You’ll be praying for check out time on 2nd April.. Brand new film trailers. The Night trailer A cross between The Shining and The Haunting of Hill House, THE NIGHT is set over a long dark night in a mysterious hotel, where a young couple are tormented by ghosts of the past. An outstanding debut feature from writer/director Kourosh Ahari, featuring fantastic lead performances from Shahab Hosseini (A Separation), and Niousha Noor (Here and Now), the film is soaked in dread and delivers some genuinely hair-raising horror moments. THE NIGHT is filmed in an LA hotel actually alleged to be haunted, which makes The Shining’s Overlook seem positively welcoming; Ahari’s nerve-jangler is a brilliantly gripping and nightmarish vision by a masterful new talent - with an ending M. Night Shyamalan would kill for. If you were glued to Netflix’s The Vanishing at the Cecil Hotel, be sure to make your reservations now for a night with THE NIGHT. You’ll jump right out of your complimentary bathrobe. With The Night, director Kourosh Ahari made history for being the first U.S. produced film to receive a license for theatrical release in Iran since the revolution. The psychological thriller follows in the footsteps of The Shining, luring viewers into a hotel that is both ominous and inviting, where the ghosts of the past still linger around each corner. The terrors that linger in the corridors are more real and terrifying than any movie monster in a mask. The Night will make you never want to spend a night away from home again. THE NIGHT WILL BE RELEASED ON DIGITAL PLATFORMS 2ND APRIL Read our The Night Film Review . Paper Tiger The Paper Tiger trailer suggests a searing, deeply moving examination of ambition, guilt, and the toxic pursuit of the American Dream. Ink The newly dropped trailer for Ink confirms those expectations, delivering a relentless, kinetic glimpse into Fleet Street's most disruptive era. The Social Reckoning Seeing the first teaser trailer drop for its spiritual companion piece, The Social Reckoning, sent an absolute chill down my spine. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here.

The Bride! film review by UK film critic Hope Madden. Starring Jessie Buckley, Christian Bale, Annette Bening directed by Maggie Gyllenhaal. HOME | FILMS | REVIEWS The Bride! Film Review average rating is 4 out of 5 Critic: Hope Madden | Posted on: Mar 4, 2026 Directed by: Maggie Gyllenhaal Written by: Maggie Gyllenhaal Starring: Jessie Buckley, Christian Bale, Annette Bening One part Metropolis , one part Bonnie & Clyde, just a touch of Bride of Frankenstein and yet somehow entirely writer/director Maggie Gyllenhaal’s own, The Bride! deserves that exclamation point. Jessie Buckley is a force of nature in a dual role—sort of a triple role, really: an unhappy Chicago gangster’s moll; Mary Shelley, silenced far too soon; and a monster, chaotic, unruly, unburdened by memory and guided by peculiar fury. The likeliest lock for Oscar in the 2026 race for her breathtaking turn in Hamnet , Buckley is perfectly paired with Christian Bale (that hack!), a unique image of Frankenstein’s monster. He is tender, lonesome, adoring, and very anxious. Frank has a serious anxiety issue, which is mainly calmed by watching his favorite movie star, the song and dance man Ronnie Reed (Jake Gyllenhaal). To watch Buckley and Bale, two masters of their craft, work off each other is a treat, each of them tearing through Gyllenhaal’s inspired and intelligent script with dark joy. The leads are surrounded with memorable, noir-esque characters: Annette Bening as our mad scientist, Peter Sarsgaard as the gumshoe with some secrets, Penélope Cruz as the brains behind the investigation, John Magaro as the spineless gangster. Great as they are, and they all are, the star here is Maggie Gyllenhaal. Her tale is hyperliterate with surreal flourishes, dazzlingly filmed, constantly surprising and yet charmingly inevitable, and fueled by a glorious, contagious rage. There are dance sequences (an absolute blast) and shoot outs, a deep vein of dark humor, opportunities for redemption, and delightful easter eggs. (Ida’s nemesis is a gangster named Lupino; silver screen star Ida Lupino turned to directing, and one of her most cynical and impressive efforts was a 1963 episode of the TV show Thriller called “The Bride Who Died Twice.”) The Bride! delights with an anarchic energy, but its underlying plot is tight, its characters clearly drawn and beautifully performed, and its aesthetic wondrous. In just her second feature, after 2021’s sublime The Lost Daughter , Gyllenhaal’s cemented her spot as one of the most exciting filmmakers working. Buy UKFR Banner Space About the Film Critic Hope Madden Theatrical Release < All Reviews Next Film Review >

Guide To Country Roads II New Crossings film review by UK film critic James Learoyd. Starring Dion Kelly, Aaron Medd directed by Adam Boland. HOME | FILMS | REVIEWS Guide To Country Roads II New Crossings Film Review average rating is 3 out of 5 Critic: James Learoyd | Posted on: Jan 21, 2025 Directed by: Adam Boland Written by: Adam Boland Starring: Dion Kelly, Aaron Medd Guide To Country Roads II New Crossings is the latest entry in the bizarre, occasionally amusing, but mostly infantile series. This one follows the character of Timothy (Dion Kelly), once again – but this time, he’s learning to drive. His driving instructor (Aaron Medd, also the narrator of the piece) poses some kind of abstract threat to the learner. The story takes its conventionally absurd twists and turns, leading to Timothy and his instructor getting drunk at a bar. Clocking in at only three minutes, this is a comedy sketch which leans into the low-budget aesthetic and vulgar approach which has defined previous entries. The most effective moment of comedy – and visual storytelling, for that matter – comes when the narrator starts talking about the Russian Revolution. We, as the audience, get a short lesson in political history, as relevant historic photographs flash on screen (as if in a documentary). The reason for this tangent is completely inexplicable, and that is the point. The humour comes from the dedication shown to this joke, but also from the dedication shown to the style. For a moment, Boland manages to authentically replicate the tone and pace of a doc – an adherence to form and structure which one would hope the rest of the movie reflected. On the other hand, arguably the worst characteristic of the film is the fact that the majority of shots are out of focus. This could easily have been prevented; but the fact that this flaw is so prevalent throughout the short runtime leads one to believe that it’s a purposeful creative choice. For instance, you could view it as a formal representation of the characters’ drunken state. But then again, this doesn’t account for the sober opening minute of the picture. A positive element of the cinematography, however, is the use of black and white as a consistent aesthetic – apt for a film containing narration with an almost ‘how to’ sound to it. It’s also slightly more interesting to the eye, and easier explained as a stylistic decision which suits the independent feel. This group of aspiring filmmakers demonstrate a clear drive to be producing comedy on a regular basis. It’s incredibly commendable to follow through with a creative idea, and put it out there for the world to see; however, more attention should be paid to the technical side of production. I would never suggest changing their style of humour, because – whilst it won’t be for everybody, or even most – it's certainly the group’s most unique asset. But no matter what, the shots should look a little nicer. It only takes a moment to put the camera in focus (although I am relieved to see them not using auto-focus as so many student filmmakers do). And, perhaps, if the filmmakers could consider the lighting in their scenes, and aspire to create further depth in their images, these videos could be entirely successful. To the talented people making these movies, I recommend they keep at it, study cinema, and maintain what’s special about their particular comic sensibility. Buy UKFR Banner Space About the Film Critic James Learoyd Short Film < All Reviews Next Film Review >

Dead of Winter film review by UK film critic Hope Madden. Starring Emma Thompson, Judy Greer, Marc Menchaca directed by Brian Kirk. HOME | FILMS | REVIEWS Dead of Winter Film Review average rating is 4 out of 5 Critic: Hope Madden | Posted on: Sep 23, 2025 Directed by: Brian Kirk Written by: Nicholas Jacobson-Larson, Dalton Leeb Starring: Emma Thompson, Judy Greer, Marc Menchaca Emma Thompson and Judy Greer go head-to-head in a kidnaping thriller set in a forsaken Northern Minnesota snowstorm? Dude, I am so in! With Dead of Winter, Brian Kirk relies on nuanced character work, gorgeously isolating cinematography, and the desperation of human nature to keep you guessing. Thompson, who executive produces, is Barb. Barb with that Minnesota “r”. She’s hearty for a mature gal. And despite the weather forecast, she puts on the ol’ snowsuit, warms up the even older pick up, and heads to faraway Lake Hilda to do some ice fishing. And maybe something else. But she gets a little turned around and hears chopping in the distance, so she goes to ask directions. Nobody else for miles around, what else is she to do? Barb finds a bearded man in camo (Marc Menchaca, excellent), who—very startled by the sight of her—directs her to the lake. But blood on the snow has Barb a little troubled, and soon enough, she sniffs out a kidnapping. Is she hearty enough to save that poor girl in the wood chopper’s basement? In some ways, Dead of Winter —written by first time screenwriters Nicholas Jacobson-Larson and Dalton Leeb—feels like little more than a welcome update to a well-worn plot. A handful of flashbacks to Barb’s youth, which flesh out the film’s B-story and deepen Barb’s character, are just this side of Hallmark Channel. But Thompson, from her first determined sigh, is so utterly convincing that you’re hooked. And that’s all before the glorious Greer makes her entrance. It’s hard to justify saying that the most versatile and employable character actor of a generation is playing against type, since Greer has played every imaginable type of character. But the blind desperation behind her unnamed (she and Barb never really get on chummy terms) character’s cruelty is so precisely wielded by this actor that you would believe this film no matter how farfetched it became. There’s a simplicity to the storytelling that matches Kirk’s determined avoidance of cynicism. Like Barb, this movie marches on, not necessarily seeing the worst in this world even when it wouldn’t be too hard. Hard with that Minnesota “r”. But he never loses track of his chosen genre. Dead of Winter sidesteps cliché, delivers thrills, and finds new ways to showcase two tremendous talents. Buy UKFR Banner Space About the Film Critic Hope Madden Theatrical Release < All Reviews Next Film Review >

Watch The Saint at the 2022 UK Film Review Festival. See the UKFRF 2022 lineup and buy your festival pass. The Saint Listen to our review on the film podcast What our film review said: READ FULL REVIEW This is an achievement worthy of great praise and admiration. It introduces the audience to a violent and disturbed individual and listening to his story is chilling, primarily due to Jegathesan's performance. A lot of work and creativity was put into this film and the result is an experience that has the viewer's attention from start to finish. Proudly supporting MediCinema for our 2022 film festival.

Jack Bottomley writes movie reviews for UK Film Critic. As one of the talented UK film critics, find out more here. Jack Bottomley My interest in film started at an early age, though in fairness everybody at some point in life is interested in a medium- film, music, books, and radio. My interest in film began in youth being captivated by the films showing at my local cinema (Space Jam at one point!) and has grown progressively since then. Star Wars is undoubtedly my biggest love but I have developed a taste for many genres particularly Sci-Fi and Horror. Like many people in education, I was uncertain where I wanted to go and really found a firm direction in A-Level Media Studies. Since that point, my filmic interest has become central from graduating from the University of Central Lancashire (UCLan) in 2012 to writing for all my various contacts and visiting some wonderful places on work experience. Read Latest Film Reviews

Puddle Man film review by UK film critic Jason Knight. Starring Dainton Anderson, Sara Wilson-Soppitt, Leon Drago, Noel Fielding directed by Jacob Joseph Held. HOME | FILMS | REVIEWS Puddle Man Film Review average rating is 4 out of 5 Critic: Jason Knight | Posted on: Sep 19, 2025 Directed by: Jacob Joseph Held Written by: Jacob Joseph Held Starring: Dainton Anderson, Sara Wilson-Soppitt, Leon Drago, Noel Fielding A short fantasy period drama written and directed by Jacob Joseph Held and starring Dainton Anderson, Sara Wilson-Soppitt, Leon Drago and Noel Fielding. The story takes place in Dartmoor, in 1942. Toby (Anderson) is a schoolboy living with in an isolated home in the countryside whith his grandmother (Soppitt), while his father is away, fighting the war. Their seemingly peaceful life is disrupted by the frequent appearances of a mysterious figure that is seen wondering the surrounding areas. Toby is distraught by the entity and makes a dramatic discovery about his grandma's past. One of the strongest aspects are the fairy tale-like atmosphere that is created by the plot and Veronica Manuel's music. There is the feeling of dread in the air, as Toby is alarmed by the bizarre stranger, whose intentions might be noble or hostile and his grandmother refuses to believe that there is someone out there, walking in nature. And who is that person? Their appearance is a figure dressed in what looks like a hooded cloak and constantly carries what appears to be a massive jug. And what is their purpose? Who knows? Manuel's terrific score adds massive value as it is very mesmerising and establishes an environment that is filled with dread, mystery and sadness. Visually, the film looks great. Held does a terrific job as the director, developing some great shots that capture the beauty of the surrounding foggy landscapes. His directing is significantly supported by Alfie Dickens' moody cinematogaphy that creates a sort of gothic atmosphere and the creative lighting techniques contribute in developing an unsettling atmosphere. Furthermore, the clothing is another big plus, with the costumes effectively convinicing that the story takes place during the nineteen forties. This is a story that more or less centers on two individuals: an elderly woman and her grandchild. Portrayed sympathetically by Anderson, Toby is a little boy who is afraid. He is afraid of losing his father and he is afraid of the person in the woods, whos is actually the titular character, the Puddle Man (played by Drago and voiced by Fielding). Soppitt delivers a heavily dramatic performance as Toby's grandmother, a caring person who has an unstable relationship with him and might not be completely honest with him. This short was inspired by the fear that Heldo went through due to battling cancer and a purpose to make this film was to explore ways in which fear can affect the way people experience the world. This is evident in the character of Toby, a boy who is living in fear of loss and fear of the Puddle Man. Additionally, this is also a story about bravery, grief, connection and understanding. An enchanting short story that is a very personal project to the director. Beautifully shot, with strong acting and wonderful music, this is a viewing experience that is well worth it. Buy UKFR Banner Space About the Film Critic Jason Knight Short Film < All Reviews Next Film Review >

The Super Mario Galaxy Movie film review by UK film critic Chris Olson. Starring Chris Pratt, Charlie Day, Anya Taylor-Joy, Jack Black directed by Aaron Horvath, Michael Jelenic, Pierre Leduc. HOME | FILMS | REVIEWS The Super Mario Galaxy Movie Film Review average rating is 4 out of 5 Critic: Chris Olson | Posted on: Apr 7, 2026 Directed by: Aaron Horvath, Michael Jelenic, Pierre Leduc Written by: Matthew Fogel Starring: Chris Pratt, Charlie Day, Anya Taylor-Joy, Jack Black Driven by the unexpected success of 2023’s The Super Mario Bros. Movie , Nintendo and Illumination bring us this vibrant and energetic sequel that keeps the (Mario) party going. SPOILER WARNING After Bowser Jr. (Bennie Safdie) kidnaps Rosalina (Brie Larson) and threatens the entire galaxy, our plumbing heroes Mario (Chris Pratt), Princess Peach (Anya Taylor-Joy), and Luigi (Charlie Day) spring into an intergalactic rescue mission. In tow is their captive - a minuscule Bowser (Jack Black), who is trying to turn a new leaf. SPOILER ENDS Full of sprightly characters and intoxicating animation, The Super Mario Galaxy Movie delivers bucketloads of entertainment. Foremost is Black’s comedic turn as Bowser, even in miniature form; his portrayal of the spiky villain generates strong laughs across all age groups, elevating the movie into the “Parent Watchable” category, which is a tricky box to headbutt (or tick). The vocal chemistry between the cast is strong, particularly those returning from the previous outing. Charlie Day exudes affable charm, and Pratt’s headstrong turn as Mario does justice to these beloved characters. Brie Larson gets somewhat shelved for a big portion of the film, but is great when she’s there, and Taylor-Joy provides kickass scenes as Peach. The film does fall foul of pacing issues, running a million miles an hour into various locations and set pieces - perfect to exhaust younger viewers but tedious at times for the more mature movie aficionado. And there are perhaps too many characters being dropped into the storyline at once, almost as if Nintendo is trying to establish a metric ton of merchandise and gaming opportunities. Illumination deliver the goods when it comes to striking animation here, with crisp, striking visuals throughout, and the score is just as delightful as the first film, with plenty of nostalgic nodding of the head to the gaming legacy being refreshed. Whilst you may need to load up on confectionery or coffee before viewing, The Super Mario Galaxy Movie is a worthy sequel to the 2023 film. Fist bumps all round. Buy UKFR Banner Space About the Film Critic Chris Olson Animation, Theatrical Release < All Reviews Next Film Review >

The Pay Day film review by UK film critic Jason Knight. Starring Kyla Frye, Sam Benjamin, Simon Callow, Vincent Jerome directed by Sam Bradford. HOME | FILMS | REVIEWS The Pay Day Film Review average rating is 3 out of 5 Critic: Jason Knight | Posted on: Apr 6, 2023 Directed by: Sam Bradford Written by: Sam Benjamin, Kyla Frye Starring: Kyla Frye, Sam Benjamin, Simon Callow, Vincent Jerome A computer programmer infiltrates a building in order to obtain vital information for a crook. Jennifer (Frye) is an IT expert who loses her job and finds herself in a difficult financial situation. She is approached by Gates (Callow), a crime boss who convinces her (and blackmails her) to secretly enter an office building, acquire secret data from a computer using a USB stick and bring it back to him. In return, she will be generously rewarded. As she sets of to complete this risky task, she encounters all sorts of obstacles and meets George (Benjamin), who is there for the similar reasons. This is an entertaining crime comedy with plenty of clever dialogue and humour. The majority of the narrative takes place inside the building mentioned above, with Jennifer attempting to succeed in her mission, starting a rivalry with George and eventually teaming up with him in order to find a way to escape the building together after the police arrive. The rapport that develops between Jennifer and George is key to the script, as it significantly moves the plot forward and it is amusing watching those two as they argue between them and try to avoid the police. The feature contains interesting characters and entertaining performances are provided by Frye, Benjamin and Callow. Jennifer is a good and intelligent person who finds herself being forced to commit a crime. George is a charming and cheeky experienced criminal, who can still come across as likeable. Gates is basically the antagonist, a cunning crime lord with charisma. The soundtrack is rich, with a great deal of jazz music. Michael Lesley deserves commendations for the creative editing that includes effective use of split screen and wipe techniques. Praise also goes to Phil Thomas for the amazing work on the cinematography. This is a heist comedy film with an intriguing plot, interesting characters and well-written dialogue. It loses its grip during the final act, with an epilogue that feels overlong, nevertheless, that does not prevent it from being an enjoyable viewing with plot twists, clever humour, great character development, romance and good on-screen chemistry between Frye and Benjamin. Buy UKFR Banner Space About the Film Critic Jason Knight Indie Feature Film < All Reviews Next Film Review >

For The Boss film review by UK film critic William Hemingway. Starring Daniel-Paul Sampson, Sam Biskey, Cole Munden, Darius Rathe, Shelby Handley, Daniel Christian Jones directed by Xavier St-Roch. HOME | FILMS | REVIEWS For The Boss Film Review average rating is 2 out of 5 Critic: William Hemingway | Posted on: Apr 4, 2025 Directed by: Xavier St-Roch Written by: Xavier St-Roch Starring: Daniel-Paul Sampson, Sam Biskey, Cole Munden, Darius Rathe, Shelby Handley, Daniel Christian Jones A gang of inept mobsters get more than they bargained for when, as a surprise for their boss, they kidnap the guy who has been sleeping with his wife. Lance (Sampson) is a guy who’s just trying to live out his life. He’s got a past that we don’t talk about, but because of that past he’s finding it difficult to obtain gainful employment and that’s putting a strain on his new relationship with Maria (Handley), who just wants to get away on holiday to Mexico. In the pre-titles sequence, we find out that Lance has been kidnapped by a trio of kooks, who, in their wildest and wackiest ways, present themselves to us one by one with the most ridiculous and adolescent dialogue imaginable. This vein of characterisation continues for the rest of the film, and much like Lance, we just have to get used to the way these idiots interact with one another; comparing their penis sizes, calling each other names, and asking each other if they think they’re funny. Spoiler alert – they’re not. The plot runs in very much the way you would expect, with the incompetence of the idiots giving Lance enough window for escape, and then the rounding up of the story with Lance despatching each goon in turn as the narrative unfolds. Towards the end there’s some attempt at schmaltz, with the henchmen displaying worrying amounts of inner turmoil, but generally everything in For The Boss is aimed at being as silly as possible while also getting to say a few dirty words in the process. Most of the scenes which make up the film are populated by really bad comedy sketch tropes that have been tried a million times in other places, and better. The insecure gangster, the dumb but highly erudite girlfriend, the Mob Boss with a heart, and all the other cut-to and sight gags that go along with them, are delightfully trotted out one-by-one, although at least with a hint of irony thrown in. Thankfully, the cinematography from Jason Bergen makes everything on screen look professional, even if what we’re actually watching is nonsense. For The Boss could, for all intents and purposes, be a studio movie because it looks so good. The acting, too, is of a very high standard. From the idiot grunts of Sal (Rathe), Micheal (Munden) and Phil (Biskey), right through to the Boss himself (Jones), everyone is sold on their character and giving their all to the performance. While this doesn’t really help in most scenes, when the dialogue is so off-putting that it’s hard to stay invested in anything being said, every frame with Shelby Handley as Maria in it is absolute gold. She embodies the ditzy moll perfectly and delivers some of the best lines in the movie with such stone-cold precision that it almost raises a smile. There’s a strong feeling that what writer/director, Xavier St-Roch and the rest of the team at Friendly Fire Productions were aiming at, was something along the lines of characterful gangsters, as in the likes of In Order Of Disappearance (2014), and current Oscar darling, Anora (2024), but what they’ve ended up with is way off the mark. There’s no real joy in anything coming across in the dialogue, and any actual emotion that is aimed for is obliterated by the sheer silliness of everything else in the scenario. In terms of the production, it’s top marks for the team, but there’s plenty of room for improvement in the writer’s room if future projects from the production house are going to continue to try to be full length features. Buy UKFR Banner Space About the Film Critic William Hemingway Digital / DVD Release, Indie Feature Film < All Reviews Next Film Review >

Remember Us film review by UK film critic Patrick Foley. Starring Feisal Bizimana, Rob Trend, Frank Harper directed by Kaitlyn Boxall. HOME | FILMS | REVIEWS Remember Us Film Review average rating is 3 out of 5 Critic: Patrick Foley | Posted on: Jul 28, 2026 Directed by: Kaitlyn Boxall Written by: Kaitlyn Boxall Starring: Feisal Bizimana, Rob Trend, Frank Harper Kaitlyn Boxall’s debut feature Remember Us portrays a moving, life-changing friendship that spans generations and defies illness. It’s an impressively shot and emotional film that is at its best during patient and downplayed moments that hone in on the heart of its layered characters, and where it contemplates what responsibility, masculinity and respect really mean. Tearaway youth Lucas (Feisal Bizimana) is caught up in petty crime and receives a community service order that sees him deliver food parcels with his supervisor Steve (Frank Harper). Disillusioned with his friends who drag him into trouble, Lucas finds purpose in his community work, especially when it puts him into contact with Arthur Miller (Rob Trend), a dementia sufferer who was once a football player. Lucas builds a friendship with Arthur, going beyond his mandated responsibilities to make the old man’s life a little fuller. But when his old life endangers his new one, Lucas is presented with a decision that tests what kind of man he wants to be. The biggest success of Remember Us is the convincing and touching central relationship between Lucas and Arthur. The film takes its time first unravelling Lucas’ character – building the young man as someone with a conscience and who strives for a better life than the one he has drawn, albeit one who has also made bad decisions. His first interactions with Arthur are spiky, but his sensitivity takes over when he finds Arthur in distress. The bond between the two grows as Lucas recognises Arthur as another isolated, lonely soul, and he takes it upon himself to act as both a carer and a friend. Arthur in turn is lucid enough to recognise the same yearning in Lucas, and provides him with fatherly advice that Lucas has never had in his home life. It becomes clear throughout the film that Lucas’ life is being torn in two, and that a conflict between the warring halves is inevitable. Lucas is an amiable enough character that viewers enjoy exploring these two sides of him – the wannabe gangster who emanates a hard shell, and the caring young man who proactively helps out a man forgotten by the rest of the world. We see complexity in both these worlds – his friendly, cheery mate George (Micheal John-Day) is a likeable and positive personality who Lucas cares for, but he circles unsavoury characters at the same time. Meanwhile supervisor Steve is a gruff, hardass who takes joy at times in speaking down to Lucas – yet tries to steer him on the right path. These complex personalities help create a believable dilemma for Lucas, and the audience can empathise with his conundrum over whether to abandon his friends. Unfortunately, the narrative crumbles under its own weight in the final third of the film. The aforementioned choice presented with Lucas leads to a brutal consequence. However the actions of the police, Arthur’s family and Lucas himself make little sense in the aftermath. It’s difficult to reconcile Lucas’ actions when dealing with the police, or the fact that he is able to present himself to Arthur afterwards. We get little proper conclusion beyond a hint at redemption for Lucas and a possible reunion between the pair. However the level of brutality inflicted on Arthur means viewers will struggle to really be convinced that the story has the happy ending the filmmakers commit to. It's a shame that the story comes off the rails, as prior to this the film had been built carefully and patiently with the promise of developed conflict and conclusion. The viewer may feel short-changed coming away. Yet viewed as a whole, there is still a lot to admire in this film – especially for a feature-length debut. The relationship at its heart, and the lessons that come from it are the prime accomplishment, and should be what the audience remembers. Buy UKFR Banner Space About the Film Critic Patrick Foley Theatrical Release, Indie Feature Film < All Reviews Next Film Review >

Film news - Dirt Music Gets July Digital Release. Find out more at UK Film Review. Dirt Music Gets July Digital Release Chris Olson Tuesday, June 8, 2021 at 1:07:21 PM GMT+1 Dirt Music Coming to Digital Download 19th July Adapted by Gregor Jordan from Tim Winton's critically acclaimed novel of the same name, the film features an incredible cast including leading performances from Kelly Macdonald (Line of Duty), Garrett Hedlund (Tron: Legacy) & David Wenham (The Lord of the Rings). Dirt Music follows Georgie (Kelly Macdonald) who's barely holding it together these days without a drink. Once a nurse, now she’s trapped in White Point with local crayfish baron, Jim Buckridge (David Wenham) and his two sons. One hazy night she sees the lone figure of Lu Fox (Garrett Hedlund) appear in the mists of the bay. A long time ago he was a dirt musician, but now he survives as a poacher - an unwise choice given Jim’s iron-grip on the local fishing trade. Georgie is instantly drawn to Lu, and the pair begin an intense affair. What Georgie doesn’t realise is that the Foxes and the Buckridges have a long, murky history which just might rise to the surface. Dirt Music will be available on Digital Download from 19th July The King's Man UK Home Release Date Announced The Latest King’s Man Film Will be Available on Digital February 9 and 4K Ultra HD™, Blu-ray™ and DVD on February 21. Read Now BFI Future Film Festival announces 2022 Awards Jury and full programme Find out who the jury is for the 2022 BFI Future Film Festival. Read Now The Wonderful: Stories From The Space Station UK Release Date The Wonderful: Stories from the Space Station is a Dog Star Films production in association with Fisheye Films. Directed by Clare Lewins (I Am Ali, Kareem: Minority of One, The Lost Tapes of Memphis.). Read Now Redemption of a Rogue UK Cinema Release Date Read Now Cryptozoo Coming to Mubi This October Having made a splash at the 2021 Sundance Film Festival, filmmaker Dash Shaw's upcoming fantasy animation Cryptozoo is a highly anticipated film coming to Mubi later this year. Read Now Another Round UK DVD And Blu-Ray Release Date Announced Following its acclaimed cinema release, STUDIOCANAL are excited to announce the release of Thomas Vinterberg’s intoxicating Oscar winner, ANOTHER ROUND, starring Mads Mikkelsen, on early EST 24th September 2021 and DVD, Blu-ray and Digital on 27th September 2021. Read Now Marvel Studios Announces Black Widow DVD and Blu-Ray UK Release Date Marvel Studios Announces Black Widow To Land Early On Digital (August 10th) and 4K, Blu-Ray and DVD September 13th. Read Now My Little Sister Gets October UK Release Date My Little Sister is due for a cinema release in the UK, on Friday 8th October 2021. Read Now Grimmfest Reveals Line-Up for 2021 Film Festival After a year of “home invasions” in the form of virtual screenings and online events, this October sees Grimmfest returning to the cinema at last. Read Now Helen Mirren Narrates Powerful Documentary Escape From Extinction Kaleidoscope Entertainment presents Escape From Extinction, a powerful feature documentary narrated by Academy Award winner Dame Helen Mirren, coming to selected cinemas from 17th September celebrating ‘Great Big Green Week’ (18-26 September). Read Now Supernova UK DVD and Blu-Ray Release Date Following critical acclaim and standout performances, STUDIOCANAL are excited to announce the release of the heartbreaking British love story SUPERNOVA, arriving on EST 24th September 2021 and DVD and Blu-ray on 27th September 2021. Read Now The Djinn UK Release Date The story follows a mute twelve-year-old, Dylan Jacobs, as he discovers a mysterious book of spells inside his new apartment. Read Now Come Play UK Digital Release Date Jacob Chase’s directorial debut feature COME PLAY tells the story of Oliver, a solitary autistic boy who comes across a creepy children’s story on his new tablet. Read Now 15m Giant Starfish in Leicester Square Ahead of UK Release of The Suicide Squad British actor Peter Capaldi (BBC’s Doctor Who, World War Z) ‒ who stars in THE SUICIDE SQUAD alongside Margot Robbie, Idris Elba and John Cena as genius scientist ‘Thinker’, was bravely photographed with the imposing creature Starro in London’s Leicester Square earlier today in celebration of the film’s UK release this coming Friday. Read Now West Side Story In Cinemas December 2021 From acclaimed director Steven Spielberg, the 2021 remake of West Side Story will be coming to cinemas in December 2021. Read Now The Last Job UK Digital and DVD Release Date Screen icon Richard Dreyfuss takes on The Last Job in a brand new, all-action thriller, that stars Modern Family’s Mira Sorvino as his daughter. This rip-roaring gangster movie hits the UK on DVD and digital this August from 101 Films. Read Now Rise of the Footsoldier Origins UK Cinema Release The eagerly-awaited RISE OF THE FOOTSOLDIER: ORIGINS, starring legendary leading man Vinnie Jones, is showing exclusively in cinemas from September 3, courtesy of Signature Entertainment. Read Now Random Acts of Violence UK DVD and Blu-ray Release Date Jay Baruchel writes, directs and stars in his horror debut Random Acts of Violence, which makes its UK Blu-ray debut from Acorn Media International in conjunction with Shudder, following its success on the streaming service. Read Now Spirited Away 20th Anniversary Special Edition SPIRITED AWAY COLLECTOR’S BOXSET WITH DVD & BLU-RAY DOUBLEPLAY AVAILABLE 27 SEPTEMBER 2021 Read Now A New World Order Premieres in UK 23 August Black Mirror meets A Quiet Place in gripping sci-fi thriller A New World Order from director Daniel Raboldt in his feature debut, which gets its UK premiere on DVD and digital 23 August 2021 from Reel 2 Reel Films. Read Now