Directed by #StellaMeghie
Written by #StellaMeghie
Tis the season, and as Valentine’s-aimed romantic dramedies go, the blandly titled The Photograph could be worse.
Issa Rae (Insecure) leads the cross-generational love story as Mae, NYC museum curator trying to process her grief and an incredibly long letter, both hers now because of her estranged mother Christina’s recent death.
Christina (a solid Chanté Adams), mainly unveiled via flashback, broke from her own difficult mother as well as the love of her life back in Louisiana years ago to follow a career as a photographer in New York.
As Mae learns some painfully obvious truths by way of Christina’s letter, writer/director Stella Meghie (Everything, Everything) weaves two romances together across time to look at the wages of a woman’s ambition and the ways we relive our parents’ mistakes.
There’s plenty to like here, and Meghie’s film certainly looks like a dreamy romance waiting to happen. Scenes are beautifully lit, gorgeously filmed and romantically scored. You can’t fault the casting, either.
LaKeith Stanfield (Sorry to Bother You) has an easy chemistry with Rae as the journalist interested in Christina’s life, and Meghie surrounds her leads with vibrant supporting characters. Lil Rel Howery, Courtney B. Vance and an underused Kelvin Harrison Jr. all round out the ensemble, adding much needed life.
Rob Morgan (Mudbound, Last Black Man in San Francisco, Just Mercy), wonderful as always, steals his few scenes with a restrained, mournful presence that enriches an insubstantial story. There’s a ragged weariness to his character, one that’s all the more poignant when offset by the buoyancy of Y’lan Noel’s turn as the younger version of the same character.
Meghie has assembled a fine cast, she just doesn’t give them enough to do. Neither love story gets enough room to grow and Mae’s arc feels forced and rushed. Because Christina is gone before the cameras role, Meghie handles Mae’s conflict with her mother exclusively through clunky dialog, and the usually reliable Rae has trouble conveying any convincing inner turmoil.
For a low stakes romance, The Photograph is a very pretty picture.