Lilo & Stitch

As a general rule, I’m no fan of Disney’s live action remakes. Loved Jon Favreau’s 2016 reimagining of The Jungle Book, but not a single reboot since has lived up to the impressive fun of that one, and most just feel like a soulless cash grab.

Can Lilo & Stitch, an update of Dean DeBlois and Chris Sanders surprise 2002 cultural treasure, meet that high bar?

No, but it comes a lot closer than most.

Sanders wrote and directed 2024’s beautiful emotional gut-punch The Wild Robot, and the pair is responsible for 2010’s equally brilliant How to Train Your Dragon. Director Dean Fleischer Camp’s update, based on an adapted screenplay by Chris Kekanoikalani Bright and Mike Van Waes, remains true to the original’s themes of outsiders longing for connection.

Also, the actual Hawaii is one of the few locations as eye-popping as any animated world. The new Lilo & Stitch is also blessed with a lead who surpasses her animated predecessor in wily spunk and pinchable cheeks. Maia Kealoha’s Lilo, never cloying or false, allows the film the sense of childlike chaos that helps it transcend the artificiality of the story.

The tale itself—about a cute, fuzzy, dangerous, alien scientific experiment crash landed in an undeveloped spot of Hawaii, chased by its creator as well as American intelligence, who’s taken in as a rescue dog by a lonely orphan—remains mainly true to the original.

Live action Stitch is at least as much fun as animated Stitch, although the moments of physical connection—hugs, pets, kisses on the nose–look off. But the joy between Lilo and Stitch is as vibrantly real as ever.

The balance of the cast—Sydney Agudong as Lilo’s frazzled older sister Nani, Zach Galifianakis as bumbling evil genius Jumba, Billy Magnussen as Earth fanboy Pleakley, among others—fully commit to the bit. They make the fun spots funnier and the emotional beats heart-tuggier.

The biggest let down is the updated script, which can’t match the original in terms of the delightfully, delicately human writing. But the contrast between the alien and natural world makes this a natural fit for the leap to live action, and the charming lawlessness of the story is as much fun today as it was in 2002.