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Watch The World Cruzer at the 2022 UK Film Review Festival. See the UKFRF 2022 lineup and buy your festival pass. The World Cruzer Listen to our review on the film podcast What our film review said: READ FULL REVIEW This rather intriguing and genuine documentary from Germany makes the audience feel like they are traveling around the globe, arriving at any part of it in the blink of an eye, and seeing the beauty of it and mankind's progress. The people who view this film will see a lot of things, as it contains a rich collection of images that seem to show what life is like on Earth. Proudly supporting MediCinema for our 2022 film festival.

MUBI, the global curated film streaming service and theatrical distributor has announced that it will release Paul Verhoeven’s Benedetta in cinemas in the UK and Ireland.. Brand new film trailers. Bendetta Teaser Trailer MUBI , the global curated film streaming service and theatrical distributor has announced that it will release Paul Verhoeven’s Benedetta in cinemas in the UK and Ireland . Directed and co-written by Paul Verhoeven , Benedetta will receive its world premiere at the Cannes Film Festival on July 9, 2021 and is the latest film from the maverick filmmaker, following the Oscar nominated and Golden Globe winning Elle , and internationally renowned films such as Basic Instinct , Turkish Delight , Total Recall , RoboCop , Starship Troopers and Showgirls . Set in the late 17th century and inspired by true events, the film follows a woman who joins a convent in Pescia, Tuscany as a plague ravages the land that surrounds it. Capable of performing miracles from an early age, Benedetta’s impact on life in the community is immediate and momentous. Inspired by the book Immodest Acts, written by historian Judith C Brown, the film stars Virginie Efira (Elle, In Bed with Victoria, Sibyl ), Charlotte Rampling (45 Years , Red Sparrow , Swimming Pool ), Daphné Patakia (Nimic ), Lambert Wilson (The Matrix Reloaded , Catwoman ) and Olivier Rabourdin (Eastern Boys , Of Gods and Men ), and was co-written by David Birke , who partnered with Verhoeven to write Elle . Benedetta was produced by Said Ben Said at SBS Production, Michel Merkt and Pathé. Upcoming theatrical releases for MUBI in the UK and Ireland include Ben Sharrock’s twice BAFTA nominated Limbo , Michel Franco’s New Order , Ninja Thyberg’s Sundance hit Pleasure , Céline Sciamma’s latest film Petite Maman and First Cow from Kelly Reichardt, which MUBI holds all rights for internationally (excluding North America and China). Previous theatrical releases have included Bacurau from Kleber Mendonça Filho and Juliano Dornelles, Luca Guadagnino’s Suspiria and Border from Ali Abbasi. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here. Greenland 2: Migration Now, the first official trailer for the sequel, Greenland 2: Migration, has landed, promising to take that survivalist tension into even more treacherous territory. Looney Tunes: The Day the Earth Blew Up Looney Tunes: The Day the Earth Blew Up Official Trailer. Looney Tunes: The Day The Earth Blew Up will be in UK & Irish cinemas from 13th February 2026. Mother Mary Ultimately, the Mother Mary trailer establishes a compelling promise: a film that uses the theatricality of the music industry to explore something primal about identity and obsession.

The trailer for the film GAME, set for release in November 2025, falls squarely into that last category. It's a two-minute masterclass in tension, leaving you with more questions than answers and a palpable sense of unease.. Brand new film trailers. Game We see a lot of trailers. Some are forgettable, some are a bit rubbish, and a very small number manage to get under your skin and stay with you. The trailer for the film GAME , set for release in November 2025, falls squarely into that last category. It's two minutes of pure tension, leaving you with more questions than answers and a palpable sense of unease. The trailer kicks off with a chilling voice-over: "I watched someone die before." This immediately sets a dark, sombre tone, which is then jarringly undercut by the revving of a car and the sudden switch to a pulsing electronic score. This is not a horror film in the traditional sense, but something far more psychological, and this trailer makes it clear that the film will play with our expectations. We're thrown into a high-speed car chase on a winding country road. A figure in a black balaclava is the focus, both behind the wheel and later, on foot, being pursued through a forest. The action is frantic and kinetic, culminating in a violent car crash where the vehicle flips dramatically. This segment is pure adrenaline, but what's the purpose of the chase? Is it a game, a hunt, a revenge story? The trailer's genius lies in its ambiguity. The second half of the trailer takes a surprisingly different turn. The electronic music fades, replaced by a haunting folk song about a poacher. This shift is brilliant. It slows everything down, allowing us to absorb a series of quick, evocative shots: a beautiful pheasant, a watchful fox, and intimate moments between the characters. The juxtaposition of the thrilling chase with the pastoral imagery and folk music is what makes this trailer so unique. It suggests a complex story at play, one that's perhaps not just about a high-octane pursuit, but also about something primal, something rooted in nature and survival. GAME appears to be a film that defies easy categorisation. It's got the action of a thriller, the character intimacy of a drama, and the atmospheric dread of a psychological horror. The final reveal of the title and the release date is a final punch, a simple, one-word name that feels both a little menacing and incredibly intriguing. The UK premiere will be on 16 October 2025 at the opening night of Mayhem Film Festival in Nottingham, the hometown of Jason Williamson, who will be in attendance along with Marc Bessant, John Minton, Geoff Barrow and Rob Williams. Tickets will be on sale shortly. Other festivals and Q&As will be announced in due course. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here. Greenland 2: Migration Now, the first official trailer for the sequel, Greenland 2: Migration, has landed, promising to take that survivalist tension into even more treacherous territory. Looney Tunes: The Day the Earth Blew Up Looney Tunes: The Day the Earth Blew Up Official Trailer. Looney Tunes: The Day The Earth Blew Up will be in UK & Irish cinemas from 13th February 2026. Mother Mary Ultimately, the Mother Mary trailer establishes a compelling promise: a film that uses the theatricality of the music industry to explore something primal about identity and obsession.

The British Urban Film Festival was founded in July 2005 to showcase urban independent cinema in the absence of any such state-sponsored activity in the UK (at the time). To date, the festival has screened over 500 films, securing broadcast platforms for a majority of Black and urban independent writers, actors, actresses, producers and directors on the BBC i-player, Channel 4, Community Channel (now Together TV), Showcase TV and London Live. In February 2018, BUFF Originals was launched to act as the production and distribution arm of the British Urban Film Festival. Its' debut feature - No Shade - was released in UK cinemas in November 2018, making director Clare Anyiam-Osigwe the 6th Black British female director (to date) to secure theatrical distribution in over 120 years. Emmanuel Anyiam-Osigwe is the founder and Chairman of the British Urban Film Festival and officially, one of the 100 most powerful and influential figures in independent film, according to a list published by the UK Power 100 in June 2019. For his work as executive producer of 'No Shade' (BUFF's first, fully funded and independently released feature film), Emmanuel was also listed as 1 of 5 standout inductees by the UK Power 100. British Urban Film Festival The British Urban Film Festival was founded in July 2005 to showcase urban independent cinema in the absence of any such state-sponsored activity in the UK (at the time). To date, the festival has screened over 500 films, securing broadcast platforms for a majority of Black and urban independent writers, actors, actresses, producers and directors on the BBC i-player, Channel 4, Community Channel (now Together TV), Showcase TV and London Live. In February 2018, BUFF Originals was launched to act as the production and distribution arm of the British Urban Film Festival. Its' debut feature - No Shade - was released in UK cinemas in November 2018, making director Clare Anyiam-Osigwe the 6th Black British female director (to date) to secure theatrical distribution in over 120 years. Emmanuel Anyiam-Osigwe is the founder and Chairman of the British Urban Film Festival and officially, one of the 100 most powerful and influential figures in independent film, according to a list published by the UK Power 100 in June 2019. For his work as executive producer of 'No Shade' (BUFF's first, fully funded and independently released feature film), Emmanuel was also listed as 1 of 5 standout inductees by the UK Power 100. SEE MORE FILM FESTIVALS

Bad Man stars Sean William Scott (American Pie), Rob Riggle (21 Jump Street), Johnny Simmons (The Perks of Being a Wallflower), Lovi Poe (Chelsea Cowboy), Andre Hyland (Barry), and marks the final film of the late Chance Perdomo (Chilling Adventures of Sabrina). . Brand new film trailers. Bad Man Bad Man stars Sean William Scott (American Pie), Rob Riggle (21 Jump Street), Johnny Simmons (The Perks of Being a Wallflower), Lovi Poe (Chelsea Cowboy), Andre Hyland (Barry), and marks the final film of the late Chance Perdomo (Chilling Adventures of Sabrina). Bad Man is the debut feature from director Michael Diliberti, which he also co-wrote with JJ Nelson. The small town of Colt Lake, Tennessee, has a big meth problem. When murder strikes, Deputy Sam Evans is assigned the case. A former local sports star, Evans has fallen from grace in the eyes of the community he still holds dearly. No one takes him seriously or thinks he can get the job done. Then, hotshot Bobby Gaines arrives. An undercover agent with the state's Special Narcotics Task Force. He is immediately welcomed like a hero. Evans is forced to work the case with the new top dog in town. But as they dig deeper, all may not be what it seems with this strange new saviour. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here. Greenland 2: Migration Now, the first official trailer for the sequel, Greenland 2: Migration, has landed, promising to take that survivalist tension into even more treacherous territory. Looney Tunes: The Day the Earth Blew Up Looney Tunes: The Day the Earth Blew Up Official Trailer. Looney Tunes: The Day The Earth Blew Up will be in UK & Irish cinemas from 13th February 2026. Mother Mary Ultimately, the Mother Mary trailer establishes a compelling promise: a film that uses the theatricality of the music industry to explore something primal about identity and obsession.

A Sky Original, A Christmas Number One is produced by Sky, Genesius Pictures, Lupus Films and Space Age Films. It will be available on Sky Cinema and streaming service NOW from 10 December.. Brand new film trailers. A Christmas Number One Official Trailer A Sky Original - The Official Trailer for A Christmas Number One Get into the festive spirit with the trailer for this season’s romantic comedy A Christmas Number One starring Freida Pinto and Iwan Rheon, available on Sky Cinema and streaming service NOW from 10 December. From BAFTA winning director Chris Cottam (The Misadventures of Romesh Ranganathan) and the musical genius of Guy Chambers, the Sky Original boasts an incredible ensemble cast including Freida Pinto (Slumdog Millionaire, Rise Of Planet Of The Apes, Hillbilly Elegy), Iwan Rheon (Game Of Thrones, Misfits, The Dirt), Helena Zengel (News Of The World), Alfie Boe (Recording artist, West End and Broadway, Les Miserables in Concert, Mr Selfridge), Debi Mazar (Goodfellas, Entourage), Richard Fleeshman (Call The Midwife, Four Weddings and a Funeral) and introducing Ashley Margolis, Joshua Sinclair Evans, Darryl Mundoma, George Walker and Benji Colson as the UK’s newest boyband 5 Together. The film is chock full of classic Christmas music and several new Christmas songs by Guy Chambers, including A Christmas Wish sung by Cerys Matthews and Iwan Rheon. Fresh from a breakup with the world’s hottest popstar, music manager Meg Rai (Pinto) leaves New York for London to manage a boyband, 5 Together, who are desperate for a Christmas hit after their latest self-written album flopped. Meanwhile, Blake Cutter (Rheon), persuaded by his Christmas obsessive, niece, Nina Cutter (Zengel), puts his thrash metal band, Scurve, to one side to write Nina the ultimate Christmas song. When Meg discovers the hit in the making, will this be the Christmas number one the boy band desperately needs or will Blake, the song, and Nina show Meg what truly matters? A Sky Original, A Christmas Number One is produced by Sky, Genesius Pictures, Lupus Films and Space Age Films. It will be available on Sky Cinema and streaming service NOW from 10 December. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here. Greenland 2: Migration Now, the first official trailer for the sequel, Greenland 2: Migration, has landed, promising to take that survivalist tension into even more treacherous territory. Looney Tunes: The Day the Earth Blew Up Looney Tunes: The Day the Earth Blew Up Official Trailer. Looney Tunes: The Day The Earth Blew Up will be in UK & Irish cinemas from 13th February 2026. Mother Mary Ultimately, the Mother Mary trailer establishes a compelling promise: a film that uses the theatricality of the music industry to explore something primal about identity and obsession.

Read the film podcast transcript from the episode titled Lee - Beetlejuice Beetlejuice - Blink Twice - Alien Romulus - UK Film Club - Ep 19 on UK Film Club part of the UK Film Review Podcast. < Back Lee - Beetlejuice Beetlejuice - Blink Twice - Alien Romulus - UK Film Club - Ep 19 Listen to This Episode UK Film Club 00:00.00 Brian Penn ah you online and um yeah it was very strange but we're there now it's the important thing but then again though I mean how many how many of these shows go without some sort of technical hitch you know a oh okay all right okay 00:12.66 ukfilmreview Well, also tonight I'm actually, I'm quite far behind. like I'm normally well ready, and but tonight i've I've literally jumped on and I'm still loading up the IMDB pages and stuff. So yeah, but no, I'm all good. I'm all good. It was more just my um ah youngest wouldn't go to sleep. She was like, 00:32.26 Brian Penn Something considerate. 00:32.35 ukfilmreview yeah 00:34.65 Brian Penn Did she know that you had to be online? 00:34.93 ukfilmreview yeah yeah she said that she said daddy i know you want to go do your podcast but what i'm gonna do is i'm gonna sit here and i'm gonna just swirl around my bed like a whirlwind um yeah yeah um and she doesn't even listen to the show so you know not a fan not a fan no she's she said you guys waffle on way too much you know 00:36.76 Brian Penn Yeah. 00:40.66 Brian Penn Yeah. yeah 00:45.68 Brian Penn um yeah Joy's a parenthood, eh? Oh, you're joking, really? You can't even rely on your own children to be fans of your own show. What is it coming to? 01:01.94 Brian Penn Well, that is true. We do. probably 01:03.25 ukfilmreview Yeah, you don't get to the films in the first 60 seconds, so I switch off and that's actually quite indicative of a lot of the listeners. 01:07.53 Brian Penn here so Short span of attention, really. I mean, that's what being a child is, but what excuse do the adults have for me? 01:13.62 ukfilmreview and 01:17.10 ukfilmreview exactly and if you are one of the ones who has made it past the first 60 seconds well done um and love to have you here. 01:17.98 Brian Penn yeah 01:24.12 ukfilmreview ah This is UK Film Club with me and Brian um who is chief film critic ah for our theatrical releases and 01:32.25 Brian Penn um 01:36.07 ukfilmreview On our show, and we normally review ah theatrical releases, so that's films that are at the cinema, streaming pic, indie films, and then nostalgia pic. 01:46.53 ukfilmreview In this show, we won't be reviewing any indie films because we already did an absolute jam-packed episode earlier in the month. 01:52.73 Brian Penn Yeah, whoa, it's supposed to be that, yeah. 01:54.24 ukfilmreview it There were six indie films in that episode, so go and listen to that and after this one. 01:56.02 Brian Penn Hmm. Hmm. 02:00.55 ukfilmreview and yeah So in this show, it's all films that are not independent, they are more your blockbuster studio type films. 02:09.14 Brian Penn Yeah. Hmm. 02:09.97 ukfilmreview um And got a good crop here, Brian, quite a good crop, interesting film, some interesting movies here, some original ah stories, and also some 02:14.77 Brian Penn Oh, yeah. I think so. Yeah. Yeah. 02:20.90 ukfilmreview franchise continuations and our ah nostalgia pic so that's a film that we look back on is an absolute favorite of mine I must say um although I do actually prefer the second one which we're not reviewing um 02:23.02 Brian Penn Yeah. 02:26.25 Brian Penn Hmm. 02:33.68 Brian Penn Hmm controversial. 02:39.18 ukfilmreview Yeah, I mean, yeah, we'll get to it. 02:39.65 Brian Penn man 02:41.22 ukfilmreview But it is, um I was talking to my wife, she said, Oh, no, I like the first one. I was like, no No, the second one is where it's at. 02:45.83 Brian Penn Yeah. 02:46.62 ukfilmreview But and I know you're not a big fan, are you of second films? 02:46.90 Brian Penn Yeah. 02:49.67 ukfilmreview Normally, Brian, you normally say it gets worse, right? 02:50.32 Brian Penn No, not normally. Yeah. I know. I know my default position with sequels generally is that they're never is quite as good, but you know, there's the rule can always be broken in my own mind, but it's just that. 03:01.91 Brian Penn You don't have the, um, the impacts of seeing something for the first time, but I mean, we're going to go on to talk about, um, we've got one or two sequels to look at here, haven't we? So, you know, we can examine that in a bit more detail, can't we? 03:11.15 ukfilmreview We have, yeah. 03:15.13 ukfilmreview Not first though, because first, actually, ironically, the film was called Blink Twice. 03:16.77 Brian Penn Um, Oh no. 03:21.16 Brian Penn Oh yeah. 03:22.17 ukfilmreview and So we're gonna we're gonna review that, um and this is from Zoe Kravitz. So Blink Twice, over to you, Brian. 03:26.94 Brian Penn Hmm. Okay then, so this stars Channing Tatum, Naomi Aki, Alia Shawkat, and a host of really nice cameos to look out for here. um So we have Frida and Jess. They are waitresses looking for a break. They meet reach rich tech billionaire, Slater King, at a fundraising gala. Slater invites both women to join him on his private island. They think they fit the jackpot. A free holiday in an island paradise, rubbing shoulders with Slater's showbiz friends. 03:59.43 Brian Penn but not everything is what it seems. Their mobile phones are confiscated when they enter the island, but luxurious meals and mysterious cocktails are a temporary distraction. Soon they experience memory loss and are troubled by workers with the same snake tattoo, and they seem to recognize Frieda and cause her red rabbit. But what exactly is happening here? That's all I dare tell you. You could easily reveal too much of the plot in this film, and I don't want to do that. You need to appreciate the full impact and I have to say it's good, it's very good. 04:32.13 ukfilmreview Is it? It sounds really good. It sounds like a really good idea. 04:38.83 Brian Penn Yeah, absolutely. um Some reviewers have compared it ah to get out the Jordan Peele film with Daniel Kaluuya. I don't think it's quite as good as that. It's certainly in the same ballpark, but it represents a new generation of horror movies, which, let's be honest, used to be a fairly blunt instrument. You know, you knew what you were getting with a horror movie, but um And so they were pretty pretty obvious. 05:01.72 Brian Penn This is more of a psychological thriller. Maybe we should call it psych horror. um But do you know like that? 05:07.16 ukfilmreview Nice, love it. 05:09.19 Brian Penn Do you like that? 05:09.66 ukfilmreview I do. 05:09.71 Brian Penn I was i was thinking about that way and I thought, yeah, sub genre maybe. Anyway, ah there's a disclaimer at the beginning of the film warning people with mental health issues. And I think it's always worth pointing out when you were reviewing a film like this, where they go to the the extent that they put a disclaimer at the beginning. 05:26.30 Brian Penn So yeah, it does have that element to it. but it But it is a very good film, and it's well worth seeing. 05:33.13 ukfilmreview Cause Zuri Kravitz has kind of been quite popular in the last, I'd say last five, 10 years as a as a star, you know, she's been as a cast member. 05:38.39 Brian Penn Hmm. Hmm. Hmm. 05:42.66 ukfilmreview So is this her first film, do you know? Is this, or is this, I'm just gonna have a quick look. 05:45.61 Brian Penn I think it's a first feature, isn't it? I'm not sure. 05:50.18 ukfilmreview Cause I've always been very impressed by her in terms of her acting abilities, but I never knew that she had a kind of a penchant for, direct yeah, director of only one film. 05:52.70 Brian Penn Yeah. Yeah. 05:59.71 Brian Penn Yeah, course was a plusful yeah, 05:59.89 ukfilmreview um And yeah, obviously it's an original idea. it's a It's not a safe bet, is it? You're trying to tell a story like this. 06:07.17 Brian Penn no 06:08.62 ukfilmreview And and I think, you know, after you seem quite positive about it in terms of your review, I think I've seen some good reviews for Blink twice. So yeah, it it seems that one of those films that's, it'll probably go under the radar, do you think? 06:20.51 Brian Penn yeah I think that's probably the danger for a film like this is that it's not going to get the attention it really deserves. You know, you ah I mean, Channing Tatum is a, is a kind of a, he's a star. 06:32.39 ukfilmreview He's a draw, yeah, I think people will ah see him and go, okay, well, what's that film? 06:34.13 Brian Penn Yeah. Yeah. Yeah. So it's got that going for it, but you know, the, you know, it's in terms of getting attention and getting space, it's got limited opportunities. 06:46.09 Brian Penn I think Naomi Aki's very good in the role as well as Frida, you know, it all works. It all fits together really well. And Channing Tatum really i i argue it's these best parts so far that You know, you look at films that he normally makes, that he doesn't make anything mildly challenging, really, that this kind of operates on a different level. 07:05.62 Brian Penn And it it's a departure for him, in my opinion. So that makes people even more curious what he should do. 07:11.95 ukfilmreview He's very um been penned into the comedy circuit for a while, hasn't it he? 07:16.07 Brian Penn Yeah. 07:16.19 ukfilmreview He'd been kind of that sort of light relief. 07:18.32 Brian Penn Yeah. 07:19.98 ukfilmreview I know he did things like Magic Mike and stuff like that, but yeah, largely he kind of comes in as a sort of a funny guy and he is very good at it. 07:25.23 Brian Penn Yeah. 07:26.07 ukfilmreview I must say he's good at the comedy, but it's interesting you're saying that actually something like this where he's playing a more of a mysterious kind of dark character, it works. 07:26.36 Brian Penn yeah and 07:30.81 Brian Penn yeah yes i mean like Yeah. Yeah. I mean, I mean, Slater King is, ah is a complex character, and he gets under the skin that character really well. And when you see the film, you realize that there are, it's multi layered. And Channing Tatum, I think has done himself a favor by proving that he can act. You know, but I'm not saying that he can't act at all. But some actors will pick roles that are good for the careers that make money. They don't take chances, do they? And I would argue that much of what Channing takes him done so far is froth, really. You know, but this is kind of proper acting, in my opinion. So, yeah, it's very good. I liked it a lot. I was surprised myself how much I liked it. You know, because you go into a film, you think to yourself, well, you know, it's going to be a bit in there for me, but it was really good and it surprised me. So it's well worth giving giving it a whirl. 08:26.63 ukfilmreview there you go blink twice currently in cinemas if you're listening to this as of it coming out um but yeah let us know what you think i we didn't have any listener reviews of this so I won't be reading any of those out but yeah if you have seen it 08:38.68 Brian Penn Mm hmm. 08:43.49 ukfilmreview get in touch. We are moving on to a franchise, one of the biggest franchises of all time and we're staying in that kind of dark genre. 08:45.66 Brian Penn Mm hmm. Mm hmm. 08:54.46 ukfilmreview and This is going to be a review by Brian of Alien Romulus. 09:00.32 Brian Penn Okay, then. So this is directed by Fiddy Alvarez starring Callie Sweeney. David Johnson and Archie Renaud. So we find ourselves in deeper space where a Wayland-Yutani space probe finds the wreckage of Nostromo, 09:18.59 Brian Penn which you may remember was the ship from the original Alien movie. A group of young space colonists led by Raine and her brother Andy decide to investigate the abandoned craft. They find organic material which they take back to their own vessel. They begin to examine the material which sets off a terrifying chain of events. 09:38.50 Brian Penn Again, like Blinks Weiss, I won't say anymore, because I don't like to be too much of a spoiler here, but this is all very well done. But it inevitably lifts a lot of ideas from earlier alien movies that grapple with the reality of a perfect organism, which is really treading the past. But to be fair, where else would it go? ah There are some nice touches that remind us of the story's origins. I always felt there was a 50-50 split between sci-fi and horror. 10:05.16 Brian Penn But this seems to me at least to have crossed over to the latter that it is pure horror now. Again, no bad thing necessarily. But I liked the original split between horror and sci-fi. But it seems to have jettisoned the aspects of sci-fi more in favor of shocking the viewer, which it does do incredibly well. But I wouldn't say it's breaking new ground necessarily. It will please fans, I think. 10:32.36 Brian Penn um anyone new to the to the franchise will enjoy it. But again, there's no real substitute again, we touched on it earlier, didn't we about sequels and how they match up to the original. They're never going to be as good as the first idea because you don't have the impact of seeing it for the first time. But having said all that, it is very good. It's very efficient. clinical is a word that I I'm tempted to use on a film like this, because it it is well done. But I don't think it has the ah the impacts and the energy of earlier alien films, that's all. But it will certainly do very well at the box office. It will run for some time. And fair play to them. They've done the job and done it well. 11:21.32 ukfilmreview Yeah, it's interesting with the Alien movies, isn't it? Because I've seen most of them. I think there's a couple maybe I didn't sort of catch. But i we reviewed the first Alien last month on Film Club and it stands out still as ah as in it's a tremendous film. 11:32.64 Brian Penn Yeah. 11:38.31 ukfilmreview It's still tremendous. 11:38.42 Brian Penn Yeah, absolutely. Yeah. 11:39.78 ukfilmreview And when I spoke to other people, most, I would say actually everyone says either that's their favorite or the second one is their favorite. um And that's it. 11:47.84 Brian Penn yeah 11:49.00 ukfilmreview There's no other, like no other film comes into chat. 11:50.74 Brian Penn Yeah, I know. 11:52.11 ukfilmreview I remember watching Prometheus and I remember just being incredibly confused. um I think 11:56.69 Brian Penn Yeah. 11:57.80 ukfilmreview can't really remember three. I remember not liking it that much um and I think it's this kind of dwindling return that we're getting from these movies. 12:00.16 Brian Penn Yeah. but 12:04.09 Brian Penn Yeah. 12:05.94 ukfilmreview With something like this it doesn't stand out as a film that I'll probably make time for. I know that sounds a bit bad but I think it's a franchise that I because I haven't seen it lift off at any point since the first couple of films. 12:12.69 Brian Penn that and Yeah. Yeah. 12:18.77 ukfilmreview I just don't feel that bothered by it. 12:21.22 Brian Penn Yeah. But I think it says a lot, a lot there, though, Chris, where you say, right, the first and second films were great. I'd agree with you there. But then you kind of tail off a little bit when you say you talk about the third one and fourth one, you don't really remember it. 12:32.78 Brian Penn Doesn't that really say a lot though about the the impacts of sequels when when they they're just redoing what you've already seen? And even when you do watch it, nothing really stands out for it because you've already seen it and they're using up their best ideas in the earlier films. And that doesn't mean to say that it's not gonna be commercially successful, but is it gonna be critically successful? Maybe that doesn't matter. so you know But I think you when you look at what you get from it, 13:01.85 Brian Penn as you say the lower diminishing returns, you're you're getting less from it. And it's probably of more benefit to a new audience who are just getting into alien the first time. But what we always direct them back to the first or second film? like 13:14.72 ukfilmreview Yeah, that always makes me wonder with like modern audiences, whether the gap in quality would be a problem. Because obviously from our point of view, we still have the storytelling and we have no problem. 13:27.68 ukfilmreview yeah And actually the film that's on The Stylotropic actually suffers a lot from this in terms of the look and feel of it. that If you weren't around when those films came out, you would think, what is this? 13:34.22 Brian Penn Yeah. 13:38.54 Brian Penn Yeah, I know. 13:38.61 ukfilmreview ah But I still think with 13:39.10 Brian Penn Yeah. 13:41.83 ukfilmreview these absolute legendary movies like Alien um that it is kind of like it's still so good that I still think modern audiences will watch this and go wow that's brilliant and because it's not necessarily about the look and feel it is about the storytelling and how well it's been done and with the first Alien film 13:57.28 Brian Penn Yeah. 14:03.72 ukfilmreview And second one, it's like how it made me feel like when I left the movie, I was just absolutely like, yeah, oh my God, I've been transported, whereas with the other ones, I didn't feel that at all, I didn't connect. 14:06.20 Brian Penn Yeah. Yeah. 14:09.91 Brian Penn and Yeah. know no Yeah. 14:12.75 ukfilmreview So it would be interesting if anyone's listening that has come to the Alien franchise fresh, which does happen quite a lot now, because obviously we're quite old and but other people are not so old, um they come and and watch these movies and and then they go and explore the back catalogue. 14:18.72 Brian Penn Yeah, of course. Yeah. oh yeah 14:25.72 Brian Penn Yeah. 14:28.51 Brian Penn Yeah. 14:28.59 ukfilmreview But um yeah, this feels like that sort of movie. 14:30.47 Brian Penn But. Well, you see, I would recommend anyone news to the genre too. to start with with the first film, but I think it's a tendency to just to see get into what you see in front of you first, then you go back. 14:44.37 Brian Penn And really, you should do it the other way around. You should treat it like a box set, shouldn't you, really? 14:48.84 ukfilmreview Hmm. 14:49.41 Brian Penn I don't Yeah. 14:50.03 ukfilmreview I also, there's a lot of things as well in these sort of movies where they are, they're already confusing, right? Cause it's sci-fi and everything, but then they're making callbacks often to other things that have happened in previous movies and they're referencing characters or or stuff that I think, yeah, definitely watching them in order is the, is the best way to go, if you can make time for it. 14:55.88 Brian Penn yeah 15:02.17 Brian Penn Yeah. Yeah. 15:08.57 Brian Penn Yeah. Yeah. And yeah, and that there I think we know that even though sequels can be standalone films, and they often are, but there is a recurring theme, there's a common thread running through every, every sequel, every sequel that's made, you know, even with, with um even with Fast and Furious, there's still a, there's still the vaguest of threads still running through every single one of those 10 films. 15:28.63 ukfilmreview Hmm. 15:33.57 Brian Penn And it still makes even though you can see them individually. it would make sense to watch them from the start, then you appreciate how the storyline such as it is, you know, as developed site, there isn't much of a storyline in past theories. 15:47.24 Brian Penn But you know, I'm getting out though, you know, in principle, there's a common thread there that you should appreciate and you can kind only do that if you watch it from the beginning. 15:48.27 ukfilmreview Oh yeah, yeah. 15:54.59 Brian Penn So yeah, they're still good. look It's very good. This is very solid, good filmmaking, there's nothing wrong with it. But you know, um we we must point these these things out, mustn't we? 16:06.71 Brian Penn As we say, 16:06.76 ukfilmreview Yeah, and if you watch Alien Romulus, I know we've read a review out on a previous episode, but if you've seen it, do still send in your reviews, that's absolutely fine. 16:15.47 Brian Penn Hmm. 16:16.21 ukfilmreview Let us know what you thought of it. Carrying on with ah franchises and, well, we no one thought this was gonna be a franchise, but maybe it will become one. 16:19.57 Brian Penn Hmm. 16:25.01 Brian Penn no 16:26.55 ukfilmreview um Tim Burton's Beetlejuice, Beetlejuice. 16:30.65 Brian Penn Yeah, yeah. 16:32.16 ukfilmreview I mean, now we really are throwing back to the old school. Go on, Brian. 16:35.15 Brian Penn Yeah, nice 96 the the original was my. I made a point of actually watching the first film before I saw the new one, just to sort of refresh my memory, because I hadn't seen it for many, many years. But you know, we, ah so we've got who original stars that come back, or most of them anyway, Michael Keaton, Winona Reiner, Catherine O'Hara, plus Justin Theroux, and some more really good cameos as well to look out for. So the story picks up with Lydia Deets hosting a supernatural chat show 17:07.36 Brian Penn During filming, she has visions of Beetlejuice in the audience. Her father, Charles, later dies on the way to her funeral. Sliming TV producer Rory proposes to Lydia. She accepts, which enrages daughter Astrid, who seeks comfort with Jeremy, a ghost with a murky past. He convinces Astrid that she can see her father again, her late father again, if his life can be restored, that Astrid is in danger and Lydia will have to call on Beetlejuice once again. 17:38.29 Brian Penn Now I really like this film, I really like it. Like I was trying to say, I prefer it to the original. Now I'm not saying that it's better, that's another conversation entirely. But there's just a more dynamic storyline, the visuals are a lot stronger. I really liked it, it was more challenging on a sort of a cerebral level. What I thought was interesting, when I came out, I was coming out of the cinema, I overheard some people talking and seeing it with me at the same show. 18:05.96 Brian Penn They said, oh, the storyline's too complicated. I thought, what's wrong with that, really? What's wrong with being challenged a little bit? 18:10.71 ukfilmreview Nothing. 18:13.36 Brian Penn You know, I think with a film like Beaslejuice is that, you know, you just assume the visuals are going to do all the hard work for you, but there is a more, compared to the first film, there is a more involved storyline here and it's more, there's a lot more to get to grips with, but I enjoyed it more because of that. 18:30.72 Brian Penn But, you know, a very good film. I'm not sure why he's waited so long. so to remake the film or not remake it but to make a sequel and it is a proper sequel because the story's moved on you know Lydia's grown up you know um so you know it there is a continuum there so it's it's not a remake it's a it's a sequel but I enjoyed it and I to be fair the that long gap 18:42.04 ukfilmreview Yeah. 19:01.58 Brian Penn allows them to take account of technological advances in filmmaking where the special effects are bound to be better. And you realize how basic special effects are on the first film, but I don't think it relies on it quite as much, but a very enjoyable film. 19:14.87 Brian Penn I liked it. 19:15.83 ukfilmreview Hmm, we have a couple of listener reviews, so let's see what you make of these, Brian. So Oliver Guild gives the film three stars. and'm I'm just taking a snippet from his really talking about Michael Keaton. He says, the juice is exactly what you'd expect this time around. If not a little perfunctory, he's as wacky and mischievous as ever. And it's a joy to watch Keaton have fun in a role he clearly loves. But he is a little uneven at times, oscillating between full throttle cartoon clown and somber, charmless Joker. 19:46.99 Brian Penn Hmm. 19:47.34 ukfilmreview Helming all the craziness is Tim Burton, and luckily he's in his element here. Nothing else looks or feels like a Tim Burton film except a Tim Burton film. And there is a genuine thrill in watching a master director at work. 20:00.53 ukfilmreview I mean, it I mean, that bit is sort of an interesting couple of aspects of the movie. So one is Keaton's performance as Beetlejuice. How did you find that, Brian? 20:10.99 Brian Penn Yeah, look, I mean, he yeah obviously knows the part very well. I think that was a good review, by the way. 20:16.31 ukfilmreview Mm. 20:16.39 Brian Penn um Michael King knows the part very well, and he's having a ball with it. You know, when you know an actor, he's just loving what they're doing. um I mean, the reviewer there mentioned the ah the extremes, you know, about one minute, it's very earnest and dull, and the next minute, he's almost comic strip. 20:34.49 Brian Penn There are elements sort of Beetlejuice That is a feels like a comic strip. That's the, that's the intention, but it still hits the mark though. And it can still be very funny at times. And, um, that's, that's fair enough. That's what you expect. Um, I think the, um, that it is a typical Tim Burton film. Yeah, of course it is. And it adds that mark of quality about it. So yeah, I do. I'd they agree with the that review. Um, it's all good. It all works. You know, they, they, he's updated the story. 21:06.78 Brian Penn And he's worked a lot harder updating it. 21:06.96 ukfilmreview a 21:09.19 Brian Penn You know, you see some sequels, they don't, they make less of an effort with some sequels to update the story and to appreciate the fact that it's, it's moved forward what 36 years or yeah, it's 36 years, isn't it? 21:16.06 ukfilmreview Mmm. Right here. 21:23.22 Brian Penn Um, so he's done that really well. So yeah, I, I taken board all of those points and and broadly agree, but the the comic strip elements of Beetlejuice are ah deliberate and they're meant to be there. 21:35.50 Brian Penn So I think that those kind of, where the characters go into extremes is it's intended, that it's deliberate. 21:41.88 ukfilmreview Yeah, I think you and in Oliver's review he mentioned it being a timber and film and yeah, you can't get away from the aesthetic that that man has created for himself in terms of filmmaking. 21:50.56 Brian Penn Yeah. 21:52.61 ukfilmreview um This movie absolutely resonates on that level. um We had another review, Alexa Day also gives the film three stars. 21:58.04 Brian Penn Hmm. Hmm. 21:59.89 ukfilmreview um This film could be summed up in a sentence. It did not need to be made. It was ah yeah it was fun. 22:05.60 Brian Penn well yeah 22:07.90 ukfilmreview The visuals and the cinematography were fantastic. Burton really nailed that aspect. He encapsulated the same feel of the afterlife from the original expanding universe while still keeping all his signature style atypical and creepy. 22:20.03 ukfilmreview However, the writing and the storytelling storytelling sorry seriously failed to keep up with what made the original film so enjoyable. with many subplots they added in all falling flat with no real depth or dimension added throughout. 22:28.15 Brian Penn um 22:31.78 Brian Penn well 22:34.84 Brian Penn Well, yeah, I mean, um, I wouldn't totally agree with that. Obviously. Um, I liked the, um, the subplots and I'm not sure they felt totally flat to be honest, but, but I mean, that was their view of it. 22:46.41 Brian Penn And that's fair. Fair enough. Um, when they say that it shouldn't have been made, well, there's an argument to be made for every sequel. You could say the same thing about every sequel, couldn't you? 22:54.35 ukfilmreview and 22:56.32 Brian Penn It shouldn't have been made because in an ideal ideal world, there would only be one version of every film. You know, we've always had sequels. There have always been franchises in the movies. You know, James Bond is a franchise that started very early on, you know, um which is fair enough. But the bottom line is that they're there to make money, and they all almost always do. Otherwise, they wouldn't keep on making sequels. and But very rarely to do they break new ground, but they still they're still valid. I mean, how would real fans of Beetlejuice 23:33.85 Brian Penn take it. You know, I wouldn't say I'm a huge fan. ah but I find both films very enjoyable for what they are. I find it difficult to be too critical, ah because it's not a genre that I'm particularly into because I'm a mainstream film fan and I watch everything. 23:50.62 Brian Penn So I tend not to get into niches, but you see some people that understand it better will have a more critical way. 23:58.25 ukfilmreview Hmm. 23:59.00 Brian Penn You know, so I mean, I, to be honest, I mean, I would have given it a four actually. paul um It would have been between a three and a four for me. But you know, it depends what your expectations are when you see a film like this. 24:12.53 Brian Penn And how much of a fan you are to begin with, you know. 24:12.77 ukfilmreview Yeah. Yeah. 24:15.79 ukfilmreview Yeah, I think there's definitely an element of what you're going into this film with in terms of your ah expectation of a movie that is coming out so far after the original because, you know, there will be a, there'll be there people that will say, you know, it is a cash grab and it is a almost a bit desperate, but you're bringing back these actors to just, you know, reprieve a role that, you know, why are we not hearing a new story? 24:19.62 Brian Penn Yeah. 24:26.21 Brian Penn Yeah. Yeah. 24:38.89 ukfilmreview but then there's also that element of, okay, yeah, but maybe there's something here that's still relevant or something new that they're actually using these characters to explore because they were very good characters and it works well. 24:48.76 Brian Penn Hmm. 24:49.95 ukfilmreview um But also, you know, Alexa Day, thank you for the review. all opinions are valid. you We're very happy to have all opinions here. 24:59.24 Brian Penn Absolutely. Yeah. 25:00.15 ukfilmreview um And this is what's great about Film Club. 25:00.70 Brian Penn Yeah. 25:02.03 ukfilmreview It's great that it's starting to turn into this where we're getting these ah you these reviews. 25:04.03 Brian Penn Yeah. Yeah. 25:05.76 ukfilmreview And also, yeah um and Alexis's review goes on to talk about lots of other aspects of the movie. I only picked out the very first section of the review. um Talk about the first film. 25:14.56 Brian Penn Hmm. 25:15.35 ukfilmreview We did have a listener review of that, which I think is obviously interesting. 25:17.86 Brian Penn Oh. 25:19.30 ukfilmreview um Their name is Saturn, apparently. 25:19.34 Brian Penn Yeah. 25:21.94 ukfilmreview I'm not sure whether, ah what gender or any gender that you might be. 25:22.22 Brian Penn Oh, okay. 25:25.66 Brian Penn Yeah. 25:26.18 ukfilmreview um This is from 1988 Speed Tool Juice, ah which they gave five stars. 25:31.48 Brian Penn Hmm. 25:32.03 ukfilmreview I'm not sure I'd give the original five. I was scared. I was scared by it as a child, quite a lot. 25:36.18 Brian Penn Yeah. Well, you were just young. 25:37.89 ukfilmreview It's still, i that's the year I was born. 25:38.62 Brian Penn So when you at the time, oh, there you go. 25:40.64 ukfilmreview I was still, yeah, I was, 25:42.00 Brian Penn You could get much younger than that. Could you really? 25:43.80 ukfilmreview yeah i watched it in the womb um but yeah interesting to see obviously a five star review of the original beta 2 so i won't read the the full review out because it's It's quite long, but then so yeah talking about Burton's style again. 26:01.90 ukfilmreview Burton's signature style, a mix of whimsical and the creepy, makes the film an oddly satisfying ride from start to finish. Oh, and let's not forget the music. Danny Elfman's score is iconic as ever, but it's the use of Harry Belafonte's deal during the dinner scene. 26:11.04 Brian Penn and oh sir Yeah, yeah no that's a great scene though, isn't it? 26:17.10 ukfilmreview yeah Yeah, that takes the cake. 26:17.76 Brian Penn That is a great scene. 26:18.91 ukfilmreview I mean, because I think even the trailer they used it, the the first trailer, they put it on there. 26:19.34 Brian Penn yeah 26:23.79 ukfilmreview And that's the stuff that sticks out to me. 26:24.70 Brian Penn yeah 26:26.52 ukfilmreview When I remember the film, there's that scene. 26:26.98 Brian Penn Yeah. Yeah. 26:28.82 ukfilmreview ah And there's yeah a bit where he's are in the waiting room and stuff. But yeah, there's there are certain parts of Beatrice that are absolutely iconic and I can see why they've decided to sort of bring it back because they've got a built-in audience who already want to see what they're going to do with it and then they've got a new audience who are like oh what's all this like yeah what's going on so yeah I do get it um 26:36.49 Brian Penn Yeah. 26:42.59 Brian Penn Yeah. 26:45.92 Brian Penn Yeah, I know. Yeah. Yeah. 26:49.62 ukfilmreview But yeah, let us know anyone else if you've watched Beatlejuice, Beatlejuice. 26:51.53 Brian Penn Yeah. 26:54.67 ukfilmreview I know our critic didn't like it. He saw it at the um Venice Film Festival and gave it one star. So I think he you know what it's like at these festivals. 27:02.98 Brian Penn and That's a bit harsh, really. Just a bit harsh. 27:07.59 ukfilmreview like Sometimes you've been there, you've been curing that for two hours, then you get in and you're like, oh, God. 27:11.78 Brian Penn Yeah. 27:13.30 ukfilmreview yeah So maybe he was having a bad day. 27:15.40 Brian Penn Yeah. 27:16.27 ukfilmreview ah 27:16.35 Brian Penn Yeah, could be, could be. 27:17.73 ukfilmreview yeah I will be talking to you actually Jack soon about his Venice trip and some of the films he saw I think are also going to be at the BFI so that'll be interesting to catch up with him. 27:25.65 Brian Penn and Excellent. Yeah. 27:28.65 ukfilmreview But yeah, just moving on now to a film starring Kate Winslet called Lee. I had not heard anything about this until you told me Brian. 27:37.67 Brian Penn a 27:38.50 ukfilmreview So over to you on Lee. 27:38.92 Brian Penn Well, yeah, let me be a bit of a trailblazer then. Right. Okay. So Lee, directed by Alan Keiras, starring Kate Winslet, Andy Sandberg, Peter Skarsgard, Andrea Reisborough, and Josh O'Connor. The narrative picks up in 1938 as Hitler tightens his grip on mainland Europe. Lee Miller is a former model carving out a new career for herself as a photographer. Vogue magazine in London are sufficiently impressed to offer her a commission. 28:07.56 Brian Penn and it's her Audrey Rook with us. It's supportive, but doubts that Miller's style will be appreciated by the readers. The film periodically flips forward to an older Miller in conversation with her son, Anthony. When war breaks out, she is determined to reach the battlefront. Her lover, Richard Penrose, pleads with her not to go. But she enlists in the US forces and meets fellow photographer, David E. Sherman. They are kindred spirits and together witness the final months of the conflict. 28:35.67 Brian Penn Now this, Chris, is proper filmmaking, in my opinion. 28:39.26 ukfilmreview of 28:40.41 Brian Penn A true story when you when you where you invest in the characters, a compelling storyline that engages you if you let it engage you. know It seems to me so far out of place when it's compared to other films currently being made. 28:55.46 Brian Penn It's very old-fashioned. I'm thrilled that films like this are still being made and are still going on theatrical release. you know um It's a marvelous film. you know it's it the You have this great panoramic view sort of the conflict and what it does. And Lee Miller's story is largely unknown to the masses, I would say. It's only in the last few years that her story's been told. And I think great stories like this are there waiting to be discovered and waiting to be made into a film like this. This is great filmmaking. this is why 29:35.10 Brian Penn to quote a cliche, this is why we go to the cinema, to watch a film like this. But I just wonder how it sits with the current mix of films that we have and what people expect about the movies. But it's a great film. 29:51.84 ukfilmreview Hmm, is it film of the month? 29:55.45 Brian Penn It's Film of the Month. 29:56.76 ukfilmreview I had a feeling the way you were talking about is always in love. 29:57.99 Brian Penn I know. 29:59.76 ukfilmreview He's in love here, so... 30:00.72 Brian Penn Yeah, I know. I know. This is it. This is it. I kind of give the game away. I've got to try and be a bit more neutral and keep you guessing with film. 30:05.87 ukfilmreview oh Well, um um sometimes it's happened and it's the first film we review on the show and it's kind of like, oh, people might just think, oh, I'll just go watch that then. 30:10.26 Brian Penn Yeah. Yeah. Yeah. I know. Yeah. Forget the rest. Yeah. But no, this is film in a month without a shot of a doubt for me because of the strength of storytelling. um It's real people, real lives. No, it's not in places. It's not a pleasant watch because it is about war. And this is about a woman who was on the front line. 30:30.67 Brian Penn with nothing more than a camera, don't yeah putting herself in danger so that the world could see well what's going what's happening. you know And that's a bright that's brave in itself, really. So a great film. It's got to be seen. It's got to be seen. 30:48.93 ukfilmreview ah be saying i mean um Like I said, I hadn't really heard about it and this definitely feels like I'm going to start calling them a Brian special because 30:56.45 Brian Penn Oh, OK. Yeah, I like that. Yeah, that'll do. 30:58.24 ukfilmreview you have this ability to find these films that are going to probably go under the radar and that it's often about an original story, about characters, and actually more, well, probably about half-time, it's about a real person here, a story from someone here that we've, in history, and then I was having a story. 30:58.75 Brian Penn yeah 31:01.56 Brian Penn yeah and i went 31:07.08 Brian Penn Yeah. yeah Yeah. 31:16.36 ukfilmreview And this is that sort of film where it's kind of like, I'm so glad that we get to talk about it and tell people about it and hopefully people will sort of seek it out because 31:21.07 Brian Penn Yeah. Yeah. 31:25.43 ukfilmreview I would not have heard about Lee in this sort of film. All right, it's got ah Kate Winslet in. So I'm like, oh, yeah, because I know she's very good. I do like Kate Winslet. I think she's a fabulous actor. 31:34.05 Brian Penn Yeah, she's great in this role. 31:35.62 ukfilmreview But sometimes yeah and with my life, the chaos that it is, I don't always have time to seek these films out. 31:38.20 Brian Penn Yeah, cool. 31:40.46 ukfilmreview So yeah, it's definitely going on my must watch list. 31:40.83 Brian Penn Yeah, yeah but absolutely. 31:43.54 ukfilmreview And current I mean, war films typically are worthy, but um is this a worthy of a cinema trip? 31:51.96 Brian Penn I think it is. Yeah, I would say it is very much so. You know, the you you know, you you don't see a lot of on conflict, but what you do see needs to be seen on the big screen. So But you you could say aside from that, it works on the small screen as well. 32:07.28 Brian Penn But the impact is going to be there if you sit if you sit at the cinema. 32:07.42 ukfilmreview Hmm No, I can imagine it's not going to get the bums on seats that it needs to stick around 32:10.96 Brian Penn So I think it's worth a cinema trip and it won't be on for long. It won't be on for very long. 32:17.80 Brian Penn and No, no, but which is why why I ah look upon it as ah an old fashioned movie, that this is the sort of film that would be made 40 50 years ago and would pack cinemas out. 32:30.54 Brian Penn but I think the typical movie-going audience today has become used to a different diet of films, a different type of film. And it's reassuring they're still being made, that there's still a bit going on general release. 32:42.75 Brian Penn But a film like this, if it's going to survive at all, would be on the small screen. So I think it's great to see this type of film at the cinema. And please go and watch it. 32:53.39 Brian Penn Give it a chance, I would say. 32:55.64 ukfilmreview I mean, we don't often beg, but yeah, please go watch it. 32:57.45 Brian Penn Yeah, give give it give it a chance. You never know. 33:01.08 ukfilmreview So that's Lee, and that's the final review of the theatrical releases. So all of those should be currently available at cinemas near you if you are in the UK. 33:09.51 Brian Penn Yep. 33:11.30 ukfilmreview If you're not in the UK, if you're one of our listeners around the globe, hello. um 33:14.82 Brian Penn Yeah. Where have you been? 33:16.45 ukfilmreview Where have you been? Yeah, or how have you been? and And I hope always well, wherever you are. 33:18.31 Brian Penn Yeah. 33:21.32 ukfilmreview um We are moving on now to our streaming pick. So this is a film that is available on a streaming service now. I would also caveat that that streaming service in the UK. 33:33.58 Brian Penn um 33:33.84 ukfilmreview We have heard from some people that said there they can't watch it because maybe the provider is different where you are. 33:36.65 Brian Penn Uh, hmm. 33:39.49 ukfilmreview um The movie that we're reviewing on this episode is available on Disney Plus and it stars Daisy Ridley. 33:44.37 Brian Penn Hmm. 33:46.43 ukfilmreview It's called Young Woman and the Sea. Now, I'm going to say that again because 33:48.91 Brian Penn Hmm. 33:52.86 ukfilmreview i've read it Every time I've told someone I've watched this film, I've said the film title wrong. 33:55.31 Brian Penn Hmm. 33:57.63 Brian Penn Yeah. 33:57.75 ukfilmreview um i've said like I've called it like the young woman in the sea. 33:59.03 Brian Penn Yeah. 34:01.72 Brian Penn but yeah 34:03.17 ukfilmreview I've called it woman in the sea. 34:03.40 Brian Penn and 34:04.79 ukfilmreview ah yeah A woman in the sea, I said at one point. 34:07.28 Brian Penn Yeah, that's true as well. 34:08.31 ukfilmreview um So just just to reiterate, young woman and the sea is is the title that we're going with. 34:09.28 Brian Penn That's right. 34:14.36 ukfilmreview As I said, it stars Daisy Ridley. And again, a film about a real person 34:16.19 Brian Penn and 34:19.76 ukfilmreview um And this was set in 1926, so that sort of era, at a time when women, and in particular with regards to sport, were not seen at all as equals, and that's still obviously an issue even today. um And it's the story of a competitive swimmer called Gertrude Edderley. 34:44.31 ukfilmreview um And I thought this was absolutely brilliant. I really enjoyed this. 34:49.97 Brian Penn Yeah. 34:50.80 ukfilmreview It is on the nose a little bit with the because it's a Disney film. I think they are sort of, you know, the script is fairly kind of non-combative, shall we say. It's it's not, you know, it's not really getting too gritty with the the the characters and stuff. 35:01.30 Brian Penn Yeah. 35:03.74 Brian Penn Yeah. Yeah. 35:05.40 ukfilmreview But I really liked the storyline because she's got a sister, Meg, and the two of them, very they overcome a lot of challenges to become swimmers at a time when yeah Women weren't even allowed to sort of show too much skin on the on the beaches and things like that. 35:20.17 Brian Penn Yeah. Hmm. 35:21.57 ukfilmreview And there was no female clubs for them to join. And they had to kind of basically pave the way yeah for themselves to get yeah into the pool. 35:24.32 Brian Penn Yeah. 35:32.10 ukfilmreview With the help of their mother, who is absolutely ferocious. She is so good. 35:37.17 Brian Penn Yeah, 35:38.14 ukfilmreview She absolutely steals every scene that she's in. 35:40.50 Brian Penn yeah she's good. 35:41.39 ukfilmreview this this formidable woman that just kind of keeps kicking ass and taking your names um and ah yeah her relationship with the dad is brilliant because the dad is just kind of like put trying to put his foot down but realizes he's never going to win he's never going to win um but yeah I thought it was a really great story and it is a very contemporary idea it's a lot of 35:45.67 Brian Penn Yeah. um 35:51.08 Brian Penn I know. Yeah. I know. No, aye that's right. Hmm. 36:02.54 ukfilmreview talk in the media and the news about the disparaging kind of elements between men's sports and women's sports and and pay and access and all this stuff. 36:10.94 Brian Penn Yeah. Yeah. 36:15.16 ukfilmreview So it's great when these sort of stories are brought up and they do have that kind of modern relevance to an audience. 36:17.36 Brian Penn Hmm. 36:20.84 ukfilmreview But what did you think of Young Woman and the Sea? 36:24.03 Brian Penn yeah i love this film for the same reasons that i loved the film lee it's a real story about real people i'll say it again overcoming adversity and sexism you know in the 1920s as well you know the like yeah it does feel obviously like a walk disney film because it's very very safe as you say the scripts is quite bland and quite safe it doesn't take any chances but um you just gotta love all all the characters in this film so much you root for them you know, that t truly overcame measles as a child. She was partially deaf and swimming probably wasn't the healthiest thing for us to do, but she did. And as you say, her mother um really pushed her forward and she became a championship swimmer. She ah competed at the Olympics and two years later in 1926, she, as you say, she swam the English channel and and she did it um two hours 37:24.33 Brian Penn quicker than the fastest man had done it at that time. So, you know, it makes the mark there for the the right of women to compete in sport. And this, this happened a long time ago, you know, it's not a recent equality is not a recent phenomenon, is it really, you know, but there were people around years ago, and back in the 1920s, 100 years ago, who were breaking that glass ceiling. And it's, it's nothing new. And then you realize that progress is being made. 37:52.59 Brian Penn in increments and it's very slow. But this film shows you ah what a force of character she was, what a force of character her mother was as well. So push her forward in this way. My only qualm with the with the film itself is that they seem to play down her achievements at the Olympics i because she won a gold medal in the relay, one of the relays, and see bronzes in the individual events. 38:09.03 ukfilmreview Yeah. 38:14.80 Brian Penn But they seem to sort of ignore it, overlook it, they made it look like she she was a failure. To me, this is the way I interpreted it, is that they made it look like a failure at the Olympics, probably more because they wanted to concentrate on her swimming the channel, because that was the that's the the focal point of the story, is her swimming the channel. 38:35.41 ukfilmreview Yeah, because there's this element throughout the film about the people who have a reason for her to fail, right? There's these like people that have got their hands in certain pies, shall we say, that have got yeah a reason to see her not succeed. 38:42.62 Brian Penn Yeah. Yeah. 38:50.35 ukfilmreview And there's a bit where she's sort yeah she doesn't do very well at the Olympics because they don't really let her train. and 38:56.24 Brian Penn yeah yeah yeah no Yeah. 38:57.11 ukfilmreview she'd say she she does okay, she didn't like lose everything and and then she comes back and then she basically just gives up swimming because she's like oh it's it's not going to happen now but then ah yeah that's like kind of like underdog story where we know all right yeah that's not the end though right you're still going to go because I think what happens is she sees how much of an inspiration that she is to young girls coming up to her and being like oh my god you went to the Olympics for that 39:04.27 Brian Penn Yeah. Yeah. 39:08.62 Brian Penn Yeah. Yeah. 39:17.55 Brian Penn Yeah. Yeah. Yeah. Yeah. 39:19.91 ukfilmreview um 39:20.34 Brian Penn Yeah. 39:20.92 ukfilmreview the That's an interesting aspect of the movie that they I think they they wanted to tell that part of the story as well about these men that were trying to keep her down. 39:26.62 Brian Penn Yeah. 39:29.64 Brian Penn Yeah. 39:30.58 ukfilmreview um like you know There's a bit later on, sorry it's a bit of a spoiler, but later on there's a ah guy that kind of hampers her attempt to cross the channel and yeah there's other things like that. 39:34.02 Brian Penn Yeah. 39:41.47 ukfilmreview um I love the bit. 39:42.37 Brian Penn yeah 39:43.28 ukfilmreview Sorry, just because the script is very safe. But there was a couple of lines that were funny, which one was about it was about that. 39:45.32 Brian Penn Yeah. Yeah. 39:50.44 ukfilmreview So when they're on the way to the Olympics, and they tell you, they're so concerned, are they just with them not being around the men? Because they don't be around the men, because they're not going to control themselves, basically. 39:56.97 Brian Penn Yeah, yeah. 40:00.22 ukfilmreview And they have like a book. And it says, he said something like, oh, yeah, read the book, especially chapter two, what to do if you meet a Frenchman. 40:08.62 Brian Penn Yeah, I know. 40:10.29 ukfilmreview I didn't find that out, so it's very cool. 40:12.28 Brian Penn But yeah. 40:12.42 ukfilmreview But yeah, that not there's only a few of those lines, but I think it's very warm. 40:13.71 Brian Penn and Yeah, no, it is. 40:16.61 ukfilmreview It's a very warm kind of film and easy, you know. 40:20.16 Brian Penn Yeah, it is. But as I say, it's a bit, it's a bit like Lee, film Lee, you know, that It's, it's a real story. This actually happened. You know, the, you know, they, they've not stuck strictly to what happened because they don't want focal points in the story to stand out. Well, that's fair enough, but you're never going to tell the absolute truth. Um, but it just shows though, when you look at what she did at the Olympics, it heightens her success and what she achieved. Yeah. A time when women were only grudgingly being allowed to compete, you know, they, 40:54.92 Brian Penn the nice things when things say they still felt women weren't strong enough to compete in in sport you know and they didn't properly enter the ah olympics track and field events until 1928 and it's shocking really but i mean they're pioneers they're the trailblazers you know that the you know what what we have today is the result of what people like trudy eddie did back then you know so they're inspirational characters which makes the film even stronger for me 41:24.97 ukfilmreview Absolutely. It definitely cap captured that element because it wasn't just Trudy as well. There was like the mum going out of her way to get things done like the like um the husband wouldn't give her the money. 41:32.86 Brian Penn Yeah. Yeah. 41:37.43 Brian Penn Hmm. 41:39.38 ukfilmreview So he's she said all right or she goes around him and just start selling like some shoes or something that she made. 41:42.84 Brian Penn Yeah. I know. 41:45.22 ukfilmreview and And then she goes to the radio station and all these things that's just like she had to do that. 41:45.26 Brian Penn Yeah. 41:49.93 ukfilmreview They had to break the doors down because otherwise it wouldn't happen. 41:51.64 Brian Penn Yeah. 41:53.35 ukfilmreview And I think also because in the film Stephen Graham's in the movie he's one of the men who's from the channel and he's a bit of an oddball character but i yeah I felt he was a bit underused I said oh yeah Stephen Graham like you really want him but then I also thought actually that would kind of make the wrong point if we're like over reliant on the male star of the film which he's not really he's only actually a sort of side character um it really is Daisy Ridley's kind of movie um and her sister and the mum 41:58.54 Brian Penn Yeah. 42:01.70 Brian Penn Bill Burgess, good character, I'd say. Oh, 42:16.44 Brian Penn that's right. Yeah. 42:21.66 Brian Penn Hmm. 42:24.85 ukfilmreview I think it's one of those movies as well that people could easily miss because it's gone straight to Disney Plus as far as I'm aware. 42:24.95 Brian Penn Yeah. 42:31.65 Brian Penn Yeah. 42:32.58 ukfilmreview It's not a cinematic release. 42:32.81 Brian Penn Yeah. 42:34.17 ukfilmreview And if it sort of doesn't catch you straight away in terms of, you oh, it's a woman's from in the channel that I think people will miss out on it. And it's it's it's an easy watch. 42:44.17 Brian Penn Hmm. 42:44.67 ukfilmreview This for me is that Sunday afternoon film. It's an easy watch. You can put it on. 42:48.89 Brian Penn Yeah. 42:49.44 ukfilmreview whole family can pretty much watch it. um It's there's only mild peril in it to be honest. 42:53.07 Brian Penn Hmm. 42:54.64 ukfilmreview And um yeah, it's its I think also they recreated the era really well. I'm always conscious of that when they do these movies and it's a 1920s kind of aesthetic. 43:01.59 Brian Penn Yeah. 43:03.82 ukfilmreview I thought they did really well. I thought it actually looked really good. um 43:07.04 Brian Penn Well, yeah, you can believe it's the night since Wednesdays. But it's it's something you kind of expect now that, you know, period dramas, you know, needs to be right. Because I think we've got an audience that are probably more picky now than they used to be. 43:22.20 Brian Penn And, you know, the fact that we're, we're film critics, I mean, we're, we're gonna alight on that. But I think they've got better on it you know, about observing period detail and making sure the continuity is right and all that type of thing. 43:34.40 Brian Penn All the period details spot on, you know, and I'm a bit surprised this didn't go on theatrical release. It does surprise me. 43:40.67 ukfilmreview It feels like a big cinema film, isn't it? 43:42.48 Brian Penn Yeah. Yeah. 43:43.74 ukfilmreview Especially over the summer holidays, that would have been a good movie. like Get the families in. 43:46.22 Brian Penn Well, yeah, but because it has walked this thing and it's, I'm going to use the term clean, but you know what I mean when I say it's clean it, any, any, any one could watch it. 43:53.46 ukfilmreview Oh yeah. 43:56.40 Brian Penn You know, you could take your kids to see a film like this. You know, and so it's a, it's a classic Walt Disney film in that way. So, you know, it has broad appeal, but obviously the money men knew what they were doing, presumably when they sent it straight to stream. 44:11.56 ukfilmreview Yeah, well, let us know if you see it, Young Woman in the Sea. ah If you have struggle yeah remembering the title, just listen to my review on this podcast, because I've had to say it several times. 44:20.68 Brian Penn Yeah. yeah yeah 44:23.32 ukfilmreview um And yeah, moving on now to our nostalgia pick, an absolute, I mean, you don't get really much more cinematic than this. 44:34.62 ukfilmreview I mean, if you think about, if someone says you list the five most yeah popular films of all time, 44:37.34 Brian Penn Hmm. Hmm. 44:40.84 ukfilmreview I think this will probably turn up in them or at least the first or second one because I prefer the second one. 44:41.09 Brian Penn Hmm. 44:46.77 ukfilmreview If you don't know what I'm talking about, fair enough, um not many people keep up with me these days. 44:52.78 Brian Penn and 44:53.17 ukfilmreview I'm in a world of my own but we are talking about of course Arnold Schwarzenegger as the Terminator and the reason why this came up was very thankfully to some of our listeners who sent me reviews because it's the Terminator's 40th anniversary. 45:11.39 ukfilmreview 40 years, Brian. 45:12.61 Brian Penn No, don't remind me. 45:13.77 ukfilmreview 40 years. 45:13.85 Brian Penn I remember going out to see it when it first came out. 45:14.78 ukfilmreview Four decades have happened. um 45:21.09 ukfilmreview I mean, it and it is an absolute juggernaut of a movie um in terms of how it's affected popular culture, how it's affected cinema. 45:22.20 Brian Penn yeah 45:26.49 Brian Penn Yeah. 45:31.65 ukfilmreview um But what was really funny he was watching this, how little of it I remembered, because as a kid, I religiously watched the second one. 45:38.44 Brian Penn Hmm. 45:42.08 ukfilmreview um 45:42.34 Brian Penn Right. 45:42.97 ukfilmreview It was in the era, not many people listening this probably know this era, which is when we used to videotape things off the TV. 45:43.58 Brian Penn Hmm. 45:46.78 Brian Penn Hmm. Oh, that, that whole thing. 45:50.38 ukfilmreview You know, you remember that. 45:50.85 Brian Penn Yeah. 45:51.84 ukfilmreview and 45:51.94 Brian Penn I'll be still. Yeah. 45:52.87 ukfilmreview my My brother had this, the second one on video and we used to watch it just on repeat. We would just get to the end and rewind it. 46:00.48 Brian Penn Hmm. 46:01.09 ukfilmreview um And I had seen the first one, but I wasn't that drawn to it. The second one was the one I absolutely loved. 46:08.54 Brian Penn Yeah. 46:08.58 ukfilmreview But this first one, having rewatched it recently with my wife, I was like, this is great. I'm so glad because this is like so many of the references in the second one are actually big parts of the first film. 46:16.00 Brian Penn Yeah, 46:18.81 ukfilmreview um Yeah, it's I mean, Just before you went back to rewatch this, Brian, how were you a fan of the Terminator films? 46:27.84 Brian Penn yeah I was. oh I am still am, you know, which is surprising for me because, you know, I think it's probably well documented that I'm not a big fan ah of horror. 46:29.37 ukfilmreview It's done. 46:38.05 Brian Penn Not a huge fan of sci-fi, generally speaking, but that's what was all the more remarkable for how much I enjoyed it when it came out, because it always stuck in my mind. And it was one of the films of the aces. Probably one of the films in movie history that stand out as well, because it was so different compared to what we've seen previously. You know, this idea that you've got a cyborg that's a machine that comes from the ah future to hunt down ah a woman who will have a son that would threaten their future dominance, this evil force that's in power in 40 years. 47:17.13 Brian Penn So what's interesting about it is that it starts out in AD 2029, which is like five years away. But that was like 45 years in the future. 47:25.58 ukfilmreview Haha. 47:25.98 Brian Penn And it's so so weird. And when I was watching it, what struck me was that how good it still is, you know, I've often said to you on this podcast, and when we look at our filming the nostalgia slot and we're looking at something from the A6 that how some of them don't age particularly well that they can't creek a bit. I don't think this does. I don't think it does at all. It still it feels so fresh to me. The um special effects you would think would suffer over the passage of 40 years but they still hold up surprisingly well. And the fact that you had Stan Winston in charge of the special effects. It was one of the all time great special effects men. 48:05.42 Brian Penn who works on Alien and Batman and Jurassic Park and Indiana Jones. So they had people that knew what they were doing back then. ah ah you know It's the cyber form that you almost think to yourself, well, they don't need to do a lot of acting. you know Arnie's doing what he does, right? Yeah, he does it really well. And Linda Hamilton's good. She does what she needs to do. them And Michael Bayan and Paul Winfield's in it. But they don't have to do much because The story is so powerful, the way it's told and the visuals are so powerful. It's all about the director, the story and the special effects. They're all working perfect, perfect sort of perfect time together. And it's still effective. It still works. And I don't think many films that are 40 years old that are based on a sci-fi concept that relies so much on special effects that are still good after 40 years. And that's, that's a rare thing. 49:04.46 ukfilmreview Yeah, I found this, I had dated to maybe a little bit more, say like an alien. 49:08.91 Brian Penn and Yeah. 49:09.64 ukfilmreview Like when we watched Alien, I was like, wow, this still really works. I think because it's it's so much more limited in scope yeah with Alien, theyre it's all on the ship and it's all physically filmed there. 49:12.45 Brian Penn Yeah. 49:15.97 Brian Penn Yeah. 49:18.40 Brian Penn Yeah. 49:20.26 ukfilmreview So like with this, there was bits where they had like, 49:20.43 Brian Penn Yeah. 49:23.73 ukfilmreview flying things and they had lasers and stuff. And I was like, okay, I looked a little i could imagine a modern audience looking at this going, oh, it doesn't look like a alien Romulus, right? 49:29.88 Brian Penn Yeah. 49:32.52 ukfilmreview yeah It's gonna look a bit dated. 49:32.60 Brian Penn Yeah. 49:34.71 ukfilmreview But what I found with it was that because it still had that practical effect element to it, 49:41.34 Brian Penn Yeah. 49:41.90 ukfilmreview like with the special effects makeup and things like that that that is something which is really interesting with filmmaking because it often doesn't date as badly as special effects that have been done with the computer do because computer generation you you can tell right all right yeah computers are so much better but with special effects makeup it's like lord of the rings like you watch all of the rings and you go 49:55.58 Brian Penn Well, yeah. Yeah. Yeah. 50:04.30 Brian Penn Yeah. 50:04.33 ukfilmreview Oh, the first three films looked great because they didn't really use computers for a lot of it. 50:09.11 Brian Penn yeah 50:09.18 ukfilmreview um They had the all that special stuff, all that makeup done. And when you watch the newer ones, you you just watch it five years later and you go, oh, okay, well, I look dated now. 50:19.55 Brian Penn Yeah. 50:19.55 ukfilmreview I think we're terminated. There was some bits that were computer generated or at least done in a way that has dated, but the vast majority the vast majority of it is a thriller film. 50:25.92 Brian Penn Yeah. 50:30.39 ukfilmreview you know It's just him like chasing them and you know there's stunts and it's just off the wall, most of it. 50:32.72 Brian Penn Yeah. yeah yeah 50:37.49 ukfilmreview um and If you, yeah obviously, even if you've not seen Terminator, you probably know that the general gist of the story because it's just become so you synonymous with popular culture. 50:45.77 Brian Penn Yeah. 50:48.24 Brian Penn ingrain isn't not really Yeah. 50:48.68 ukfilmreview Yeah, everyone everyone's up heard about it. 50:50.01 Brian Penn Yeah. 50:50.94 ukfilmreview And yeah, like you say, someone like Schwarzenegger, he's not really putting in any kind of amazing performance, um but it worked well for the role that he's got. 50:57.55 Brian Penn no 51:01.21 ukfilmreview Whereas you in the second film, um I did find he he upped his game a little bit. I think he was more, because it made him more human, right? 51:07.58 Brian Penn Yeah. Yeah. 51:09.86 ukfilmreview and and And I still think Judgment Day is a better movie. um 51:16.27 Brian Penn Oh, it's a tough one. It's a tough one. I mean, they're both very close in that way. Um, but I don't know. I kind of, um, more, more towards the first one, just a little bit. 51:25.78 ukfilmreview I think for me, it was ah yeah Robert Patrick playing that T-1000 in the second film. 51:32.23 Brian Penn Oh, right. 51:33.35 ukfilmreview He was just so terrifying. 51:33.62 Brian Penn Yeah. ah I know. 51:35.86 ukfilmreview so He was absolutely terrifying. 51:37.09 Brian Penn Yeah. 51:38.23 ukfilmreview And yeah, no, I think, but they are both very good films. 51:38.86 Brian Penn Yeah. 51:41.38 ukfilmreview It's like Alien, right? 51:41.71 Brian Penn Yeah. 51:41.98 ukfilmreview I think if you're like Alien or you're like Aliens, it's fine. 51:42.81 Brian Penn Yeah. Yeah. and 51:45.28 ukfilmreview They're both great. And with Terminators, I think they're both great. The rest of the franchise has often disappointed, to be honest. So when I've watched three, I didn't like four was okay, the one with Christian Bale. 51:55.34 Brian Penn and 51:58.92 Brian Penn Yeah. 51:59.24 ukfilmreview And then there was Genesis, I think after I'm not sure. 52:02.57 Brian Penn Yeah. 52:03.40 ukfilmreview After that, it just it just goes off the rails a little bit. And it's a shame because I do think it's a, you know, it's a storyline that would work well, it could there's lots more stories there. 52:13.76 ukfilmreview But that first and second film, I think they just work really well. 52:17.25 Brian Penn Yeah. Yeah. 52:17.50 ukfilmreview They're really good. 52:18.45 Brian Penn Yeah. Again, first and second films, it's like a recurring theme, isn't it? But we say the first and second ones. Yeah. after that, you know, but no, it's what really surprised me. I mean, when I watched it for this podcast, I hadn't watched it in years, years and years, you know, I lost, I don't know when I last watched it, but it still feels good. You know, and you think with the passage of 40 years, you you think the um special effects are going to be rubbish or going to look rubbish, but they don't, you know, it's, it's obviously going to bear its age in some places. 52:55.87 Brian Penn You could say that as to its appeal in some ways, but it kind of still works. And I wouldn't have expected it to still hold up like that as well as it does. You know, and you think, what if they were making some of it at once a day with all the um bells and whistles they've got available, you know, and how would it look now? 53:14.87 Brian Penn But of course, if they did that, it just wouldn't be the same. And you still probably prefer the first one, you know, 53:21.51 ukfilmreview yeah Yeah, that's an interesting idea, isn't it? like weather read because Let's be honest, the amount of remakes we've had, I can't really name you many where I've gone, oh yeah, the remake's better. 53:33.87 ukfilmreview like In terms of in the last 10 years, I know there's remakes that came out in like the 80s and stuff that were different, but like um ah they redid Point Break. 53:39.07 Brian Penn Yeah. 53:42.78 ukfilmreview And I was like, the first one was perfect. Why would you remake Point Break? It's such a good film. 53:47.28 Brian Penn And love point. I haven't seen the remakes to be honest, but okay. 53:49.11 ukfilmreview ah Don't, don't even bother. 53:52.56 Brian Penn All right. i I won't go there. Right. Okay. 53:54.06 ukfilmreview It will upset you. 53:54.26 Brian Penn like Yeah. 53:55.14 ukfilmreview Because that film is, again, I use the word, but it's iconic. you this There's so many parts, and this, you know, Terminator is absolutely iconic. 53:59.40 Brian Penn Yes. 54:02.33 ukfilmreview I don't i don't think you I can be ah ignorant and think that they won't remake it. I'm sure they will. But if they do, they need to find a way to do it where actually you're but making it better. 54:10.09 Brian Penn Yeah, I think they will. and 54:15.58 ukfilmreview But I don't know how you would with this sort of film. 54:17.17 Brian Penn Well, yeah, you sit me see, I'd be fascinated to see if they did remake the first one, just to see what what modern technology film technology could do with it. 54:27.35 ukfilmreview Mm. 54:27.76 Brian Penn right But I still have this strange feeling I'll prefer the first one. And maybe that's just sentiment on my part. that And it's just, in my own mind, things were better back then than they are now. 54:38.84 Brian Penn you know yeah I think it just depends on so many things, doesn't it? But the fact that it's already been done and you think maybe just leave it where it is, why, how can you improve on it? A bit like you were saying, it just had that point break. 54:50.23 Brian Penn You know, what's the point in remaking that film? Really? All right. They're trying to make money again. That's, that's the ah primary, uh, driver, isn't it? To make it, I didn't remake any film, introduce it to a new audience, but why not just re-release the original film? 55:00.05 ukfilmreview Hmm. 55:04.72 ukfilmreview Yeah, put it back at the cinemas. 55:05.69 Brian Penn And yeah, but why not? Why not just do that? And they do sometimes do that, but that's not going to make us much money. But you know, all those, uh, you're right. Point break is iconic, just in the same way that it's someone I want is, but those brilliant scenes in point break where you you've got, uh, I mean, what was Keanu Reeves character called Johnny Idaho? 55:25.60 Brian Penn I think wasn't it, you know, where Johnny you saw, I knew it was an American state. 55:27.92 ukfilmreview Utah, Johnny Utah, yeah. You're close. You were very close. 55:31.05 Brian Penn I was close, wasn't that I? Yeah. Um, but when they jumped out of the plane and he's going after Patrick Swayze's character and They're grappling and they say, you pulled a parachute, now you pull it. 55:41.61 Brian Penn And you think, no, you can't do that again. 55:44.08 ukfilmreview Do you know what? 55:44.71 Brian Penn It's just, it's pointless really. Um, it was, it was in the remake then. um I never realized that. 55:52.06 ukfilmreview I can't even remember. um 55:53.24 Brian Penn so Yeah. See, it's that that's how forgettable it is, isn't it? 55:55.96 ukfilmreview because I was just looking at some film remakes. I was like, actually, yeah, I will hold my hand that there are some remakes that have been worthwhile, but Point Break is not one of them. 56:04.69 Brian Penn Yeah. 56:04.76 ukfilmreview you know ah Well, I'll tell you who is in it, it's Ray Winstone. so 56:08.10 Brian Penn Oh, you're kidding, really? 56:09.12 ukfilmreview Yeah, he's in it. But Luke Bracey plays the Utah character. I've never heard of him. Edgar Ramirez plays Bodhi. But yeah, it was one of those films it just, they didn't even try. 56:20.33 ukfilmreview They just sort of like for like, but not as good. 56:20.88 Brian Penn Slow. Yeah. 56:23.57 ukfilmreview And yeah, but like, I'm looking at these remake lists, I was like, okay, because they remade the Planet of the Apes films. 56:24.97 Brian Penn Slow. but Yeah. 56:30.56 ukfilmreview And I was like actually that's worthwhile. yeah Those original films came out in the 60s and I like them. 56:34.54 Brian Penn yeah 56:35.56 ukfilmreview I think there's a place for them but the remix actually were good and it was like done in a way that felt different but, you know, very cinematic. 56:36.65 Brian Penn um um Yeah. 56:42.34 Brian Penn Yeah. Yeah. 56:44.53 ukfilmreview So I'll hold my hands up and say there are ones that are all good. 56:47.35 Brian Penn Well, the, the, the part of the excellent that came out this year was really good. I was really impressed with it. 56:50.74 ukfilmreview and 56:52.20 Brian Penn So they they can sometimes work, but it depends what you do with them and and how you, you progress the story as well. You know, um, and they don't always work, but they, again, they do their job, don't they? 57:07.61 Brian Penn They introduce that. the the brands to a new audience. And it's it's a license to make more, isn't it? 57:15.01 ukfilmreview Yeah, I think sometimes it is just a purely economical situation where they go, well, we know this won't might won't lose money. So they do it. um But in terms of it being any kind of value to an audience is different. 57:23.20 Brian Penn yeah 57:27.93 ukfilmreview um But yeah, if you're listening and you want to tell us your favorite remix or your least favorite remix, you have to do feel free. um But other than that, That's it for your show. um Obviously we say we've got the other episode out with the indie film reviews, but this has been a jam-packed episode of cinematic releases and other films. um Brian, just to reiterate again, Film with a Month. 57:52.79 Brian Penn Film of the Month, Lee, starring Kate Winslet. 57:54.27 ukfilmreview na Yeah, go see it. Let us know what you thought of it. um But other than that, thank you for being with us. If you've got to the end, well done. um More than my daughters do. 58:03.50 Brian Penn but Yeah. 58:05.43 ukfilmreview yeah I mean, they are six and three. So just to let them know. 58:07.64 Brian Penn yeah you go Give them a, give them a bit of latitude just for now. 58:10.82 ukfilmreview Well, also, they they haven't really got that much going on in their life. So you know whatson what's an hour listening to daddy you talk about films? 58:14.19 Brian Penn Even more reasons to listen in then. Yeah. Well, yeah, exactly. 58:19.56 ukfilmreview you know But anyway, um thank you anyway if you're listening and we'll see you again next time. 58:20.60 Brian Penn hello and Bye for now. Previous Next

. Brand new film trailers. Wild Foxes Wild Foxes is a French language coming of age drama directed and written by Valéry Carnoy and starring Samuel Kircher, Fayçal Anaflous, Jef Jacobs and Anna Heckel . It won the Europe Cinema Label for best European Film as well as the SACD Coup de Coeur’s Award at the Cannes Film Festival Directors’ Fortnight 2025 . The SACD Coup de Coeur’s Award recognises the best French-language feature and highlights impactful, emerging filmmaking. At a sports boarding school, talented young boxer Camille narrowly survives a fatal accident, saved by his best friend Matteo. After a swift recovery, an inexplicable pain gradually takes hold of him, threatening his dreams of greatness and his position in the team. Camille soon realises that the battle lies not only in the ring, but in discovering who he wants to become. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here. Greenland 2: Migration Now, the first official trailer for the sequel, Greenland 2: Migration, has landed, promising to take that survivalist tension into even more treacherous territory. Looney Tunes: The Day the Earth Blew Up Looney Tunes: The Day the Earth Blew Up Official Trailer. Looney Tunes: The Day The Earth Blew Up will be in UK & Irish cinemas from 13th February 2026. Mother Mary Ultimately, the Mother Mary trailer establishes a compelling promise: a film that uses the theatricality of the music industry to explore something primal about identity and obsession.

Watch Making Beethoven Proud at the 2022 UK Film Review Festival. See the UKFRF 2022 lineup and buy your festival pass. Making Beethoven Proud Listen to our review on the film podcast What our film review said: READ FULL REVIEW This is a moving film that explores the magic of music and the power of the human spirit. It examines how one's passion and determination can get them out of a seemingly hopeless situation. Proudly supporting MediCinema for our 2022 film festival.

. Brand new film trailers. Doctor Plague The promotional footage for Doctor Plague , the new mystery killer chiller from director Ben Fortune and Shogun Films, promises a sinister, high-stakes slasher that leverages the grim historical tapestry of London’s underworld. Fronted by UK screen favourite Martin Kemp as the cynical Detective John Verney, the film looks set to deliver a relentless, modern take on ancient evil, complete with a genuinely unsettling masked killer. The trailer wastes no time in establishing the dire situation, presenting a city gripped by fear as a mysterious figure stalks the streets under the ominous guise of a 17th-century Plague Doctor. What immediately grabs the attention is the tone: a dark, rain-slicked urban setting provides the backdrop for a crime story that spirals rapidly into the supernatural. Verney’s investigation into the escalating body count reveals that this is no ordinary serial killer; the dialogue confirms the connections to the White Chapel murders and Jack the Ripper, immediately escalating the mythology. The trailer hints at a chilling history, explaining that the Plague Doctors of old were part of a secret faction tasked with killing those "deemed corrupt and criminal and who refused to repent." This ancient, deadly mandate has seemingly been revived, adding a layers of cultic deception and deadly rituals to the standard detective procedural. Kemp, who made his name in The Krays and Eastenders , looks commanding as the beleaguered detective. Verney is presented as a man under intense pressure, facing scrutiny from his superior, played by David Yip, who dismisses the Plague Doctor killings as mere gang violence. Adding fuel to the fire, the trailer shows the media and social platforms fearmongering with explosive headlines and outlandish videos, encouraging public unrest and complicating Verney’s already impossible task. The scope broadens as Verney falls deeper into the terrifying web, hinting at a connection to a subterranean London—the tunnels beneath the city housing an ancient evil. The stakes become deeply personal when his son is kidnapped, forcing Verney to break protocol and take the law into his own hands as his colleagues turn against him. The trailer effectively showcases a strong ensemble cast ready to be drawn into the chaos, including Peter Woodward, Jeanine Nerissa Sothcott, Wendy Glenn, Daisy Beaumont, Gary Webster, and Michael McKell. From the sharp, gritty cinematography to the unnerving presence of the titular killer, the Doctor Plague trailer offers a compelling glimpse at a British horror-thriller hybrid that aims high. It successfully balances the familiar beats of a London-based police drama with the chilling theatrics of a full-blown slasher and conspiracy thriller. Produced by Shogun Films and directed by Ben Fortune, this looks like a solid piece of UK genre filmmaking. For viewers looking for a dark, labyrinthine mystery that delves into the city's deepest secrets, Doctor Plague looks like the essential appointment. Get ready to repent or die; the doctor will see you now when the film makes its UK digital debut on 12 January, courtesy of Miracle Media. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here. Greenland 2: Migration Now, the first official trailer for the sequel, Greenland 2: Migration, has landed, promising to take that survivalist tension into even more treacherous territory. Looney Tunes: The Day the Earth Blew Up Looney Tunes: The Day the Earth Blew Up Official Trailer. Looney Tunes: The Day The Earth Blew Up will be in UK & Irish cinemas from 13th February 2026. Mother Mary Ultimately, the Mother Mary trailer establishes a compelling promise: a film that uses the theatricality of the music industry to explore something primal about identity and obsession.

Read the film podcast transcript from the episode titled UK Film Club 009 - Killers Of The Flower Moon - The Great Escaper - The Conference - The Omen on UK Film Club part of the UK Film Review Podcast. < Back UK Film Club 009 - Killers Of The Flower Moon - The Great Escaper - The Conference - The Omen Listen to This Episode UK Film Club 00:00.00 ukfilmreview Excellent, but generally Brian how have you have you found the last month you know the whole worlds go to pot. Are you? okay. 00:00.00 Brian Penn So good. 00:07.37 Brian Penn Well I tend to be an interested blindstander. Really Chris you know I I like to watch and listen and you know there chaos all around us isn't it. However, you look at it and we we see some of that chaos unfolding on the big screen. Don't we. Because you know films are a reflection of the era that we live in you know and in years to come. They'll be watching films that are made today that give that will give future generations a window into the way people lived years ago but you know I ah, um, of course I'm concerned for the things that are going on in the world. We all are we all want the world to be a safe and happy place. Don't we but there's so much trouble everywhere you look isn't that but I'd I'd say I try not to be too affected by it. You know I don't I'm watching less news now than I used to watch I used to watch the news religiously you know, but now. 00:58.82 ukfilmreview Um. 01:00.65 Brian Penn Maybe I I'll just skip this episode this you know because there's so much bad stuff going on. So I tend to ration what I watch and what I read now in terms of news but you see it's so difficult to avoid now isn't it. We got 24 and rolling news everywhere you look. So it's impossible to avoid isn't it really. 01:18.70 ukfilmreview It It is and obviously technology has made it incredibly accessible and it's made it almost um, allowed it to poke at you? Yeah, you like say before you could choose whether or not to put the news on or to pick up a newspaper but now like my phone will tell me like. 01:24.87 Brian Penn Thanks. 01:32.87 Brian Penn Yeah I know yeah I know I know it's all it's almost unsolicited isn't it really where you see all the and artist just don't know you wonder whether it's a good thing or not I suppose it is you know knowledge is power information is power and all that sort of thing. But. 01:33.78 ukfilmreview Oh this has happened you know I didn't even I didn't even ask like why are you telling me that. 01:51.46 Brian Penn Do we really need to know this much you know Well I. 01:52.38 ukfilmreview Oh so someone once told me because obviously the idea of being informed I think that's 1 thing but then there's this other like I think much bigger part of the news which is. Can you actually do anything about this like physically is yeah, is it even within your realm of possibility to have any influence on what is what you're seeing what's going on and I think when you ask yourself that question like because it does yeah drum all these. 02:12.18 Brian Penn Yeah. 02:19.42 Brian Penn You. 02:20.62 ukfilmreview Fears and anxieties within people and it makes it compulsive. It makes you want to go back and really get into more of it and I don't think that's healthy. You know I think I same as you I generally have cut down loads on what I assume especially when you do start to see history repeating itself like I've lived long enough now. 02:31.68 Brian Penn The. 02:38.98 Brian Penn Ah, me. 02:39.46 ukfilmreview To kind of see things I'm like oh okay, they're doing that. That's the way they're presenting that and that's the way they presented this other thing ten years ago that was about the same thing and you kind of are like yeah that they're shaping a narrative that obviously they know works. It's a formula and and everything and I think you do get a bit cynical to it. 02:41.30 Brian Penn Yeah, there the night there. 02:51.73 Brian Penn The the yeah I and it probably works the opposite way because I mean news is there to inform us and make us wiser and helps us understand the way the world works but when you give. 02:57.32 ukfilmreview Ah feel. Well. 03:09.45 Brian Penn People too much information. They almost fret and they panic and they worry when years ago they probably wouldn't have done quite as much when when they rationed the news they controlled what people saw and heard now it's a free for isn't it really? you can't control what people see what people hear now because it's all online. 03:28.54 ukfilmreview And you're right about the you know the way that Cinema reflects the time and yeah, it would be interesting to see this period and it's also interesting. Um and actually this comes up in one of the films we're going to review tonight about. 03:28.77 Brian Penn No, he. 03:41.78 ukfilmreview The way in which technology has affected storytelling in a very literal in a very kind of literal sense because the devices and by which I mean the sort of techniques that filmmakers and storytellers would have used. They now have if they want to make a film or tell a story in the modern age they have to obviously. 03:47.90 Brian Penn Um, yeah. 03:54.74 Brian Penn News. 04:01.84 ukfilmreview Incorporate technology which throws up loads of obstacles because it's like yeah for example, we're we're going to be doing a couple of horror films in this in this episode that horror is one of those things where everyone watching it just goes Oh well I would just do this. 04:03.44 Brian Penn Ah, yeah, yeah. 04:17.23 ukfilmreview And if you've got like a mobile phone you kind of go. Oh yeah, you you kind of would have got away out out of that trouble situation quite easily. Yeah. 04:17.29 Brian Penn Yeah, yeah, and I and know and I and I it's a being almost being 2 wise though isn't it. You know it's I mean as critics where where there ah to sort of. Analyze things a bit a bit more closely and think right? How well does that hold together. But it can go to another extreme Though. Can't it as Well. You know and that's what's interesting about it. But you know I've always been very um, ambivalent about new technology and the way films are made. Because special effects are there to enhance the story but not dominate it and that's always been my my bugbear about but about effects and and technology in films. 05:03.35 ukfilmreview Yeah, it's interest in the way that that is it also ah really impacting the industry that we're seeing because funny enough that the quality of the films that we're watching and revering tonight, especially the short has really gone up like because I've been doing this now for. 05:13.63 Brian Penn Now. 05:21.33 ukfilmreview 10 years in terms of doing the indie film reviews and the standard is so high now of short films and the slickness of the production and yeah before you really could tell if someone was an amateur filmmaker like now I'm like. 05:22.51 Brian Penn Now. 05:30.84 Brian Penn Is. 05:37.40 Brian Penn Um, yeah. 05:39.70 ukfilmreview This looks like it was made by like you know Scorsese or something. Oh. 05:40.26 Brian Penn Yeah, and I where you see see the thing is now they they don't look like indie films anymore you know we will. We will have an understanding of what we mean by indie by an indie band or an indie film that it's very rough and ready. It's Basic. It's raw but it's got something going for it. But there even. What we would call indie films now are becoming very polished I think which is you know? Yeah yeah. 06:01.39 ukfilmreview Yeah I think that's that it's becoming difficult to know isn't it. Yeah, like when you see something so polished that you're like well the the reason why they weren't polished before is because they were independent of the studios who had all the money who were making them look slick. 06:12.22 Brian Penn Yeah, yeah, yeah, yeah, oh right. 06:16.95 ukfilmreview But now anyone can make a film look pretty slick if they've got access to the internet and um, yeah, but funny enough I mentioned Scorsese and he is where we're going to kick off the episode in just a second. But if this is your first time to UKFilm club just want to say quick hello and welcome. Um. 06:31.59 Brian Penn Hello. 06:35.70 ukfilmreview If you are new to the format the way it works is Brian my lovely assistant um is ah going to ah be reviewing the films at the cinema um, then we're going to do a streaming pick so that's ah, a film that is on a streaming platform followed by that will be. Our reviews of some indie films and these are films that people have specifically sent us to review. They've actually asked us to review these ones. Um, and then we finish up with a film called the nostalgia pic now and the nostalgia pick is one where it's from. We're not recing a firm rule but it has to be at least say. 07:12.72 Brian Penn Is. 07:13.89 ukfilmreview 1015 years old or more. Um, um as this is our October episode we are going to be doing a horror film and well but. 07:20.55 Brian Penn Yeah, yeah. 07:25.48 ukfilmreview But before that and we're going to get to Scorsese's latest film and I'm gonna read the imdb title on this because as Brian knows I keep getting the title of this completely wrong? Um, it's not killer flowers ah of the moon. Um, or yeah or flower moons of the killers. 07:35.91 Brian Penn Ah, easy done easy done. 07:41.57 Brian Penn Ah, close. That's the one that's the chapy yeah, okay then so this is the much anticipated new film directed by Marci Corese starring Leonardo Dicaprio 07:44.70 ukfilmreview Is killers of the flower moon over to you right. 07:57.67 Brian Penn Robert De Niro and Lillly Gladstone so what's the story well it's about ernest burkehart returns home from the first world war and joins his uncle William King Hale his uncle assumes the role of benefactor to a native red indian tribe known as e sargi. Ingratiates himself and learns to speak their language but has a secret agenda to gain control of the end of the tribe's wealth how encourages ernest to get friendly with Molly Kyle and asagey whose family owns most of the old land rights a romance eventually develops and they are married. So. It's a good film. A very good film. It's scorelacey. It's the near eye. It's the caprio that might be all, you need to know. But I'm not sure why it's won so many plaudits the length of this film just drains the energy. Um. It's three and a half hours long to watch his film at the cinema you need to block out the best part of the day you do I mean you you include the trailers you're talking about 4 hours sitting still right now. It's interesting because some slots offer you a 15 minute break in between I didn't go for that because I thought I don't want to. Be there for another 15 minutes even if I do get the chart the chance to stretch my legs but I think it is a major issue. Um, the film's beautiful to look at scorsese puts poetry on screen just like couple of adult the storyline's fairly predictable. You know what's happening and why but honestly. 09:33.19 Brian Penn I can think of at least 5 school safetyy movies that are better than this but it is very good because it's got that brand. It's got that market quality that we always refer to don't we that that reference point is Schorsace Coppolapiillelberg and I think we need to add crystal and owes to that list now that have that market quality. You know it's going to be good, but not 1 of these best in my opinion. 10:02.80 ukfilmreview Wow I mean because I've been hearing a lot of hyperbole when it comes to this film. A lot of sort of big big quotes. Um, but when I sort of watch the trade and stuff. Okay, get it. Yeah, it looks like a scese film. Um, but the. 10:06.80 Brian Penn E. 10:15.44 Brian Penn M. 10:19.97 ukfilmreview Plot of it felt it was riffing on some films that have been done before um, and yeah, the length did concern me what was the film he did with the aging thing we aged Robert De Niro the irish room. 10:22.26 Brian Penn Yeah here. 10:33.85 Brian Penn Oh oh the Irishman Yeah yeah, yeah. 10:39.40 ukfilmreview I've been watching that I did that in one go I say one go I did it with pauses I did I as in I didn't do my over a couple of nights I had to pause a couple of times but I did do it all in 1 sitting if it were um and I did yeah he is a very very good filmmaker like he just yeah is. 10:48.41 Brian Penn Yeah, yeah. 10:55.94 Brian Penn Ari who says no question. 10:57.94 ukfilmreview It's it's pure Cinema and but I do find it funny with these films that are coming out of late that do seem to be pushing this very very long timeframes to go almost as a what was almost to sort of compete with the Marvel films. The films that he is so against when he does his promos. 11:12.68 Brian Penn Yeah, yeah, yeah, yeah, yeah, yeah. 11:17.32 ukfilmreview Um, yeah, it's almost to go look. You know we can make cinema long if that's what you want. It's like well that isn't really what people want with the superhero stuff. It's just it just happens to be long I think because they're often trying to do a whole comic book which is like a long story into 1 film whereas if you're making a story specifically for film. You can make it. 11:23.85 Brian Penn Yeah, yeah, yeah, yeah, yeah. 11:36.95 ukfilmreview Ah, 2 hours like thus you can tell it in 2 hours do you feel this film could have been told in 2 hours 11:40.60 Brian Penn Yeah, easily easily no question you could you could lop over an hour off this film easily without a shn of a doubt you know if you've been a bit more ruthless with the editing it could have been an even better film. You know as. As to say not one of these best look this to give you a comparison you compare it to good fellow us that was that now that that was on Saturday night I came in quite light I came there been on for about 20 minutes and I sat there and watched the whole thing again for the 200 time. 12:04.97 ukfilmreview You. 12:16.95 Brian Penn But that's only two and a quarters Chris and it shows you can tell a very complex engrossing story in in literature fraction of the time and it's just you just don't need it. You really don't you know the what I think was interesting is when the ah the irish ones was released. 12:18.14 ukfilmreview E so. 12:36.70 Brian Penn Interviews were very careful about racing the subject with deirro but he softened up and he said okay, yeah, it's all right? if you want to sort of leave the film for half an hour to stop it then go back to it. Thatso. You didn't mind but it took a long while to sort of even bring the lights to school sa in it. De niro writes. The idea that maybe this is a little bit too long and maybe borders on self-indulgence but you yes is it I know? yeah. 12:57.28 ukfilmreview I saw it so like you don't want it to become an endurance test of like yeah, can you can you put up with the film for that long because not being funny I have needs I have I have toilet needs that you know I have to go and I've had this before I've been in films before where I've needed a toilet and all that's happened is I've not. 13:13.41 Brian Penn Yeah. 13:16.78 Brian Penn No yeah and I I a. 13:16.81 ukfilmreview Focused anything on the film I'm just thinking about how can I get out of here. How can I go to the loo oh my god oh my god I'm in so much pain and you don't want to? yeah and I think you know that's important for for people to know, especially um. Filmmakers that are doing this regularly like I understand if maybe you've got that one film where you just let you know what it just wasn't possible to cut it down but he's doing this on the reg now and you've got it when you find because we you mentioned Nolan and with Oppenheimer that was another long 1 right? Oppenheimer was ah. 13:36.61 Brian Penn Yeah I know it's. Yeah, that was only 3 hours I'm only 3 hours mind you be fair. 13:50.10 ukfilmreview Only did you did you feel that that could have lost an hour as well. 13:55.11 Brian Penn Strategy enough now I think maybe half an hour for oppenheimer I mean I still think with Oppenheimer they like they kind of they kind of condense two separate stories there and I still think that but I think they that probably that was probably two and a half hours you know 14:08.76 ukfilmreview Um, like. 14:14.76 Brian Penn Because they're trying to cra so much in you see killers of the flower moon doesn't justify that amount of screen time right? It's not necessary to commit that much screen sign. Ah you need to justify justify it explain why it needs that amount of sight air time. It's just not necessary. And it and it harms the film because it is a lovely film to look at I mean the the storyline in killers of the family isn't particularly involving or challenging in any way. It's not constantly It's not constantly going off at tangents that keeps you awake it doesn't. You know what? the story is within ten or fifteen minutes you know exactly what's going to happen. You know what what's driving the main characters. What their motivation is so you don't need need any further explanation but you know it's still a good film but it's just so annoying because. You can't concentrate for that amount of time really most some people can but most people can't know. Yeah, definitely. 15:18.41 ukfilmreview Wrong there. We go find out anyone that seen it do let us know what you thought? um I know obviously we've focused quite a lot on the runtime but I do think as I said you know when scoreset he's making a film. Everyone's got to watch it because it's just he knows what he's doing. Um. 15:29.24 Brian Penn Yeah now Kus does absolutely well. One of the old time. Great directors and and he's still he still good. It's not like he's kind of lost interest and he's going through the motions you can see how much care and attention goes into every single frame which is the sign of a great. 15:35.66 ukfilmreview Oh hundred percent 15:47.88 ukfilmreview There we go. Um, so that's killers of the flower moon. Um I just had to double check that I set that right again. 15:49.83 Brian Penn Yeah I know you were careful you you were so very carefully sort of killers of the flower moon. Yeah, well bow done. Yeah. 16:00.16 ukfilmreview Ah, it's um and onto a film that's half the length of that which is um, the great escaper starring Michael Caine 16:03.67 Brian Penn Yeah, yeah, yeah, yeah, I'll right I okay, so directed by Oliver Parker starring Michael Kane and Glenda Jackson based on a true story d-day ve and Bernie Jordan lives in a retirement home with his wife Rey the Seventieth anniversary of the normandy landings is fast approaching annoyingly Bernie leaves it too late to register for the official tour party and thirdd he decides to make his own way over cares staff smell a rat but reie playfully covers for their errant resident. Walking frame in hand he balls across full border ferry and he's befriended by Arthur an exraf pilot they discover common ground as demons from the war continued to haunt them Bernie and Arthur were introduced to german veterans with whom they share memories of dday. The realization soon dawns that language is all that separates them. The grand ceremony is about to begin and Arthur has secured front row seats. However, Bernie's pilgrimage is not yet complete this. This is a beautiful film. It's a wonderful film. Payne and Jackson are outstanding in their respective roles and make a convincing couple in their sunset years. There's real truth and the portrayal to people who've lived a happy and fulfilling life but like so many of their generation are trapped by memories of a lost youth. 17:32.58 Brian Penn Vivid flashbacks to the war are brilliantly captured with super sharp editing William Ivory's excellent script crackles with pathos and gentle humor. What remains is a thoughtful account of how the elderly can be marginalized when they should be embraced for their knowledge and wisdom. It's a film. We should all cherish and admire I gave this film 5 stars Chris just to put that rating in some context I've written nearly 200 film reviews now and I've awarded 5 stars on only 7 occasions so that's about 3%. That's how highly I write this film. Yeah. 18:08.59 ukfilmreview That is incredible I mean what I just to put it. It's a immediate perspective. What would you give this horse ai film so they go I mean that is because I've watched the the trader for this one and I thought oh this looks like up on my street I like. 18:17.47 Brian Penn I've given it it for I would give it it for yeah. 18:25.25 Brian Penn Yeah. 18:27.20 ukfilmreview Sort of films. Um, but to hear yeah and i' known 5 stars. It made me think this is a must see. It doesn't feel like a must see when you kind of look at it on from the out outside you can oh okay, it's a yeah tweak kind of thing coming along but actually for it to be a must see I love it. 18:31.49 Brian Penn Yeah, no, No yeah, yeah, yeah, it's It's very understated the the publicity that that's that drove the the release of the film wasn't quite as. Well, it's never going to be anything approaching oppenheimer or killers of the flower Moon or Mission Impossible. It's not that kind of film but it deserves the same kind of attention because you gain so much from it and is such sense. It. Let's take so much care over what the subject they're dealing with because. 19:00.55 ukfilmreview Um. 19:08.84 Brian Penn It's not just dealing with the war. It's dealing with the way we see the elderly the way they can be neglected overlooks you know it. It was almost sad watching Michael Kaine and Glenda Jackson on screen they were well into their eighty s when the film was made they looked so frail and vulnerable. But that's the curse of actors who've had long careers. You see them aging on screen and of course Glenda Jackson died shortly after the film was finished but that there's something beautiful about it the way it's written the way it's acted very sensitively done. But it is a fantastic film and one of the films of the year for me, it's great. 19:48.41 ukfilmreview Wow That is huge is is cain finished them acting now he's is stopped to thing. 19:55.21 Brian Penn Well now that then yeah, there's a question because he said at one point no um, I've not finished acting yet. He was was apparently working on a new film about Charles Darwin but then later reports confirmed that he'd retired. I think the issue he's got is at the age of 90 there are probably fewer roles that would suit him now. He's not I mean the great escaper is probably the the last leading role. He would get even if he chose to carry on acting but after a hundred and sixty films what is the left to do really in that way. 20:22.80 ukfilmreview So. 20:31.14 Brian Penn But I'd like him to carry on but you know because I used to think there were no rules in acting that you could carry on ah for as long as you want to? well maybe it just doesn't want to anymore. It must be difficult and at that age so to master a script. Um. 20:44.42 ukfilmreview Um. 20:48.68 Brian Penn Do all the promotional work. It must be grueling even for someone half his age but you know you know I I think Michael Kaine's one of the greatest actctors ever anyway. So maybe I'm a bit biased when I talk about Michael K but yeah 20:58.63 ukfilmreview Oh no, he is an absolute legend and I think you know for this to be out in the cinemas If you're listening to this right now. Um, that people should go see it because I say it wasn't overly promoted. Not many people probably even knew about it and. 21:13.58 Brian Penn No, no, no yeah yeah, well yeah, yeah, but you know yeah I mean eastba good a true, a true story as well And the. 21:16.28 ukfilmreview For it to have the title. The great escaper is probably going to be confusing to some people Anyway, um yeah, playing on the the classic film. 21:31.15 Brian Penn Title for the for the film actually came from a news report I think ah a local reporter called it the great escaper but in a way It's a good cycle for the film because it it. It gives some familiarity. It's a trigger for people isn't it. You know, but it's a film about war. But it's not a war film necessarily so you know it's. 21:34.93 ukfilmreview There 1 21:44.80 ukfilmreview Yeah, um. 21:49.73 Brian Penn But yeah I I can't offer a greater recommendation then please go and see it you know and it's still on. It's still I mean at the time of us recording this episode. It's it's still running. Yeah hi Hello yeah. 21:55.34 ukfilmreview There we go. 22:02.53 ukfilmreview And if you're in the future hi again. So always nice talking to you people in the future and do check out wherever you can find it because it's probably available somewhere um unless something terrible has happened in which case try and send us a message if you can let us know what happens because I'm not watching the news anymore. 22:08.62 Brian Penn See. 22:15.58 Brian Penn Yeah I know. Yeah yeah, you're given up um no wise sensible. 22:20.18 ukfilmreview Um, I've given up. Um, we're moving on from the cinema films now because we have got a lot of indies to get through but before we get there as it is the scariest month of the year although I think I think January should be the scariest to be honest, um. 22:26.52 Brian Penn Yeah, we have. 22:36.64 Brian Penn So januaryurized expensive month of the year that's when you got up high for Christmas isn't it on. Ah yeah. 22:40.70 ukfilmreview Got pay for everything and you got to face that horrible weather. But now October is where we get our scary movies in and for this month's streaming pick. We decided to go with a fairly ah probably unknown, um horror film which landed on Netflix. 22:54.17 Brian Penn Is. 22:59.49 ukfilmreview Can you guess what date Friday the thirteenth of of October wow yeah, you have to didn't you um, it's a swedish horror film from Patrick Ecklin called well. 23:01.46 Brian Penn Ah, could it be any other time though. Really I mean? Yeah yeah. 23:12.53 ukfilmreview It's called conference sen which is the swedish name but it's called the conference if you're looking for it on Netflix they've gone with the english title there. Um, you've seen this Brian yes now I often get to pick these films I'm the one that chooses them and I was quite happy to find something that was. 23:12.82 Brian Penn In. 23:22.99 Brian Penn I've seen it. Yes. 23:32.70 ukfilmreview Bordering in the horror comedy genre. Um, as what it is funny. Um, and I think you have to give the setup. First off, you've got this ah company of people who are going on a teen building conference these sort of cabins in the woods and it becomes. 23:35.55 Brian Penn It's quite funny places. Yeah. 23:50.18 Brian Penn Um, he. 23:51.67 ukfilmreview Quite clear that their plans to open this shopping mall in the area are surrounded by Drama and some obviously negativity from some people and positivity from others. There's also a few riffs within the group because. 23:54.44 Brian Penn On. 24:06.64 Brian Penn Yes. 24:09.32 ukfilmreview It looks as if there's some corruption going on and x y said um, but once they get to the the cabin they start doing some of the tilt team building activities but all hell breaks loose because someone has turned up and is going to start picking them off 1 by 1 Um and this. 24:21.26 Brian Penn Ah, he. 24:27.36 ukfilmreview Just leads slightly back into what I was saying earlier about filmmakers having to contrive reasons for why people don't have their phones and this one worked quite well because a team building thing they are quite keen on like look you know what? you can't have your phone because we're all we're all here to connect. 24:33.46 Brian Penn yeah I know yeah yeah I know that was put yeah, that's right? Yeah, but you know that's that's good I like films that kind of fill in the obvious gaps credibilityibility gaps if you like and they do that here. You know I think that's really important because I should I don't think as as a movie audience. We shouldn't have to suspend our disbelief all the time we should be able to say well that wouldn't have happened but you see what I think is good about this film Chris is that um, it's ah it's something that we. Kind of understand people on a team building exercise or on on away day or whatever you want to call it. We've all been on those sort of days haven't we when we're with people we don't necessarily want to be with doing things. We don't really feel like didn't but know where we have to It's a corporate thing and I like that kind of approach because. 25:22.10 ukfilmreview Um. 25:31.90 Brian Penn Assumes that there'll be some understanding in the from the audience that they they know what this setup is like but of course what comes next is something totally different. But I think it was great I really enjoyed it. You know I'm not a huge fan of horror. But this one I think was bang on the money. I Think it was really good. 25:49.60 ukfilmreview That I think for me the crucial element with horror is first off yet would is it believable because quite a lot of the time this just isn't and secondly is ah is it taking itself too seriously because that I think sometimes if it's not fun like there's a lot of horror films where they are just going for the gore. 25:53.90 Brian Penn 2 26:02.15 Brian Penn Yeah, yeah I know that's right? Yeah yeah. 26:07.52 ukfilmreview Ah, like you're like it's fine, but no, 1 ne's enjoying themselves here like yeah, fair enough you you come up with all this horrible violence. But who's going to come away and want to watch that again whereas with the conference. The. Setup was believe what I totally understood why they were there. Why they've because often that's yeah, a problem like why would you shut yourself off from the world. But with this, it's like kind of part of the point is that you you need to be and then like say they take their phones away because they don't want people chatting and then that box of phones gets taken um and also. 26:23.58 Brian Penn Yeah, yeah, yeah, yeah, ah. 26:33.18 Brian Penn O. 26:40.37 ukfilmreview The kills in this are very creative. They're really really like even at times I was good I was wincing but I was also laughing at the same di ah there was 1 involving a hot tub which I won't spoil but that was just I was like oh my god um. 26:45.35 Brian Penn Ah, yeah, yeah, and I and I and I and I Yeah, yeah, yeah, yeah. 26:59.76 ukfilmreview But yeah, no, it was really really clever. Lots of lots of great ways of um, making it feel threatening. There's lots of Peril You do genuinely sort of care. Oh yeah, because it's also you've got a completely mixed bag of characters. It's not like you know oh it's all the teens at the cabin in the woods. It's like no, there's there's like. 27:05.64 Brian Penn Are. 27:11.75 Brian Penn Yeah, yeah, yeah. 27:19.25 ukfilmreview People of all ages. Um, they're all part of this group and some are kind of quite cynical and some are like these like money hungry yuckies kind of people and yeah, you've got lots going on. There's lots of things to root for. There's lots of things to sort of Condemn I thought it was brilliant. 27:20.45 Brian Penn He yeah. 27:31.92 Brian Penn Yeah, yeah, strong characters a strong storyline as well I like the narrative because with horror movies. They often don't They're not overly concerned with the plot are they really, but it's a strong narrative. Um, you know there's that kind of environmental. 27:36.27 ukfilmreview So. 27:49.70 Brian Penn Dimension because they're building this shopping mall aren't they and they're they're plowing through the local the local environment property rights are being affected so you know they're making enemies by what they're doing. It's a corporate thing but they're making enemies because of their their work because of what they're doing so they become. 27:53.25 ukfilmreview Yep. 28:09.10 Brian Penn Vulnerable being where they are because there is this this person whos seeking revenge and there's a very good backstory there that gradually ah unfolds oh I'd say I also like it bounce it is that they make you white. You know it's like half an hour before anything really happens but you get into know the characters a little bit but they don't sort of you know what's coming. You know what' to expect but they make you wait for a little while they build up the tension. You know there's a scene very early in the film where the chef goes off on a drive in the woods doesn't he. 28:42.42 ukfilmreview Um, yeah. 28:44.50 Brian Penn And it gets out of this kind of straight why you think oh this is where it's gonna stop but it doesn't then it switches back to the main the main sort of storyline the backs of the camp and I like that because it's not kind of being too obvious and it's keeping you on your toes as a viewer you know and. Yeah,, there's some nice comedic touchches there as well. A like I like it when I like it when the um when the manager of the the camp said to the the caretaker go and fix the wi-fi and he goes off and he pulls the wi-fi out of the root the plug out the route and plugs it back in again. Yeah, that's fixed the wi-fi yeah but. 29:15.84 ukfilmreview Ah. 29:20.76 Brian Penn Yeah, lots the nice touches like that. But I could honestly see this becoming for horror fans. It will appear in horror fans top 10 movies I think it is that good I really do it's good stuff. 29:31.80 ukfilmreview Oh they go and I said I think even though it came out on Friday thirteenth I struggled to see it on my Netflix so I had to look for it specifically. So if you have yeah if you can't see it. Um, the conference is worth checking out and I think it is a a Netflix like a rage original like they. 29:45.26 Brian Penn Um, yeah. 29:50.67 ukfilmreview There are certainly the people behind it so it should be on there for quite a while after yeah, so if you're listening to this in in 2029 then yeah hopefully it's still on there. Um, and if so I hope I'm still around that'd be great. Um. 29:50.85 Brian Penn Yeah, it's a cut. It's a co-production I think isn't it. Now Yeah, the life song. Yeah, let let? Yeah,. Let's be positive. Yeah, ah ah. 30:07.46 ukfilmreview Yeah, let me know to send me a message to say Chris you're still around if I'm not then maybe leave it. Um, so that was the conference and that was our streaming pick of the month um hope you enjoyed that now we're moving on to our indies and we have got a record breaking 6 to review is that right. 30:14.64 Brian Penn E. 30:23.28 Brian Penn The end 6 Yeah nice see. 30:25.98 ukfilmreview 1 2 3 boy yeah, 6 through of it. Um, and we're going to start with a documentary from Alex Perry called angle and now this is about the wrestler cur angle did you know k angle before you came to this documentary so this will be interesting because. 30:31.83 Brian Penn I. No I've never heard of him. Yeah I Oh really? Yeah yeah. 30:45.64 ukfilmreview I was a massive wrestling fan at the time of when he was popular or so of job just before really when the the rock and the undertaker and people like that he came kind of slightly after it. But yeah I very much he was in the thick of it when I was watching wrestling so I did know and when I saw. 30:57.82 Brian Penn I'm I write? yeah. 31:03.30 ukfilmreview Review go up I oh angle what's that then and I looked and I thought that's Curt Engel and I thought oh hold on. We've got a documentary about someone I genuinely know because um he was I don't mean Sco into the territory of the the film. Um, he was actually an olympic wrestler to begin with and and then he went into the. 31:09.59 Brian Penn Wow right. 31:18.17 Brian Penn Yeah yep W w Yeah yeah. 31:21.90 ukfilmreview The main kind of WWwe stuff um and that was his whole thing was about being this olympic rester so when I heard this this document show. So actually I bet that's a fascinating story. So I I'll kick off because obviously you you didn't know who he was Brian all right? Yeah, um. 31:29.97 Brian Penn No no I'm I'm a sports fan right? I'm be honest time you watch wrestling when it's in the olympics but I still hadn't heard of him even though he was a Olympic old member. So you know yeah. 31:44.61 ukfilmreview Yeah, back in the the light was that so the if a cur angle in the the documentary follows him pretty much through his whole life up to up to now and he we we find out about his home life. 1 of 3 brothers I think and he other sister. 31:54.49 Brian Penn Yeah, yeah, yeah. 32:01.51 Brian Penn No. 32:04.14 ukfilmreview Um, he talks about his father being an alcoholic but who would hide it quite well and who would sort of not drink from the kids. Um, he dies his his father dies in a tragic accident at work and then we during all this time. He's also training to be ah. 32:13.61 Brian Penn E. 32:22.67 ukfilmreview Ah, wrestler olympicres. He's very good at sports. All the brothers are um but he shows a particular a pochant for wrestling and ends up going very far with it as we've as we've mentioned he becomes the Olympic champion. Not after you know a small amount of. 32:24.20 Brian Penn Um, yeah. 32:32.23 Brian Penn Yeah, yeah. 32:40.35 Brian Penn Yeah, honestly, yeah, but personal problems. Well I know yeah honestly Chris I couldn't believe how many times he broke his neck and carried on wrestling. 32:40.68 ukfilmreview Amazing work. He he goes through loads of stuff loads of injuries. Lots of things that he yeah he break he breaks his neck and he ends up still wrestling like numerous times and it's like what. 32:59.49 ukfilmreview I thought a broken neck was a 1 time thing I thought that was okay well you're dead on you and but no not for angle. He just keeps wrestling. Ah yeah. 33:00.35 Brian Penn Ah. 33:03.25 Brian Penn well well I mean I yeah I found this absolutely fascinating. You know, but I probably enjoyed the the first part of the film more than the second part because the first part of the film was building up to the Olympics and you know the. Trials and tribulations he had and he lost a very close friend and me and his father died but in the olympic trials he he fell awkwardly on on his on his net and this wasn't wwe Wwe this is really strict amateur interesting where they they adhere to sort of very strict role. Don't they. 33:24.18 ukfilmreview Me. 33:41.40 Brian Penn And he landed on his neck and broke 4 Vertebrae ah which were pressing into his spinal cord now one more blow 1 more heavy blow to the neck could have killed him could have paralyzed him and he emitted date in the film didn't he that he said 1 more hit. It could. Could have been the end that to me just shows that elite athletes are are a different animal so to the rest of us they think in a completely different way. This is a competitive edge coming out and that's beyond my comprehension I don't know about you I mean. Just to understand what drives somebody like that you know? yeah. 34:18.53 ukfilmreview Yeah I think that was quite a powerful part of the the film is because often when you see biopics about sports people that sometimes they're not involved right? They're not actually even in the the film but Kurt Angleel is very much in this like he's narrating a lot of it so you are getting. 34:32.30 Brian Penn Um, yeah, yeah, yeah, yeah. 34:36.62 ukfilmreview Directly from him in terms of what he did and what happened um and like talking about one of the training things was he would put someone on his back and run up a hill numerous times and I just. 34:45.76 Brian Penn I Know it's just yeah I know yeah I know and it's It's just unreal like I say. 34:50.10 ukfilmreview I Thought just listening to you say that makes me tired I was like I'm I've yeah sat there lying on the sofa sipping a diet Coke and I'm thinking. Yeah, this guy's carrying people uphills. 35:03.37 Brian Penn Truly, you know true athletes have to be competitive and have to be so single-minded that they they ignore the obvious risks to achieve the ultimate goal. Whatever it is I mean I'm not entirely sure what was driving him when he went into Wwe Wwe because that sensetainment isn't it. That's show. Bos you know what drives an athlete to win an olympic gold medal is different to what drives you when you're in a completely different field. You know I mean that W Wwe is great fun great entertainment but it's not sport. It's not. Competitive sport in the same way as it was in the olympics. So there's a difference there. 35:39.67 ukfilmreview I Think that's part of the big the story there though is that he dedicates the first part of his life So much to this winning the gold like that he was so driven. 35:51.91 Brian Penn Yeah. 35:56.22 ukfilmreview That when he achieved it. He just didn't know what to do it was like well where do I go from here like what and 1 of the one of the famer says like you know it's not really worth anything. You know you've got a gold medow in your hand. But yeah, she says you've got something else in your other hand I'll leave it up to the listeners to decide well that is but she was is very true. He said well. 35:57.48 Brian Penn Now and I. 36:07.59 Brian Penn Ah, yeah, ah. 36:14.98 ukfilmreview It doesn't it's not like oh okay, well now you've got you know a million pounds a year for life. It don't give you a salary from that like you and I think the whole training side of it and it was kind of it felt like um. 36:17.38 Brian Penn The yeah. 36:25.10 Brian Penn Is. 36:30.86 ukfilmreview You know, full metal jacket. It felt like oh it's like the training session in that first part of the film was really grueling and then it goes into this other start start of the story which you're like oh okay, well now it's this which is totally different to what we've just seen um, also they go to Fox Catcher have you seen Fox catcher the film i. 36:32.63 Brian Penn Yeah, yeah. 36:40.54 Brian Penn Yeah, the name. No I haven't actually yeah. 36:50.67 ukfilmreview Strongly recommend that film. Um Steve Carell and you you hear about it in this because Kurt angle was one of the actual athletes that went there. Um, but the yeah the film because when they said Fox catch I thought is that that's the same place. It must be and. 36:57.76 Brian Penn Right? trying that? yeah. 37:07.20 ukfilmreview Yeah, the the film obviously because we find out um I won't go into that because actually you should obviously you already know, kind of what happens I guess because you've seen this but um, yeah, fabulous film and also gives you an idea about what we're talking about when we're talking about these these. 37:08.31 Brian Penn Ah. 37:13.79 Brian Penn Um, yeah, yeah, yeah, yeah. 37:22.69 ukfilmreview Athletes going to such levels of training regime exhaust training you call only like trying to basically just outlast their opponent. They go? Yeah well if I'd never get tired then I'll win because eventually the other one's just going to give up. 37:29.44 Brian Penn That yeah, what? what? I think actually comes through here though is that is the determination dedication to be the best at something. But then as you just mentioned that kind of deflation once you have got there. See old analogy about astronauts that go to the moon or somebody that climbs Mount Everest sad you top it you you've got to the top What do you do? then? do you just stay there. Do you just hold or what do you do? where do you go after that and I suppose really to have a ah. Gold meowwin olympic wrestling doesn't have the same cudos as a gold medal in track and field would have for example so it doesn't kind of you can't build on that necessarily and that's what led him in into Wwe Wwe but I really like cur angle you know. He interviews? Well, he's very downsworth, honest, very candid about his life and that's what makes it even more riveting and really I think this film helps to promote wrestling as a spool because frankly I I'd never heard a cartangle. 38:39.84 ukfilmreview Yeah, it's funny because I look say I was very much into it for a phase. Yeah when I was a kid and he was in that phase and I think seeing it again was was really nostalgic for me as but oh this is like. 38:44.26 Brian Penn Yeah. 38:54.94 ukfilmreview Yeah, and some of the interviewees like um terraine Johnson is on there and um Steve Austin who play who stone calls to Austin yeah with his beer cans I'm going to start doing that at the beginning of shows I'm just going to sma my beer cans together. Um, but yeah I thought that you know that was really. 38:55.82 Brian Penn Yeah, yeah, yeah, stun call Steve Austin ah why not what else? yeah. 39:13.66 ukfilmreview Powerful to have them in it. It gave a bigger edge because this could have just been like a home movies type sort of thing. But when you also get through to the part of the film where he's dealing with spoilers if you don't want to know this but he's is dealing with painkiller addiction. Um, that. 39:17.33 Brian Penn The. 39:28.83 Brian Penn Is. 39:32.90 ukfilmreview Their input on that in terms of what they're saying to him how they're helping me through it that that was really powerful to me and I really enjoyed that part I felt because like you say angle's great at interviews and he does give you some quite good emotion when he's talking about these things and what he was doing and how many he was taking and oh I was just really. 39:35.42 Brian Penn You. 39:44.66 Brian Penn Yes. Anyway, yeah, and I he wasn't over him emotional was he I mean when he was genuinely moved when he was recounting something that happened in his life. He didn't he wasn't bursting into tears. Every 5 minutes was he now again, but you can see when he was showing real emotion. What makes this a very. 39:52.71 ukfilmreview Terrifying. 39:57.40 ukfilmreview Yeah, no, no. 40:09.17 Brian Penn I mean I like ah documentary films I think they're great and I think they're they're um, often underrated within that kind of genre of films generally and they do rank alongside action movies and historical epi. Whatever right? Documentary films have their place and. This is particularly good I put this at the top end of really good documentary films because it tells a story of the rise full and recovery of someone and you don't always get that kind of positive end. You know these sorts of documentary films are often. Leave you on a downer this one doesn't. 40:52.94 ukfilmreview I oop sorry my ah my Mike yeah, my mic went out there sorry hold on let me just make a note of that hold on 40 minutes for I minutes that 40 minutes right up 41 actually ah that's fine. We'll catch it. 40:53.42 Brian Penn Yeah, Okay, okay. 41:06.33 Brian Penn In. 41:09.51 ukfilmreview But I'm gonna leave a bit of a gap now and I'll be able to come back in. 41:10.78 Brian Penn Yeah, okay. 41:14.60 ukfilmreview Yeah, so I think yeah, we're both agreed very powerful documentary. My only I got a small criticism which I don't really need to mention but only I would say is just I think the music and the score. 41:18.98 Brian Penn Absolutely. 41:31.22 ukfilmreview Was being quite melodramatic at times like it felt a bit too Well up and down and up and down like trying to like take you on this journey which I don't think it needed to do I Felt like the the content was good enough like it was really compelling. They didn't need to kind of create this artificial. Ah environment for it to feel. 41:32.20 Brian Penn He. 41:40.97 Brian Penn Um, yeah, yeah, ah. 41:47.14 Brian Penn Yeah, ah yeah yeah I mean it's yeah, you're right I think he's almost like a prompt isn't it with with the scoring the sounds right? some so some films don't new I don't think it I don't think the film needed. 41:49.72 ukfilmreview Like oh this is where you should be sad and this is where you should feel that it's It's tense like we kind of knew it was tense like it was clever enough. 42:04.64 ukfilmreview Not. 42:06.45 Brian Penn Music. That's all you know some other some films do. But I think you really need to think about whether it's going to enhance the film and a documentary doesn't really need that because you've got you've got the drama there already because of the story that we're hearing. Yeah, he. 42:25.84 ukfilmreview You go? Um, so the documentary is called angle and you can read the review I think Jason reviewed it on the website. So do go and check it out because um, yeah, see what he made of it and and obviously see whether you align with what what we've said. 42:32.11 Brian Penn A. 42:38.39 Brian Penn A. 42:43.41 ukfilmreview Um, in terms of the film itself I'm just going to see if I can see anything in terms of what they said about release. Um, not that I could see so. 42:57.95 ukfilmreview Yeah, and I think yeah we had a password protected link. There's no information currently over than an imdb page from what I can see. So yeah, one of those ones where you probably have to check back? Um, but yeah I'm sure if you're following. Um. 42:59.53 Brian Penn Is. 43:05.52 Brian Penn And. 43:15.67 ukfilmreview Any of like maybe even kt engel himself and if not Alex Perry the filmmaker or just drop us a line if you're interested in seeing it. We can always try and coke some more information out of the filmmakers to to get that to you? Um, okay, moving on to a short film now. 43:16.82 Brian Penn All right? yeah. 43:25.42 Brian Penn He. 43:33.78 ukfilmreview Called Gus should get the go. Um, this was again reviewed by Jason on the website um ran and directed by Joseph Rach and stars Marcel Ra who I'm getting related. Um I think that's probably. 43:35.90 Brian Penn Right. 43:51.20 Brian Penn Safe bet isn' not really safe bet. Yeah well you you you would give you a relative a part film if he was making it one. Ah no, really. 43:51.81 ukfilmreview Safe bet I put money on that. Um, along with oh I wouldn't my brother knows that you know I wouldn't put him in a film. No no, he's done too many horrible things to me in the past you know? Yeah, he really teased me as ah as a kid. Um I was that wrestling you know, putting me in in Headlocks and stuff. 44:04.82 Brian Penn All right? Okay, fair enough. Ah, after enough. 44:11.70 ukfilmreview Um, but yeah, so the film stars Marcel Rich ah Kayla Kelly and Joey Lundorm and essentially is about ah a young lad ah top teenager sitting in a diner and he is prepping for a big date. He has a date with a girl um later on. 44:26.55 Brian Penn Oh yeah. 44:31.20 ukfilmreview And he plans to meet his friend Tim to talk about? Yeah the strategies of you know, wooing women. Um, and yeah, yeah, and it's um, his yeah, he's playing through what he's going to like well yeah, how he's going to come across in the date. 44:37.11 Brian Penn Yeah, we'll been there when we've all been there. Yeah. 44:49.13 ukfilmreview And but instead of his friends opening up his friend's mum turns up and our protagonist sees it as an opportunity to just test some of his methods and strategies to see whether they how they go down on his friends. Um, what do you think of this 1 Ryan. 44:50.68 Brian Penn So he cliff. 45:01.72 Brian Penn Yeah I really enjoyed it I think it's it was really good. Fun. It's sweet, endearing funny and a fair reflection of the angst. We all go through in adolescence. You know one seems to be cool and grown up impressing a girl. But the awkwardness and fear of failure. It's all in there and I like I like the the the setup whereby he's got the cuuee cards doesn't he trying rehearsing his lines and then this mature attractive woman turns up not instead, but before it all kind of starts and that's Tim's mom I thought right? I'll try I'll try it and I love that I love that I love the simplicity of it and the fact that it isla because we've all been through that and it's it reminds you how awkward and painful it was when we all went through it you know and it's life is learning process. But. Really good, fun. Really enjoyable. Nice, nice and light and speaks a lot of truth and you know films that work the best are the ones that we can see something of ourselves in. 46:10.79 ukfilmreview Yeah I thought it was one of those films that ah on 1 hand it kind of felt like maybe it was a um project. You know like a school film project that sort of thing that they of okay, we're gonna make a make a thing in the local diamond kind of it was. 46:18.93 Brian Penn Yeah, yeah, yeah, yeah, yeah, yeah. 46:27.82 ukfilmreview It felt fairly basic in terms of the set. But then when I started to unpick my feelings on the film. So actually this is quite a rich film here. There's actually quite a lot going on here. It plays on a lot of classic themes and coming of age feelings and Storylines and you've got. 46:38.71 Brian Penn Yeah, yeah. 46:45.33 ukfilmreview I think quite a good central performance in particular the mum I think the mum when she comes lends quite a good amount of credence to the performances and I think she also coax is quite a good one out of our our lead Marcel I think that you needed that with a film like this because had it been just you. 46:50.43 Brian Penn Now E. Is. 47:04.30 ukfilmreview Young characters I don't know if the the caliber of the acting would have been there but as it is it actually works quite well and some of the camera work is a bit jolting. That's one of my notes I've got it was I was kind of feeling that it was a bit all over the place where they didn't really need to be um, you know. 47:06.97 Brian Penn Yeah, yeah, yeah. 47:16.40 Brian Penn Yeah, that Yeah, this fills I mean we're talking earlier about what we understood by the term indie film This feels more like a traditional indie film Really, it doesn't have that that kind of poise and polish. But you know. Doesn't mean it say that it's any less effective but you can see that it that they've got a more limited budget compared to some of the other films that we've reviewed here tonight but it's still it still works but you know as just say say kind of films more like a traditional indie film What you would expect to see in an indie film. You know. 47:54.38 ukfilmreview Um. 47:54.85 Brian Penn But I think you're right about the about the mother though she's ah she's a pivotal character in that story right? because straight away. He's kind of uping his game not just in the acting sts. But the character is is kind of going up a notch where this hot day is. 48:13.74 Brian Penn Around the same age as in that there you've got ah a grown up adult mature woman who's who's kind of teaching him in her own way. You know so I like that too. It's a it's a nice court was sort of spin on a story that we've seen many signs before but it's a question of how you execute it isn't it. You know. 48:29.40 ukfilmreview Yeah, and yeah, it's it's um, available actually to to watch if people can watch Gush should get the girl on Youtube just search for it I'm sure it will come up. Um, and obviously yeah, again, go to the website to read Jason's review because he was very positive about it too. 48:32.55 Brian Penn So. 48:38.26 Brian Penn Um, yeah. 48:48.25 ukfilmreview There's a trailer there. Yeah, if you want to watch the tradeer just just see you get a feel for the film and because like we say the indie films often now are coming out with such a good quality. You'd be good to hear what people think of this one and because we are able to sort of show. It people are able to see it. 48:50.59 Brian Penn And. 48:58.54 Brian Penn Yeah, yeah, yeah. 49:07.10 ukfilmreview Um, so yeah, that's gush should get the girl moving on to an indie feature now from ben a a Cellis a chels shelves the chels a tools. Um, this is a again comedy horror. 49:16.25 Brian Penn I Chose I chose I choose. 49:24.57 ukfilmreview Got another comedy horror here. It's what it's labeled as anyway on Imdb um, well ah when I remember this film this I don't remember it I suppose it is yeah ah it be an evil moon is the film and funny. Yeah because there are definitely elements of of comedy. But I i. 49:28.13 Brian Penn Um, you don't stand convinced there. 49:35.26 Brian Penn Know. 49:42.58 ukfilmreview Yeah I suppose it's probably more comedy than horror. Do you want to do the sal. Yeah, what's what's the film about. 49:44.79 Brian Penn Yeah, okay, then. So yeah, directed by benetil starring Richard Allen in Ray White rod glenn and Gordon Joseph Miller so yeah so we're in keeping with the theme of this episode. Freddy Freddy is a former scientist who now ekes out a living. As a mini-cab driver and also supplies the local gangs with drugs but he has ah a side hustle Freddy is developing a formula to cure hair loss being follically challenged himself. He dreams of the day when he finally cracks the case. 50:18.55 Brian Penn Has an elderly mother who is bed-bound but prone to the occasional wonder he tries the new formula on his own paint awaking the next morning is her sweet a suit her sweet um with a full beard. Historian know Thy bounds. But what forces there's he unleashed. That's the question isn't it. Um I I think the film generally works very well. It's an interesting new take on on the on the genre. Um, all always say about it. 50:36.76 ukfilmreview 50 50:49.96 Brian Penn Is that the story seems to tail off a little bit towards the end and doesn't really offer the viewer a satisfactory conclusion I was kind of expecting a bit more now people listening might watch it and think oh no, it's fine but I was I was wanting a bit more but the setup's great. And like the ah the the angle with the the drug data as well because there's all kinds of directions. This storyline could have gone in so it surprises you in that way. But no I thought I thought it was pretty decent. 51:21.30 ukfilmreview Yeah I think you're right in terms of the ah the plotting I found it similar. Um I thought what it didn't go satisfactory by the end for me I'd enjoyed the bulk of it Actually I thought it was a really good mix. 51:31.40 Brian Penn So. 51:37.92 ukfilmreview Because obviously stories about werewolves and and things like that have been done in the past and you're you're you're entering into quite a hallow genre. Really um, that to do a film like this you it needs to be worthy at least to have a good story and I liked it I like the setup the. 51:41.24 Brian Penn Um, yeah. 51:45.10 Brian Penn Yeah, yeah, yeah. 51:55.90 ukfilmreview And the latter part of the film funny enough was actually where I thought it was really getting into gear I was so oh here we go like yeah and this is where especially with the landscape the beautiful landscape that they were in and he gets to that cabin. Did you recognize the guy in the cabin. Um, yeah, so. 51:58.46 Brian Penn E. 52:05.92 Brian Penn And I and I yeah he looked familiar. Um, ah yeah. 52:14.28 ukfilmreview Gordon Joseph Miller he was in a film that we reviewed at last year's festival. Um, it was the film set in a pub where he played um but baroness was what it was called. Yeah yeah, and and. 52:18.85 Brian Penn Right? Okay I yeah I remember yeah we couldn't work out what it was called Baroness that was it wasn't it. Yeah, that one? yeah. 52:34.27 ukfilmreview He fun of he turned up to the event that I did Ro all the filmmakers there and it really yeah, it was great to see him in this I thought his scene with his partner was probably the best. It was such a great um part. That's the clip that we'll play is's actually him with her talking about the the the story of it being an evil mood and. 52:35.95 Brian Penn Right. Yeah. 52:45.48 Brian Penn Yeah. 52:54.90 ukfilmreview I Thought that was where the film was was should have been more yeah focused on whereas. Actually we got a lot to begin with and it took a long time to get to the bits that were actually a bit more kind of exciting I guess. 52:54.15 Brian Penn Ah. 52:57.35 Brian Penn Yeah, yeah, yeah, yeah, yeah I think I think you're right The those conversation tools towards the end were very cleverly put together and. This is where where I think we agreed on this that it kind of tailed off a little bit that it didn't reach that proper conclusion because it was setting something up which it appeared to not necessarily do ah but yeah, it was. It was good. There. There was a lot to enjoy there a lot to enjoy and and lots of. To take in. But yeah, it's It's all Good. Um. 53:36.70 ukfilmreview And I think like the film that we were going back to the genres like comedy horror. There is this sort of so mix of sinister and silly which does work quite well the funniest bit for me was this bloke that sits out of the back of his house in a deck chair and he just throws a beer can every time he sees him. He just throws a beer can at him. 53:44.89 Brian Penn Yeah. 53:52.52 Brian Penn Okay, yeah, yeah, yeah, nice go to the yeah. 53:56.10 ukfilmreview And I thought that is just hilarious I What why he do it. Why is he there? Um, and also there's a bit where someone gets attacked with cgi seagulls that was just that was really funny. Um, so I think yeah, he's got this of zany fun element to it and it's got like this sort of. 54:05.20 Brian Penn Yeah, that yeah. 54:15.47 ukfilmreview Ah, interesting premise with the horror story I think where the film slightly lets itself down is it doesn't lean more into that story and give us a bit more because it is actually I don't think it was that long from I remember that I thought so it could have maybe given us a little bit more but that being said, yeah, it's. 54:24.32 Brian Penn Um, ours for our 21 minutes think yeah yeah. 54:33.66 ukfilmreview Ah, really worthy interesting. Ah yeah, film people should seek out. Let me just see if we've got any information about a release. Ah there is a Facebook where it says people. But if you search Facebook for it be an evil moon or Twitter ah it be an evil moon on instagram it's Medusa media production. So yeah, there's information out there. There's trailers and things the film you viewing link was a Youtube link I don't know if it was public or not let me check that as well. I don't think it is yeah so it might not be out just yet. 55:03.66 Brian Penn And. 55:11.87 ukfilmreview But I've given you some links there in terms of where you can find out more because these films are really hard. Yeah to make a feature film is difficult and to make one that is doing so much as what this is that? yeah hats off to the filmmakers because I think they've done a fabricous job. We just wanted more of it I think. 55:19.30 Brian Penn Yeah, yeah, no yeah, that's right? Yeah I mean all the ingredients there is. It was a great effort but you know like ah like I say it's um. 55:36.70 Brian Penn Sort of about what you get from it yourself. You know I think we more or less drew the same conclusions to last didn't we a bit about the film itself. But you know someone else can look at it and think and you know, but that's the beauty here of filmmaking ah and watching films like this is that we all get something slightly different from it. But this this is a fine effort and. 55:44.28 ukfilmreview Um. 55:56.50 Brian Penn It's all there. But it's a question of how you how you present it and where you go with it. It's got great potential. It's a word I Often come back to with films like this because you think it's all there. It's all in in place but you just got to shape it and develop it. But it's good time. Good stuff. 56:13.40 ukfilmreview Go it be an evil moon. Um, next up, we're heading to a short film written and directed by Brandon Haynes it's a film called 2 truths and a lie and Chris Buick reviewed this on the website and gave it I think 5 stars and I was like oh. 56:25.10 Brian Penn Yeah, no Bob Slightman I yeah 56:30.69 ukfilmreview Um, that's that is a bold statement and having seen the film I can see why it's called 5 stars I love the set for this film. So essentially it's about 3 people from different career backgrounds who all struggle to lie. Um and they are going through a um. 56:38.67 Brian Penn Ah. 56:50.60 ukfilmreview Counseling session with a slightly unorthodox counselor who is going to try and get them to be able to lie more comfortably because it affects these people quite seriously So one's like a professional poker player. So off the East Toardo lie and blaff. Um, there's like a social media personality who you can't. 56:52.21 Brian Penn He he. 57:02.13 Brian Penn Yeah yet. Well yeah, yeah. 57:10.37 ukfilmreview Sort get by. But yeah, kind of what the other person was was it a lawyer might be which if it was then that's playing on the whole liar liar um film which you which we've we've seen before? Yeah I think you're right actually? So the the film. 57:12.65 Brian Penn It's a lawyer isn' it sit a lawyer. It's a lawyer a thing. Why? Well yeah yeah. 57:26.77 ukfilmreview Works really? well even just with those 3 personalities but I actually agree with Chris's review which he says that this chose st really is the therapist. Um, she is absolutely balmy and she she does things to sort of elicit these responses from them to try and get them to to lie. 57:27.81 Brian Penn And. Yeah, yeah. Yeah, yeah, yeah, yeah. 57:44.94 ukfilmreview And it is hilarious. Um, really really funny but also a little bit disturbing if it feels a little bit like on the sort of thriller side at the same time. Did you get that feeling. 57:51.96 Brian Penn Yeah, yeah, now of course I think it. It's kind of a it's a mix of all kinds of sort of stars and approaches that yeah it does have elements of thriller strike chiller strike comedy. It's got element all those elements ah mixed in. I think it's good. It's very good. It's such a great premise again, we we talk about the premise don't with the setup. What? What's the basic plot. How does it work and this is brilliant I love the idea of a support group for those who can't help but tell the truth. And the first thing I thought was this is far too big. An idea for a short film. You know we often talk about um the potential that short films have to be something more than than a short film and this could work as a feature film or even a Tv series. You know they've got ah a lawyer poker player. 58:32.15 ukfilmreview Yeah, yeah. 58:46.97 Brian Penn And influencer. Yeah, just think of the clients that Melissa could get just imagine people in professions where the need to tell the truth might cause a bit of a problem for them and that needs curing so it's got dynamic potential and you think you give this to a top comedy writer or a top thriller writer. 58:51.32 ukfilmreview Um. 59:05.77 Brian Penn This is this is gold. This is pure gold and I completely endorse Chris Buick giving it 5 stars because in context to do what they've done in the space of what twenty twenty minutes fifteen 20 minutes whatever it was that is hell of an effort. 59:24.77 ukfilmreview I Think so too um and like so I agree I think yeah Web series or film or or show because there's so much I did feel this was one much like the previous film it finished and I was like no no, no, there should be more here more here more here. Please? um. 59:24.87 Brian Penn Really impressed with it. Yeah. 59:38.58 Brian Penn Yeah, more more. Yeah, we more? yeah. 59:44.21 ukfilmreview And I think they only gave you a few different things which she does in terms of like the methods to get them to lie I was like oh that every so more there could have been so many more things to really bring this out. Um. 59:50.47 Brian Penn Yeah, yeah, yeah. 59:58.28 ukfilmreview Obviously maybe that's the sign of a good film is wanting you to sort of you. You leave you wanting more so I can't always be too so hard on them for that. But yeah, as a as a proof of concept. There's something big here that you could certainly be made further. 01:00:02.38 Brian Penn Yeah, no, yeah, well well Chris I'll be very surprised if this doesn't go somewhere. You know that that yes, it's a short film. They're working within alysis timeframe. You know that they've got their um you know the the pace to sequencing ah the logical sequence of storie so they have to get into a limited timeframe. They've got all that words out but I would be amaze ifistic didn and go somewhere else. Ah, can't believe that you wouldn't do something more with it with a short film like this but we shall see you never know we might be reviewing a facial length version in a year or so I hope you know because it's an intriguing prospects and you give it I mean it looks to me like it had a pretty decent budget anyway. But. 01:00:51.57 ukfilmreview 50 Ah. 01:00:59.42 Brian Penn You give it any ah a proper pudgy give it to Netflix give it to you know? Yeah, yeah, yeah, yeah. 01:01:03.30 ukfilmreview Yeah I could really see that because you had a kind of almost black mirror sort of feel to it like not not in terms of total vibe. But in terms of the look and feel of it I was like yeah I could see this working brilliantly as ah in a binge worthy series that someone would watch. Um. 01:01:18.56 Brian Penn Absolutely. 01:01:19.50 ukfilmreview Obviously if it does get that far Brandon you do owe us some money because we've big it up to that point. Okay, yeah um yeah I think yeah, we don't want a lot of the pie just some of the pie. Please no. But if you want to find out more about 2 truths and a lie they are on socials. 01:01:24.12 Brian Penn Um, yeah, what more could I ask for. We can't say fair and that can we really? yeah and I but not greaty are we Chris really. 01:01:38.82 ukfilmreview So they are using the number 2 so 2 truths a lie. All 1 word on Instagram and Twitter and and it's also they have a website for the main company called gorillawolf.com so yeah 01:01:42.72 Brian Penn What. 01:01:53.17 ukfilmreview No reason why you can't find more on that I don't think it is out because we got a password protected link for that one? Um, but yeah, 2 truths in the lie 5 stars. Definitely go see it if you can I think it's fabulous. We are sticking with the short films. Um, going now to. 01:01:58.24 Brian Penn Ah, ah. 01:02:12.52 ukfilmreview Elena Vi Clover's short film intern which Joe Beck gave 4 stars on the website and I think yeah, it's 4 or 5 for me I thought this was fantastic I really enjoyed it. Um, so the setup is isaac j plays a intern at this. But basically in the basement I think and there's a group of people there all trying to vie for a position at a company and the internship is about to come to an end for our main characters for career so he's trying his best to. In front of the Ceo and to show him this report that he's made to try and yeah, get his job. Yeah, this, he's he's putting out all the stops. Unfortunately, it doesn't go very well for him he that through calamity and also through people that work there so keeping him out. Um. 01:02:50.52 Brian Penn Um, I mean. 01:02:56.20 Brian Penn He's yeah. 01:03:06.64 Brian Penn Hey Ah, ah. 01:03:07.77 ukfilmreview Even get stuck in their lift at one point. Um, it doesn't really go too Well then it does sort of change slightly towards the end. Um I thought not only was this a really interesting story and there's lots of great themes about capitalism and and greed and how we perceive employment but also just looked great. It had this strange like. 01:03:18.30 Brian Penn He. No no. 01:03:27.51 ukfilmreview Hue to it like a ah greeny kind of hue that made it feel like you're watching something from like the 70 s but felt very modern at the same time. Um, what did you think of intern Brian. 01:03:32.71 Brian Penn Yeah, yeah, yeah I Really liked it I think it's very Clever. It's very clever, very insurgent perceptive filmmaking again within a very limited time frame. This is what I find very impressive about the ability to make a short film is that. You give it an enswin fill and you get ah you get a lot of detail there a bit like gus should get the goal. Ah, it's very reliable. It starts off with a concept that we can all understand right? You know there's all we've all been for a job that we really Want. We're all competing. 01:04:11.87 Brian Penn To be accepted to prove that we're worthy of someone's attention in the work environment and I think the character is called Seth Isn'tney the the main character like it's Seth isn't that um the fact that he's he's trying to pull out the stops and do everything possible. To get this job to nail it but still being asked to jump through numerous hurdles. You know trying to overcome various obstacles obstacles and that is something we can all understand we can all relate to. But yeah, you're right? it's got um visually it's it's good the script's good and it it works because it's it's something that we all get we all get what the the psyche of that character is that he's determined to make all the right noises and get that job. And we can all understand that can't we. 01:05:06.16 ukfilmreview Yeah, and I think they they matched it with this sort of like his energy like his passion for for trying to the filmmaking kind of has that as well like it feels like it's keeping up them and it feels at times like kind of quirky or frantic or yeah, it's going. It's keeping the. 01:05:16.10 Brian Penn Yeah, yeah. E le. 01:05:26.11 ukfilmreview Viewer on their toes quite well I found and I think like you say people can relate to this. They can see that it may be in themselves or maybe they've done that at times or even felt that way about something that the central performance is really great I thought I think he does fabulously with the with the role. 01:05:30.10 Brian Penn Yeah, yeah. 01:05:43.60 ukfilmreview Ah, like the supporting characters this one guy where they they pull the he pull his newspaper down and he just looks totally annoyed that he's been interrupted I Thought yeah, that's just great and that there's always someone at work. That's like that right is always that cynical guy that doesn't say anything. Um. 01:05:49.79 Brian Penn Yeah, on our kuso is yeah yeah. 01:05:59.40 ukfilmreview I think they capture that really well they capture this element even though it is kind of a bit of a odd bull strange premise that actually there's a lot of familiarity there as well. There's lots of things that you're going to go? Oh yeah, that feels relatable. 01:06:06.68 Brian Penn Well well. Also Chris that you know you can make a point by exaggerating you know and you can do that you can you can sort of create a situation that looks. Extreme or far fetcht. But you're making a value point at the same time so you can make a point by exaggerating and that's in some ways. That's what what what? they've done here is to take something to an extreme but still enable the audience to understand what they're getting at which is again, it's very clever though. The word I keep my coming back to with theer. It's clever. Smart smart filmmaking. 01:06:46.79 ukfilmreview God mean can't say fair on that um inter ah short film is not out as far as I'm aware I might be wrong on that but you can find them on Instagram so act intern film or 1 word and. The review as well. Do go check out Chris beock's very glowing review I think really does delve into the film and and what he liked about it. Let us know if you are able to ever see it. Let uss know what you think um, it's always nice to to hear from our listeners now this next. 01:07:13.14 Brian Penn Yeah. 01:07:23.80 ukfilmreview Short film was one I reviewed on the website. Um and another five stuff film. Um, yeah, ah so it's called the 1 note man and I feel like because I reviewed it I'm gonna let you do the synopsis on this because. 01:07:25.19 Brian Penn I Know so I say so I say I deserve is well deserved. It's very well deserved. 01:07:41.00 Brian Penn Okay, oh that you might gush too much shall I be a bit harder on it na can't can I can't really I thought I might give a bit of a contrast but I don't think I can really well. Okay, then so directed by George Suga Shoe gas 01:07:43.80 ukfilmreview I might I might I might gush too much you? Yeah yeah. 01:07:56.28 ukfilmreview So sugas. Yeah, happy that. So. 01:08:00.39 Brian Penn Starring Jason Watkins ah it's a simple but lovable tale about a musician who plays the obo in an orchestra and his only contributions to the piece is 1 solitary note the musician leads a hum drumm existence but is secretly in love with a lady that plays the Violin in the same orchestra crippled by shyness. He tries. And his own way to impress her. He stealthily builds up his part much to the annoyance of the conductor but will the pretty violinist respond to his delicate advances I absolutely love this I think it's fantastic. Um, as you pointed out in your review Chris there are shades of groundhog day here 01:08:37.47 ukfilmreview Are. 01:08:39.78 Brian Penn Ah, is packed with symbolism isn't it really? Ah, a gray life represented by this 1 note and an obsession with minor say you know with loose strands on his jacket and a toothbrush always pointing upwards I guess the moral we're hear is that love will eventually set him free. Um, it benefits hugely from Jason Watkins and the title royal very familiar a we seen him ah on on film and Cb and he makes a lot of short films doesn't he you know I think we reviewed a short film of piece last year if I remember right? Yeah and um. 01:09:10.39 ukfilmreview Yeah I've remember seeing me in a few things here. 01:09:16.68 Brian Penn That's that's a big plus some good cameos there poor barber trigger for moni falls and horsess't it. Um, so that that's again, another strength but the biggest strength of this film in my opinion Chris in my humble opinion is that there are there is no scripts. You know. 01:09:22.43 ukfilmreview Yep. 01:09:34.95 Brian Penn You know I Love words I Love words I'm fascinated by the power of words. But here words aren't necessary. You don't need a script that means that without any dialogue there are no language barriers. It has universal appeal. You could. 01:09:40.96 ukfilmreview In. 01:09:52.30 Brian Penn Plays at any audience in any country in the world. Any culture whoever you whoever you take it to they will understand this will they'll get it because there are no language Barriers. No need for subtitles only for dubbing nothing but they see a very human story unfolding here I think it's beautiful. Um, see beautiful. 01:10:13.72 ukfilmreview Well I'm glad I actually get my review in before you came and yeah, made it even you made me look silly Brian but in ah how yeah how profound you've done in your review and I looked like a little five year old with my review. But yeah now i. 01:10:17.88 Brian Penn Ah, yeah, well I was only trying to and enhance it Chris myself you know. 01:10:28.10 Brian Penn No, but yeah I'm so yeah nine that so ah 9 No no, that's where we're agreed on that absolute. 01:10:29.16 ukfilmreview Yeah, I'm glad that we are on the same page with this one because yeah, it's always yeah when you love a film you kind of think oh am I going to be on my own here I would have absolutely fought my corner but I'm glad that you are on the same page. Um, it is one of those films like you say is it's universal. Anyone can enjoy this film. Um. And watkins is amazing. He's so good in this film because he's got that kind of like Mr Bean kind of feel not not in terms of like that silliness but in terms of the physical performance. It really is sort of that slight embellishment and slight kind of exaggeration to just. 01:10:49.79 Brian Penn Yeah, it's great. Great answer. Yeah. Yeah, yeah. 01:11:07.87 Brian Penn Yeah, yeah. 01:11:08.38 ukfilmreview Really bring the audience in because otherwise you could just be oh why do I care? Um, and there's all these little moments. There's so many moments in my review I picked out ah crystal you who plays the um conductor giving him the eve Why when he sort of ends up causing a bit of a ruckus that. 01:11:18.20 Brian Penn Can that. So yeah, yeah, yeah, yeah, yeah. 01:11:26.10 ukfilmreview It's those things they're small things but actually it made it feel quite British It made it feel like this is our sense of humor. Yeah, we we really enjoy these sort of stories and this filmmaking I thought it was just excellent. The the class that is is great I liked though. 01:11:29.17 Brian Penn Yeah, it's very yeah, yeah, absolutely. 01:11:43.78 ukfilmreview The way that it also does play with the audience quite a bit because there is a first you're watching. Okay, he just yeah, go for his humdrum life and there's like a almost like a slapstick field to him just going in and out of the same route then there's a quite a like almost like a. 01:11:47.56 Brian Penn E. 01:11:58.13 Brian Penn Um, yeah, yeah. 01:12:01.63 ukfilmreview Sad kind of feeling to it of you know him actually his experience then you get this love story and the meat cute because like he hadn't really noticed this other violinist and then it becomes a love story so you get a lot in this really short spacetime. This wouldn't work as any longer. It is exactly as long as it needs to be um. 01:12:04.72 Brian Penn Yeah, yeah I know and I no I get. 01:12:20.14 ukfilmreview Because it's perfectly you in tune to ah pay on palm there. It's perfect in tuned with what what the odd what the audience is gonna want and expect from a film like this and every part of it is needed. Every single bit was like that is. 01:12:23.25 Brian Penn Yeah, Oh yeah, very good. Yeah. Yeah, it's I part it is like padding is a no yeah. 01:12:36.54 ukfilmreview Just perfect. Yeah, there's no padding. There's nothing in there. You can't think well okay, well you could have cut that down a bit. Um and for a film that doesn't rely on dialogue that's huge and it's not I wouldn't say it's even that sure I can't remember how long it was I'm thinking about 20 minutes was it so some of that that it's not like it was like a 3 minute 01:12:50.54 Brian Penn It's about yeah 20 minutes probably yeah yeah. 01:12:56.17 ukfilmreview Music video. You know it was like yeah that's a long film for some short films. They fit a whole feature length in that that time and but to to do this without any dialogue I think is really ambitious to do it with this cast as well like you've got to be pretty confident about the film. You're going to make if you've got no dialogue and you're hiring these people to be in it. 01:12:56.98 Brian Penn Um, nice. Yeah yeah. 01:13:07.37 Brian Penn Yeah, yeah, no yeah I I reckon for an answer. That's a very difficult part to play if you've got no scripts the the major tool that you have as an answer. 01:13:16.60 ukfilmreview You know me I. 01:13:26.25 Brian Penn Is a scripts isn't that all right, you get an outline with with what is basically this you could call it a silent movie because there's no dialogue but they get an outline but that they don't get a script so you've taken some a vital tour away from an actor so it becomes a much more difficult part to play. You know what what I was thinking when I was watching it. You know it's almost Charlie Chaplin -esque in its approach is that and that's ah, that's a strength really, you know you you kind of realize how great charlie chaplin was and that charlie chaplalin was around today. 01:13:51.48 ukfilmreview Um, yeah I thought that yeah. 01:14:02.52 Brian Penn I'm sure he would totally approve and you know to me to me. That's the greatest compliment you could paint a film like this because that's the the benchmark That's the standard of an approach to making a film but absolutely brilliant. Absolutely brilliant really is. 01:14:19.98 ukfilmreview And just to also note Ian Mccallum does a bit of narration that is someone one of the only bits of dialogue that you do get? Um, yeah so I mean if there was anything you could add on. Yeah, it's kind of. 01:14:21.53 Brian Penn Yeah, you don't yeah yeah, right at beginning beginning and the end wasn't it. 01:14:36.55 ukfilmreview Like what ingredient you're going to stick on to just improve something that's already perfect. It's goingnna be the voice of Ian Mckellen yeah it's gonna be okay, yeah now it's done now. It's finished it doesn't there's yeah, it's only going to make it better. Only gonna make it better. Um, yeah, amazing. really really good 01:14:41.17 Brian Penn Yeah, yeah, but yeah, yeah to get that caliber of actors involved I mean Jason Watkins Ear Mckellen Sit I Mckellen and also. You know Joanna Klein who played the the violinist you know, very well-known one and actually who you would instantly recognize and also Paul barber plays the florist doesn't they you know is to get all those touches nice touches and get these people involved it shows how good it is. 01:15:17.38 ukfilmreview Um, yeah. 01:15:17.69 Brian Penn Yeah, how much it's racing when you get that calibre of a involved So that's another great Great plus. 01:15:24.17 ukfilmreview So that was the 1 note man um, do go read my review. Um, if you've got lovely things to say about my writing send them to me if you've got not so nice things to say ah send them somewhere else. Um, the. 01:15:27.10 Brian Penn Yeah, absolutely. 01:15:38.74 ukfilmreview The film if you want to find out more. They have a websites so called cusp films so that's CUSPF ILMSDot code at UK so that's their website and they are on social media so Twitter be at Cust Films instagram it's at cusp underscore films. So and I'm pretty sure the film is not out yet. 01:15:44.11 Brian Penn Ah. 01:15:56.32 Brian Penn Yeah. 01:15:57.35 ukfilmreview Um, I'm pretty sure it is doing the festival run because I follow them on socials and they are talking a lot about festivals at the moment. However, it's the kind of film I could see it being released. Um, um, and people will will be able to watch on something like Om letter or something like that. Um. 01:16:03.18 Brian Penn Ah. 01:16:10.18 Brian Penn Should be shouldn't it really? Yeah, Ah yeah. 01:16:16.16 ukfilmreview So that's the one that man and that's the end of our indie films leaving us only the nostalgia pick for this month um as we say it's a horror month. Um, so we are obviously going to head to disney you know that's where we're going Disney plus obviously um. 01:16:26.97 Brian Penn Nice. Ah. 01:16:29.32 Brian Penn Now. Yeah, obviously obviously obviously where else. 01:16:34.57 ukfilmreview I I picked I wanted something from Disney price because I felt that yeah we we've done Netflix for the streaming pick and this this head to Disney ive I had never seen the omen now I put it? No so I put it as the nostalgia p because this is partly what the nostalgia pick is for which is. 01:16:43.60 Brian Penn Really. 01:16:53.90 ukfilmreview Those films which you kind of should have seen that you filled out. Maybe it gives you a reason to watch them. Um, and I thought I'd send the omen reference so many times like in pop culture do know always comes to mind. He's only fools and horses because of like Damien and like yeah um that I was like ah you not. 01:16:53.85 Brian Penn 5 01:17:00.89 Brian Penn Yes. 01:17:07.88 Brian Penn Of Damien yeah, ah ah absolutely I had a long time ago though you know these I it came out in 9076 I never realized it was that old actually I thought it was a bit more recent. 01:17:11.56 ukfilmreview I'm gonna this is it. This is a good reason to watch it Um, had you seen it before. Okay. 01:17:25.56 Brian Penn Ah, may have been thinking of the 2 sequels that they made but the original film came out in something 6 I would have seen it the first time possibly 10 years after because of that time films would take four or five years to appear on on the small screen so it probably would have been. 01:17:28.62 ukfilmreview Um. 01:17:43.75 Brian Penn The midacs when I first saw it. But I've not seen it for a very long time. So this for me would is a bit you know we will say don't we that if you've not seen the film for years. You can see it with a fresh pair of eyes. So yeah I have seen it above. 01:18:00.19 ukfilmreview Um, it's also quite good with this nostalgia pick because you get that chance to go is it how I remember and you go back and watch your film and go Okay, yeah, actually and that is as good like we we did fight Club I'd sent so many times when I was younger I watched it again I was like yeah night still holds up still great. Um. 01:18:00.89 Brian Penn Sent previously Byarian Islam other. 01:18:06.40 Brian Penn Yeah, yeah, yeah, yeah out Costa. 01:18:17.89 ukfilmreview With ah with this um I hadn't seen it but it has a lot of similarities to films of that era of films I have seen you know 70 s horrors and things like that. Um it is one of the films as well that it has a place in horror legacy in terms of like. 01:18:25.81 Brian Penn Yeah I. 01:18:34.76 Brian Penn Is yeah. 01:18:37.35 ukfilmreview What it's done and and things are um so the story centers around Gregory Peck's character. He's an ambassador called Robert Thorne who very very early on in the film. They lose their child um in the hospital and in order to. 01:18:50.00 Brian Penn No. 01:18:56.61 ukfilmreview Not cause his wife any distress or pardon any distress someone offers him the chance of having another child that sadly lost their mother childbirth So kind of a well you know take this one instead situation. Um as you do and. 01:19:09.50 Brian Penn I Should do yeah I should do yeah. 01:19:15.86 ukfilmreview Years go by and he sort of his life kind of becomes he comes quite successful in his career but the child starts to seem a bit odd to be honest bit weird um bit sinister and it all comes to a head when. 01:19:24.80 Brian Penn Yeah. 01:19:32.77 Brian Penn Yeah, it's the it's anani isn't it the na he. 01:19:33.80 ukfilmreview Someone dies at there a picnic. Um, she is that the first that's for some entry where she goes out the window right? Yeah yeah, the nanny um and from there only gets weirder and also the a priest or something just kind of keeps trying to track. Gregory Preck's character down and warns him of this warns that actually this child presents more evil than he may be prepared for and it all links into the church so they must stop him at first obviously he doesn't really believe him but then more more things start to happen and chaos and violence ensue. 01:19:53.74 Brian Penn Um. 01:20:00.66 Brian Penn Um, yeah, yeah, not he can yeah. 01:20:11.43 ukfilmreview It escalates into horror territory. Um, what did you think watching this again Brian how did you feel like watching this seventy s horror film in 2023 01:20:22.00 Brian Penn I think it's still it still works. It still definitely works alongside the wicker man now we've mentioned the wicker man before haven't we but alongside the wicker man this film is the benchmark for all horror movies. They get the basics right? You know great directs through Richard donnna. Great car sc Gregory Peck a genuine film legend Lee Remick Billy Whitelaw David Warner Patrick Trouston who plays the priest you know they all excellent actors know what they're doing so they got all the basics right? You know and a very strong story that's telling. Ah. Quite as kind of an explicit tale really you know a bit about the the kind of the mirror image of Jesus isn't it really? you know the the son of the devil and ties in with with Bludgeon and religious symbolism. It's it's still shocking. 01:21:12.45 ukfilmreview Um. 01:21:20.60 Brian Penn still feels shocking it still works you know there are certain scenes in the film that still make me shocking. You know I don't often get affected in that way by a horror movie but some films do it to me and this is one of them. You know one you can pick out all kinds of scenes that that will shock you and. Linger in the memory but the where where um Lee Remicks Remis characters of the mother is on the stairs trying to fix the light and the kid comes along on it on his bike or when he's tricycle that is a generally shocking scene. It really is and it does make you make you. 01:21:45.92 ukfilmreview So yeah. 01:21:57.82 Brian Penn Jump out you see for it Momentarily big. Yeah yeah, and that's very true. Yeah, that's that's obviously where where they got it from then wasn't it that you know in some ways all all films are derivative aren't I of something else of something you've seen. 01:21:57.85 ukfilmreview It did remind me a lot of the shining. So I was like that felt very akin right? The bike. 01:22:16.65 ukfilmreview Um, yeah. 01:22:17.10 Brian Penn Previously you know and that's why I think the the omen is so influential that they get lots of they draw on lots of ideas that they that they put down in a film like um omen but it works you know it does what it's supposed to do and it. Even though it is what 47 years old. You know it still manages to be thought provoking disturbing scary with it with very few special effects with pretty basic. Um. Effects that you know they represent this the 70 s in some ways where there was nothing I don't know you film you filmed the omens today right? You imagine what you could do with all the techniques and tricks and wizardry you got at your disposal now. But I don't think they could make that film any better now than they did then if you see what I'm getting at yeah. 01:23:16.48 ukfilmreview Now I think that oh hundred percent when it comes to horror like if you've got practical effects. They still work way better than ah yeah cgi and I think it's the kind of film where they're doing. 01:23:22.54 Brian Penn Yeah. 01:23:30.58 ukfilmreview A lot of supernatural big stuff like they've got the hell hounds. They've got the there's a storm at 1 point that kind of goes crazy that it's like they had to do all that like that those were real dogs. You know that was a real um storm that they had to recreate like using effects. It's like that. 01:23:32.93 Brian Penn Yeah. 01:23:43.68 Brian Penn Um, yeah, yeah. 01:23:48.88 ukfilmreview That has to be applauded. You have to so and that's why it stands up I think because it's like well you did it. You made it whereas I think with um, anything cgi even 105 years you'll you'll notice because technologies change and the way that they've done that is very different but it's still in the same ballpark. But with this. 01:23:50.57 Brian Penn A. 01:24:00.21 Brian Penn Yeah. 01:24:06.27 ukfilmreview It is just you've made it happen. Um I did find I like the film I like that there was a lot of heritage here in terms of horror filmmaking I've so so many beats like oh they've they've referenced that in this film. They've referenced that in this film. So I like that Obviously this is kind of like ah an Og story. 01:24:06.40 Brian Penn Thing. 01:24:21.12 Brian Penn Um, yeah, yeah, yeah. 01:24:25.20 ukfilmreview I did feel that it it was on my house I was taking itself quite seriously which I found hard because I say with me in horror I don't I think if everyone's taking really seriously I get a bit bored if I doesn't feel that fun I wouldn't say it was that fun of a film Um, with. 01:24:32.81 Brian Penn Yeah, yeah, no, no, it's very serious isn't it. Yeah, no yeah. 01:24:43.48 ukfilmreview Yeah, with the conference earlier that this is perfectly my at my street Yo it's It's funny. It's fun, but it's also got some scares and it's a bit terrifying with this. It was just trying to be scary but also playing very heavily into the religious side of things which I just found. Okay, yeah, like that's that's fine. Um, that. 01:24:54.95 Brian Penn Yeah. 01:25:02.76 ukfilmreview And also some of the some of the effects were a bit overbearing like the the music and the lighting that you're watching just going. Okay, okay, all right? Yep calm it down calm but that is obviously you're talking about a film made decades ago that it's the style has changed and you know. 01:25:09.16 Brian Penn Yeah I know? Yeah, yeah, yeah, yeah, yeah, yeah. 01:25:18.60 ukfilmreview Imagine seeing this in a cinema at time but it was like oh my god like experience whereas watching it on Disney Blas and toy fake free is a bit like I can yeah calm it down. Um, but I do I also I think a sign of a good film is if there is more films that you want to watch and I finish this and thought you know what I'm going to try and check out. 01:25:24.87 Brian Penn Yeah, and I yeah. 01:25:35.26 Brian Penn Yeah, yeah, it still the character that they're developing isn't it because if you sorry Chris come. 01:25:36.26 ukfilmreview Omen too like I feel like I want to know because it's it's the same character isn't it like later on yeah well I just thinking we probably should have put a spoiler in there but do we need to put spoilers for films that are over 4 years old guess. Ah, now we'll get letters but I just. 01:25:49.28 Brian Penn Oh what? then I would you reckon ah delete the less this Yeah okay from yeah yeah, Okay, yeah, yeah, that kind of got. 01:25:54.13 ukfilmreview Delete them? Yeah by which I mean burn them. Yeah. 01:26:02.81 Brian Penn Is in keeping with with the horror theme isn't it really is Yeah yeah, oh yeah, it's very good. But yeah so I think you're right? They um the the music is a bit heavy handed that was more about the style the approach to filmmaking in in the S simtics though. 01:26:03.39 ukfilmreview Yeah, it's very practical way of getting rid of stuff. Yeah. 01:26:22.44 Brian Penn That's one of the one of the sort of triggers that that could date you think oh that's definitely the seventys but you know I ah suppose I could look upon that and say right? That's that's what makes it what it is that it's it' the time capsule you know and it's. s great to see london because he was a diplomat wasn't he that got posted to london so it's it's great to see london in in the sim sea. So yeah, yeah, yeah. 01:26:49.31 ukfilmreview That does. Yeah I thought that too I thought I looked great and after they're out and about filming in real locations. So yeah, no, that was good. Um there's a lot to the aim and that I enjoyed I just felt that there will definitely be ah, an audience of people who are used to the sort of ah possession style. Um, films. Yeah, like hereditary and the witch that they'll watch this and go oh okay, like it does feel dated in some ways but I also do feel that as a pregressor to a lot of those films and also some of the stuff. Um, that Edgar Wright has done if you watch some of Edgar Wright's films. There's a bit. 01:27:07.30 Brian Penn Ah, yeah. 01:27:13.45 Brian Penn Game that. 01:27:20.68 Brian Penn Yeah, oh absolutely? Yeah, yeah, yeah, yeah I know yeah. 01:27:25.17 ukfilmreview In this where something falls off the roof of the church and it impales someone I was like that is literally from hot fires like they they hot fuzz is obviously reference and I think that a lot of these filmmakers that are making modern horrors or modern films like that will have used this as a. 01:27:39.94 Brian Penn Yeah, it's the it's the big daddy in somebody. It's the big daddio of horror movies because you know they'll they'll look at that and they think right because there are only so many ways you can do something and a visual trick a storyline. 01:27:42.00 ukfilmreview Touch point. And yeah I think that's good. It's a big duddy. 01:27:59.61 Brian Penn It's got to be done the first time right? It's done the first time then other filmmakers will refine. It. They'll adapt. It. They'll update it and someone like egar right? will will pay tribute will will name check those films if you look closely and it's very solid. You know some directors are very good at it. Um, they'll they'll put a subtle nod in to ah a film that was maybe maybe forty or fifty years ago you know the likes oforses Coppolom Spillberg have made careers out out of drawing on classic movies from the 50 s and sixty s so you know everything is derivative. You know you. You really need to look hard to find the originals the the source of the films that we see today. But that's the that's the way of the world. That's how you do it, you know and that's that you know we've got the fun part of it haven't we we got the we can watch and pick it all up. 01:28:54.70 ukfilmreview And pick it all apart which is what we do? Um so that's the omen and as I said earlier available on Disney plus if you want to watch it I believe the next one's on there. So that's where I'll be watching that. 01:28:55.30 Brian Penn I'm pick it all apart as well. Yeah, yeah, yeah. 01:29:04.72 Brian Penn Yeah, yeah, I'll have to do that as well see you might as well finish yeah carry on Yes, only right. 01:29:07.11 ukfilmreview Um, other thought yeah when you kind of think well actually. Ah yeah I've started now. So I'm mean as well carry on as I finished. Um, so if you have any scary films. Do you want to let us know that you've watched and ah great to send in your reviews. We'll happily play them on this show. 01:29:20.33 Brian Penn Yeah, yeah. 01:29:26.88 ukfilmreview Um, but that is it for this quite bumper pack episode. We've gone through a lot 6 indie films there um as well as the 2 cinema films the streaming release and a nostalgia pick I mean you get all this free in your ears. So you know or more could you ask for luxury. Um, next month. 01:29:30.74 Brian Penn Um, yeah. 01:29:38.88 Brian Penn What more could you ask for? really luxury. 01:29:46.66 ukfilmreview Will be our November episode going into December so it may be we get a bit festive. We might get a festive the next episode you know? Yeah yep, so if you want us? Yeah, send us your your recommendations for the best Christmas film and maybe that will be our nostalgia pick. 01:29:52.90 Brian Penn Why not yet? Yeah yeah, it's a bit of a season thereres you' you're soment in them Aren you it season them. Yeah, yeah. 01:30:05.86 ukfilmreview We also have a couple of films already submitted from indie filmmakers for that episode 2 So this has been uk film club part of the Uk film of your podcast I have been your host Chris Horson and Brian pen as always has been my my lovely assistant I'll say lovely assistant not just assistant. 01:30:13.86 Brian Penn Oh yes. 01:30:22.38 Brian Penn Thank thank you very much that one. Ah yeah I've got a drawline somewhere Honestly I really have pleasure pleasure as always. 01:30:23.75 ukfilmreview My lovely assistant Paige doesn't wear the costumes that I buy him. So. 01:30:32.47 ukfilmreview Ah, Pushers Always thank you for joining us and thank you if you have stuck all the way to the end. You are a real trooper but that's it for now. 01:30:40.21 Brian Penn Bye for now. Previous Next

Watch Prey at the 2022 UK Film Review Festival. See the UKFRF 2022 lineup and buy your festival pass. Prey Listen to our review on the film podcast What our film review said: READ FULL REVIEW The acting is very strong and Turk is quite convincing as an angry, suicidal man who also believes that there might still be hope in his life. Webster is great as the determined 'older man' who is convinced that his life has no meaning and must end. Proudly supporting MediCinema for our 2022 film festival.