscle” Mr. Piranha (Anthony Ramos, In the Heights) and sharp[1]tongued expert hacker Ms. Tarantula (Awkwafina, Crazy Rich Asians), aka “Webs.” But when, after years of countless heists and being the world’s most-wanted villains, the gang is finally caught, Mr. Wolf brokers a deal (that he has no intention of keeping) to save them all from prison: The Bad Guys will go good. Under the tutelage of their mentor Professor Marmalade (Richard Ayoade, Paddington 2), an arrogant (but adorable!) guinea pig, The Bad Guys set out to fool the world that they’ve been transformed. Along the way, though, Mr. Wolf begins to suspect that doing good for real may give him what he’s always secretly longed for: acceptance. So when a new villain threatens the city, can Mr. Wolf persuade the rest of the gang to become … The Good Guys? The film co-stars Zazie Beetz (Joker), Lilly Singh (Bad Moms) and Emmy winner Alex Borstein (The Marvelous Mrs. Maisel). Based on the blockbuster Scholastic book series by Aaron Blabey, The Bad Guys is directed by Pierre Perifel (animator, the Kung Fu Panda films), making his feature directing debut. The film is produced by Damon Ross (development executive Trolls, The Boss Baby, co-producer Nacho Libre) and Rebecca Huntley (associate producer, The Boss Baby). The executive producers are Aaron Blabey, Etan Cohen and Patrick Hughes. THE BAD GUYS IS IN UK CINEMAS THIS SPRING Paper Tiger The Paper Tiger trailer suggests a searing, deeply moving examination of ambition, guilt, and the toxic pursuit of the American Dream. Ink The newly dropped trailer for Ink confirms those expectations, delivering a relentless, kinetic glimpse into Fleet Street's most disruptive era. The Social Reckoning Seeing the first teaser trailer drop for its spiritual companion piece, The Social Reckoning, sent an absolute chill down my spine. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here.

Film news - Marvel Studios Announces Black Widow DVD and Blu-Ray UK Release Date. Find out more at UK Film Review. Marvel Studios Announces Black Widow DVD and Blu-Ray UK Release Date Chris Olson Tuesday, August 10, 2021 at 4:07:02 PM GMT+1 Marvel Studios Announces Black Widow To Land Early On Digital (August 10th) and 4K, Blu-Ray and DVD September 13th. To include 9 deleted scenes as well as a gag reel, Marvel fans will be stoked to hear Black Widow will be coming to home viewing very soon. Having delayed the cinematic release date due to the pandemic which started last year, the wait will hopefully be worth it for film fans. In Marvel Studios’ action-packed spy thriller Black Widow, Natasha Romanoff — aka Black Widow — confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger. Scarlett Johansson reprises her role as Natasha/Black Widow, Florence Pugh stars as Yelena, David Harbour portrays Alexei/The Red Guardian, and Rachel Weisz is Melina. Black Widow — the first film in Phase Four of the Marvel Cinematic Universe — is directed by Cate Shortland and produced by Kevin Feige. Read our Black Widow film review . Marvel Studios’ Black Widow Bonus Features* Gag Reel – Take a look at some of the fun mishaps on set with the cast and crew of Black Widow . Deleted Scenes Grocery Shopping – Natasha heads into a grocery store to prepare for her journey through Norway. After a long drive, she arrives at her destination: a mysterious trailer in the middle of nowhere. Bike Chase – Tailed by assailants, Natasha and Yelena speed through the city in order to escape their nemeses. Gulag Fight – Alexei squares up against several enemies and is quickly overpowered. When all hope seems lost, Natasha leaps in to lend a hand in the fight. Smile – The Taskmaster protocol is activated in a tense moment, and an iconic helmet is unveiled. Come After Me – Secretary Ross and Mason discover an important message Natasha left behind. Walk and Talk – Alexei and Melina have a playful exchange. The Taskmaster arrives and faces off with Alexei. Widows in Training – Yelena and Alexei awaken in captivity. Melina hands the Taskmaster vials while the Widows train. Kiss – Alexei and Melina reunite after the action. Natasha grieves over an untimely demise in the brutal aftermath. Ohio – Natasha witnesses the carefree nature of the Ohio suburbs through the neighbourhood children. Filmmaker Introduction Featurette – Director Cate Shortland introduces the film and her vision for it. Sisters Gonna Work It Out Featurette – Watch Scarlett and Florence as they train, fight, and bond to become the sister duo in Black Widow . Listen as the cast and crew discuss the characters, rigorous training, and building the dynamic between the two fearsome siblings. Go Big If You’re Going Home Featurette – Step back to appreciate the size and scale of Black Widow ’s solo film. Shot around the world, the film balances family and drama with mind-blowing action. The cast and crew reveal the intricacies of stunts that made the film so action-packed. *bonus features vary by product and retailer The King's Man UK Home Release Date Announced The Latest King’s Man Film Will be Available on Digital February 9 and 4K Ultra HD™, Blu-ray™ and DVD on February 21. Read Now BFI Future Film Festival announces 2022 Awards Jury and full programme Find out who the jury is for the 2022 BFI Future Film Festival. Read Now The Wonderful: Stories From The Space Station UK Release Date The Wonderful: Stories from the Space Station is a Dog Star Films production in association with Fisheye Films. Directed by Clare Lewins (I Am Ali, Kareem: Minority of One, The Lost Tapes of Memphis.). Read Now Redemption of a Rogue UK Cinema Release Date Read Now Cryptozoo Coming to Mubi This October Having made a splash at the 2021 Sundance Film Festival, filmmaker Dash Shaw's upcoming fantasy animation Cryptozoo is a highly anticipated film coming to Mubi later this year. Read Now Another Round UK DVD And Blu-Ray Release Date Announced Following its acclaimed cinema release, STUDIOCANAL are excited to announce the release of Thomas Vinterberg’s intoxicating Oscar winner, ANOTHER ROUND, starring Mads Mikkelsen, on early EST 24th September 2021 and DVD, Blu-ray and Digital on 27th September 2021. Read Now Marvel Studios Announces Black Widow DVD and Blu-Ray UK Release Date Marvel Studios Announces Black Widow To Land Early On Digital (August 10th) and 4K, Blu-Ray and DVD September 13th. Read Now My Little Sister Gets October UK Release Date My Little Sister is due for a cinema release in the UK, on Friday 8th October 2021. Read Now Grimmfest Reveals Line-Up for 2021 Film Festival After a year of “home invasions” in the form of virtual screenings and online events, this October sees Grimmfest returning to the cinema at last. Read Now Helen Mirren Narrates Powerful Documentary Escape From Extinction Kaleidoscope Entertainment presents Escape From Extinction, a powerful feature documentary narrated by Academy Award winner Dame Helen Mirren, coming to selected cinemas from 17th September celebrating ‘Great Big Green Week’ (18-26 September). Read Now Supernova UK DVD and Blu-Ray Release Date Following critical acclaim and standout performances, STUDIOCANAL are excited to announce the release of the heartbreaking British love story SUPERNOVA, arriving on EST 24th September 2021 and DVD and Blu-ray on 27th September 2021. Read Now The Djinn UK Release Date The story follows a mute twelve-year-old, Dylan Jacobs, as he discovers a mysterious book of spells inside his new apartment. Read Now Come Play UK Digital Release Date Jacob Chase’s directorial debut feature COME PLAY tells the story of Oliver, a solitary autistic boy who comes across a creepy children’s story on his new tablet. Read Now 15m Giant Starfish in Leicester Square Ahead of UK Release of The Suicide Squad British actor Peter Capaldi (BBC’s Doctor Who, World War Z) ‒ who stars in THE SUICIDE SQUAD alongside Margot Robbie, Idris Elba and John Cena as genius scientist ‘Thinker’, was bravely photographed with the imposing creature Starro in London’s Leicester Square earlier today in celebration of the film’s UK release this coming Friday. Read Now West Side Story In Cinemas December 2021 From acclaimed director Steven Spielberg, the 2021 remake of West Side Story will be coming to cinemas in December 2021. Read Now The Last Job UK Digital and DVD Release Date Screen icon Richard Dreyfuss takes on The Last Job in a brand new, all-action thriller, that stars Modern Family’s Mira Sorvino as his daughter. This rip-roaring gangster movie hits the UK on DVD and digital this August from 101 Films. Read Now Rise of the Footsoldier Origins UK Cinema Release The eagerly-awaited RISE OF THE FOOTSOLDIER: ORIGINS, starring legendary leading man Vinnie Jones, is showing exclusively in cinemas from September 3, courtesy of Signature Entertainment. Read Now Random Acts of Violence UK DVD and Blu-ray Release Date Jay Baruchel writes, directs and stars in his horror debut Random Acts of Violence, which makes its UK Blu-ray debut from Acorn Media International in conjunction with Shudder, following its success on the streaming service. Read Now Spirited Away 20th Anniversary Special Edition SPIRITED AWAY COLLECTOR’S BOXSET WITH DVD & BLU-RAY DOUBLEPLAY AVAILABLE 27 SEPTEMBER 2021 Read Now A New World Order Premieres in UK 23 August Black Mirror meets A Quiet Place in gripping sci-fi thriller A New World Order from director Daniel Raboldt in his feature debut, which gets its UK premiere on DVD and digital 23 August 2021 from Reel 2 Reel Films. Read Now

Memory film review by UK film critic Hope Madden. Starring Jessica Chastain, Peter Sarsgaard, Brooke Timber directed by Michel Franco. HOME | FILMS | REVIEWS Memory Film Review average rating is 4 out of 5 Critic: Hope Madden | Posted on: Jan 11, 2024 Directed by: Michel Franco Written by: Michel Franco Starring: Jessica Chastain, Peter Sarsgaard, Brooke Timber “I remember…” These are the first words uttered in Michel Franco’s deceptively spare drama, Memory. Sylvia (Jessica Chastain) is celebrating 13 years of sobriety at an AA meeting. She’s brought her daughter, and those around her are remembering her impact on them. For the next 140 minutes, Franco examines what’s true and what’s faulty in the human memory, and what he finds is sometimes harsh and unpleasant, but just often, profoundly tender. Chastain’s performance is brittle but with complexity and depth. Sylvia’s life, and her hard-edged wall, are built from the years of being denied her truth. She knows who she is and she’s doing what she can with that. Saul (Peter Sarsgaard, astonishing) does not always know who he is, but when he does the film shimmers with life and humanity. Saul follows Sylvia home from a high school reunion of sorts. The catalyst is provocative in that it makes Sylvie reconsider her own memory, which allows those around her to reignite their assault on its veracity. A razor-sharp ensemble lends remarkable support to Chastain and Sarsgaard. Jessica Harper, in particular, is picture perfect, her sly and cheery manipulation leading to an emotional climax blistered by authenticity. Memory is a bit of a departure for Franco, who’s films often keep audiences at arm’s length from the emotional turmoil beneath a character’s enigmatic surface. Not so here. Chastain’s slowly melting wall of ice creates real intimacy, and what she reveals beneath is raw. She and Sarsgaard are veteran talents reveling in an opportunity to discard artifice and create something untidy. Their work, particularly in scenes together, testifies again to each actor’s remarkable skill. Franco’s films rarely answer all the questions they ask, and can feel almost shapeless and often hopeless. Memory is a departure here as well. Though it’s far less rigidly structured than many Hollywood films, there’s a comforting structure to it and, more comforting, an undeniable spark of hope. Buy UKFR Banner Space About the Film Critic Hope Madden Theatrical Release < All Reviews Next Film Review >

Goodbye Breasts! film review by UK film critic Holly Baker. Starring Joanna Callaghan directed by Joanna Callaghan. HOME | FILMS | REVIEWS Goodbye Breasts! Film Review average rating is 4 out of 5 Critic: Holly Baker | Posted on: Feb 2, 2026 Directed by: Joanna Callaghan Written by: Joanna Callaghan Starring: Joanna Callaghan Goodbye Breasts! is a fantastic, partly self-shot, introspective documentary following Joanna Callaghan’s lived experience of undergoing a mastectomy. The documentary investigates both the physical and psychological impacts that the life-altering surgery has, presenting Callaghan’s own inner turmoil alongside those of others who also underwent the procedure. Professor Joanna Callaghan teaches filmmaking at the University of Sussex, whilst being an artist filmmaker and a mother. The documentary begins with Joanna’s perspective, explaining to viewers how the procedure works and using her own body to visually demonstrate what had been removed, highlighting the areas that lack sensation. This raw opening works amazingly as an objective observation of Callaghan’s experiences. There is no editing or music, just her body and the camera, and viewers quickly get a grasp of the specifics of the surgery. Importantly, Callaghan’s open discussion of her surgery makes for a refreshing viewing experience, as so often are women’s bodies sexualised and censored in media, seeing breasts spoken about in a way focused around what they are, organs made up of tissue, is a great thing. This way, the male gaze is removed and women’s bodies are appreciated outside of any misogynistic, predatory context so often affiliated with the camera. Callaghan goes on to impress viewers with her sophisticated language as she describes growing up, delving into her femininity, and her experience of girlhood and motherhood in a delightfully authentic way. Her experience of living in a house full of a mostly female family, all very comfortable in their femininity and loving of their bodies, is wholesome and inspiring. Viewers get a clear sense of the vibrant, safe, female space which shaped Callaghan to grow up to be an inspirational filmmaker and academic. Following the heartfelt introduction to Callaghan and her family, the film dives into the topic of breast cancer with a devotion to the science behind how the condition is passed on, in particular, which genes are responsible. Goodbye Breasts! provides an important array of information about breast cancer, particularly outlining the PALB2 gene as an overlooked genetic factor. The film explains genetic coding clearly to give viewers a full explanation of why Callaghan, as well as many other women, were advised and chose to have a mastectomy following the discovery of this gene. The film incorporates several animated sequences that radiate a tender adoration for breasts and the female body. These add vibrancy to the documentary, interweaving documentary footage with artistic bliss, together carrying a strong message of understanding, acceptance, and celebration of the female form and all its variations. This sentiment of pure and uncensored displays and affections for the female body is one which Callaghan projects not only through this film, but also through the raising of her child. Several sequences feature Callaghan’s teenage son who is clearly mature and comfortable with the subject of breasts, and share their mother’s admiration and excitement about her project. Such an appreciation being passed on from mother to son is a delightful example to see, and a clear standard for future generations to aspire to in the hope to eradicate stigma around women’s bodies. Overall, Goodbye Breasts! is a fully rounded, heartfelt and informed documentary. As the film comes to a close, Callaghan touches on every possible tone and feeling surrounding the female body, what it goes through, and ultimately celebrates it beautifully through a comedic, colourful musical dance sequence. Viewers are left with a fantastical ending, an uplifting sensation filled with optimism, art, and joy, and so despite the film’s often solemn and tearful moments, the sentiment of female celebration is firmly secured. Buy UKFR Banner Space About the Film Critic Holly Baker Documentary < All Reviews Next Film Review >

Wrists Tied film review by UK film critic James Learoyd. Starring Beckett Nichols, Hank Holbrook, Sam Teague, Calvin Lewis directed by Joseph Jeavons. HOME | FILMS | REVIEWS Wrists Tied Film Review average rating is 3 out of 5 Critic: James Learoyd | Posted on: Mar 15, 2025 Directed by: Joseph Jeavons Written by: Joseph Jeavons, Owen Swift Starring: Beckett Nichols, Hank Holbrook, Sam Teague, Calvin Lewis Wrists Tied is an amusing new crime-comedy short from director Joseph Jeavons. It tells a story of two young guys – Melvin (Beckett Nichols) and Doug (Hank Holbrook) –who have been friends since childhood. After some failed business ventures, Melvin concludes that he’d like to get involved with a Get Rich Quick Scheme; this, however, quickly turns out to be a front for some kooky criminals wishing to rob banks. While Melvin is still willing to go along with the scheme, Doug is more sceptical and refuses to proceed. What follows is a watchable and humorous tale of corruption, betrayal, and leg hair. There’s a unique mixture of comedy styles present in this short film. For instance, much of the overall tone is reminiscent of a John Hughes style of youthful humour. The boys naturally joke back and forth, toeing the line between endearing and annoying. At the end of the day, this is a comedy; we’re meant to laugh at and with these characters as well as the absurdity of the scenario. The best jokes in the movie are more visual. To provide an example, at one point Doug phones Melvin while Melvin is at one of the criminal meetings. He lies about this, pretending he’s home and that his mother’s calling him. When we cut back to Doug and the camera pans over, it turns out that Doug is stood outside the meeting. “I’ve always known”, he says – an advancement of the plot, and a great punchline. This temperament of depicting young, disillusioned people turning to crime – not because there are no other options but simply because it is an option – is very reminiscent of what feels like this movie’s main inspiration: Wes Anderson’s short (and later debut feature) Bottle Rocket . Jeavons’ film does an amazing job at replicating, and paying homage to, Anderson’s classic comedy – particularly through how the friendships and comradery are placed at the forefront of the story's focus. I’d like to talk a bit about the difference between editing and structure. From an editorial standpoint, this is a really well-put-together piece. But sometimes, for whatever reason, the film feels as if it lacks focus. This is a consistently well-cut movie; it’s the scenarios and the dialogue which occasionally cause the film’s pace to meander. For instance, the first few minutes of the runtime work well to establish the crux of the story: this friendship. And yet, its overly plotty, explanatory “1 Year Later” structure (so to show that Melvin’s hypothetical business isn’t working out) could have been achieved smoothly in less time. Only to say that – while this short is terrifically entertaining – when it lacks propulsion, it’s more due to the overall structure. The cutting feels just about right. Wrists Tied is an immensely enjoyable watch. While the cinematography has its flaws – specifically the use of autofocus settings – there are still plenty of interesting shots on show. This film was made by people who know movies, and understand the rhythms, patterns, and visual traits of the good ones (Bottle Rocket as the prime example). It’s an absurdly endearing work from beginning to end, made by creatives at the beginning of a promising career. Buy UKFR Banner Space About the Film Critic James Learoyd Short Film < All Reviews Next Film Review >

Film news - The Wonderful: Stories From The Space Station UK Release Date. Find out more at UK Film Review. The Wonderful: Stories From The Space Station UK Release Date Chris Olson Monday, August 23, 2021 at 4:38:02 PM GMT+1 The Wonderful: Stories from the Space Station UK Trailer Release Drawing on breathtaking archive and interviews with astronauts, cosmonauts, colleagues and family members, THE WONDERFUL: STORIES FROM THE SPACE STATION brings together personal testimonies from the men and women who have been part of this extraordinary project - a remarkable achievement of technology, international collaboration, scientific endeavour and human bravery. The International Space Station is completely unique – continuously occupied since November 2000, it is a triumph of engineering and cooperation and the largest peacetime international project in history. Assembled by space walkers flying around the earth at 17,500 miles per hour, the length of a football pitch, its solar arrays stretching out for more than an acre, the work of 15 nations over 20 years. But the film is not about the 450 tonnes of silver spaceship orbiting earth - THE WONDERFUL is the story of the men and women who live inside it - their stories played out against the vast, beautiful, bottomless, darkness of the Universe. For every astronaut who risks their life to go into space there is a chain of people who help them get there. From the family members saying goodbye through protective glass at the launch site, to the engineers, flight directors and dedicated teams at NASA, Roscosmos, JAXA, ESA, and CSA - to the teachers who inspired them, to the pioneers of space exploration, to the pilot who taught a young Peggy Whitson to fly on her farm in Iowa. This is a story of human connection. THE WONDERFUL remains a constant reminder of mankind’s vulnerability but also our ability to reach beyond the unimaginable, to life in space. In a world of compromise and uncertainty the ISS is a triumph of engineering and cooperation. As an example of what man can achieve when we put aside our differences, it is more relevant now than ever. The Wonderful: Stories from the Space Station is a Dog Star Films production in association with Fisheye Films. Directed by Clare Lewins (I Am Ali, Kareem: Minority of One, The Lost Tapes of Memphis.) and produced by BAFTA and Emmy-nominee George Chignell (Citizen K, Searching for Sugar Man, I Am Ali ). The King's Man UK Home Release Date Announced The Latest King’s Man Film Will be Available on Digital February 9 and 4K Ultra HD™, Blu-ray™ and DVD on February 21. Read Now BFI Future Film Festival announces 2022 Awards Jury and full programme Find out who the jury is for the 2022 BFI Future Film Festival. Read Now The Wonderful: Stories From The Space Station UK Release Date The Wonderful: Stories from the Space Station is a Dog Star Films production in association with Fisheye Films. Directed by Clare Lewins (I Am Ali, Kareem: Minority of One, The Lost Tapes of Memphis.). Read Now Redemption of a Rogue UK Cinema Release Date Read Now Cryptozoo Coming to Mubi This October Having made a splash at the 2021 Sundance Film Festival, filmmaker Dash Shaw's upcoming fantasy animation Cryptozoo is a highly anticipated film coming to Mubi later this year. Read Now Another Round UK DVD And Blu-Ray Release Date Announced Following its acclaimed cinema release, STUDIOCANAL are excited to announce the release of Thomas Vinterberg’s intoxicating Oscar winner, ANOTHER ROUND, starring Mads Mikkelsen, on early EST 24th September 2021 and DVD, Blu-ray and Digital on 27th September 2021. 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Read Now Rise of the Footsoldier Origins UK Cinema Release The eagerly-awaited RISE OF THE FOOTSOLDIER: ORIGINS, starring legendary leading man Vinnie Jones, is showing exclusively in cinemas from September 3, courtesy of Signature Entertainment. Read Now Random Acts of Violence UK DVD and Blu-ray Release Date Jay Baruchel writes, directs and stars in his horror debut Random Acts of Violence, which makes its UK Blu-ray debut from Acorn Media International in conjunction with Shudder, following its success on the streaming service. Read Now Spirited Away 20th Anniversary Special Edition SPIRITED AWAY COLLECTOR’S BOXSET WITH DVD & BLU-RAY DOUBLEPLAY AVAILABLE 27 SEPTEMBER 2021 Read Now A New World Order Premieres in UK 23 August Black Mirror meets A Quiet Place in gripping sci-fi thriller A New World Order from director Daniel Raboldt in his feature debut, which gets its UK premiere on DVD and digital 23 August 2021 from Reel 2 Reel Films. Read Now

God of Dreams film review by UK film critic Patrick Foley. Starring Jessie Reeder, Keshawn Pettigrew, Julia Reilly directed by Jurian Isabelle. HOME | FILMS | REVIEWS God of Dreams Film Review average rating is 4 out of 5 Critic: Patrick Foley | Posted on: Feb 11, 2022 Directed by: Jurian Isabelle Written by: Jurian Isabelle Starring: Jessie Reeder, Keshawn Pettigrew, Julia Reilly Be prepared for a mind-bending, cerebrum-twisting and brain-stimulating experience with God of Dreams, Jurian Isabelle’s ambitious conceptual epic that mixes action, thriller and sci-fi elements to tell the story of a society in which dreaming is outlawed. In a world where dreaming can be prevented through medication, a tyrannical US government has banned the act through law, and enforces this with a machine-like military police force. An underground community exists to fight back against this imposition, and following the death of leadership figure Angelo the 7th (Joshua Langford), a band of misfits come together to try and find a new direction for their rebellion. God of Dreams is a genuinely ambitious film from director and writer Jurian Isabelle which explores an original concept in a well-realised dystopian setting, though does suffer from an overly complex plot and from having no primary protagonist. The film is highly conceptual, and its central premise – dreams being illegal – is presented well and in a manner which is related effectively to the modern world. Jurian Isabelle uses this to comment on race, police militarization, overbearing government and the struggles of maintaining and directing a grassroots movement. Tying the science-fiction elements to contemporary issues and challenges provides the film with a powerful political message. The film’s plot is complex and told from the perspective of a number of different characters. This multi-perspective approach makes the story difficult to follow, as audiences lack a persistent basing in the world they are presented with. As an outsider to the group, Julia Reilly’s Ket is the film’s best conduit for providing exposition to the viewer, as she requires the same explanations herself. Other characters such as Keshawn Pettigrew’s Prophet Major are more deeply embedded in the story’s politics, and whilst they are intriguing characters in their own right, the ricocheting approach to character taking precedent from scene to scene does not help with getting a grounding in a world that requires significant explanation, especially as plot-twists and revelations begin. The characters themselves however are scripted brilliantly and naturally – never sounding trite or hammy despite having to engage in complicated sci-fi narrative. This is down to Isabelle’s tight script, and the acting talents of the ensemble cast. A fine example is Ket and Rasui (Aric Smith)’s bus stop conversation in which the underground’s dreaming techniques are explained – establishing an integral part of the film’s world without breaking immersion. Fine performances also come courtesy of Omar Cook as Ali, and Ann Nesby as Grandma Mae – demonstrating the strength of the film’s casting across the board. However, it still feels like the film would have been better served by shifting focus to one or two of these characters, rather than spreading itself thinner over multiple. Visually, the film is a treat – convincingly portraying a near-future dystopia where citizens are on constant edge and tracked throughout their daily lives. Lighting is used particularly well when contrasting the upper-class lives of Ket and her family with bright bold colours, compared to the rest of the resistance who operate in the dark – and under the authorities’ noses. The blue flashing lights that engulf the character’s cars on a number of occasions as the dream police stop them is also a deeply traumatic effect that harkens very-real police brutality incidents. The recurring sound of the cop’s leather outfits stretching also brilliantly creates a sense of deep discomfort whenever in their presence – another impactful production touch. Though it’s storytelling can be incoherent at times, and its plot difficult to follow, God of Dreams offers style, originality, an intriguing concept and some fine performances which make it an entertaining and thought-provoking watch. Buy UKFR Banner Space About the Film Critic Patrick Foley Digital / DVD Release, Indie Feature Film, Amazon Prime, Film Festival < All Reviews Next Film Review >

Spirit of Friendship film review by UK film critic Jason Knight. Starring Jeremy London, Sal Rendino, Carter Grassi, Delaney Miclette directed by Danny LeGare. HOME | FILMS | REVIEWS Spirit of Friendship Film Review average rating is 3 out of 5 Critic: Jason Knight | Posted on: May 21, 2024 Directed by: Danny LeGare Written by: Danny LeGare Starring: Jeremy London, Sal Rendino, Carter Grassi, Delaney Miclette A young boy tries to communicate with his late mother and learns valuable lessons about life. The boy is Billy (Grassi), the protagonist in this heart-warming feature-length drama and now he is a grown man (London) with children. Sadly, a loved one has passed away and his children are struggling to come to terms with the loss. So to make them feel better, Billy tells them the story of how he was struggling to cope with the passing of his mother when he was a child. The narrative consists of flashbacks that alternate with the adult Billy describing the events to his two offspring. The flashbacks show young Billy's journey to discover how to hold on to those he cares for even after they are gone and to find himself. Following his mother's death young Billy and his father (Nicholes Jr.) barely communicate and Billy wants to contact his mum. His two friends Mike (Luca Corticelli) and Jake (Dante Corticelli) believe that a way to do so involves a personal item (in this case a crossword book) of the deceased and sitting together in a circle. Eventually, three girls get involved, one of which is Emma (Miclette), who Billy fancies. However, things take a dramatic turn for Billy when he meets and builds a rapport with Leonard (Rendino), a friendly and optimistic man who lost his wife and shares his views with the boy regarding how to be at peace with loss. Although the atmosphere is generally light-hearted, this film deals with heavy themes, loss being the main one, particularly how to deal with it. In this case, Leonard's character is the one who provides the answers to that, which are that people never lose connections with loved ones even after they are gone, which is achieved by remembering them and by engaging in activities they used to enjoy. In addition to this, the subject of bullying is present as Billy and his friends deal with two rather unpleasant youths and romance joins the scene as the boy spends time with Emma. The feature also points out the significance of support and friendship and not becoming disconnected from loved ones. Billy (child Billy that is) is a bright boy who does not know how to deal with the loss of his beloved mother. Leonard provides him with a solution and by doing so, he becomes the heart of this film: a happy man who has learned how to handle loss and shares his positive ideas with others. By the way, it is indicated that Leonard might be a ghost as he only appears at the cemetery, disappears quickly and Billy seems to be the only one who can see him. Is he actually a spirit? LeGare's directing deserves commendations, as it captures the beauty of the surrounding environments and special recognition goes to composer Craig Flaster for the music. The score includes beautiful piano melodies, is either light-hearted or melancholic and is vital in creating the right atmosphere. Further acknowledgements go to Sarah Young for the wonderful creativity during the opening credits montage. This is a moving story and one that holds heavy messages. Ultimately, it appears to be supporting the belief that loved ones who have passed away are always present as people keep them close with their memories and by enjoying life. Although sometimes the acting is not very convincing, that does not prevent this feature from being a heart-warming viewing. Buy UKFR Banner Space About the Film Critic Jason Knight Indie Feature Film < All Reviews Next Film Review >