Jimmy and Stiggs

Few filmmakers capture drug fueled horror mayhem quite like Joe Begos (Bliss, VFW). His latest is an exercise in minimalism. Not in terms of drugs or mayhem, just filmmaking.

An alien invasion horror flick, Jimmy and Stiggs sees Jimmy (Begos), an out of work filmmaker, hitting the stuff hard in his LA apartment when he blacks out and loses an entire night. Certain an alien abduction was involved, and that those slimy sardine MF’ers are coming back for him, he calls his best friend Stiggs (Matt Mercer) for advice.

The thing is, Stiggs is six months sober and hasn’t spoken to Jimmy in ages. In fact, in an opening sequence shot go-pro style from Jimmy’s inebriated point of view, we learn that Stiggs isn’t interested in producing Jimmy’s new film, news that sends Jimmy spiraling.

Still, worried for his old friend’s sanity and welfare, Stiggs shows up at Jimmy’s place just in time for the aliens to return.

What Begos creates, in a quick 80 minutes with mainly two actors and one increasingly and impressively demolished set, is DIY filmmaking at its most profanity strewn.

Given the sheer volume of cocaine and whiskey, the incoherence of the plot feels right at home. Begos amplifies the nuttiness with wild cuts, possible dream sequences, time shifts, and the periodic use of first person, go-pro POV sequences. The result is a dizzying, black-light colorful excuse to bash practical FX aliens to bits and let their day-glo goo decorate the apartment.

On the downside, Begos is no actor, and even 80 minutes of isolation with Jimmy and his coked-up ranting feels too long. Mercer fares better, leading some Apocalypse Now type insanity that plays really well in this context.

Jimmy and Stiggs was shot over 4 years, beginning during lockdown and extending until completion, mainly in Begos’s LA home. It’s a wild bit of alien fun that fades to black just before it outstays its welcome.