Mia Danelle stars alongside veteran actors Richard Masur (My Girl, The Thing, Risky Business) and Amy Hill (50 First Dates, The Cat in the Hat) in this humorous and touching tale of identity and acceptance with a sci-fi twist. From writer-director Brando Topp, in his feature debut, the film is set to crash land on digital this Monday, courtesy of Miracle Media.. Brand new film trailers. That Alien, Sound Listen out for That Alien, Sound , a fun-filled, fresh and funky coming of age sci-fi comedy that celebrates life, creativity and all that makes us unique. The film premiered at Melbourne Science Fiction Film Festival and has been garnering acclaim across the festival circuit. Now, it’s set to crash land in the UK as it makes its digital debut this August, courtesy of Miracle Media. Mia Danelle (Mayans M.C.) gives a heartfelt and fearlessly funny performance as Micah – AKA Sound – in this exciting feature debut from writer-director Brando Topp. This joyful film also stars veteran actors Richard Masur (My Girl, The Thing, Risky Business) and Amy Hill (50 First Dates, The Cat in the Hat). While working at a record store, Micah’s (Danelle) life is about to change forever when a cosmic sound wave inhabits her body via a radio broadcast. Filled with a child-like curiosity, the new Micah must adjust to the bizarre world around her. While most of her friends and family adapt to their new alien ally, even affectionately naming her Sound, Micah’s boyfriend, Shannon (Will Tranfo), struggles to understand and accept her new identity, attempting to get rid of the extraterrestrial nuisance. This genre-bending sci-fi pulls at the heartstrings with its sincere exploration of real-life issues surrounding identity, community and belonging, while adding a refreshing comedy twist. Weird, wacky, and wonderful, That Alien, Sound will charm you with its loveable lead and humorous story of affection, acceptance and aliens. That Alien, Sound is on digital 18 August (Miracle Media) Paper Tiger The Paper Tiger trailer suggests a searing, deeply moving examination of ambition, guilt, and the toxic pursuit of the American Dream. Ink The newly dropped trailer for Ink confirms those expectations, delivering a relentless, kinetic glimpse into Fleet Street's most disruptive era. The Social Reckoning Seeing the first teaser trailer drop for its spiritual companion piece, The Social Reckoning, sent an absolute chill down my spine. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here.

The promotional material and critical buzz surrounding Kontinental ’25 confirm that the winner of the Silver Berlin Bear for Best Screenplay is not only back, but operating at a fever pitch of urgency and daring.. Brand new film trailers. Kontinental '25 A new film from the Romanian auteur Radu Jude is never merely a release; it is an event, a declaration, and invariably, a provocation. The promotional material and critical buzz surrounding Kontinental ’25 confirm that the winner of the Silver Berlin Bear for Best Screenplay is not only back, but operating at a fever pitch of urgency and daring. Fresh off the back of the controversial, Golden Bear-winning Bad Luck Banging or Loony Porn and the acclaimed Do Not Expect Too Much From The End Of The World , this latest work is instantly positioned as a vital piece of contemporary European cinema, cementing Jude’s status as a director working on a level few of his contemporaries can match. Jude, whose sardonic eye is keenly focused on the hypocrisies and anxieties of the modern world, seems to once again be blending the searingly serious with the unexpectedly absurd. While the film’s premise suggests a deep moral excavation, the anticipation is that it will be punctuated by Jude's signature dry wit—a crucial ballast against the subject matter—and perhaps, true to form, the occasional inexplicable sight of a dinosaur statue. This is the hallmark of Jude's unique approach: confronting societal decay with an incisive yet ambiguous cinematic language that never offers easy answers, only profound questions. At the narrative core is the performance of Eszter Tompa, an actor who will also appear in Jude’s forthcoming take on the Bram Stoker classic Dracula . Here, Tompa is cast as a bailiff, a figure of systemic authority whose work forces her into a direct confrontation with the economic realities of those on the margins. When a tragedy occurs connected to her professional duties, she is plunged into a profound moral quandary. The role of the bailiff—the executor of final, cold economic logic—makes Tompa’s character a perfect vessel for Jude to explore the theme of systemic social violence. The cinematic portrait promised is one that is "urgently up to the minute and strikingly provocative," ensuring that the viewing experience will be anything but comfortable. Perhaps the most radical detail revealed is the film’s production itself. Shot back-to-back with the Dracula project, Kontinental ’25 was completed in just ten days and, crucially, shot entirely on an iPhone. This aesthetic choice is not a gimmick; it is a profound artistic statement. Jude has articulated his discomfort with the "mismatch" of multi-million-dollar budgets being applied to films about social violence and poverty. By embracing this lo-fi, naturalistic energy, the director not only achieves a raw, street-level authenticity, but also delivers a powerful challenge to the commercial industrial complex of cinema itself. It is a demonstration that essential stories can, and perhaps should, be told on their own terms, free from the sanitising polish of a massive budget. The film's conceptual framework adds another fascinating layer, being described as a "playful, persuasive homage to Roberto Rossellini’s Europe ’51 ." Rossellini's post-war neorealist masterpiece was a towering work of moral and social scrutiny, focused on an individual’s struggle for meaning and responsibility in a broken society. By deliberately invoking this classic, Jude is positioning his work within a rich historical tradition of committed European filmmaking, yet promising a work that remains "definitely unique and surprising." This fusion of neorealist spirit with the audacious, contemporary flair of one of the most innovative directors working today is what makes Kontinental ’25 one of the most highly anticipated pictures of the year. It promises to be a challenging, witty, and essential piece of cinema that only Radu Jude could deliver. Ultimately, the promotional material for Kontinental ’25 is not just selling a film; it is issuing a call to attention. It is a promise of a morally complex drama, filtered through a radical and minimalist aesthetic, all presided over by the sardonic brilliance of a genuine cinematic iconoclast. For those who seek cinema that provokes thought, demands engagement, and challenges the status quo, this latest offering from Radu Jude feels indispensable. Paper Tiger The Paper Tiger trailer suggests a searing, deeply moving examination of ambition, guilt, and the toxic pursuit of the American Dream. Ink The newly dropped trailer for Ink confirms those expectations, delivering a relentless, kinetic glimpse into Fleet Street's most disruptive era. The Social Reckoning Seeing the first teaser trailer drop for its spiritual companion piece, The Social Reckoning, sent an absolute chill down my spine. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here.

Judas and the Black Messiah trailer 2021 starring Daniel Kaluuya, LaKeith Stanfield, and Jesse Plemons. Let us know what you thought about the trailer for Judas and the Black Messiah on Twitter @UKFReview. Brand new film trailers. Judas and the Black Messiah trailer Judas and the Black Messiah trailer 2021 starring Daniel Kaluuya, LaKeith Stanfield, and Jesse Plemons. Let us know what you thought about the trailer for Judas and the Black Messiah on Twitter @UKFReview Read our 5 star Judas and the Black Messiah film review . Paper Tiger The Paper Tiger trailer suggests a searing, deeply moving examination of ambition, guilt, and the toxic pursuit of the American Dream. Ink The newly dropped trailer for Ink confirms those expectations, delivering a relentless, kinetic glimpse into Fleet Street's most disruptive era. The Social Reckoning Seeing the first teaser trailer drop for its spiritual companion piece, The Social Reckoning, sent an absolute chill down my spine. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here.

Misery meets Single White Female – with an extra dose of (Let’s Get) Physical thrown in for good measure – as a woman gets more than she bargains for when she makes a new friend at the gym in Homewrecker.. Brand new film trailers. Homewrecker Trailer Misery meets Single White Female – with an extra dose of (Let’s Get) Physical thrown in for good measure – as a woman gets more than she bargains for when she makes a new friend at the gym in Homewrecker. This deliciously bleak and black satire, with gore and laughs in equal measure, is set for its UK premiere on 24 May from 101 Films. When happy-go-lucky interior designer Michelle (Alex Essoe – Doctor Sleep, The Haunting Of Bly Manor), has a chance encounter at a fitness class, with the pushy and overly friendly Linda (Precious Chong – Falling Water, Flashpoint), she soon discovers there’s more to her than meets the eye and training might be bad for her health. When the pair meet at the gym, Linda convinces Michelle to come to her house and redesign it. Despite her wariness, Michelle’s politeness wins out and she reluctantly agrees…But once at the house, she soon realises she’s made a terrible mistake…as Linda’s demeanour rapidly changes and her behaviour becomes increasingly erratic…could this one-woman wrecking ball threaten her whole existence? As the dangerous and obsessive streak spirals out of control…Michelle grows more and more desperate to evade Linda’s clutches and her increasingly bizarre and disturbing measures to trap her. As the violence explodes into a bloody gore-fest will Michelle ever break free from this one-woman wrecking ball of mayhem? Homewrecker, directed by Zach Gayne (States, Found Viral), is tongue-in-cheek fun with a bucketload of blood in equal measure and will have you second guessing that new friend you made at the gym… Released on digital 24 May 2021 Paper Tiger The Paper Tiger trailer suggests a searing, deeply moving examination of ambition, guilt, and the toxic pursuit of the American Dream. Ink The newly dropped trailer for Ink confirms those expectations, delivering a relentless, kinetic glimpse into Fleet Street's most disruptive era. The Social Reckoning Seeing the first teaser trailer drop for its spiritual companion piece, The Social Reckoning, sent an absolute chill down my spine. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here.

Watch Playdate at the 2022 UK Film Review Festival. See the UKFRF 2022 lineup and buy your festival pass. Playdate Listen to our review on the film podcast What our film review said: READ FULL REVIEW This short could be classified as a surrealistic comedy which also contains heavy drama. It appears to represent the desire that adults sometimes have to be children again, the joys of childhood and friendship and it also points out the dangers of careless behaviour and the devastation of loss. The cheerful performances and enjoyable score make this film an experience that is worth looking into. Proudly supporting MediCinema for our 2022 film festival.

Read the film podcast transcript from the episode titled Priscilla - Argylle - Poor Things - UK Film Club Episode 12 on UK Film Club part of the UK Film Review Podcast. < Back Priscilla - Argylle - Poor Things - UK Film Club Episode 12 Listen to This Episode UK Film Club 00:00.00 Chris Olson So end of February already. 00:03.67 Brian Penn Ah, no, that' I'm flying. You know be Christmas before you know it? ah and and and now you'll be thinking about Christmas presence soon I tell you you will. 00:07.50 Chris Olson Are gonna are gonna try and leave it to at least June we start talking about Christmas again our to what we are. It's Oscar territory. 00:18.65 Brian Penn But at the moment we're we're in the middle of a war season aren't we yeah. 00:26.29 Chris Olson Um, and yeah, there's been lots of awards flying around. Um do do you keep track of all the awards shows Brian is that something you like to. 00:30.46 Brian Penn I I try to but there are so many aren't they you know when it's usually when the golden globes start. You know that's the beginning. Don't you then you got the screen as guild or you've got the baftters and the screen as guild then the oscars. And is of course trying to keep track. But I think it's fairly clear. What the best films of the year have been I don't think they deviate very much. Do they I mean they say that the golden globes of the precursors to the oscars and they're a good indication of where they're thinking is but the word is Oppenheimer is new I think. 01:00.83 Chris Olson Yeah I was gonna say do you think that's gonna win like yeah, it's already won several right at time of recording this? um I think it's goingnna win most of the ones left I haven't seen it. You've seen it haven't you. 01:07.21 Brian Penn Yeah. 01:12.56 Brian Penn I I've seen it. Yeah I mean obviously I have my issues with it which are not that substantial to be honest I just found it slightly over abitious, but it is a very good film and I'd be quite happy if it won the Oscar for best best picture you know, particularly when you look at what else is nominated. But. Yeah, go. Perhaps we can talk about that post post. Ah Oscars but. 01:34.82 Chris Olson Well I think it's one of those discussions that gets everyone very heated and I'm I'm so far behind because I don't catch up with the films as as quickly as I should but you're yeah, right on the front line of this all. Yeah, you're really watching all these films as they come out. Yeah was there a film. 01:40.20 Brian Penn And. 01:49.75 Brian Penn Ah, well yeah I know. 01:53.72 Chris Olson Was there a film last year that you thought it was deserving of the Oscar but it's just nowhere near the yeah, the front line of the contenders. 01:59.25 Brian Penn Yeah I mean there are certain films that never never quite get the attention they deserve and I think that's more the case case now than ever one film that always stood out for me, but that completely missed out any nominations of any note was till the film that Emmett till. The 14 year old boy who was lynched and ah murdered and it was more about the story of his mother Mamie how she showed the world what they did to her boy brilliant brilliant film but just completely got eclipsed in in the Oscars and the bathrooms nobody's sucking notice of it. And I think it is so sad. But I think that's the the products of the the age we live in now that certain films will not get the attention they deserve and some films are overpraed. it's it's odd 02:44.69 Chris Olson I I definitely agree with that in terms of like the marketing strategy now like last month we reviewed saltburn and it's a good film. Don't get me wrong I think it's a very good film and I really enjoyed it. But it's I'd say it's. 02:56.64 Brian Penn Me. 03:03.90 Chris Olson Yeah, in the middle I don't I don't think it's anything particularly ah jaw dropping. There's the thing about it's a good. It's a very well-made film. but but I think because it had the Amazon star power machine behind it that everyone was talking about and like you say a film like till I remember you talking about that on our show last year 03:06.00 Brian Penn I and I Then. And. 03:18.81 Brian Penn I yeah. 03:21.78 Chris Olson And ah, it's yeah, that's the type of film here. It needs to have a light shined on it. It needs people to go and see it. But if it got like a a minimal kind of theatrical release. You know people didn't You didn't get the bums on seats that it needed. Um, it just kind of gets lost in in the the waves of all the Cinema releases and I think. 03:25.40 Brian Penn Ah I. 03:29.40 Brian Penn You there? Yep, that's all it was down. So yeah. 03:41.15 Chris Olson That's a bit of a shame sometimes but then awards season does also have the ability to shine a light on some gems because sometimes it does you you a few come through especially in the lesser known categories like you suddenly go oh that that won an Oscar for something and you go but better. Check it out because yeah, it wouldn't. 03:46.75 Brian Penn Yeah, so. 03:59.10 Brian Penn Yeah, it it makes you curious I mean I I think it's interesting because maestro's been nominated for an Oscar. It's got 4 or 5 nominations in the big categories and that's the life story of Leonda Bernstein which starts. 04:00.30 Chris Olson Get that recognition if it wasn't at least half decent. 04:17.12 Brian Penn Bradley Cooper and rosmond point and it's very good. Had a very limited release in order to qualify for an Oscar it has to go on theatrical release for a certain amount of time but you could literally have seen it on Netflix at the same time more or less you know, but they satisfy the rules and that's. 04:31.55 Chris Olson Um, yeah. 04:36.32 Brian Penn That's kind of the opposite. That's a film that that might have been might have flown under the radar had it not been for the yeah, the pulling power of Netflix it is very influential now. 04:49.12 Chris Olson There you go well in this episode. Um, we are chock ah block I don't this has got to be 1 of our biggest slated ah list of films that we've ever tried to attempt? Um, so. 04:54.40 Brian Penn I and I this a lot. Yeah. 05:05.69 Chris Olson Welcome to UKFilm club if you're wondering what the hell is going on. Um, it is essentially Brian and myself um, discussing all manner of films we will cover cinema releases some streaming films indie films and also look back at a classic movie. 05:17.72 Brian Penn And yeah. 05:23.53 Chris Olson Um, I won't tell you what the classic film is right now but I will go dinner a Dan a dinner. Um because I've had it in my head. Yeah I've in my head quite a lot. Um, but yeah, we have got an enormous amount to get through. Um, so. 05:30.50 Brian Penn Ah, very so very subtle. Yeah. 05:39.93 Chris Olson Yeah, what we do is we like to review some of these films shine light on them. We have some that people have actually asked us to review it physically sent us so we'll get to those in the indie section. But first off, we're starting with the films that have been or are available at cinema recently. Um. 05:55.30 Brian Penn And. 05:58.90 Chris Olson And we even have a film both of us have seen this I hope um that isn't available yet. Um, it's coming out in March I believe I will look up the official ready state shortly? Um, but we were giving we were given a pre screener to this. Um. 06:07.69 Brian Penn And. 06:14.19 Brian Penn Yeah, so. 06:17.97 Chris Olson And the film is called banel and aharma and now from your ums and Rs Brian you have seen this right? Yeah and um, whilst I look up the release date. You want to give a a quick synopsis on this one. 06:18.76 Brian Penn Yeah I've seen it. Yeah. 06:28.72 Brian Penn The yeah sure cool so beno and a dharma directed by ramaa to Leisai starring Katie Main and Mama do dialo a young couple in senegal must contend with the disapproval of their remote village and its elders a visually beautiful film. Great use of light shade and color. They've got the wire plains of Africa to film. So it looks absolutely stunning the storyline I found slightly thin on the ground. We've got this couple trying to break free of the tribe's influence and the fact that a dharma has refused to be head of the tribe. Which has led to supposedly led to a drought and the death of villagers I might see a bit more going on there but otherwise a very solid picture very well made beautifully short and some very sensitive portrayals there of. A different way of life and a way of life that we wouldn't comprehend that all a very simple life. A very austere life but not always a very happy life if the two carats is portrayed or anything to go by but good stuff. There's a lot of good stuff going on there. 07:39.16 Chris Olson Yeah I think you're right in terms of that. Ah, for me, it felt like a gothic story and it was like you had this way of life that was completely like anything that we are used to in the Western world. Um, but there was so much going on there that was relevant. Yeah in terms of talking about. 07:53.66 Brian Penn Button first. 07:56.88 Chris Olson Gender roles and talking about expectations of the generations below and because Dma Obviously he's like the is a chief of the village but he's very young I think like his father died or or something and they are very keen on keeping those bloodlines in the. 08:08.00 Brian Penn Yeah, yeah. 08:15.94 Chris Olson In the chiefdom as it were um and then so there's a lot of expectation on him as a male you know to provide not just for his own family. But for his village and yeah for everyone. Um, and then but he's torn because you've got this love story obviously with banal and yeah, you're like rooting for them as this. 08:23.96 Brian Penn And here. 08:34.75 Brian Penn So yeah and I know I know that? ah but it just makes you yeah it just makes you wonder what? what? an incredibly different life that we lead and the comfortable life that we lead compared to some but. 08:34.85 Chris Olson Beautiful young couple. They dream of like digging their home out of the sand or on the outskirts of village and heartbreaking. 08:52.41 Brian Penn The life they are living in their village in Senegal is probably no different from the life that their ancestors would have lived a hundred two hundred years ago that's what struck me about that is that progress in itself or what we would see as progress in the western world. Um literally stand still. 09:02.68 Chris Olson Um. 09:11.30 Brian Penn And that's what I find interesting about it. Um, but you know as I say visually, it's great to look at absolutely brits look at I mean you may well think that you can't go wrong filming in Africa really because the scenery is absolutely spectacular. But I like the way they handle extreme closeups. And they allow silence to drop into the story from science to time some I'll come back to with with other films that we're reviewing. But I think silence if you do it properly can be really effective in a script because you allow the stories to breathe the characters to breathe. And you have time to contemplate the story as well. So yeah. 09:51.17 Chris Olson I Think it makes it that much more haunting as well as a film like because there's lots of different genres at play in this movie but it's definitely got horror elements to it like um, what happens in the story and some visuals as well I won't go into it but is this. 09:59.20 Brian Penn I. 10:06.61 Chris Olson A shot of her on top of a well and a red dress and it just really stuck and like you say I think that silence is so unnerving. It makes you go Oh it sends chills down and that's why like I said it felt gothic. It felt like ah um, a story that you would have told you know centuries ago. 10:07.63 Brian Penn Yeah, yeah, and it. Yeah yeah. Um, know that. 10:26.27 Chris Olson And there was something about it as well. That felt almost um so unnatural to it like it had this element of like what's going on around these characters around this village and yeah, they they allude to this as well. That yeah maybe she's um, done things to cause these. 10:32.13 Brian Penn The. 10:45.10 Brian Penn Yeah I. 10:45.25 Chris Olson Ah, horrific things to start happening and and also it doesn't ever veer into that territory. It doesn't veer into that. Okay, right now we're going to get all gruesome like at all that's not at all what this film is like it's far more intelligent and mature than that It's more sophisticated I think it it causes you to do a lot of the. 10:53.98 Brian Penn Good. So. Yeah, yeah, yeah, which is which is more challenging it in a way where you don't see it like it's where the filmmaker leaves a certain amount inside your own head which I think is quite clever and not easy to do so. 11:04.46 Chris Olson Imagining yourself I think um yeah. 11:19.60 Brian Penn Um, yeah, it it just it's got a great look and a great field to it really has but you know it's the visuals that strike strike me more than anything else. But you know it is so I guess it is about tradition Superstition responsibility being passed down from father to son. 11:39.28 Brian Penn And really I feel they're trying to break away from that tradition and live their own lives that seemed to be the the tenor of the story and it's a question whether they were able to do it or not and they have parental pressure on them. Don't they as well for them to do what what they feel is the right thing not necessarily what. 11:51.61 Chris Olson Yeah. 11:58.19 Brian Penn But now in a dharma think it's the right thing as well. So. 12:01.16 Chris Olson I Think that came to sort of lot fruition with the like the expectation on Banel to like have children and I think that's a strong theme through this yeah terms of what's expected of men and what's expected of women and I must say Kaie Maini plays the banel character. She's. 12:07.76 Brian Penn Yeah, yeah, yeah. 12:20.79 Chris Olson Incredible. She's so engaging to watch like you' you're watching her and absolutely lethal with a slingshot am I right? I mean those pop those poor birds. Yeah, no, um, but it's a fierce performance. It's really strong and I think on a film like this where. 12:21.86 Brian Penn Yeah, you like yeah I'm gonna say yeah you will you were You wouldn't want to get on the wrong side of it Would you let's but put it that way you know, but but yeah, yeah. 12:40.32 Chris Olson You know it's playing to its strengths like the the location's amazing, but it's not going many places so you do have that element of it's very claustrophobic. It's insular that you're relying heavily on the actors to do that sort of heavy lifting. 12:41.98 Brian Penn And. 12:52.37 Brian Penn Yeah, yeah, yeah I think they've they've all got potential I think the lead employers in this film. You would imagine them going on from here and you know breaking out into the. 12:55.30 Chris Olson And I think that they've got a great cast here and the direction's really good. 13:06.28 Chris Olson Um. 13:10.57 Brian Penn Us Strike British film industry. Shall we say but you can't imagine them staying put you know in other words I suppose what I'm saying is they won't stay provincial. They will break out of that because that they very photogenic both both leading as have got something there. You know? So yeah. Very solid piece I would say and. 13:33.54 Chris Olson Go so bananaa dharma is out in cinemas in the Uk and Ireland on Fifteenth of March Twenty Twenty four depending on when you're listening to this um and has done really well at festivals you may have caught it at last year's bfi London film festival. 13:47.58 Brian Penn And. 13:49.43 Chris Olson It was also a can selection toronto as well. So it's it's done very well critically I yeah we were talking about till earlier this feels like the type of film again. It will go completely under the radar up and yeah, as much as we'd love to say that we're shining a light on it I I don't do you get that feeling that is not going to get. 14:01.60 Brian Penn Yeah, yeah, yeah, um, yeah I think so it's it's not going to do great business Sadly, but that's no indication of how good it is. You know. 14:09.37 Chris Olson The the eyes it deserves. 14:17.62 Chris Olson Um. 14:17.90 Brian Penn Because so many films now I think we often say this on film club that so many films deserve a bigger platform and deserve more praise but it almost works the wrong way around that films that deserve the Attention. Don't get nearly enough. And films that you think kind of yeah okay, but you know you shrug your shoulders a little bit but they go mad over it and I don't get it I mean I don't know it's all about opinions isn't it and you know some films have and and a natural momentum about Them. Don't they that there's ah. 14:37.20 Chris Olson Yeah, 50 14:51.13 Brian Penn They are self-perpetuating and they generate their own publicity and for some reason they work but it's not immediately obvious to me or pu for you but you know as I say you know, um, it's the way it works now but it doesn't you know it doesn't always make sense to me. Um, if I'm really being honest. 15:09.27 Chris Olson There you go. It's not meant to make sense. But and that's the thing. Well hopefully the next film makes sense I'm George clooneys the boys in the boat. 15:10.70 Brian Penn But there you go? No no, it'd be boring. It'd be boring if it made sense wouldn't it really? well. 15:23.36 Chris Olson Um, you've seen this Brian I haven't seen these next cinematic films but Brian has what do you think of the the boys in the boat. 15:41.47 Chris Olson 3 2 1 15:43.22 Brian Penn Okay, then. So let's do the basics then directed by George Clooney starring Joel Edson Callum Serner Hadley Robinson and Peter Guinness this is a true story based on the book written by Daniel James Brown the story begins in the mid. 30 s as Joe Rance is tryinges to pay his way through college Washington University are looking for rowers to fill their junior eights boat. The lucky 8 will get better and bald. But more importantly, a regular wage. They might even clinch a spot represents in the Usa at the 9036 Olympics Boys come under the watchful eye of coach al ubrickson who has the moulded scene that will compete with the wealthy ivy league universities Joe is gently motivated by a childhood sweetheart Joyce whose sense is a champion in the making now Chris this is all about underdogs fighting the system. Working class boys out to prove that money can't necessarily buy success. It's a touching story of sporting excellence and a desire to be the best. It's never cornney or sentimental but tells a story of honest graft and genuine endeavor. It was a much simpler world on the cusp of global conflicts yet these values still endure as an example of the way a good life should be lived I love this Chris I really think it's great for me the film of a month because yeah film and a month I got to say it of the 5 that we're looking at. 17:04.33 Chris Olson Um, yeah, oh film in a month 17:12.54 Brian Penn Say 6 including um, including benal ah and a armma. This is the best of them. It's a true story so it has more impact because you know it's a true story but it's told with a lot of guts and a lot of honesty I love the way George clearly directs. Rowing I don't think he's a particularly easy sport to capture on film either. You know you don't see a goal being scored or a touchdown or a try being scored. You're just you're just filming a boat on a river but the way he captures. It is absolutely brilliant I love it. There are really nice performances throughout. Peter Guinness is very good as the the grizzled boat builder. Really good. Love this. But as we've just mentioned that you know how great films can fly under the radar this one's going to do the same. It is still on general release. You've got a look for it. But I think it will be coming to the end of its run on theatrical release more's the pity because I think this is a terrific film. Really a lovely film. 18:22.64 Chris Olson It looks fabulous and nice I Ah got a lot of time for clean these filmmaking and with a cast like this is yeah yeah, got a lot of reasons to to be watched I think you know that you say there's that essence of it's mostly about rowing that. 18:27.46 Brian Penn I Yeah yeah. 18:36.95 Brian Penn Yeah. 18:39.93 Chris Olson It's going to fall outside a lot of genres you know sports films. Yes, that's a big category. But I mean I just googled like rowing films and there isn't really much on there that sort of I'd say that um that that big. It's not like boxing. Yeah, like boxing films you could list them all day. Um. 18:44.40 Brian Penn Yeah, yeah. 18:52.83 Brian Penn And and yeah. 18:59.83 Chris Olson But often with these stories. Obviously it's it's far more about the context. Yeah, obviously what's going on and I love films that are set in the depression era I think that's it's such a ah rich ah ground for stories and this sounds like 1 of those movies where it's going to be that I'm so glad I've heard that. 19:07.14 Brian Penn Yeah, yeah, yeah, yeah, is. 19:17.54 Brian Penn I yeah and one life about Nicholas Winson yeah yeah i. I 19:18.72 Chris Olson Story it was like um in our previous episode. It was the anthony hopkins film was it one one life so was called well life. Yeah, but oh I never heard about and it was like such an important story that suddenly it's like yes we we know we we got that and that I think is really important, especially at the moment with. The way filmmaking is going yeah becoming more ah just bland like guess like just yeah that they they're trying to make the movies as cheaply as possible as blandly as possible that someone like Clooney who does have such a artistic. 19:42.79 Brian Penn Yeah, yeah. 19:53.64 Chris Olson Merit to his name. He could have gone off and just been an action star but he hasn't like he's chosen to go and do this, you make these films I think they are worth our time. Um is it is it cinematic though. Is it worth the cinema visit. That's why I always wonder with these films. 19:57.52 Brian Penn Yeah, yeah, yeah, absolutely. Yeah, it's a good point actually because because I would say most films do but a lot you can get away with this film. You've got to see on the big screen to see that have the full dynamic view get the benefit of dollby surround this has got to be seen on the on the big screen and. I think you realize what a very good director George Clooney is you know I I'm a a huge fan of Clooney as an actor and a director but he knows what he's doing. You know he's got a a great eye and he sees what's most important in a story now look you know what? a big fan of sport I am in general. I didn't know this story at all. You know when you vaguely are vaguely aware of it but I didn't know the background so I learned something new I felt slightly embarrassed that this was big. These are olympic ah competitors and I knew nothing about them and so. Even for me as a huge sports fan is something I didn't know about. So if I didn't know I'm sure there are a lot of people that won't be aware of the story as well. So. 21:08.95 Chris Olson Absolutely yeah, you are doing a service Brian by telling us all about these films because yeah I wouldn't have known either. So that's the boys in the boat as Brian said currently on release. But. 21:12.14 Brian Penn A hope sign I hope so that's that's that's my job. But if I can do that My job is done. Yeah. 21:25.79 Chris Olson Very limited I'm probably going to go to streaming not not too long. Ah for that. But let's know what you think because it sounds like a fantastic movie. Um poison the boat now I watched the Elvis film recently. Um. 21:27.40 Brian Penn And. Yeah, yeah, love it. Love it. 21:42.83 Brian Penn Oh right? Yeah there. Alright yeah. 21:45.64 Chris Olson 1 called Elvis gives you a hint guys and girls and everyone in between that we're where we're going next to the next film. Um, and I thought that was really strong. Yeah bas lurman film. Ah great. Great movie. So I'm very intrigued to hear what you're gonna say about Sophia Coppola's Priscilla. 22:02.34 Brian Penn Yeah, yeah, okay, so yeah as you say directs by Sophie Copler very very solid director. Ah you know a careful hand on the tiller you'd expect to be to be good and it is good stars. Caylee spy and jacob ilauddi. Who we saw recently in sawburn don't we ah based on the book written by Priscilla Presley this is the story of her life within all this now because it's based on on the book written by Priscilla I don't doubt it's all Authenticicity. There's no exaggeration. No mudslinging. She's got no reason to lie and can only be a true account of what happened on that basis I find it disturbing and quite creepy. Actually let's make no bones about it. Elvis groomed Priscilla from a young age. She was fourteen years old when they met. He wouldn't let her go out to work. He told her what clothes to wear. It's a textbook study in coercive control if that's what happened if that's true. But I'm working on the basis that it is a true account and there's no reason why it wouldn't be but I put that proviso in um so fas of Elvis will not enjoy this film. You know they say never meet your heroes. I'd supplement that proverb and say never learn the truth about your heroes because you will be upset and disappointed. But you know it throws the light on the dark side of Elvis um, as I say Sophie Coppola does always does the sound job in the films that she makes although. 23:34.58 Brian Penn I would say though that the the interior shots are are in darkness I'm not really sure what they were getting out there but the lighting was terrible and with the interior scene. So I'm not exactly certain why that was the case but otherwise very good film very well made and. Interestingly there are no Elvis songs on the soundtrack which are which I think is a good move in some ways because it's not necessarily about Elvis it's about Priscilla but there's a great soundtrack of 6 sixty s and 50 s music but a good solid tell and as I say quite. 23:53.35 Chris Olson All right. 24:10.44 Brian Penn Quite disturbing in it in its own way. Very effective very well made. 24:15.93 Chris Olson It's interesting. Yeah I I hadn't heard amazing things I sort of read some good reviews and some sort of middling reviews and I think of just my my very limited knowledge of Elvis and Priscilla Hours I thought yeah it's definitely a. 24:21.80 Brian Penn So yeah. 24:31.54 Chris Olson A person of history that deserves a a film you to find out. Yeah, she was so close to Elvis but also had her own story to tell. Um, and I think these the sort of films and stories that if you're a aficionaddo of the time. Yeah, you're gonna you're going to watch it like say and and you'll know the history whether it's true or not. 24:32.92 Brian Penn Yeah, yeah. 24:43.80 Brian Penn Yeah, so. 24:51.50 Chris Olson Um, I don't personally I don't care if it's true or not like I find sometimes that does get in the way like people get a bit funny about it. Oh well that didn't happen like this and it's like yeah but you know they've got to tell this story right? It's not about yeah what actually physically happened. 24:59.13 Brian Penn Yeah, yeah I Ah I. 25:07.78 Chris Olson Um, I mean even documentaries don't do that like even documentaries have to try and like yeah, kind of put together some narrative. Um, but I I Also think that you say that when there is authenticity when you are at least sure of the source that you can kind of go. 25:08.60 Brian Penn I yeah. 25:25.85 Chris Olson Be a bit more invested in it I guess because it's like okay, watch know some of this is gonna be based on truth Obviously you take it with a pinch of salt. But there's a there's a enhanced viewing experience there because the narrative is coming from that person. 25:26.80 Brian Penn Yeah. 25:34.55 Brian Penn Yeah, yeah, I mean even for Priscilla, it's an interpretation of the life that she had with Elvis right? Who better who who better placed to to talk about Elvis than Priscilla she was married to but again like I say you always kind of put that. That health warning on it. But then again as she points out. It's interpretational isn't it. It's what you see it's what you experienced. It's the it's the spin you put on the facts right? And in 1 person's eyes. It's going to be totally spot on in somebody else's eyes. It won't be you know and. 25:58.39 Chris Olson B. 26:14.14 Brian Penn That's I suppose. That's the challenge of of putting true events on screen is that you can't always be absolutely faithful to the truth. But it's supposedly based on a firsthand account on that on that basis. You'd go with it and say well. Yeah I mean. And you you put yourself in her shoes and what she must have gone through and you know that everyone you know everyone has a dark side. 1 thing I would say about this film like um Jacob Ilaudie who plays Elvis who we saw in saltburn is one hell of an accent. He. Perfective elvis' southern draw down to a sea. Absolutely brilliant. You know you wouldn't think he's australian Jacoblaudie and in saltburn he played a character with us. You know, ah a home county's accent and you wouldn't have thought he was lost anything but english you know and there he is. 26:53.85 Chris Olson Shift. 27:11.69 Brian Penn Playing ah a high profile historical figure like Elvis with as authentic a southern american accent as you'll ever find. He's definitely ones who watch I was really impressed with him. 27:24.63 Chris Olson There you go fans of Jacob Alaudy will be very happy to hear that. Um, so that's Priscilla yet currently in theaters as well. But um, at the time that you're hearing this. It may not be but do let us know what you think because some more's intrigued. Um. 27:33.35 Brian Penn Yeah, yeah, absolutely. So. 27:41.10 Chris Olson Now this next film has been talked a lot about is a lot of people obviously big fan of the director yogoslanthemos um, and I've I've seen a lot of different things I'm intrigued see what Brian is going to make of poor things. 27:55.46 Brian Penn Yeah, right? Okay, so this you know it's on general release doing good business um directed by as you just mentioned Yorgos Manthem Latheus mathhammo. 28:08.34 Chris Olson Lathemo You are well is one of the few directors where I was like'm gonna learn that one. Um because I love the lobster thought lobster and the killing of the sacred deer both fabulous films i' so I'm intrigued to see with this one. 28:10.50 Brian Penn But you've been rehearsing them I can yeah hello. 28:18.61 Brian Penn Yeah, he's he's a very capable director for sure. This is starring Emma Stone Willem Defoe and Mark Ruffalo what we have here is a female version of Frankenstein with some bells and whistles added. This is the tale of Bella Baxter a young woman who is brought back to life by a brilliant and highly unorthodox scientist called Godwin Baxter Bella's life takes an unexpected turn when she escapes the gilded cage built by the doctor she lands in Paris where her life is never quite the same again now. I would have to say this is ah a very well-made film. It's a good picture I'm not denying that for a second but what I am surprised by is acclaim that it's received again. It ties in with what we were discussing earlier on about films that. Get passed over films that are overpraised. This film has been nominated for 11 oscars and it's won five baftters and I'm whilst it's good I'm not sure it's that good. Um, you know it's actually very explicit. The sex things are really really explicit leave nothing to the imagination. It's virtually all I can remember the film really strange that isn't it. But anyway, um, it leaves nothing to the imagination as I said and it obscures what is a very intriguing story. You know it has its merits. It's it's good but it's not that good and 29:36.59 Chris Olson Yeah. 29:52.97 Brian Penn The fact that it's got fire baters already shows. How highly regarded it is but this is where you've got an academy of elected representatives voting for a film set against what the public might vote for so there is that kind of tradeoff and we've got the same scenario with the with the oscars as well. Very good film. It's good, but it's not that good if I can put it that way. 30:18.22 Chris Olson Ah Wow I mean I wasn't expecting that but it it hasn't put me off watching it at all because I think yeah I've I've recommended his films before to people I said oh you should watch the lobster and they've done that awkward thing where they've come back to me and gone. Yeah I couldn't get through it and I'm like oh okay, yeah, right? Um, and. 30:23.31 Brian Penn Yeah, yeah. 30:36.61 Brian Penn Ah. 30:36.86 Chris Olson Like if you haven't seen cu funny enough Barry Keegan who we reviewed in saltburn last month keeps coming up that film. Um he he was in the killing of a sacred deer I wouldn't recommend that lightly to anyone because it's quite is a very dark film. Um, so with this I think you if. 30:41.12 Brian Penn Yeah I know Strangeise isn't it. Yeah. And. 30:55.54 Chris Olson If you're in that genre and you're happy with that genre. Then definitely, you're going to watch it. But I think like you say when a film starts to get all that acclaim you do start to think okay is there a reason behind that like is there a reason why this is doing that. Well um, is it connections is it? Yeah is it ah a voting thing I don't know. Um. 30:58.11 Brian Penn Yeah. 31:07.89 Brian Penn And yeah, ah, yeah, yeah, ah well look you there Always always is that possibility because you know members of the Academy members of bafta are elected. They're put there for a reason. 31:15.36 Chris Olson So be cynical but it could be. 31:25.39 Brian Penn And there is this kind of relationship between ah the Oscars and the baftass and awards that are voted for by the people by the the public and I I think you would get something totally different if the people were voting for it. That's not to say this isn't a good film. It is but I don't feel. It reaches the the heights and the zenith that that it seems to ah have Klein to but Emma Stone's very good Mark Roffo's very good William Defoe goes without saying he's going to be good. You know it's a good cast It's wellde designed. Um. Emma Stone plays the part world because for much of the film. She is very childlike and as the film progresses and the plot moves on she grows up very quickly without giving too much of the plot away but she grows up and she becomes an adult so I would say it's a challenging. Role to play which he does very well. Ah, you know it does kind of to me I look at that film the way it looks it. It does remind me a bit of Bazzluman the way he would approach a film. Um, but you know it has its merits. But. Don't really see how it it gains that much support and how it's so revered that you know it's all about opinions. You know I saw we have all we have it that could be our bus phrase for the time being. It's all we have is there opinions. 32:49.31 Chris Olson It is and that's all we have at the end of the day. 32:59.48 Chris Olson Exactly I don't think it'll catch on unfortunately as too much but too much marketing going on these days. Well hopefully the next film tries a bit harder. Um, so let's see what Brian made of the color purple. 33:00.52 Brian Penn Yeah, no well I and I we'll have to try a bit harder won't we yeah. 33:14.63 Brian Penn Ah, right? Okay, but. 33:17.84 Chris Olson Now listen it listeners will be thinking that little bit by Brian there is that good. Ah, right or a bad all right. 33:22.55 Brian Penn And oh right? Okay am I Still that mysterious I thought I was quite easy to read Well Okay, let me tell you then right? color purple directed by Blitz Buzzeroole I hope I pronounce that current correctly. 33:36.35 Chris Olson I I'm going to give you full credit for that that sounds sounds right. 33:40.64 Brian Penn Well, if she's listening in I I do apologize it. But you know anyway starring fanassia berino tarage p henson coleman domingo now this is an adaptation of the broadway hit musical based on an original book by Alice Walker listeners may also be aware of the 1985 film directed by Steven Spielberg and starring Whoopi Goldberg the story in and in a nutshell should we go for the story in a nutshell we're in Georgia at the turn of the century sisters seeli and netsie are separated by circumstances beyond their control. 34:07.34 Chris Olson E. 34:16.90 Brian Penn Seely suffers years of abuse from a cruel husband in a loveless marriage but gradually she finds strength to lead an independent life thoroughly enjoyable film. The songs are great I'd love to see this on stage I find it amazing. It's never been on on the west been on at the west end never been there. Um, but hopefully this film will might give it a a route to the west end. You never know I've got to name check the songwriters Brenda Russell Ailey Willis and Stephen Bray they did a great job The performances are amazing too. Fantasia berino god that girl can see. She's amazing. The only downside for me is that the songs bury the story to a certain extent the original novel goes to some dark places and you lose that in the context of a musical because it is so joyful and happy clappy. You know, um. But if you want more of the story itself this spill the spillberg version is better but hugely entertaining really is gorgeous film in that way, but it dilutes the story. You know the the mute the fact that with a musical the song should carry the narrative and they do that. But because the story is is so broad and challenging. It gets lost when they convert it into a musical but that might be a minor point to some but very good entertainment though. 35:39.84 Chris Olson Wow I see I misedread you I thought you weren't going like this so that yeah beginning ah right I got completely wrong so listeners if you guessed right? Then you know you know Brian better than I do um absolutely I mean yeah, did. 35:46.27 Brian Penn I ah yeah ah yeah yeah I'm keeping you on your sidees line Christmas you. 35:59.62 Chris Olson I'm always ah reticent when it comes to musicals because I do find sometimes I get a bit i' just a bit bored of it or or it's not sinking for me that you the whole breaking into song I It just jolks me Out. It's kind of like theater sometimes when you watch really good theater you okay I was really immersed in that then there's other times where you go. Yeah I was very aware that I was watching people act. Yeah, it, There's that I think you want to be sucked into the musical if if you're going to do that and it sounds like this does that and it's entertaining I think that's another thing with Musicals. They have to be entertaining. Um, but people will let us know um it's in. 36:20.98 Brian Penn Yeah, yeah, yeah. And yeah, yeah, and yeah, yeah I think. 36:38.46 Chris Olson Cinemas and I think you can even get it on Amazon already. It's on the the rental side of things. 36:43.17 Brian Penn Yeah I think it is I think they they tend to overlap now because logic would tell you that you won't get it won't stream until it finishes at the cinema but they do you know they do overlap so you can you can actually sit. Yeah so you can see it on the small screen but you know the. 36:53.40 Chris Olson Yeah I think they've got deals in place and the. 37:01.88 Brian Penn Ah, take on board. What you say about about musicals and I'm I'm always very ambivalent about musicals on film because I don't think they always translate particularly well but you know I think the the Steven Spielberg version of the color purple is that an interesting counterpoint. Because if you want to appreciate? The story is Steven Spielberg every time you know it's that's got to be the best. But if you want pure and sustainment great songs. That's buzz buzzeroola and I was showing off it I know I pronounced the right to me I thought I'd say it again anyway, um, yeah. 37:34.46 Chris Olson A. 37:40.54 Brian Penn Very good otherwise though, but you know it's I think I think you look you always lose the story slightly with the musical you know that there you go. 37:49.41 Chris Olson There we go color purple. Let's know what you think um to the our last cinematic release um not a film about the plymouth football team I'm guessing ah this film is called Argyle ah written by Matthew Vaughan 38:03.10 Brian Penn Yeah, mean should we care? Well, it's a middle it. It's a fairto middling sort of yeah like bit away then did I give away there. Yeah, okay so yeah Macy V film. 38:07.29 Chris Olson What's this one Brian and should we care. 38:13.31 Chris Olson Ah, oh yeah, you could tell your tone there. Definitely yeah, very quickly. Yeah. 38:21.77 Brian Penn Starring Bryce Dalu Howard Sam Rockwell Henry caval and a host of cameoes I feel this film can be a filler whilst we're waiting for the next bond movie if I'm being honest Ellie Conway is a successful novelist who specializes in espionage tales her latest book features Argyle. Ah, recurring all- actionction spy masterster Andie lives quietly but is constantly berated by her mother Ruth who thinks she should get out more of them as fate takes her hand Ellie finds herself on a train sitting opposite the mysterious odden wild. He urges eie to trust him as always not what it seems. Surrounded by aggressors she is quickly convinced though. Life is in danger they flee with her cat Alfie strapped to her back in a c through glass case it seems so stories are getting too close to the truth and threaten at a sinister ah organization led by agent ritter. 39:17.55 Brian Penn Great entertainment brash colorful set pieces are well executed. Totally absurd. But that's okay, you know it's tiny. She it sends up the spy genre and Bryce Douglas Howard Sam Rockquil are great in their respective roles. They have an absolute ball playing this part. These parts good cameos as I mentioned but I've got to say something about duo leappa as lagrange. Ah she I feel she struggles in a very limited role that demands too little of ah abilities cease. Um. 39:55.57 Brian Penn It's not the film. She should have chosen if she wants to break into serious acting on screen. She looks absolutely sensational. She looks gorgeous but she doesn't do a lot of acting struggles to put 1 word in front of the other It's not the part she should have taken and. Almost in a way I'm surprised she took the took the role because it gives the impression that she's there for decorative purposes I mean she does a great dance routine with with Henry Caville who plays our guy at the beginning and it looks great, but it it just feels so disposable the character in this scene. It it doesn't do anything sort of film was so and I think she would have chosen something a bit more challenging but there you go. 40:42.82 Chris Olson Go? Well yeah, some other actors that pop up richardie grant John Cina it sounds like yeah that sort of film. It's been made with a lot of fun in mind. Yeah, there's all yeah, we're gonna just have a blast. Um, the reviews aren't. 40:51.54 Brian Penn I Oh yeah, yeah, no, they not no yeah. 40:58.82 Chris Olson That favorable for it. But I don't think they would be with it with a film like this. Um but be interesting to your people think and let say you know if you're into the bond films and all all that's what stuff? Um, then yeah, the man from Uncle I actually quite like that Henry Caan and um I thought that was all right? um. 41:12.63 Brian Penn Yeah, well I mean yeah I mean bear in mind that Matthewville directs the kingsman and it shows and I found them hugely entertaining but you know it's a question what people like and don't like if you're not a founder of spy. 41:20.37 Chris Olson Um. 41:30.75 Brian Penn Like ahearted spy movies. You won't like this it' all. But if you're a bond fan as I said at the beginning of the the review. Um, it's it's kind of like a filler. You know if you've got that kind of James Bond shaped hole in your life then this could temporarily fill it. You know so. It's not as dynamic as mission impossible shall we say but it's certainly at the bottom end but it it does the job and it's pleasant to watch as ridiculous as it is you know and in the written review I I finished the the review by saying that. You need to have your disbeli suspended for prolonged periods of time because otherwise you you'll get it'll get tiome. But for its type. It's all it's all good. 42:21.56 Chris Olson Hey guy I just love the idea of them putting on the poster great if you're looking to fill your James Bond shaped hole I just think not that would be great that no, but um. 42:26.40 Brian Penn You know I know I know you think that's good last way um, wasn't bad. You know? yeah it wasn't bad, but. 42:35.87 Chris Olson Um, what a but great place to finish our ah reviews of the Cinema movies. Um, so all of those are either at cinemas now um or coming cinemas in the case of Banal Laharma Ah, do let us know if you're on certain platforms. There's comment sections or just on our social media. Just let us know. 42:45.88 Brian Penn The. 42:52.80 Chris Olson But you thought of those movies. You's always good to hear what everyone else thinks um, unless in which case you're gonna be nasty. Ah, which you know while about us in particular we we don't want to hear about that like that's fine. Keep keep that to yourself though we want to know that. 42:53.74 Brian Penn Yeah, like well we yeah know no, that's right? Well yeah, yeah, that's right, Yeah, we don't really want to know that do we? We don't need to know na. 43:11.40 Chris Olson Um, we're moving now to a Netflix movie and this came out in February I believe and yeah February the ninth on UKNetflix anyway original title cool in english means ashes and we've both seen this. 43:27.22 Brian Penn So yes, we have Yes, yeah yeah. 43:31.10 Chris Olson Brian yes, both bothing this and I I hope be honest I enjoyed it more than the reviews did I think it's been. It's got a very low score on Imd B four point two. Um, but I had more fun with it. But I interested just yeah, just your gender impression Brian are you is it was it good was it bad. 43:36.45 Brian Penn And I. 43:45.00 Brian Penn Yeah I Yeah yeah, it was reasonable for me. You know? Yeah I I think it worked reasonable. What I think was a problem with it is that it's a Turkish film isn't it oped into English I don't think dubbing lipsynking turkish. 43:56.71 Chris Olson E. 44:03.85 Brian Penn Answer English or English onto Curkish doesn't work quite as Well. If you're dubbing a French film or a German film lipsynching works better generally. But I think with Turkish It doesn't work at all because what you end up doing is that you watch the lips of the characters or I do anyway. To see how well it it syncs up and it doesn't quite do it and I think subtitles might have been better for this film and I see I didn't change it over. Yeah I see I didn't think of that I just watch it. 44:26.86 Chris Olson Oh did you not change it I changed it to. Ah yeah yeah I changed I had it on on the original language. Yeah I didn't have a problem at all with that and I strongly recommend everyone do that? um. 44:38.57 Brian Penn Yeah, yeah, yeah, yeah, I Yeah yeah yeah. 44:38.93 Chris Olson I'm the same I've seen so many films where I started in English and gone Whoa Whoa Whoa! What's going on and um, yeah, now. Definitely recommend if you're gonna watch Ashes. Do it in the original language and also I think just generally yeah, this is a story.. It's even near set in that. Location I think it's important that people feel that authenticity coming through. 45:00.88 Brian Penn Yeah, yeah, that's right I agree with that it was an oversight on my part because I just started watching I know and it didn't occur to me to switch back but I like the story I like the story. The the idea that ah I think it's is it goka or goaxa ah happily married woman. To Mariton Eison who runs a publishbbtion company. She has her own clothing business and edits new books and then she becomes enthralled by new manuscripts and is drawn into the plot where reality and illusion become blurred I like that I don't think that's an interesting take I've not seen a storyline like that before. 45:36.20 Chris Olson Yeah, it's got this kind of like a fascination with books isn't it because obviously they're a publisher then they've got this book that seems to be not coming alive I think that's kind of being a bit silly but she's reading into the story and then she sort of immerses herself into the story by chasing after the characters and. 45:37.10 Brian Penn About you and look. Yeah, yeah yeah. 45:53.31 Brian Penn But yeah, that's right I yeah um and yeah I like the idea you know originality so took what's Com buying films in in in any any sort of genre of right? There are you know. 45:55.48 Chris Olson It starts to take on kind of like a sinister sort of feel. Um, yeah, it's very interesting premise. 46:09.95 Brian Penn Are only so many possibilities you know you think there are hundreds of thousands of plots you could come up with but they're all derived from 7 or 8 classic plots aren't they but this is different. It's unusual and when she meets with this the carton sir Keenan then the story. Gets to the the heart of the matter more visuals are great I think it again like bennoharma beautifully shot the colors light and shade again, it's all going on there I I pickeds up on the facts. It didn't get good reviews. Um. I think he's pretty decent I think he's pretty good you know um once you've got the you've got it worked out whether you want subtitles or the dubbed english version. Go for the subtitles as you points out. It's a lot better stick with that and I think it's it's ah, an enjoyable movie. 47:04.37 Chris Olson Yeah, the the chemistry between those 2 central characters. Obviously yeah with their voices as well. That is so powerful he now was one of the best parts of the film was those 2 for me and and I think the film much like a few films that we've talked like benal and aharmack it brings in. 47:05.42 Brian Penn It works. 47:12.51 Brian Penn Yeah, yeah. 47:23.93 Brian Penn Yeah. 47:24.15 Chris Olson Multiple genres but without jarring you because there's this like powerful romance story. But then there's kind of a bit more like of a sinister thriller aspect going on and I always know a film is is is good if like. 47:34.94 Brian Penn Yeah. 47:42.10 Chris Olson My wife walks in and kind of goes. Oh what's this like she sort of she got caught up in it almost instantly she was like oh yeah, um I said but she's not a big fan of subtitles my wife so she was she didn't sit through it. But um I think you know it's that sort of film is's going to sit on UKNetflix and a lot of people won't. 47:42.94 Brian Penn Yeah, yeah, yeah. 47:57.66 Brian Penn I No the yeah the yeah. 47:58.81 Chris Olson Watch. Yeah, if you're not a fan of subtitles then you probably already have skipped past this review but I think it's it deserves a bit of recognition just for being an interesting story. Well-made like you say beautiful locations. The shooting is is amazing. Um, especially when they get onto like the rooftop and things that would like that section. 48:14.94 Brian Penn You? Yeah yeah I think. 48:17.77 Chris Olson Um, it's worth your time and one of those films as well that it didn't get all of the promo that a lot of other films get so hopefully we can do a service here just to shout out. So yeah, Pronounce Cool which is K you with yo La L If you're looking up or ashes. Um, so. 48:23.29 Brian Penn I My yeah less less I'm so yeah, yeah. And. 48:37.20 Chris Olson Yeah, let's know if you watch it and what you think it's on Netflix u k at the moment and all the best to those filmmakers because I thought it was great. Four point two I do I think that's outrageous I really do I don't think it's four point two yeah um. 48:44.93 Brian Penn So yeah, yeah, good job did a good job that's unfair I think that's unfair. 48:56.93 Chris Olson Okay, we're now moving to the indie section of our show which is where we review a selection of films that have been physically sent to us. They've said please review our film and we are very honored to do so um because often these films get reviewed on the website but we don't necessarily get time to chat about them. But. 49:05.42 Brian Penn And. 49:14.20 Brian Penn So. 49:16.46 Chris Olson Here we can make some time um and great selection in this show. We've got four films to review the first of which is a feature length ah called suit hung. 49:27.67 Brian Penn And yeah, that's good I Know it's deliberate. It's deliberate isn't it on purpose. So. 49:28.73 Chris Olson Tied tongue now I had to read that slowly because so many times I've said it the wrong way around or said that right and I think it's meant to right I feel like that's a tongue twister. Yeah yeah, ah, um, which is a feature length drama directed by saudatchi and based in Ireland um, and it. Takes on this kind of documentary style to tell a story about 2 brothers who people are talking about them and some horrific events that have transpired involving them whereby I don't think it's a spoiler if I say what happens because it does get mentioned very early in the film. 50:02.44 Brian Penn No yeah, yeah, it ah was it? Yeah yeah, yeah. 50:05.64 Chris Olson Yeah, but a political figure gets assassinated by these 2 brothers and they are and and a police officer and they're talking about them. Um, yeah, there's like their family members or close relatives or friends and it's it's got this like say documentary style and we then are. 50:20.30 Brian Penn There. 50:24.64 Chris Olson Going from say like their childhood. They're talking about they would sort of normal boys go into like guitar and things like that. Um, but then how they drifted towards this sort of radicalized position that they were in and started doing videos and really talking about. So it's this. 50:37.75 Brian Penn Me. 50:42.22 Chris Olson Um, minister for change I think that's who he was reformative and we see press shots of him talking about his role and what he's going to do for Ireland and how this kind of stirs up trouble with the boys because they or the brothers they are. 50:42.78 Brian Penn Yeah, yeah, minister for reform and change I think yeah. 50:58.98 Chris Olson Under the belief that he is corrupt and ruining Island and yeah, the film kind of starts to get momentum and escalate towards a really strong almost visceral um conclusion which. 51:00.26 Brian Penn New. 51:06.99 Brian Penn Me no. 51:14.54 Chris Olson We already know what transpires. But I think it's still really powerful in the way that it unfolds. What do you think of soup hung ti tongue Brian. 51:16.21 Brian Penn Yeah. Well let's let's not discuss the title anymore because like you did really well pronouncing that problem. Yeah I know I know I couldn't even even attempt to I was absolutely fascinated by this film this This is so clever what they've done because it's told in documentary style and. 51:27.97 Chris Olson Ah, yeah, say it 5 times now. 51:39.99 Brian Penn I was watching it first 15 20 minutes I was bearing in mind that I didn't read too much about the film prize watching it so I went in and watched it cold first twenty minutes I thought to myself god I didn't know about this I was convinced. It was real right? I was convinced that they were talking about something that happened. 51:53.68 Chris Olson Yeah, yeah, me too. 51:59.65 Brian Penn 20 minutes in I thought after Google this why don' I know about this if this happened in Ireland why why didn't I hear about it. You know and but now I won't Google it. But then I think half an hour in it kind of dawns on you that it that it's purely fiction is dramatized but that gives you an idea of how. Effective the film is because it makes you buy into the characters as being real right? and it's only when the I think it's only when they were interviewing the police inspector that I can't onto it and then as you say it turned very sinister and very ugly then and the 2 the 2 brothers the helping brothers. It became more obvious what they were about who they were how their um, their attitude and anxiety grew from early in life to make them what they are now and make them do what they did. But I think what was also very interesting about the storyline was that. 52:57.29 Brian Penn What they did polarize the nation didn't it that they either were either villains or they were heroes to some people because they were challenging the status quo the nor the norms what people accepts as being normal and civilized very clever filmmaking. Got to say. Very impressed and I I was taken in for first twenty minutes half an hour I was absolutely convinced. It was real. 53:23.32 Chris Olson And I'm I'm always dubious when the so Pseudo documentmentary styles use I've always like okay, right because it gives you a lot of ability to explain. Yeah, it' explain the story and give give away the yeah so exposition right? But the way this is. 53:28.55 Brian Penn In. 53:35.17 Brian Penn I Mean yeah. 53:42.46 Chris Olson Done is really clever because it's really mysterious like they're giving you feel bits about what happened but you don't know the picture yet and it kind of Unfolds really brilliantly and what I liked as well was when the brothers start doing the videos. They have this countdown as to when they're going to attack. They say they state when they're going to attack. 53:47.50 Brian Penn Yeah, yeah, yeah, yeah. 53:56.93 Brian Penn So yeah, yeah, yeah, yeah, yeah, yeah. 54:01.83 Chris Olson This Politician and they're even surprised at how much momentum grows from these videos that they get like lots and lots of views and it starts to almost swirl out of control because maybe they weren't really that serious or maybe they weren't yeah it certainly wasn't going to go the way it did um and. 54:06.90 Brian Penn Yeah, yeah, yeah. 54:14.66 Brian Penn Yeah, so. 54:21.45 Chris Olson That I found the most compelling aspect was it was It was genuinely thrilling genuinely thrilling I was ah I don't know where even though you know where it's going. You don't know where it's going. You kind of feel that you must. You must keep watching and I love the bit because the. 54:29.87 Brian Penn Yeah, and I. 54:37.79 Chris Olson Title refers to a poem I think or at least it's a bit of a poem and that's that's read over the film at one point. Um, and I thought that was brilliantly done. Lots of great shots. There's this really good adol drone. Oh I'm I'm assuming it's a drone shot over the landscape. At one point I Thought that was really well done. 54:40.91 Brian Penn Ah, right? okay. 54:57.48 Chris Olson Um, because a lot of the footage is this sort of like it talking head sort of um approach but there are bits in it that are really cinematic. Um, yeah I I thought it was great. Really enjoyed it and sometimes when you when we sit down to watch indie feature films. There is that element of like okay we no idea what we're in for um, this. 55:01.94 Brian Penn Um, yeah, Amy yeah i. 55:17.26 Chris Olson Really stood the test I thought this was great and would thoroughly recommend it. 55:19.70 Brian Penn Yeah, so would I So am I actually and I'd like to see it on a big screen as well. You know? Yeah yeah I think you would. 55:26.41 Chris Olson I think yeah, it would work on a big screen. Um in terms of seeing it so suit hung tied tongue. We were given a a password protective ah screener which would suggests that it's yeah, still doing the rounds i'm. Want to find out more about the film. The the company behind it is called standard practice. They have a website standard practicetic dot I e and they're also available on all the social media is the film itself has a Facebook page. So I think that's probably the best place to go for information about release and things. Um, so you've go to facebook.com/. 55:54.91 Brian Penn You. 56:01.22 Chris Olson Suit hung 1 word dot tied tongue 1 word. Um or Google it. Or yeah, if you're that desperate do email us someone will direct you to it. But um, yeah, you should be able to find it and yeah ah dar recommend that you do because it's one of those films that deserves. 56:03.39 Brian Penn We ahead comment. Yeah, well. 56:18.63 Brian Penn Me. 56:20.27 Chris Olson The eyes that I think there's a lot of lot of effort going to make this movie and for it to be as powerful and as evocative as it is it really deserves. Yeah, good viewership. So. 56:32.11 Brian Penn It's very impressive. It really is. 56:35.90 Chris Olson I Okay so that was suit tongue tied tongue I've done very well pronounced in that can I just say I've kept I don't think I got it wrong once we're moving now to a film that I can pronounce very well ah settling down feature length. 56:38.34 Brian Penn Yeah. 56:50.49 Chris Olson Comedy film. Well dark comedy I think ah from writer director Tom Risuto ah Brian want to give the synopsis on settling down. 56:51.75 Brian Penn Here. 56:57.90 Brian Penn Yeah I'll give it a go. So We we have We have a couple faith and Mike who have shall we say a dysfunctional relationship. It has Peaks and Troughs like all relationships. Do. She wants to move house and he doesn't. However, P is unperturbed and contacts whom are a local estate agent who has ways and means of removing troublesome tenants and other difficult clients and they are gradually sucked into a sinister train of events I might say more than that Because. There is so much going on in in this piece that to tell to reveal more would I feel in some ways almost spoil it but it it's surreal in places but ah I was gonna say gripping gripping something the right word but it's it's Compulsive. It makes you watch. And there are rather scenes that honestly don't make any sense. Yeah, when when they're in the restaurant and the woman's eating spaghetti off it off the man's bare Chest. Ah I Still don't I Ah still don't get that I'm sorry I don't get it at all. But you know what it it Works. It's interesting. They got um. 57:58.60 Chris Olson Yeah, that code to my head. Yeah as I Oh it. 58:11.14 Brian Penn Packed it with interesting characters that do work and they can all act as Well. I mean what we mentioned on the last podcast that well I did anyway that often with with small indie Features. You do often get as who have very very basic acting skills. But. Here They've got. They've got a cast they can all do it. They can all acts. They're all very proficient answers and that makes a big difference really? but yeah I liked it. It's got something about it. But I'm not sure what but it. It's got lots of good things going on there. Yeah. 58:46.66 Chris Olson Yeah, it was definitely um, a mixture of genres again like we saw said about a few films but this was kind of more in the ballpark of like a surrealist comedy you with a bit of a dark edge I thought and it was yeah there were scenes that were. 58:50.28 Brian Penn Yeah, yeah. 58:57.66 Brian Penn Yeah, yeah. 59:02.75 Chris Olson Very strange but it kind of it made sense tonally when you're watching it. You kind of go this makes sense in the film that I'm watching and it what they say The compulsive is a great word to use for this I thought it was compulsive to I found that I wanted to know what was going on I wanted to know how it was gonna yeah. 59:09.40 Brian Penn Yeah. 59:17.35 Brian Penn Yeah. 59:21.54 Chris Olson Conclude Yeah, with the the wife kind of unwittingly enlisting the services of these I mean maniacs. Really yeah, what they do the the actual the person who goes in ah try again trying to spoil person who ah does the nasty business. 59:27.28 Brian Penn Attack. 59:37.83 Brian Penn Yeah, yeah. 59:39.69 Chris Olson He is particularly disturbing like when he's talking I was like you are really like odd and strange and and you can't take your eyes off him. Um, and then there's like the 2 cops who are kind of investigating but quite badly. Um who I think the director is one of those. 59:42.30 Brian Penn Yeah, hello Yeah, that's right, it has some impacts on you when you watch Thunder out about it. 59:53.91 Brian Penn Yeah, yeah. 59:59.12 Chris Olson Actors I think I might be wrong. Um, that had a kind of comedic element. You know it puts in lots of moments that are so funny in the film I found it scrappy at times I thought it was scrappy that you can tell it's not a big budget film and I think that element of. 01:00:09.56 Brian Penn You. 01:00:18.20 Chris Olson Everyone was really passionate to make this film. There's a lot of people there putting in a lot of effort that their the result is scrappy. It is a bit like okay yeah, like you've really got to be into this just to stick with it I don't It's not a mainstream film by any means. Um, but. 01:00:18.67 Brian Penn Yeah. 01:00:26.74 Brian Penn The. 01:00:32.00 Brian Penn And 9 it. 01:00:36.27 Chris Olson There's something there. Well I mean we've reviewed some surrealist comedies and things on this show a few times and this is definitely better than some. We've see ah but I can also see that there will be people out there that don't get on with it that don't get on with this style. Um. 01:00:38.12 Brian Penn So there. I Will not. 01:00:52.95 Chris Olson But I think that's true of it, especially comedy I think that's true of any comedy film and. 01:00:52.96 Brian Penn It and and I think you have to accept that an independently made film will have certain characteristics about it and it will be rough and Ready. It will be ragged but you could argue that's part of its charm that it's raw right. And that's what gives it a distinctive edge so you accept that you accept that it has its imperfections and its flaws and that you know if you're a fan of slick big-budget movies a lot of indie features won't necessarily work for you. Because they can't afford the same production values but you accept it what it is and within its Genre. It works well and this film does but I take on Board. The fact that it is it. It is rough around the edges. But I mean that's more about budgetary limitations than anything else isn't it. 01:01:43.43 Chris Olson Yeah, hundred percent hundred percent and I also thought they did well to capture the there. There's a lot of comedy and bizarre things going on but there's also a theme running through about yeah being. Ah, dissatisfied with midlife. You know there's this yeah, she looks at her partner who's wearing the the mask to stop him snoring and it's kind of like that that there's that there's that undercurrent of dissatisfaction with midlife I thought that there will be things there for viewers to connect with and that there's things there for you to enjoy and. 01:01:59.17 Brian Penn The the. Yeah, yeah. Yeah. 01:02:18.77 Chris Olson If you can stick with it I think it's It's a decent film by the time you you get into that latter section and it does start to sort of vamp up in terms of what's going on. Um, but yeah, hats off to to the filmmakers and everyone involved with selling down. Um the film itself I don't. 01:02:19.88 Brian Penn Of course. 01:02:31.51 Brian Penn And. 01:02:36.30 Chris Olson Ah, yes, we had it. We have a Youtube link let me check. Um, it might be unlisted. Ah yes, unlisted and there is a web website settling down film.com but I've just been on it and there is any information about screeners currently that may change by the time this comes out. Um, but yeah, you can. 01:02:36.65 Brian Penn There. 01:02:55.66 Chris Olson Ah, stay tuned on their website um or have a look. Yeah, they've got I am db page as well. Sometimes that gets updated with screenings and platforms that it might be available on but the film is called settling down 2023 because I think there are other films called that if you struggle to find it? Um, yeah. 01:03:01.19 Brian Penn And. 01:03:10.57 Brian Penn I Ah yeah I Ah I know I know and know they go limitations to the English language isn't really. 01:03:14.55 Chris Olson Yeah that's the that's the situation we're in nowbra. There's so many films they've even got the same names that it's just you know where will it end there. Yeah so settling down we're moving on now to a short film written and directed by filmmaker Charlie Norton called the lost weekend now. This um could be a triggering film for for some people this there's a few bits in there that are sort of slightly upsetting but it largely reveals that deals with toxic masculinity I think that would be the the strongest thing that came up for me. Um, it is ah about. 01:03:39.57 Brian Penn I Mean. So yeah, yeah. 01:03:52.77 Chris Olson 3 guys the central character being James played by Brendan Egan who are having a summer blowout I guess um, a nice place in cape cod and in typical, almost kind of american pie esque fashion they're chatting about. 01:03:59.72 Brian Penn And. 01:04:11.68 Chris Olson Conquests and sex and all the things that you guys apparently do decided it not wasn't my expert. Ah, but anyway, um, that was ah yeah, and then we've got so James is within this group but he has had quite a conservative upbringing who so in catholic school. 01:04:13.99 Brian Penn Yeah, yeah, yeah, yeah, well yeah yeah. 01:04:27.76 Brian Penn Yeah. 01:04:30.39 Chris Olson And hasn't had any experience with women yet still a virgin and struggles to deal with the sort of masculine views being put on him as well as being kind of goaded especially by the character of nick played by Henry Lynch who is quite a toxic force. Um and the film starts. 01:04:38.52 Brian Penn In yeah. 01:04:50.40 Chris Olson With James refusing to not want to jump off a bridge and I thought that was brilliant because I don't know about you Ryan but when I was younger my mom always said to me when I got in with the wrong crowd. What if they jumped off a bridge was you I think that was. 01:04:53.20 Brian Penn And yeah, yeah. 01:05:01.14 Brian Penn Ah, yeah, and I Yeah yeah and and know it does remind you a little bit of what your mom or dad might sell you in it. Don't don't do what the others do don't do what the what the big boys do I I like this I really enjoyed it. 01:05:04.98 Chris Olson Every boy's childhood. They had that said and I thought that was a great way to open this film. 01:05:19.78 Brian Penn I think it was well captured wellobserved I like the dynamics between the 3 guys because James as you say had the very causted sheltered upbringing who's been brought along by his friend Dylan and you've got that friction between James and and Nick Nick who's a lot more much brasher. More forward James is very nervous uncertain of himself and he's basically the plus one isn't he James on that this particular trip and so I like that dynamic the one that develops. Um, when the girls are introduced into the storyline Caroline. 01:05:45.50 Chris Olson It? yeah. 01:05:56.69 Brian Penn Then everything changes and it's interesting to see the way James's personality evolves and develops over that weekend and the way again it is a study of masculinity isn't it about a guy proving himself ah to his peers. That's that's what comes through really. Really strongest for me. But yeah I like to I think it was nicely played wellacted well observed. It's good. You know I think for a ah, a small independent feature. it's it's got it's got a touch a gloss that you might not necessarily get. With yeah yeah, yeah. 01:06:34.40 Chris Olson Yeah, definitely felt a high end production value. Um, which I think goes in its favor and 1 thing I felt was they did really well capturing this sort of essence of coming of age and what I loved about it was this idea of it being. 01:06:47.24 Brian Penn Yeah. 01:06:51.91 Chris Olson Yeah, a throwa away type of weekend. You know they're going to sort of drink beers by the beach but actually these are the type of events in someone's life that can actually be really defining. Yeah that his reaction to characters put in front of him like Caroline and yeah, the sort of bullish nick it's. 01:06:52.47 Brian Penn Yeah, yeah. 01:07:01.80 Brian Penn I Yeah you yeah there. Yeah absolutely won't and. 01:07:11.98 Chris Olson These are that what actually become really important to someone even though they might not seem so at the time and I love that but I did feel that James's struggle to find these identity could have been fleshed out more I don't I think there was more to this. Um. 01:07:27.68 Brian Penn And there. 01:07:31.30 Chris Olson There's quite a rapid movement from where he is at the beginning of the film to where he is at the end of the film. It's not big enough within there I think you know it's this kind of they have this party and everything kind of kicks off but I felt that. 01:07:38.53 Brian Penn Yeah, yeah, yeah, yeah, yeah I felt that as well. It it felt abbreviation in places because they you know. 01:07:45.80 Chris Olson It needed more? Um, yeah, yeah, that that was just my personal feeling on this. 01:07:57.11 Brian Penn You know they can't give it all the time they want. They've got a limited amount of screen sign. They know that and you just feel that the story loses something as a result of the time constraints which is unfortunate but there's something in there and that's the sign of a good strong narrative that. Probably needs more than they could give more time than they could give it. But yeah, you do sense There's more there you you peel back the like the layers of a character and the scenarios they're fleshing out you think want to see more about that. Want to see more but didn't quite get to it? Yeah yeah. 01:08:28.46 Chris Olson Yeah, and I think that's a is a good thing right? It's like you want more of this film and it does Well you explores youth friendship relationships really well that touches on like religion and yeah, yeah, lots of things that are big but I thought that yeah. 01:08:34.67 Brian Penn Yeah, yeah, yeah I. 01:08:45.41 Chris Olson Definitely would have been happy to watch more. That's another thing Sometimes you're watching a show you kind of go. Ah, that's a shame that's finished yeah was I was just getting into that. 01:08:45.73 Brian Penn It? Yeah yeah I know what it? Yeah,, That's right, You think it's just developing. It's just getting going and then it then it stops but no one likes it. Yeah, it's good I likes it and. You know what you mentioned earlier on ah about pivotal moments in someone's life that almost sets the tone for the way their life carries on That's what that's dealing with here is that those key experiences moments in their life when they're on the Casp. Of adulthood when they're not not quite a man not quite a boy. You know it's It's that kind of the inbetweeners isn't it if I can quote um the Channel 4 Tv show in between is where they're on the cusp of of Manhood. So it deals with a complex area of.. Anyone's life really well and as you say covers a lot of lot of things in the time they have available. 01:09:43.38 Chris Olson So so that was a short film called the lost weekend. We were again given a password protected screener but you can find out more about about the film on Instagram at the lost weekend film or 1 word or at their website flying cardproductions.com ah, yeah, definitely recommend seeking out often with these short films. They end up on platforms like Youtube and Vimeo and easy places to watch them and I strongly recommend seeking that one up really really good. Okay, onto our final indie film. 01:10:03.77 Brian Penn Yeah. 01:10:09.34 Brian Penn Yeah, yeah, absolutely. So. 01:10:20.74 Chris Olson And this is a feature length. It's film called tiger not pronounced. Ah sorry, not spelt like the animal spelt t y g e r now before we get into the film I just want to ask Brian do you know what reference that had within the film I couldn't spot it. But. 01:10:35.53 Brian Penn I No no no I thought you might know I thought you'd know these interest. No I didn't I couldn't see I thought it might have been something to do with um the the cudly toyer that belongs to. 01:10:38.60 Chris Olson I was hoping maybe you would? yeah no ah ah. 01:10:53.90 Brian Penn Joe Sta I thought it was that I thought I yeah yeah I i' been that? Yeah yeah, that was a conversation between us wasn't it really. 01:10:55.52 Chris Olson Oh yeah, ah not sure, but because also the spot The spelling was different right? but it probably does probably apologies if we've missed this? Ah, but yeah, but sorry that was on aside but just you back to the film So tiger. 01:11:11.10 Brian Penn Yeah, so. 01:11:11.20 Chris Olson Ah, directed by Alexander Milo Bischoff and co-directed with sorry co-written with Dylan Edwards the film stars. Ah Ben Aldridge sebastian hold on I'm on the right right film. 01:11:25.26 Brian Penn That's right? Yeah, yeah, it's definite edwards place Joe yeah, but Sebastian Sebastianir was his Sebastian's in it. 01:11:26.64 Chris Olson Didn and Edward sorry I was reading the wrong character. Let me damage it. It let me just let me just do that again hold on let me just pause this. So ah, directed by Alexander Milo Bisoff and co-written with Dylan Edwards the film is about a character called Joe who's just been released from prison he's in he's an ex soldier and very much going through. Ah ah, still going through a terrible time in his life. 01:11:49.67 Brian Penn And. 01:11:59.18 Chris Olson Um, he gets shown to this sort of depressing apartment where he can start to rebuild his life. Um, he tries to sort of keep to himself a lot but his plan we discover is to make enough money to get back to Scotland to be. With his his daughter who he often narrates letters to through the film. Um, he falls in with a well it was the leader of a group like ah, an alcoholics anonymous type group. Um, he falls in Neil. 01:12:24.11 Brian Penn Um. 01:12:36.80 Brian Penn New. Yeah, so. 01:12:37.57 Chris Olson Ah, played by Shaun Sean Dooley ah was he falls in with him and they the 2 kind of become friends and then Neil offers him a job and things start to look like they're kind of picking up for Joe unfortunately something happens in his apartment that caused him to have to go on the run and. 01:12:51.20 Brian Penn New. 01:12:54.73 Chris Olson The rest of the film is seeing him basically try and make his way back to Scotland encountering a few people on the way such as ex soldier that he was he served with there's some other people on the way that he meets um on his bicycle. He's on his bike for for most of the film now. Um. 01:13:08.21 Brian Penn I As you do? Yeah I No absolutely not no I I Yeah I I loved it. Absolutely love this. It's grim. 01:13:13.49 Chris Olson It's not a light film by any means this is a dark drama but it is an absolutely brilliant one I thought this was incredible. What did you think of Tiger Brown 01:13:27.53 Brian Penn 2 words I wrote down when I was watching this film grim and riveing. It's absolutely compelling. You can't take your eyes off it for a second brilliantly acted brilliantly written I think Dylan Edwards is excellent as Joe. Sean Dooley who will be be familiar to listeners. It appears in film and Tv frequently. Very busy actor but a great supporting actor and it made me think out how important supporting actors are to any film that they do make the film. Tick over and ah the the exchanges between Joe and Neil because niil's a reformed addict isn't he who it was kind of like a counselor to Joe I thought he was excellent I thought the script was brilliant what you know what? I loved about the scripts here was that. It's quite sparse. They didn't feel the need to fill the script with lots of words they didn't fill the need to fill to fill the film with lots of dialogue and we mentioned about silence being worked into a script. They do that very well here particularly where Neil and Joe. 01:14:34.94 Chris Olson Um. 01:14:42.74 Brian Penn In the car together and Joe sister ne what made you stop and ten fifteen seconds passed by before he reveals the reason why he stops do you know the part of the film I'm talking about. 01:14:54.67 Chris Olson Yeah, yeah, that scene was absolutely heartbreaking. It was I yeah yeah I I think that I hundred percent agree with you about the power of a supporting actor. 01:14:58.91 Brian Penn But wasn't that intense wasn't that in sense though you know. 01:15:07.92 Brian Penn Yeah, so. Yeah. 01:15:12.90 Chris Olson And I think doley does that amazing in this film because alone Dan Edwards says great. You know he? there's a lot of scenes actually where he is alone. But I think without that foundation of him and Neil in that that beginning part of the film. The rest of it would have. 01:15:19.25 Brian Penn And. And. 01:15:31.70 Chris Olson Not felt anywhere near as as breathtaking as it was because you get that emotion and it's not just the story. It's just the way that Sean Doley does that scene he does it incredibly I was mesmerized and I was absolutely heartbroken I don't want to say what the story is. 01:15:32.87 Brian Penn Yeah, yeah. 01:15:43.34 Brian Penn Yeah, no, no yeah I know it was it was and I felt I found it I was really surprised by it. 01:15:51.19 Chris Olson But as a parent listening to that story. My God that was hard to listen to. Um, amazing, amazing section. Yeah I love that bit. It's amazing. 01:16:03.27 Brian Penn This film delivered a number of emotional punchlines that I wasn't expecting and that was one of them really? Ah, yeah, it's It's kind of that type of film. You think well I feel quite drained through watching that. But I'm glad I did watch it. You know it's that type of. 01:16:18.30 Chris Olson Um, yeah. 01:16:21.83 Brian Penn You know when he comes out of prison this is where I think it's so well observed because he's ah, an army Veteran Afghan Veteran Reform reforming drug addicts. You know he's put up with a lot in his Life. He comes out of prison and he he enters something resembling a prison where he's in this tower block. Even though he's free. He's not.. He's kind of imprisoned in in another way isn't they living with unsavory types. You know it's almost like he's living a similar life to what he lived inside. So I think that's quite acute the way they've observed the experience of an ex-con and someone coming out of Prison. Without any immediate prospects of of work. But yeah. 01:17:01.70 Chris Olson Yeah, it's more like his psychological state right? because he when you when he comes out and even like throughout the film you're watching him you're like this is a guy that's never left prison like he's not left really right? emotionally and and psychologically and he is. 01:17:13.00 Brian Penn Yeah, yeah, yeah, exactly yeah. 01:17:20.99 Chris Olson Ah driven. Yeah by this destination. Um, we I won go into it but he's driven to do this journey and you know he's absolutely sat on it so much. So but that's that you can't help but watch it feeling so sad for him that. 01:17:26.73 Brian Penn Yeah. 01:17:40.50 Brian Penn Yeah. 01:17:40.44 Chris Olson He's not finding peace. He's not finding. Yeah what he should have found with his freedom and yeah is ah one of those films that you say it isn't up be is that he's very grim and you watch it is so grim but but done in a way that is so. 01:17:51.83 Brian Penn And oh there' 01:17:57.92 Chris Olson Enjoyable. It's not the right word but it is enjoyable. You watch it. You want to watch it. You want to see more of it. You want to feel those tears running down in your face when you're watching it when he has these moments and when he has that I think it it touches on lots of different themes as well like about War Pcsd addiction. 01:18:04.80 Brian Penn The. 01:18:13.64 Brian Penn So yeah, that's all nice things. Yeah. 01:18:16.57 Chris Olson Um, all these things that so come up ah naturally through history and it's but also it doesn't just do that. There's there's visuals that are amazing that he's by the sea. Um at the beginning is it margate I think he comes into I read in Jason's re review he said Margate. Yeah. 01:18:25.87 Brian Penn Its yeah, it's yeah, it's it's Ken isn't it. It's the kent coves isn't it. 01:18:34.96 Chris Olson Ah, so you know it's It's also got those elements to it to make it really powerful. It's beautifully filmed. It looks the part and I I Just sometimes you finish a film where you just kind of take a little a few moments to just kind of just breathe it in and this was one of them. Um, yeah I thought this was. 01:18:39.56 Brian Penn And. 01:18:47.93 Brian Penn Yeah, doing yeah. Yeah I know yeah it it? Yeah no doubt about it like you know you you fight you reach for so many superllaatives about a film like this and you none of it seems quite good enough that. 01:18:55.22 Chris Olson Phenomenal, Absolutely phenomenal. Um Tiger Yeah, strongly recommend it strong to regret. 01:19:11.48 Chris Olson Yeah, yeah, you got to struggle to it. It was more how you felt if you could have been there. Yeah when you when you felt it. Um, it's about T Y G E R Um and this film is available to watch and. 01:19:13.54 Brian Penn Yeah, yeah, that's why it makes you feel. Yeah. 01:19:27.26 Chris Olson Ah, do you know what? I don't often say this but stop listening to this podcast and go watch it. Um I think it deserves it. it's it's available um on a few streaming platforms. The filmmaker did actually should be I think the producer Olga had messaged me or or 1 of the from people from the film. 01:19:31.26 Brian Penn Ah, yeah. 01:19:44.46 Chris Olson Twelfth of February it was released prime video Itunes and Google so you have no reason not to go watch this I I think it's a rental and if you're going to watch it in those places. But yeah, 100% recommend it because this is that type of film that like some of the films we reviewed at beginning of the. 01:19:48.47 Brian Penn Man watch. Yeah. 01:19:59.21 Brian Penn Definitely. 01:20:04.21 Chris Olson Show it won't get the views that it serves I could say that yeah because even if 1 person on the planet doesn't watch it then it didn't get the views it deserved. So I really really loved it. Um, tiger got here now. 01:20:07.38 Brian Penn Um, it's the worst thing isn't it. Yeah yeah, oh exactly? Yeah well. 01:20:21.54 Chris Olson What are you doing? Why are you still listening come on I probably because we've got one more film to review haven't we yeah, that's probably why you're still here listening honest people do tune in for the nostalgics lot. Um, so if this is your first time to Uk Film Club um we review a film from the past. 01:20:21.76 Brian Penn I Love you? Yeah, it's the nostalgia slot isn't it. Yeah, they want to hear that person. 01:20:40.39 Chris Olson That we like to revisit or maybe it's our first time seeing it. But it's just something that a lot of people talk about and recently we've been tying these into new releases as well. Where possible so we did June last episode because part 2 was coming out and this month if you didn't get it from my Jingle at the beginning of the episode. Um, is the 1984 ghost bustards film now I believe our friends at the phantom zone also were covering this in an episode. So Chris Ian and the gang please don't shoot us for also covering it. Um, it's a film that deserves lots and lots of people chatting right? to be honest. 01:21:02.54 Brian Penn In. Yeah, oh okay. 01:21:13.66 Brian Penn There? Yeah yeah. 01:21:19.57 Chris Olson Um, and this is tied into the the release of the new ghostbusters film in March ah, if you're up for that. But um ghostbusters Brian now I'm always intrigued to know. Where you stand with nostalgia films in terms of because sometimes I say oh you how many times do you sin this and you say oh I saw it when it came out and that was it is that true for ghostbusters. 01:21:35.74 Brian Penn It Yeah not quite I saw I saw it when it when it first came out once the Cinelin saw it I can't believe it's false years old It nice and nighty four that is absolutely terrifying but I've seen it a few times since then but I've not. 01:21:49.70 Chris Olson Since is. 01:21:54.80 Brian Penn This was the first time I'd seen it in maybe eight or nine years so um it's it kind of feels relatively new but it's of course it's ah it's a film I know so well and and it's it's a film that I I love more more now than ever. It's It's great. It's such a simple storyline to start with um you know you've got these 3 parapsychologists who suddenly lose lose their university funding and they set up shots as a ghost removal service as you do as one does um and. Just tells the story of how they attract frightened sometimes skeptical customers and the 2 things stand out about this film haven't watched it now after forty years forty years after I first saw it 2 things stand out one is. It's how well the special effects ah have held up. You know if you think of how the way of how film technology' evolved over the last forty years the special effects in this film are still good. They're still decent and secondly I've been reminded how funny it is. 01:23:03.69 Chris Olson Yeah. 01:23:05.43 Brian Penn And of course if you've got good lines in a film and you've got Bill Murray who are you going to give the lines to you're Goingnna give the lines to Bill Murray aren't you. There are so many good lines in it. No job is too big. No fear is too big. Um, let's split up and we can cause more damage that way you know. These are just great lines. They still sound fresh to me. Ah the um, the other I suppose the other thing that strikes me about ghostbusters is the the strength of branding in the film. You've got that great logo that appeared on every t-shirt and kitchen magnet. You can you can imagine it was everywhere. Ah, had the title song sung by Ray Parker Jr that was every year when it came out so they had really really got strong branding to for the film and it's a it's a franchise that I welcome with open arms because the characters are so strong. Ah, loved afterlife I'm looking forward to seeing the latest instalment but it's such a great film. Great memories and it still wears. Well after all these years correct. 01:24:10.52 Chris Olson Yeah I echo what you say I Definitely think it's a film that doesn't I mean yeah, it looks dated but it doesn't look dated. It's still effective for what it's doing especially dealing with the yeah the is called the paranormal is that is that the right phrase paranol that you've got that. 01:24:18.24 Brian Penn Yeah, yeah. Yeah, yeah. 01:24:29.25 Chris Olson Quirkiness to it but some of it is still genuinely scary I not scary I wasn't like behind the sofa but there's a bit where they're in the library and all the cards fly out and I was like it's a practical fact. Yeah, that's not been done with computers and it's brilliant. It works amazing. Um. 01:24:31.82 Brian Penn And yeah, no I Well no, but mean I Yeah yeah, no know that's that's one Yeah, that's what what I felt was that the special effects are still good. They hold up. 01:24:47.35 Chris Olson No. 01:24:51.80 Brian Penn They still provoke a reaction. You don't feel you don't laugh it and say oh look at that look how ridiculous that is. You know it's not. It's very well done. You know? Yeah yeah. 01:24:58.93 Chris Olson Yeah, yeah, it is it definite. It doesn't do that does it. It keeps its quality about it that you're still watching it enjoying it for what it was meant to be enjoyed for whereas when we watched June last month. 01:25:07.77 Brian Penn I Yeah yeah I and I Yeah, yeah yeah. 01:25:13.60 Chris Olson Remember watching that feeling. Oh my god this feels like a relic and not an enjoyable one. It felt like an absolute slog game through that film whereas ghost restets I enjoyed every minute I finished it and I was like I'm gonna watch the second one. Yeah and I'm definitely. That's just how these films feel and there's a reason that they keep coming back. These sort of films because they know that they've been done so well that the audience is so invested they're hoping that they're going to keep the the heights of these originals I I'm always a fan of Rick Moranis if he turns up in anything and I think the fact that he's only really a secondary character in theirs I was like ah I want to see more of him. 01:25:39.76 Brian Penn There. He Yeah, and I Yeah, good. Yeah yeah. 01:25:51.39 Chris Olson Um, but it's a great cast. So gony wea is terrific. Um, yeah, it's only Hudson he's in as well. Ah, really just such a strong film. 01:26:01.12 Brian Penn Even down to the gray boiler suits that they wear. It's all part of a great image builds a great image for the film. The characters the storyline you know and it's a dead simple storyline to follow. You know there's nothing particularly elaborate or challenging about you don't yeah it doesn't need it really. You know it's all about buying into that experience. You know? And yeah I really enjoyed it and you know I suppose that I could say I enjoyed it as much as I did. The first time I saw it because nothing can beat the impact of seeing a film for the very first time but you know nostalgia can bring. Can trigger great memories and also reminds you what of what great filmmaking is about you know and not. 01:26:41.52 Chris Olson This definitely fell well into the nostalgia category for me because I grew up with a brother who was 4 years older than me and he would show me films that to be honest were probably a bit inappropriate. 01:26:46.38 Brian Penn And yeah. 01:26:57.80 Brian Penn I. 01:26:58.26 Chris Olson And ghostbusters fell into that category ghostbusters I found terrifying when I was watching it as a young young boy like especially the I mean in the first film It was the hellhounds The dogs I always terrify them in the second film. It's the painting but the painting that just creeps me out it still creeps me art tobut. 01:27:01.70 Brian Penn Yeah, was a young kid. Yeah I guess it would be I. Yeah. 01:27:14.77 Brian Penn Yeah, yeah. 01:27:18.10 Chris Olson But the first film. Yeah, those dogs and but there's lotss of bits in this that are pretty ter terrifying to a child. Um, but it also really reminded me of so many great um stories from my childhood because we had the we had the ghostbusters car we actually had it as a toy and. 01:27:21.52 Brian Penn Then. 01:27:34.26 Brian Penn Brought out I was Stillnna mention that earlier on actually that much nice. And yeah. 01:27:38.12 Chris Olson Yeah, so I had that toy and this is great memory I have of us as kids and we had a family cat called Bubbles who she got in through the back of the car through the boo and would and would push the car along like through the and that came back to me ah the stay puffed. 01:27:44.27 Brian Penn You right? Oh right? Yeah there and oh Mr. But yeah, Mr. Yeah yeah. 01:27:57.33 Chris Olson Big thing you know that is like a visual memory from my childhood. Yeah, the marshmallow man kind of thing. Yeah that there's so many of bits of this film that was oh yeah I remember that I remember that. So yeah, it felt like a real trip back to yeah childhood. 01:28:03.47 Brian Penn Mr. Marshalo yeah mush mar yeah yeah and also the yeah the 80 s was a pivotal sign for the film industry in general because I think the they cottoned on so in the 80 s in a big way. They cottoned on it to branding merchandising. Ah, they realized how important a good soundtrack was to ah a film as well. So I think during the as in general there were some great films made because you had it was a pot boiler had all these relatively new creative talents coming into the into the genre into the game and you you just had great. Great films I think the eighty s a bit like pop music. Really. Um, the as was a great sign for films and they may have who knows they may have reached their peak in the as you know these days I I think you you get films. Ah good but very few are great. Some I always return to and it's not just That's what nostalgia does Chris I think it reminds you of what great filmmaking is and you don't necessarily get it these days. It's it's a rarer thing back then you were tripping over great films. 01:29:21.72 Chris Olson Well hopefully next month we'll see the release of a great film. Ah so if you're listening to this one. It's come out in feb um or early march ghost bussters frozen empire comes out on March Twenty Second so very intrigued see because I yeah I've like I've that's all though. 01:29:23.70 Brian Penn Yeah. 01:29:39.47 Chris Olson Um, recent ones. Um I don't think there's been a ghost plus films that I haven't enjoyed I have been told that the new film the previous cast members do have more kind of to do in it. They're not just cameos as a bit more so to them in there. Um I love Paul Rudd as well looking for to him. 01:29:53.70 Brian Penn Yeah. 01:29:58.59 Chris Olson I'm James a cast is in the the new film. So I'm looking forward to seeing what he does in there. But yeah, um, if you haven't seen the original ghostbusters film. It's available on now Tv so if you've got sky cinema or one of those packages or the now Tv movies. It's in that I just. 01:30:00.45 Brian Penn Yeah. 01:30:15.59 Brian Penn Yeah, absolutely. 01:30:15.74 Chris Olson You just will have fun with this film if you go and watch it if you don't have fun with it then well maybe there's something wrong with you. You know? maybe I don't want to diagnose without actually speaking to you personally, but you know wonder. 01:30:20.92 Brian Penn But yeah, well yeah, know yeah I I don't know, No no, no, no yeah, that's right, but you would wonder I'd get cause you might wonder better hey what? the hell but no, what the hell? well you know, but yeah great. It's the samement you. 01:30:34.12 Chris Olson What. 01:30:39.45 Brian Penn You can't really beat something.. That's just so Relatable. It's such a great film to watch and I think with the new films coming out. It's attracting a new audience isn't as well. It will be Curious. You should be curious about where where the genre where the um where the series came From. Where the franchise came from where did it all start where did it all begin and that's what it gives you. 01:31:04.90 Chris Olson Yeah, and also it just makes a lot more sense as well. When you got these other characters turning up, You know you don't think who are these people that yeah you need to know that um and that's the end of the episode. Wow I mean this is an absolute Bm myth of an episode if you stuck with us through all this. Ah. 01:31:05.67 Brian Penn And and I. 01:31:16.70 Brian Penn You well done you? Yeah yeah. 01:31:21.64 Chris Olson Congrats well done. Um, we don't give out physical badges. We just ask that you make one yourself and yeah, just pop it on your lapel or something you know, um, but do send a pick. We'd love to see them. Um, yeah, thank you very much for joining us Brian. Thank you as always for seeing. 01:31:32.98 Brian Penn And. 01:31:39.70 Brian Penn For pleasure. Yeah I I never get bored. Yeah yeah I never get bor. Yeah, no chance getting bored. You know, keep meleasing. Yeah. 01:31:40.44 Chris Olson But the cinema films as well as everything else thought I throw at you as was a big list this month I don't like thinking that you've got nothing to do I just think if Brian's not yeah if you've got a minute spare then I'll just give you another film to review? Yeah, yeah, absolute. Um, thank you to all the the filmmakers who sent us their films and yeah, if you want to do that then head to the website yoChris Olsondot code uk that is a button a big button that says get reviewed and you click that if you message me saying how do I get my film reviewed I might. Be sarcastic like Bill Murray in ghostbusters. Okay I make it very easy for you to get reviewed I have a button that says get reviewed. Okay, click it? Um, yeah, no, it's fine I understand people are busy. Maybe they just want to ask that's fine. You can ask? Um, thank you for listening please. 01:32:21.21 Brian Penn Ah, companies be it couldn't be sim. Everything. 01:32:29.69 Chris Olson Um, to share subscribe and all those things it helps us reach so many more people that we want to be part of the community. Um, and if nothing else just put this episode on again, you know, just replay it. You have to listen to it necessarily but dip in and out put it on the low volume. You know? yeah. 01:32:40.61 Brian Penn And just put it put it in the background. You know it can be. It can be movie music. Can't it really? Yeah, yeah yeah. 01:32:48.48 Chris Olson Ah, Dolcet Tones can just yeah, accompany you on a long drive or a train journey. You know? Um, but yeah, thank you as always ah to everyone for listening. We really do appreciate it. But that is your lot. Thank you and goodbye. 01:33:01.86 Brian Penn And Bye for now. Previous Next

Watch Anonymous at the 2022 UK Film Review Festival. See the UKFRF 2022 lineup and buy your festival pass. Anonymous Listen to our review on the film podcast What our film review said: READ FULL REVIEW Written and directed by Alasdair Mackay, Anonymous is an in-depth drama which considers the strength that it takes to give up the demons that come with addiction. Set in real time, this feature film is brooding and quiet at first, but goes on to tackle some hard-hitting events that change the course of a group of people’s entire night. Proudly supporting MediCinema for our 2022 film festival.

Matt Weiner writes movie reviews for UK Film Critic. As one of the talented UK film critics, find out more here. Matt Weiner Matt is a freelance writer and editor with a day job in corporate buzzwords. He has a soft spot for comedies, an unhealthy (and expensive) obsession with the Criterion Collection and fervently believes that in the long run every Coen Brothers movie is a documentary. Proud member of the MaddWolf pack at maddwolf.com and UK Film Review. Read Latest Film Reviews Mockbuster Read Film Reviews Matt Weiner Boys Go to Jupiter Read Film Reviews Matt Weiner Vermiglio Read Film Reviews Matt Weiner Anora Read Film Reviews Matt Weiner Femme Read Film Reviews Matt Weiner The Iron Claw Read Film Reviews Matt Weiner Mob Land Read Film Reviews Matt Weiner Inu-Oh Read Film Reviews Matt Weiner Huda's Salon Read Film Reviews Matt Weiner No Future Read Film Reviews Matt Weiner Cryptozoo Read Film Reviews Matt Weiner Salt Along the Tongue Read Film Reviews Matt Weiner Misericordia Read Film Reviews Matt Weiner Nocturnes Read Film Reviews Matt Weiner Banal & Adama Read Film Reviews Matt Weiner Riddle of Fire Read Film Reviews Matt Weiner Saturn Bowling Read Film Reviews Matt Weiner I Didn't See You There Read Film Reviews Matt Weiner Cow Read Film Reviews Matt Weiner Monkey King Reborn Read Film Reviews Matt Weiner Freeland Read Film Reviews Matt Weiner Resurrection Read Film Reviews Matt Weiner The Quiet Ones Read Film Reviews Matt Weiner My Name Is Alfred Hitchcock Read Film Reviews Matt Weiner Do Not Expect Too Much from the End of the World Read Film Reviews Matt Weiner The Monk and the Gun Read Film Reviews Matt Weiner Our Father, the Devil Read Film Reviews Matt Weiner Hunt Read Film Reviews Matt Weiner 7 Days Read Film Reviews Matt Weiner The Rumperbutts Read Film Reviews Matt Weiner The Big Scary 'S' Word Read Film Reviews Matt Weiner

. Brand new film trailers. The Moment The cultural phenomenon that defined 2024 is refusing to go quietly into the night. If you thought "Brat Summer" was merely a seasonal aesthetic of lime green and club-ready nihilism, the first trailer for the upcoming documentary The Moment suggests something far more complex, chaotic, and quintessentially Charli XCX. As a critic who has watched the music industry grapple with the intersection of art and viral marketing, this first look at the Universal Pictures project is a fascinating glimpse into the mechanics of "the brand" versus the human being behind it. The trailer opens with a self-aware, almost weary Charli acknowledging the sheer exhaustion of maintaining a trend. She asks if the whole "keep having a brat summer" thing is a bit cringe; it is a bold start for a promotional piece, leaning into the very cynicism that makes her fanbase feel so connected to her. The documentary appears to be a raw, behind-the-scenes look at the whirlwind following the release of her career-defining album. We see the pressure from labels to keep the momentum going—"brat forever"—and the irony of Amazon-financed filmmaking capturing a movement that supposedly thrived on being DIY and underground. There is a delicious tension in the footage between the corporate desire to bottle lightning and Charli’s own internal struggle with innovation. She vents in a moment of visible frustration about how desperate everyone is for her to be innovative and cool all the time. Directorially, the film seems to capture the frantic, strobe-lit energy of the era. One of the more poignant segments of the trailer addresses the physical and mental toll of such sudden, suffocating fame. We hear voices in the background expressing concern, asking if anybody is looking out for her. It suggests The Moment will not just be a concert film or a victory lap, but a documentary that interrogates the price of becoming a meme. However, it wouldn’t be a Charli XCX project without a healthy dose of provocation. The trailer features light-hearted clashes over lyrical content—specifically regarding "metaphorical cocaine"—and a literal baptism by fire as she is asked to step inside set pieces being ignited for the camera. For UK filmgoers, The Moment looks to be an essential piece of pop-culture documentation. It captures that specific, fleeting point where an artist becomes larger than their music. As Charli herself notes, the strategy for survival in this industry is counter-intuitive: the second people are getting sick of you, that is when you have to go even harder. If this trailer is any indication, she is going very hard indeed. Paper Tiger The Paper Tiger trailer suggests a searing, deeply moving examination of ambition, guilt, and the toxic pursuit of the American Dream. Ink The newly dropped trailer for Ink confirms those expectations, delivering a relentless, kinetic glimpse into Fleet Street's most disruptive era. The Social Reckoning Seeing the first teaser trailer drop for its spiritual companion piece, The Social Reckoning, sent an absolute chill down my spine. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here.

Read the film podcast transcript from the episode titled UK Film Club 20a - Indie Special on UK Film Club part of the UK Film Review Podcast. < Back UK Film Club 20a - Indie Special Listen to This Episode UK Film Club 00:00:00.92 Chris Olson It's definitely yeah that season though, isn't it? Where suddenly everyone gets ill and you have to go off and blow your nose and that's fine. 00:00:05.19 Brian Penn yeah ah that's right that's right clear the old tubes out you know you can't go wrong can you really um i always think to myself though it doesn't make any sense that people get ill during the winter because all the germs should be killed off shouldn't they because it's colder yeah 00:00:19.91 Chris Olson Yeah, it's interesting actually. I don't know what it's about. 00:00:23.76 Brian Penn it's a it's a medical conundrum um not one that we need to worry too much about though because we're film reviewers aren't we not medical reviewers 00:00:23.83 Chris Olson There must be a reason. 00:00:32.56 Chris Olson yeah Yeah, not yet. you know what you know We never know what we have to branch into. 00:00:35.35 Brian Penn but not yeah yeah you mean know well yeah these must have all that yeah yeah yeah yeah of course i think some films require more research and others i think it depends what they are uh but 00:00:38.85 Chris Olson you Suddenly, you have to... What's interesting is when you watch some of these movies, you sort of have to do a bit of research into something. You learn quite a lot. you know Suddenly, you kind of go down the rabbit hole of finding things out. 00:00:52.05 Chris Olson ah I mean, if it helps write the review, it's good, but it also expands your knowledge. 00:01:04.43 Brian Penn you know you think oh god i better do some research on this and then you think no i want to wing it i want to see how how it hits me face on you know which can be a good thing sometimes not such a good thing i don't know but yeah yeah um i think it depends i think i 00:01:16.76 Chris Olson i in Yeah, I think it's interesting. I mean, when you watch a film, and just like typically, do you like to go in blind or do you prefer to have some knowledge of what you're walking into? 00:01:32.98 Brian Penn I prefer not to know, actually. 00:01:34.97 Chris Olson Hmm. 00:01:36.18 Brian Penn I think you can be too wise. I mean, there are spoilers out there, aren't they? I mean, the for the big releases, you could get chats from a verse, couldn't you, before you even see the film. And I'm sure there are some people that do that. 00:01:47.63 Brian Penn But I veer more towards not knowing. um But sometimes I think if you just read the brief synopsis of broadly what a film's about, you think, um I need to know a bit more, otherwise I'll be totally confused. 00:02:02.40 Brian Penn But then again, it could make you even more confused than you would have been. 00:02:05.85 Chris Olson Yeah, I definitely think there's an element of... going in blind to to allow yourself to completely ah reflect on the art that you've seen without any preconception because I think when I've read reviews or someone's recommended a film you can't help but be shaped by something they've said or even just the way they've said it um especially 00:02:17.13 Brian Penn Yeah. Yeah. 00:02:29.01 Chris Olson if it's a like a friend or someone that you know and they've said oh you should go to this film and they've recommended it or they've told you to stay away from a film it's almost like a challenge to the relationship right if you come away and disagree with what they've said um 00:02:36.72 Brian Penn Yeah. 00:02:41.82 Brian Penn I know, I know. But we do tend to get carried along by what those closest to us say. And we are influenced by some people more than others, aren't we? And that's, I suppose, is the root of what film critics do and also theatre critics and anyone else, TV critics. 00:03:02.18 Brian Penn you know that's delivering opinion but you are kind of swaying it depends who they are what the publication is who that person is how well you know them and they almost acts like a guarantee doesn't it you say oh well they must be right yeah you know you know 00:03:17.04 Chris Olson yeah I mean, we don't claim to be right. We have our opinions and we we hope that people just enjoy them. 00:03:21.02 Brian Penn um 00:03:24.26 Chris Olson And also on this show, if you're new to UK Film Club, you might be wondering, oh, what am I in store for? um This is a special episode because we're going to be reviewing just indie films. 00:03:35.02 Chris Olson And a lot of these are not available. um They're not out yet, or it's very hard to to watch them. So our job sometimes is to just shine a light on them to help you sort of make you want to go and watch it. 00:03:46.52 Chris Olson um We do our best to avoid spoilers, but they are sometimes even just talking a little bit about a film is a spoiler in some senses. So yeah, if they're, you know, if that's not your bag, if you'd rather go in completely blind to any film you ever see, ah maybe just look at the description of this episode and look up the names of the films, because typically, you know, anything that review is always worth 00:03:56.88 Brian Penn Yeah. 00:04:04.38 Brian Penn yeah 00:04:11.25 Chris Olson checking out in most cases so yeah but everyone else stay here listen and because we have a jam-packed indie special show because they were coming thick and fast we were getting so many submissions that we've decided to put on an extra show and this is our bumper crop we've got seven in this episode 00:04:30.02 Brian Penn Is that a record for us, Chris? 00:04:30.39 Chris Olson um it is of indies yeah it's our biggest indie show that we've done and i've also got clips of all of them to play during the show which is that's also a first i am well it's getting near christmas and this is it really this is all you get 00:04:34.20 Brian Penn Yeah. 00:04:40.56 Brian Penn Wow. You are spoiling us now, aren't you? ah yeah This is your presence to us, isn't it? 00:04:49.97 Chris Olson Yeah. um But yeah, if this is your first a time to film club, we normally do cinematic releases at the beginning and a streaming pic and a nostalgia pic as well, which is a film from the past that will be in our regular slotted show at the end of the month. So it's always the last Thursday of the month. 00:05:08.07 Chris Olson But this is an extra show that we're putting in this month just to make sure we give enough time to these indie films, which gets sent to us. and These filmmakers have actually specifically asked us to take a look at their film and review it. 00:05:19.07 Chris Olson And that's what we're going to do in this episode. And all of these, I believe, yes, they've all been reviewed on the UK Film Review website. So do check out those reviews. 00:05:29.11 Chris Olson Some are actually even by me and there's other critics there. 00:05:31.19 Brian Penn yeah He's very good you know by the way aren't you? 00:05:32.67 Chris Olson So 00:05:35.25 Chris Olson Yeah, well, we do try. 00:05:35.81 Brian Penn You're too modest though aren't you? 00:05:37.66 Chris Olson Too modest. um I'm not really. I'm i'm stroking my ego as as we speak. But yeah, we're going to um we're gonna kick things off with a short film called Betrayed. 00:05:48.20 Chris Olson And I'm gonna play a clip first. 00:05:48.53 Brian Penn and 00:05:49.93 Chris Olson Here we go. 00:06:34.60 Chris Olson Ooh, explosives. 00:06:35.80 Brian Penn Yeah, it is, isn't it? 00:06:37.11 Chris Olson I should have warned people, by the way, some of these clips have got swear again. 00:06:41.18 Brian Penn You might need your beeper at some point, then. 00:06:42.72 Chris Olson Yeah, apologies if you've got delicate ears. 00:06:44.23 Brian Penn ah 00:06:45.21 Chris Olson um But yes, betrayed short film. 00:06:48.72 Brian Penn Yeah. 00:06:50.22 Chris Olson Do you want to go with this one, Brian? 00:06:51.38 Brian Penn Yeah, yeah, sure, sure. 00:06:51.52 Chris Olson Give the old synopsis a rundown? 00:06:53.67 Brian Penn um So is he the main character has a unique talent, the ability to foresee what hasn't happened yet, power to see into the future? What influence could she wield? 00:07:06.15 Brian Penn However, there are many that wants control and exploit this gift. Is his father Sam sets out to protect his daughter, but is seen confronted by mysterious forces who allegedly wants the world to benefit. 00:07:20.60 Brian Penn There is a flashback to three years earlier, which puts the story in a bit more context. But Chris, we don't want to give away too much of the plot, do we? After all, we want to do enough to hook people in. 00:07:29.89 Chris Olson no not at all 00:07:32.41 Brian Penn And I hope I've done that. um um but But it's to be continued. The very last frame is to be continued and it's called Isabel. 00:07:45.34 Brian Penn Really, Chris, this isn't fair. They shouldn't leave us hanging like that. ah They have to let us review the sequel when it comes out. 00:07:51.59 Chris Olson No, 00:07:53.43 Brian Penn um This is actually a sequel I'd like to really like to see. 00:07:56.21 Chris Olson not at all. 00:07:57.48 Brian Penn I think it's really good. I think it's very tense. it's It focuses your attention. ah It gives you enough detail to make you curious, but holds a lot back. Right. And I presume this will be for the the second part. Uh, but I was really, really impressed by this piece. It's a very sparsely shot. Um, got a great feel to it. Um, really, really good drama contained it in a short time span and just makes you want more and more. Um, 00:08:34.78 Brian Penn I think it is very good. And the director, Ewan Gorman, I think it is, and Dagmar Shriban. I do apologise if I pronounced that wrong. ah But by very promising directors, it is good. Very, very good. 00:08:53.01 Chris Olson Yeah, it definitely um had that hallmark of what we call this sort of proof of concept. ah So this could either extend into a feature-length film happily. It could, like you say, be a sequel, just you know more of this, more short films or a web series or something like that, where it just keeps going because I think they've hit on a really good idea here. um So the idea was written by Caitlin Cameron. 00:09:19.19 Chris Olson Philip Palmorek and Jay Shuri. Caitlin Cameron is in the film actually and I think that idea is it really, really strong. um It's not something that's necessarily completely original, like we've seen lots of stories where people have gifts and yeah the powers that be want to exploit them but I think it was done in a really compelling way. 00:09:35.36 Brian Penn yeah 00:09:41.49 Chris Olson It felt really, it felt that sort of, um it had that energy about it that was 00:09:46.25 Brian Penn Hmm. 00:09:47.33 Chris Olson It was like frenetic and it was frizzing and you're watching it going, all these characters are absolutely on edge. There's so much like palpable tension here that you just don't really know which way it's going to go. 00:09:53.11 Brian Penn Yeah. 00:09:55.35 Brian Penn Yeah. 00:09:57.47 Chris Olson I particularly like the performance of the dad. I thought he was really good, um very, very strong, had that like emotional core of wanting to protect his daughter, but also being caught up with the yeah these people that are basically interrogating him. 00:10:01.84 Brian Penn yeah 00:10:05.72 Brian Penn Yeah. 00:10:09.33 Brian Penn Yeah. Yeah. That's the bottom of our thing, isn't it? 00:10:13.31 Chris Olson um Yeah, really good performance there. And you need that in in something like this. 00:10:18.20 Brian Penn Yeah. Yeah. 00:10:19.41 Chris Olson um But yeah, I think if you were judging it just on it being a short film, you could feel a little bit underserved in terms of it being like, well, is that it? Like, but obviously we know it's not, we know there's more, but what we have seen is very, very good. 00:10:30.02 Brian Penn Yeah. Yeah. 00:10:33.77 Chris Olson I liked that it used sort of simple locations as well, but but enough to keep it moving. 00:10:33.90 Brian Penn Very good. 00:10:37.32 Brian Penn Yeah. 00:10:39.31 Chris Olson It wasn't like just one room, which it could have easily been. 00:10:39.87 Brian Penn you Yeah. 00:10:42.22 Chris Olson They did a a few places um really, really well. 00:10:42.36 Brian Penn I mean, yeah. Yeah. I mean, I think it. The simplicity of making an indie film is one of its strengths, really, is that they do keep it simple. 00:10:56.41 Brian Penn It's not over elaborate. And it's not, as you rightly pointed out, it's a well-worn storyline about someone that can see into the future. It's a well-worn story, but they're kind of doing it in a slightly different way. 00:11:10.20 Brian Penn um And that's because what makes it good is is the amount of it's what they don't tell you as much as what they do tell you. 00:11:10.61 Chris Olson Mm. 00:11:17.26 Brian Penn and Maybe this will be a series of short short features, but this is a very good start, I think. 00:11:24.03 Chris Olson Yeah, I think it's that sense of ah potential here. There's a lot of potential of what you could do with it. 00:11:30.35 Brian Penn Yeah. Yeah. 00:11:32.42 Chris Olson And they've they've handled this bit really, really well because the filmmaking is strong. I think that's the core because you could see someone sort of fumbling this idea a little bit. 00:11:37.93 Brian Penn and Yeah. 00:11:42.61 Chris Olson um Yeah, no, i really there's like a soft piano score in the background. I made a note of that. 00:11:47.14 Brian Penn yeah 00:11:47.88 Chris Olson like I was really enjoying the atmosphere that was being created. It was really tense and mysterious. I know ah Chris Beatt reviewed it on the website and he really liked it. He gave it four stars. and yeah Go check out his review because he also did a video review so you can watch that and um you sort hear from Chris directly. 00:12:01.37 Brian Penn Oh, fantastic. 00:12:05.16 Chris Olson and 00:12:05.17 Brian Penn Yeah. 00:12:06.33 Chris Olson and ah Yeah, again, just talking about this idea of it being proof of something much bigger that could come. 00:12:11.88 Brian Penn Yeah. 00:12:13.28 Chris Olson um But as it is, there are some really powerful scenes. there's this We've not really talked about the latter section, probably won't go into it. There's a latter section because Izzy becomes a bit reckless and ends up sort of out and about. 00:12:26.47 Chris Olson And yeah, she um gets herself into a situation which is quite traumatic, quite disturbing. 00:12:30.00 Brian Penn um Yeah. 00:12:32.55 Chris Olson um And that for me as well, was ah showing the intentions of the filmmakers to not, yeah because you could create a story about someone with a gift and it'd be fairly kind of, okay, well, that's enough. 00:12:39.27 Brian Penn Yeah. 00:12:43.64 Chris Olson That's enough story there. 00:12:44.67 Brian Penn Yeah. 00:12:45.04 Chris Olson But they actually went quite harrowing there. They went somewhere were quite dark. 00:12:47.44 Brian Penn Yeah. 00:12:47.86 Chris Olson And I thought, oh, that's actually interesting. you Are you prepared to go and do that sort of story? um And they did. 00:12:53.57 Brian Penn and 00:12:54.76 Chris Olson So yeah, I feel fair play to them. um Really yeah ambitious. 00:12:57.62 Brian Penn yeah 00:13:00.65 Chris Olson um 00:13:00.76 Brian Penn I'm looking forward to the next part. but and Yeah, 00:13:02.26 Chris Olson I know, you i because you sent me a message, didn't you? 00:13:05.07 Brian Penn and 00:13:05.10 Chris Olson You said, if we got the other part, I was like, no, know I've not got it. 00:13:06.32 Brian Penn yeah I know. I know. It's tormenting us. But look, that proves though, doesn't it? How well it works. Right. 00:13:15.38 Chris Olson Hmm. 00:13:15.92 Brian Penn As you say, if it had been, if that had been the, the only part, you would have been, as you say, you would have been underserved that you would have thought, well, that's, that's not what we were expecting. 00:13:28.37 Brian Penn But 00:13:28.54 Chris Olson Hmm. 00:13:29.24 Brian Penn where they're holding back more. So, you know, more is coming later. Well, that's good. That's all good. um So yeah, good stuff. That's it. 00:13:38.02 Chris Olson I'm normally more prepared than this, but I'm going to just quickly look up to see if we did get any information about it ah being available because we watched it on a screening link, I believe. 00:13:43.70 Brian Penn Yeah. 00:13:52.24 Chris Olson um But do you remember, do you remember happening if it was public? 00:13:57.94 Brian Penn I don't think it was. 00:13:59.45 Chris Olson I feel like it was unlisted. 00:14:00.66 Brian Penn Yeah, I think it was. 00:14:01.27 Chris Olson um But yeah, it's worth, if you can, seek it out. um when When it becomes available, if it isn't already, then yeah, it was on YouTube, was when we saw it. 00:14:13.91 Chris Olson And yeah, it was really, really good. um 00:14:17.09 Brian Penn matt 00:14:19.54 Chris Olson Yeah, I mean, one thing was, I think ah Chris picked out in his review just about the performances, and I know it picked out that I particularly liked Dad. How did you feel about some of the other characters? 00:14:27.94 Brian Penn Yeah. 00:14:32.77 Brian Penn I don't think you really saw enough of them, to be honest. I think that this first part was more about the the father and the daughter, I think, wasn't it? 00:14:40.57 Chris Olson Hmm. 00:14:41.05 Brian Penn The fact that he's trying to protect her, keep her safe, to find out more about the people that are pursuing her. And i so what I suspect is that the other characters, they're more like ah very brief cameos, aren't they? 00:14:56.51 Brian Penn I think they will come more into the fore as the story unfolds. So I don't think this, I think it's done that way because they're holding more back about those characters. I always sense they're holding more back. So I don't think, I think there's more to come with the other characters. But I mean, they, they, they fulfilled their role, their particular roles really well. And that the, they're all, they're all part of a mosaic really aren't they in the story. and I'd expect them to become more prominent as the story wears on. 00:15:30.12 Chris Olson Yeah, I think so too. I think there's there's a lot of room there to develop them further and the stories as as to how they got to where they are and what happened. 00:15:31.66 Brian Penn Yeah. Yeah. 00:15:37.53 Brian Penn yeah 00:15:38.80 Chris Olson um Yeah, I've just had a quick look and you are able to watch it actually. If you go to jqsfilms.co.uk and that is the company that made the film. I'm not sending you to some dodgy website, that is. 00:15:47.23 Brian Penn oh Yeah, be careful. 00:15:50.38 Chris Olson um And you'll see they've actually got um the film on their homepage. You can 00:15:55.75 Brian Penn Ah, excellent. 00:15:56.31 Chris Olson and it's a YouTube embed. I think I sent you the YouTube link, Ryan, which is why you thought it was there. 00:15:59.07 Brian Penn Yeah, that's right. Yeah. 00:16:00.63 Chris Olson But yeah, it's on there. So yeah, fabulous. 00:16:02.33 Brian Penn Ah, fantastic. 00:16:03.01 Chris Olson you can um Everyone can check it out. 00:16:03.94 Brian Penn Good stuff. Yeah, watch it. 00:16:05.14 Chris Olson And do give them a follow. um there are There's a whole bunch of Instagram 00:16:08.24 Brian Penn Yeah. 00:16:11.76 Chris Olson um profiles that you can follow. But if you were to follow ShureiJ, S-H-U-R-E-Y-J-A-Y, I'm sure from that profile, you'd be able to find all the others. 00:16:26.44 Chris Olson There's lots of others. If not, there's Betrayed, a short film on Facebook and also a Twitter profile, Betrayed, JQS film. So, I mean, I've just signposted you to everything there. 00:16:38.30 Chris Olson You've got no excuse listener. 00:16:40.35 Brian Penn so The world is that right? 00:16:40.66 Chris Olson You must go, yeah. 00:16:41.99 Brian Penn The world is your western now. Now you know. 00:16:43.40 Chris Olson and how often do we get everything you know you've got Chris Buick doing a video review of it you've got us chatting on here and you can go and watch it so there you go the full package that's what we call it so monday um okay so that was betrayed moving on to another short film now animated film called Little T and again i have a clip 00:16:47.75 Brian Penn I know it. Yeah. What more could you ask for? The full monsoon. 00:17:05.33 Brian Penn Oh lovely. 00:17:44.82 Chris Olson That last little bit just really reminded of me of my daughter. 00:17:46.31 Brian Penn Yeah. 00:17:47.51 Chris Olson She does that please. 00:17:48.00 Brian Penn Sweet. Sweet, isn't it? ah 00:17:50.99 Chris Olson um Yeah, so animated film ah from filmmaker Masha Ellsworth and little T. um is the story of a woman going for a interview ah alexis sch superintendent an interview interview at an architect firm, but she is being plagued by critical voices, as you heard in that clip. 00:18:19.80 Chris Olson um It's a really vibrant, strong animated film. um And as we see Alexis sort of making her way through this experience going towards her interview, it's all about whether or not this will be able to overcome these critical voices that she's got one is a very so critical character and one is more of her like in a child and yeah she's got to be able to sort of confront these in order to sort of move on and yeah I mean in such a very short film it's it's not wrong at all this one um there's a lot going on here what did you think a little tea Brian? 00:18:55.27 Brian Penn um 00:18:58.06 Brian Penn I really liked it. I think this is great. You know, the um ah core of this story really, it's about the the internal ah push and pull, you know, the angel and the devil positive versus a negative, you know, 00:19:15.37 Brian Penn The inner child you could say has no fear and is endlessly optimistic. The inner critic is cynical and destructive, sowing the seeds of doubt. That's inside all of us. And to put all of that into a scenario where which where she's going for an interview and all those insecurities come tumbling out. And it's so real, isn't it? We've all gone for interviews where we're racked by uncertainty and the positive voice is fighting with the negative voice. 00:19:44.88 Brian Penn and you come out of the interview thinking, how did that go? Was that okay? They smiled, they nodded, you you cling onto crumbs of comfort, but you've got these voices inside of you, contradicting each other. I think it's beautiful. I think it's so well put together. And as you say, a hell of a lot going on really, but it says a lot about the the the stresses and the anxieties we all go through, even the most confident of people go through this type of thing. So I think it's so well observed. 00:20:15.67 Brian Penn It really is. 00:20:15.86 Chris Olson I think it's brilliant choice of moment as well in someone's life, which is that interview, because you know, growing up, it's all about what do you want to be when you're older, you know, you have these dreams, you have these aspirations. 00:20:20.52 Brian Penn Yeah. 00:20:26.89 Brian Penn Yeah. 00:20:29.71 Brian Penn yeah 00:20:29.86 Chris Olson And then when you actually hit adulthood, you've gone through some stuff already to get to this point, you that you then have all this anxiety and this worry, all these nerves, like I can, I can 00:20:33.67 Brian Penn Yeah. yeah 00:20:40.65 Chris Olson really remember being such a bag of nerves going for interviews, even for jobs I didn't even really want, like let alone ones that I might want. 00:20:44.75 Brian Penn Yeah. ah I know. I know. 00:20:48.37 Chris Olson um And yeah it's such an interesting choice of moment in someone's life to have depicted here, to be able to confront those two completely opposing 00:20:48.46 Brian Penn Exactly. Yeah. 00:21:00.81 Chris Olson things that, you know, live inside us, which is that inner child in and then the inner critic. 00:21:02.87 Brian Penn Yeah. We've all got that album as well. 00:21:05.56 Chris Olson Yeah, we've all got that sense of, of, you know, conflict and going on in our own minds. 00:21:05.80 Brian Penn little Yeah. 00:21:11.30 Chris Olson And I love the way that that was brought to life here is so vibrant, so colorful. 00:21:11.52 Brian Penn Yeah. 00:21:14.79 Brian Penn Yeah. 00:21:15.90 Chris Olson It's, it's really, um yeah I mean, it's not the same as Pixar, but as in the same look, but it had the same tone as Pixar it kind of was like able to create a really professional really high standard of Pixar sort of feel. 00:21:16.01 Brian Penn yeah 00:21:24.99 Brian Penn Yeah. 00:21:28.85 Brian Penn Yeah, I think you're right. I think it does have a kind of a pixel look about it. Possibly not quite as much shine and polish, but you wouldn't expect it. But yeah, yeah. 00:21:37.39 Chris Olson It was like it had the atmosphere of Pixar, but not necessarily that complete style. 00:21:41.30 Brian Penn yeah But 00:21:42.19 Chris Olson um Yeah. 00:21:43.23 Brian Penn But in in some ways I like that though, because it's taken what's great about Pixar and done something a lot more natural with it, a bit less sterile. 00:21:54.53 Brian Penn We've often spoken spoken about Pixar in the past, haven't we? We've both ah spoken about how sterile it can be, where it's so clean and so sharp that it lacks any kind of rough edges. 00:22:07.11 Brian Penn And I like rough edges on films. 00:22:08.89 Chris Olson Yeah. 00:22:09.62 Brian Penn And this is what it what it gives you. But I think the standard of animation is really high though. 00:22:14.70 Chris Olson I just thought it was great. 00:22:14.85 Brian Penn but It's really high. 00:22:15.82 Chris Olson Every sort of scene, every element, it just seemed to leap off the screen to me. 00:22:17.62 Brian Penn Yeah. 00:22:20.90 Brian Penn yeah 00:22:21.16 Chris Olson And I must, I mean, you hear it in the clip that we played, but a bit with the cupcake. My mouth was watering. I was watching it. 00:22:25.75 Brian Penn Yeah. 00:22:26.68 Chris Olson I was like, this is an animated cupcake, but I am starving. 00:22:29.09 Brian Penn yeah and know and I I know. 00:22:30.75 Chris Olson It was so good. 00:22:32.53 Brian Penn So I mean, yeah you assume though they're working on a very slight budget. All indie films do. All short films do. And it's only six minutes long. And to get that amount of detail in to provoke that much reaction between you and I, the fact that we've, we've hit on it and we thought, yeah, I get that. I understand it. You know, they plugged into a human emotion, something we all feel. And that's not easy to do, you know, in six minutes, but they do it and they do it in ah in a very simple way. But I think it's lovely. I think it's a lovely piece and deserves huge credit. 00:23:07.81 Chris Olson Well, again, Chris Buick reviewed this one on the website. And as yeah we were talking earlier about um whether or not we researched films before we sort of watched them, and Chris being the absolute legend that he has had already researched Masha Ellsworth. 00:23:24.52 Brian Penn Yeah, oh 00:23:24.62 Chris Olson And funnily enough, she has worked at Pixar. and 00:23:29.70 Brian Penn There you go, I never knew that yeah Yeah, 00:23:30.33 Chris Olson lead technical director. So interesting that we were able to pick that up just from the tone of what we saw here. um But obviously, yeah, the fabulous effort. 00:23:41.60 Chris Olson um I think that's what's really great about when you come across these films. 00:23:46.79 Brian Penn yeah 00:23:46.80 Chris Olson um I think this is one of two short films that she's directed. um But she's been involved, yeah, like I said, with some Pixar movies and things. So, yeah, I think I know for a fact there's a lot of fans out there of Pixar, both young and old. 00:24:03.31 Chris Olson Yeah, it is. It's one of those genres that spans everyone. 00:24:04.02 Brian Penn Yeah. 00:24:06.04 Chris Olson And this sits right up there for me. 00:24:06.12 Brian Penn Yeah. 00:24:08.95 Chris Olson Yeah, I would see, I happily watch this on Disney Plus, you know, see it on the on the little reel and watch that. 00:24:12.37 Brian Penn Yeah, of course. Yeah. Yeah. And you can also see this developing into a series of films, couldn't you as well? that deal with different aspects ah of growing up, for example, adolescence or whatever, you know, you think, yeah, this could work, they could they could expand that character. And, and ah portray her life as it develops, it it could turn into a ah very good series as well. 00:24:38.41 Chris Olson Yeah, it did remind me a little bit of, in some ways, inside out, because I'd watched that recently, and funnily enough, obviously, a lot of connections there. 00:24:42.65 Brian Penn ah Yeah, that's a good point. Yeah. 00:24:45.67 Chris Olson But um but this was was slightly different, like because you had like an adult character who had so both going on at the same time. 00:24:46.14 Brian Penn Yeah. 00:24:50.02 Brian Penn Yeah. 00:24:52.24 Chris Olson But yeah, no, it's like you say, you could see this being developed further. 00:24:56.05 Brian Penn Yeah, definitely. 00:24:56.32 Chris Olson um And yeah, more power to it if it is. 00:24:58.43 Brian Penn yeah 00:24:58.79 Chris Olson um Yeah, little t, it's called, and Yeah, i I just really love when we get these films that come across us and we sort of go, wow, I feel really lucky to have seen that. 00:25:09.26 Brian Penn right Yeah. Yeah, it's a gem. And, you know, you have a great tone of phrase, Chris, when you say we're shining a light on hidden gems, and that is exactly what we're doing here. You know, 00:25:20.42 Brian Penn that a film like this might not have got this kind of light shine on it at all. So we're doing something really worthwhile here. You know, we can review the big theatrical releases and they get all the um attention and publicity they they want. 00:25:37.94 Brian Penn But a film like this doesn't get quite as much normally. So to quote your phrase, we're shining a light. Quite right. 00:25:47.50 Chris Olson and And the film itself does that as well. 00:25:47.74 Brian Penn saying 00:25:49.81 Chris Olson It's interesting that the film's title, Little T, we are referring to little trauma, ah traumatic experiences and yeah, sort of, 00:25:53.66 Brian Penn Yeah. 00:26:00.91 Chris Olson not really, really severe stuff, but stuff that can still yeah um affect you. 00:26:04.14 Brian Penn Yeah. 00:26:05.95 Chris Olson and i think 00:26:06.47 Brian Penn Yeah. 00:26:06.91 Chris Olson That's, again, ah the power of this sort of thing. And something that Pixar did really well, like picking up on these heavy themes, but dealing with them really, really coherently and in a way that's accessible for everyone. 00:26:13.52 Brian Penn Yeah. 00:26:16.12 Chris Olson Yeah, I think that's really, really powerful. 00:26:16.66 Brian Penn Yeah. 00:26:18.53 Chris Olson umm If you want to find out more about the film, Little T, it's not available currently. This was definitely was password protected, but Masher has an Instagram. So Instagram dot.com slash Masher, M-A-S-H-A underscore makes underscore movies. 00:26:34.79 Chris Olson um Yeah. give them a follow and yeah, make sure you keep up to date what she's doing. Cause I think it's going to be fabulous seeing more and more work come out. 00:26:42.20 Brian Penn Yeah. Hmm. 00:26:44.32 Chris Olson Um, yeah, that was little tea, which was excellent. 00:26:47.18 Brian Penn Hmm. Terrific. 00:26:48.68 Chris Olson Uh, moving on to a feature length film, uh, this time and yeah, one you reviewed a long time ago, Brian stretch, stretch marks. 00:26:59.48 Brian Penn Oh, stretch marks. 00:27:01.49 Chris Olson You reviewed this in 2019. 00:27:01.64 Brian Penn Yes. 00:27:05.31 Brian Penn Do you know what? now this This is strange, Chris, because I was watching this film, I thought, have I seen this before? 00:27:12.14 Chris Olson I've seen this before. 00:27:15.24 Brian Penn But if it's 20, I know a lot from Google because I've written so much. I've done so many reviews now. I usually Google myself, but I didn't. 00:27:25.32 Brian Penn I didn't go Google it. um no No wonder it seemed familiar, but if it was if it was 2019, God, five years ago. 00:27:33.57 Chris Olson We've had a whole pandemic since then. 00:27:33.71 Brian Penn Now. Yeah, yeah no God, that yeah that has shocked me. 00:27:39.95 Chris Olson well let's Well, we'll put a clip on and yeah just while you gather yourself and then we'll we'll get into it. 00:27:40.09 Brian Penn It really has. But. 00:27:44.92 Brian Penn Yeah. 00:27:46.19 Chris Olson So here's a clip from Stretch Marks. 00:29:39.81 Chris Olson Yeah, really interesting clip. And it does bring back the tone of the film a lot. 00:29:41.88 Brian Penn Yeah. Yeah. 00:29:44.71 Chris Olson um But yeah, no, a long time ago, you, were you reviewed stretch marks. 00:29:49.59 Brian Penn Well, yeah. 00:29:49.82 Chris Olson But interesting to see what you know, because obviously watching a film that far apart, like five years apart, be you very interested to see how you feel about it now, Brian. 00:29:54.15 Brian Penn Yeah. Well, yeah, I know that. That's a good point, Chris. I was just reading, reading through my review from March 2019 reminded myself of what I wrote. 00:30:01.06 Chris Olson Hmm. 00:30:05.61 Brian Penn Now I gave it three stars back then. Now this is what's interesting, Chris, is that watching it back I think I would give it an extra star now which surprises me a bit because usually I think my my view of a film remains unchanged if I think it's good I'll say it's good you know if I think it's three stars it will stay as three stars but watching it again um I think I'd go for a four star rating for it because it's got so much depth I mean in my original review I actually said that 00:30:41.07 Brian Penn um 00:30:43.69 Brian Penn Yeah, they've delivered a watchable but ultimately low-key film that could have used more of a flourish. I don't think that's quite so important now, looking at it again. um You know, the the first five minutes of this film, you you buy into the car characters straight away. You know, the ah main character, you, Lyle, your sympathy is with him straight away. Totally. You know, he's overweight. 00:31:10.50 Brian Penn he's got a steady job. He's living with bereavement. He's got a brother who's a bit of a Jim Bunny, who's slim, muscular, great physique, he has and all the things he's not. And he's got a mother that's uncommunicative. So and of course, there's the um the girl in the office that he fancies that likes him but doesn't like him in the way that he wants. And he starts to lose weight. And and he starts out 284 pounds and has a target weight that he wants to lose. 00:31:44.98 Brian Penn um For me, the the key scenes in the film are between Lyle and his therapist. 00:31:51.24 Chris Olson Mm. 00:31:51.98 Brian Penn you know it's It's the most perceptive part of the story because he's confessing his deepest deepest thoughts. But the therapist is is gently um interrogating him saying, how do you really feel? How do you really feel about this? You know, are you happy when he gets within within five pounds of his target weight, he'll say he said to him, are you happy? Is that what you want? Or is all of this just a facade? In other words, is his weight really just ah a cover for something else that's wrong in his life? And that is what's very clever and perceptive about this film. So having read my ah original review, 00:32:37.94 Brian Penn And have you seen it again? I would say, yep, I'd upgrade this to a four-star film because it's very naturalistic. It's very believable. we We all know somebody like Lyle, don't we? You know, somebody in the office, someone we live next door to, somebody in the pub, you know, basically a decent guy trying to live a better life. And that resonates much more now than it must have done with me back then. 00:33:05.96 Brian Penn um 00:33:06.07 Chris Olson Yeah and I think having a long time since that film you originally watched it you know you'd have seen a lot of indie films in that time it's interesting when you do have more of that to sort of reflect on but also yeah it's just sometimes I could watch a film a week apart and feel differently about it because it's just I'm coming to it with my own baggage and my own you know situations but what I did find was stretch marks I thought it was a really yeah 00:33:14.91 Brian Penn Yeah. Yeah. 00:33:33.43 Chris Olson accessible relatable story like you said it's something that I think people will either have felt themselves about their own image or know somebody that certainly feels that way and what I did find I found Lyle a little bit of a hard character to connect with 00:33:41.45 Brian Penn Yeah. there 00:33:49.51 Chris Olson like you said i found him in his therapy scenes they were bits where i thought okay he's being quite open he's being sort of real and okay yeah but then there were scenes where he's with his family or even with his friend where i don't know i found his behavior quite off like he was sort of he was anti-social and 00:34:02.50 Brian Penn Yeah. 00:34:07.21 Brian Penn yeah 00:34:10.23 Chris Olson he didn't make very good choices and it was quite hard to sort of like him at times and that I did find because it was a difficult film to watch where he is the main character for all of it that yeah you do kind of need to connect a lot with him and that's not to say I felt that way for the whole film it was just there were bits where I was like okay like he's not you know he's here but you know I also understand that it's part of like 00:34:11.82 Brian Penn Yeah. 00:34:14.44 Brian Penn Yeah. 00:34:22.04 Brian Penn Yeah. 00:34:25.14 Brian Penn Yeah. 00:34:32.24 Brian Penn Yeah. a but Yeah. 00:34:36.29 Chris Olson his character's suffering, you know, that he's going through these, that maybe he is doing things that are not necessarily that likeable. 00:34:40.90 Brian Penn Yeah. yeah 00:34:42.37 Chris Olson um But yeah, no, it was it was a rich film. um I found the exploration of his relationships, how they were being affected not just by ah his plans to lose weight, but also by the grief, like you mentioned, their dad is this character that sort of been mysteriously mentioned that yeah he's passed away and 00:35:02.12 Brian Penn Yeah. 00:35:02.70 Chris Olson there's a few comments that are thrown around, sort of making it seem a little bit, okay, what what happened? like you And they don't really give you everything on it. 00:35:07.33 Brian Penn Yeah. 00:35:08.90 Chris Olson And I think that was a really good i way of drawing you into this family's situation. 00:35:08.99 Brian Penn Nice. 00:35:14.36 Brian Penn Yeah. 00:35:16.02 Chris Olson um But I also found there like There was that bit, there was the therapy bits, but there was quite ah a lot of the film where there wasn't much conflict. 00:35:27.26 Chris Olson It was just him trying to lose weight. it was And that went on for a lot of a lot of the time, which something which could have pretty much been a montage, right? 00:35:30.61 Brian Penn Yeah. Yeah. 00:35:35.08 Chris Olson It could have been, all right, yeah. 00:35:35.50 Brian Penn Yeah. 00:35:36.71 Chris Olson And it was like, okay, he's lost a bit of weight. And then we go off again and have more scenes of him cutting out and cutting down and then weighing himself a again. 00:35:41.91 Brian Penn yeah 00:35:44.09 Chris Olson And it kind of, it felt a little bit repetitive at times to me. 00:35:46.32 Brian Penn Yeah. Yeah. 00:35:47.44 Chris Olson um 00:35:47.94 Brian Penn Yeah. But I think that's may have been deliberate, though, on the filmmakers part, because for anyone trying to lose weight, there is an element of reposition that you follow the same ah line of action, the same train of thought. 00:36:02.34 Chris Olson Yeah. 00:36:02.74 Brian Penn know You cook the same things, you eat the same things, you exercise, it is repetition in order to reach a goal and a target. And for me, um it's getting a point across about somebody who is obese and trying to lose weight, but it's it's not a riveting watch at times. 00:36:22.96 Brian Penn um But what I found interesting about it was, yeah, you're right, it was very defensive when he was taught when he was communicating with people that weren't his therapist. Right. And what a lot of what you saw was underneath the surface. 00:36:36.45 Brian Penn Right. But again, I think that makes the story more compelling. Right. It makes you it provokes a feeling and opinion. 00:36:47.89 Brian Penn You think why does he do that? Why is he doing it? Why won't he be more open with the people closest to him? You know, he didn't treat his best friend particularly well, did he really either? 00:36:57.00 Chris Olson No, I found yeah that relationship a little bit toxic, but both ways. 00:36:59.90 Brian Penn Yeah. 00:37:00.16 Chris Olson They were both a bit horrible to each other at times. 00:37:01.50 Brian Penn Yeah. Yeah. 00:37:02.98 Chris Olson And I think that is indicative of someone yeah who's not in the best place themselves, that they then do have these toxic relationships because they can't yeah be honest and be open and be, frankly, happy, to be honest. 00:37:03.33 Brian Penn but Yeah. Yeah. 00:37:15.03 Chris Olson And the fact that 00:37:15.51 Brian Penn Yeah. 00:37:17.25 Chris Olson he gets ah obsessed with the regimes and the supplements and he ends up hurting himself, like trying to push his training and and things like that. 00:37:21.86 Brian Penn Yeah. Yeah. Yeah. 00:37:26.02 Chris Olson um And then his life starts to sort of almost his life starts to fall apart, but he's so focused on the scales. 00:37:30.61 Brian Penn Yeah. 00:37:32.33 Chris Olson that He doesn't really sort of notice it happening that that was like compelling. I liked watching that. I thought, OK, well, at least we're watching this spiral. 00:37:42.39 Chris Olson And and it felt authentic it felt like something that was very believable and um but it's a very heavy film i found like i mean excuse the pun that it's very heavy film and um i felt it needed more levity it needed a bit more jokey bits to make him more likeable even if it was just small um because a lot of it was quite serious and i think someone watching stretch marks 00:37:46.77 Brian Penn no Yeah. Yeah. 00:37:51.27 Brian Penn yeah 00:37:53.87 Brian Penn hey 00:37:59.36 Brian Penn and 00:38:05.64 Brian Penn Yeah. 00:38:08.67 Brian Penn Yeah. 00:38:11.28 Chris Olson You're going to resonate with the drama and you'll probably resonate with the but filmmaking techniques if you're on board with that. 00:38:13.73 Brian Penn Yeah. 00:38:16.02 Brian Penn yeah 00:38:17.13 Chris Olson But I do think that a larger audience may struggle. 00:38:20.57 Brian Penn Yeah. 00:38:20.62 Chris Olson If you don't like Lyle, there's not much else to stick around for. 00:38:21.08 Brian Penn Yeah. 00:38:24.19 Brian Penn No, I know. I know it does need some some levity. I would agree with you there. ah But I think it portrays ah very real picture of what it what it feels like to be overweight and how it holds people back and how it stops them leading the best life that they can ah but what it it it does like that kind of positivity because but even when he starts to lose weight you think he would cheer up a little bit but yeah did you notice that even that when he was losing weight he didn't he wasn't any happier at all which is why I think the sessions with a therapist was so revealing 00:38:57.69 Chris Olson No. 00:39:02.31 Brian Penn Told you more about his character than anything else, really. Because he kept on saying, well are you happy? What do you really want? How is this helping you? and Physically, you're helping yourself. But what about your emotional well-being? Is it making you a more positive person? um And it gradually builds towards that point where he forces the issue with the um this gorgeous girl in the office, um who is who he likes. um And yeah, but a very interesting study. I mean, I suppose really the real test is someone if somebody watches that he's really been through it. And how real does it feel to them? So, you know, someone who was overweight and lost weight. And they look at this film, I think, well, how real realistic is it? Everyone's story is different. like Everyone has a different perception of health. 00:40:03.23 Brian Penn and fatality and being fit and doing things that we should should be doing to make us healthier. But that's the true test of a film like this, isn't it? 00:40:14.15 Brian Penn You know, let somebody say he's been through it. And would they understand that, you know, 00:40:18.03 Chris Olson Yeah. And if you want to watch it, um I think it is actually available. I'm not 100% sure. But ah if you go to Vimeo um and search for stretch marks, it's from Cat Rock Creatives. 00:40:30.33 Chris Olson It's about an hour and a half film. And it's written, directed by Gregory Rocco. ah So yeah, check it out. John Larkin is ah the star, as well. And um if you do get to watch it, it'd be interesting to get some opinions on stretch marks. 00:40:43.72 Brian Penn Yeah. 00:40:44.47 Chris Olson So send them in and if you decide to check it out because I do think you like Brian watching it a couple of times and myself watching it is definitely a film that can get you talking and can you spark some interesting conversations. 00:40:55.88 Brian Penn Yeah, I think I think that's probably the the strongest element of the film is that it does provide a wider conversation. um You know, and that's why I would have given it having seen it again, five years later. 00:41:12.37 Brian Penn Um, I, I, I think I'd squeeze another star into that racing because it is such a strong talking point. 00:41:16.78 Chris Olson Well, we'll review it again in five years and you might give it five stars then. 00:41:20.76 Brian Penn I know you never know. 00:41:21.27 Chris Olson you know We'll come back to it in 2029. 00:41:22.10 Brian Penn Do you never come back to five years? Yeah. 00:41:26.33 Chris Olson um Moving on to a short film, a fan-made film ah called A Train New Beginnings. And I'm gonna play a clip. um This clip does have some swearing in, if I remember correctly. 00:41:37.70 Brian Penn Oh right, 00:41:37.80 Chris Olson And I also think the sound goes up and down. So do don't turn your headphones up. 00:41:43.12 Brian Penn there you go, you've been warned 00:42:46.05 Chris Olson Yeah, I'm glad I warned people there because it was quite a ah splatter um if you if you hear that. 00:42:48.05 Brian Penn yeah no i can't i can't say i did no to be honest um oh well there you go you got the four 00:42:51.90 Chris Olson um So A Train New Beginnings fans of the TV show The Boys will recognize the name. Brian, had you heard of The Boys before seeing this? 00:43:05.05 Chris Olson So ah I'll take the lead on this because I had seen The Boys. um And anyway anyone who is a fan of The Phantom Zone, one of our other shows on the UK Film Review podcast, they i I think they did a whole episode on The Boys. So yeah, you can check that out. 00:43:23.84 Chris Olson um But yeah, The Boys is a graphic novel. It's been turned into a TV show. I haven't read the graphic novel, but I have seen the TV show and the spin-off, which was Generation B. um And A-Train is a superhero, one of Vought, the seven that are the ah ah sort of most popular superheroes, but they're not particularly nice. The seven, they are actually um well they're anti-heroes and they have a lot of um corporate kind of dealings and it's all kind of they are then um they then face off with the boys the boys are a separate group who decided to sort of try and but take them down uh the seven but a train is is one of the seven and yeah this essentially 00:44:05.61 Brian Penn Hmm. 00:44:11.21 Chris Olson is it was a fan-made film and it spins off slightly that it's as if A-Train gets thrown out of the seven decides to start his own ah career where he becomes a rapper ah um which is in this 20-minute film they do pack in quite a lot of storyline into that. 00:44:31.26 Chris Olson um Well, they pack a lot of footage of him being a rapper ah into that. 00:44:32.93 Brian Penn Hmm, cool. 00:44:35.77 Chris Olson And um the clip that you heard was yeah um with Homelander ah kicking him out. And yeah, it it goes from there. um It's written and directed by Chris Carthon, who also stars in the film. 00:44:49.97 Chris Olson And yeah, what did you think of this as someone who hadn't seen The Boys, Brian? 00:44:55.09 Brian Penn um I think it's really good fun. I really enjoyed this. Anything that pokes fun at Marvel, which it does, you know, just viewing this particular piece is poking fun at the Marvel strike DC, DC Comics film franchise. Anything that does that anything that deflates that balloon a little bit is fine by me. I love the idea of a a superhero who gets benched because when he does something wrong, let's put it that but way. 00:45:24.15 Brian Penn And then he reinvents himself as a rapper. And what's the song called that he releases? Mr. Ron Through Your Girlfriend. 00:45:31.38 Chris Olson Yeah, which which is indicative of what got him thrown out of his seven. 00:45:31.63 Brian Penn ah 00:45:34.75 Brian Penn Yeah. And he gets so many streams and competes with Taylor Swift and Beyonce. I loved it. i think it was I thought it was great fun. I think it's very likeable. It looks like a fan-made film as well. And there's nothing wrong with that. um But I um really enjoyed it. i mean it's It's just, that it's good it's a giggle. It's good fun. And it, um, it it gets the thumbs up from me. Definitely. 00:46:01.32 Chris Olson Yeah, I think that essence is there. They definitely captured that sort of rogue, punkish sort of feel that the boys has as well, which is, yes, we've got superheroes, but they are not likable and they are. 00:46:16.17 Chris Olson They've all got their own agenda. They do things to sort of subvert the other. um Some of the special effects actually were quite quite good. We've got the laser eyes and we've got things happening, which for a fan-made film was pretty impressive. 00:46:26.75 Brian Penn and know but 00:46:30.38 Brian Penn yeah 00:46:31.16 Chris Olson I actually thought 00:46:31.55 Brian Penn at point 00:46:33.03 Chris Olson The music videos were the strongest part. They had this music video that A-Train makes and it was really good. Actually, the production of it, it looked like a proper R&B video. 00:46:42.89 Brian Penn yeah Well, yeah, I was quite impressed with it actually in that way. 00:46:44.59 Chris Olson I was like, this is great. um the Yeah. and And the sound design of it was really good. um The initial scene with the ah seven, I think some of that dialogue was a little bit clunky. 00:46:56.02 Chris Olson It felt like maybe not everyone there was as comfortable ah reading lines and things. 00:47:01.16 Brian Penn Yeah. 00:47:01.24 Chris Olson But um again, I think it was like, if you go in knowing it's a fan film, then you actually get quite a good return on that. 00:47:10.67 Brian Penn Yeah. 00:47:11.75 Chris Olson But, you know, 00:47:11.86 Brian Penn Well, you make allowances, don't you really? When when you're not, when you know what the limitations are on a particular film, the way it's being made and you know what resources are available to them, then you kind of take that, all of that on board, don't you really? 00:47:24.47 Brian Penn And when you, when you um score a film, when you mark a film like this, you you do so knowing what what the parameters are in which they're working, which is only fair, isn't it? And I think you enjoy it more when you know what that's what they're working with. 00:47:40.65 Chris Olson Yeah, and I don't know if the plan is to do more because I found as someone I've seen the boys and stuff I was I was I was waiting for something more to happen because he goes off and has disruptor and yeah he does really well and he's doing well in the charts but not really much else happened and I thought Where's the peril? 00:48:00.69 Chris Olson Where's the reckoning? Where's the characters coming to sort of, you know, face off with him? 00:48:04.29 Brian Penn Okay. 00:48:05.36 Chris Olson It didn't really go anywhere. And I was waiting for that. So I did feel that if you watch this on its own completely, you know, as it is, it's like it's fine. And it's fun. But it doesn't necessarily go anywhere by the time you finish. 00:48:16.95 Brian Penn It's like Finale, isn't it? There's no climax. 00:48:18.58 Chris Olson No, so it did feel like it needed something. Although, if you do stick around right to the very end, there's an outtake, which was very funny. 00:48:26.57 Brian Penn Oh, yeah. 00:48:28.78 Chris Olson ah um It was just after the credits. 00:48:31.19 Brian Penn Yeah. 00:48:33.57 Chris Olson But yeah, no, I felt like it was a... A strong fan film. It was flawed. Don't get me wrong. I think there was some sound issues and like I said the think the earlier performances weren't great. But I think there's a lot of potential here. 00:48:42.68 Brian Penn um and Yeah. 00:48:44.32 Chris Olson There is also there's a built in audience that people already love the boys and like you say, people that are. Maybe they've got superhero fatigue and want something that's still in that arena. 00:48:52.19 Brian Penn we Yeah. well, yeah, exactly. 00:48:54.89 Chris Olson This kind of works really well. It has that same spirit that a lot of people really enjoy. And also, I just love the fact that it just shows what someone can do you just with something a passion project that they love. 00:49:05.19 Brian Penn Yeah. Yeah. 00:49:06.95 Chris Olson um It does come up very early on with lots and lots of warnings about, look, we're not affiliated with all these other people. 00:49:11.57 Brian Penn Yeah. Yeah. they got made that clear of't though Yeah. 00:49:12.59 Chris Olson sot Don't come and sue us, um which I thought was really funny. 00:49:14.63 Brian Penn yeah know yeah 00:49:16.73 Chris Olson um But yeah, I think there'll be people out there, especially if you are a fan of the boys, you're going to get a big and kick out of that. 00:49:24.71 Brian Penn yeah It's good fun. And Chris, you've diagnosed my condition. Superhero fatigue. 00:49:29.54 Chris Olson Oh, yeah, I mean, I'd love to say I came up with that. But yeah, it's definitely something that's been around for a while. 00:49:33.19 Brian Penn Yeah. Yeah. 00:49:34.77 Chris Olson But um yeah, superhero fatigue. 00:49:34.92 Brian Penn Right. That's exactly what I've got. It's good. It's good fun. It's good fun. It's rough and ready but you take it for what it is. 00:49:43.68 Chris Olson Um, so yeah, it's, um, a train new beginnings and there are, there's an Instagram profile for it, which is at a train fan movie or one word. Um, and the film link we got given was a YouTube one, but let me just see. 00:50:01.55 Chris Olson If it is I think it's public. Yeah, so I think you can look this up chris carthon's, uh, youtube youtube channel Um, and if you search a train new beginnings, uh fan-made film you'll you'll probably find it Um, yeah, it's only 20 minutes. I think it's worth your time. If you're a fan of this sort of thing, um, definitely Check it out and also head to the website. You can read jason's review. Jason loved it. He gave it five stars. Um, so yeah, I think you can appreciate it for what it is. Enjoy yourself. And yeah, for me, I felt like they could have done a bit more with it. But as it is, it's a lot of fun. So yeah, that's a train new beginnings, we are going to be moving on now to an indie feature film called continuance. 00:51:42.83 Chris Olson So, indie film, continuance, feature length. Do you want to give the rundown this one, Brian? 00:51:48.80 Brian Penn Yeah, sure. So, Continuance, it's written and directed by Tony Olmos, starring and Tony got, Gordakas, Laura Zuki, and Teresa Suarez. Continuance tells the story of Jordan Cassel, a lawyer with an obsessive personality. He lives with his wife Lynn and their housekeeper Lupe, who soon lives up to her name. 00:52:12.26 Brian Penn ah CCTV reveals their dark and terrifying activities as they capture unsuspecting strangers in a tangled web. Now this is an accomplished, well-crafted piece, but I suspect it has narrow appeal. It feels very niche to me. There isn't much in the way of a storyline, just my my feet feel there, but the the visuals take care of any shortcomings from that score. Not pleasant viewing, but it's not meant to be. It's horror. 00:52:40.98 Brian Penn It's definitely one of horror fans and we're going to a ah following in that community for sure, but very effective filmmaking, very dark, disturbing, but that's what it means to be and that's what it does. So very effective, very well done. 00:52:59.26 Chris Olson Yeah it's an interesting film this one because it felt like a bit of an odd mix because you've got this horror storyline ah with what they're doing at the house but then you've got also got this sort of like prepper's story where they're sort of preparing to lock themselves in and ah be away from the rest of the world. 00:53:18.63 Brian Penn Yeah. 00:53:19.02 Chris Olson um Yeah and also there's a strange dynamic because you've got the the main character the lawyer who's really eccentric and really odd and weird um and his wife who's like a new agey kind of healer type woman and then you've got their very odd helper Lupi who's yeah really 00:53:42.75 Brian Penn luy man 00:53:43.92 Chris Olson really strange and quite dark. and So it was a weird dynamic. I like the idea of that. It sort of was that you didn't really know what you were getting there and it was quite exciting to see what was going to happen. 00:53:51.07 Brian Penn yeah 00:53:56.71 Chris Olson i'm But yeah, it it was definitely something that I hadn't, I thought we were talking earlier, I didn't go in reading anything about this. And when I started watching it, it was not at all what I thought it would be. 00:54:09.16 Chris Olson um You couldn't really predict 00:54:09.98 Brian Penn What did you think it would be? What did you think it would be then? 00:54:12.07 Chris Olson Because it's a continuant and I thought that's like a legal term and he's a lawyer and I was like, okay, but it's really not about that. 00:54:14.74 Brian Penn Obviously, yeah. Yeah, yeah. Oh, I get it. Yeah, I see your main. 00:54:22.64 Chris Olson And yeah, it's got this sort of psychotic atmosphere atmosphere the whole time. 00:54:22.73 Brian Penn Yeah. 00:54:29.08 Chris Olson um It's really made it feel unpredictable. um I got kind of American psycho vibes from it in in that sense there's a bit where he yeah yeah he's he's quite weird and I think he sort of gets upset about the homeless at one point and yeah he's really odd um with but this character in the diner and he gets very sort of yeah strong with him that yeah that I think had a good resonance with it that it was that vibe that that tone of film that 00:54:36.51 Brian Penn Yeah, that's true. Yeah. Shakes a bit, isn't it? For sure. and 00:54:53.83 Brian Penn yeah 00:55:02.51 Chris Olson is exploring a very dark eccentric kind of character ah who's also yeah got these side characters that are equally as well not i suppose the the partners she's not really unhinged but she's different she's a bit strange and you don't really know where it's going to go um yeah 00:55:16.90 Brian Penn Yeah. Well. Yeah, I think it's safe to say all three characters are eccentric, aren't they? Unconventional. That's probably the safest way of describing them. 00:55:26.94 Chris Olson Um, but yeah, I found that I thought the performances were okay. I wasn't too sold on, on the lead character. Um, the main guy, uh, Tony Coradecas plays. 00:55:37.36 Brian Penn Yeah. 00:55:38.70 Chris Olson Um, I felt the narration in particular was a little bit crowbarred in, um, like he's reading or yeah why he's doing what he's doing. 00:55:49.28 Chris Olson And I felt. that sort of removed some of the mystery from the film as to who he was, what he was doing. 00:55:53.39 Brian Penn Yeah. 00:55:56.71 Chris Olson And I i don't know, narration's always a weird one. Like sometimes it works and sometimes it doesn't, but I didn't find it worked in this case for me. um And also this sort of special effects that they used, like when Lynn's doing her healing sessions and there's like a lightning and stuff. 00:56:14.23 Chris Olson And um yeah, it felt a bit like, oh, okay, that's a bit weird. 00:56:14.41 Brian Penn Yeah. that 00:56:18.64 Chris Olson um But 00:56:18.69 Brian Penn yeah But yeah, I know i know what you yeah and' what you mean about narration though. 00:56:20.92 Chris Olson yeah 00:56:23.81 Brian Penn Sometimes it adds to the plot, sometimes it takes too much away from it. Because really, any sort of narration on any film, it's really ah it's a bit like breaking the fourth wall, isn't it? 00:56:35.18 Brian Penn Is that you're inviting the viewers and you're making the viewer or the audience your confidence. 00:56:37.74 Chris Olson Yeah. Hmm. 00:56:42.23 Brian Penn And I'm not sure that that quite works in this context, but it's a very interesting film though. 00:56:46.31 Chris Olson and mean We do get insight into him. He does sort of explain things like his need for control and how he likes things a certain way, but they're also that starts to crumble later on. 00:56:49.95 Brian Penn Yeah. Yeah. 00:56:59.84 Chris Olson He starts to sort of become quite disturbed and that's then reflected with the crumbling of the society outside. There's a really weird scene where he goes out with a rifle and there's this these group of kids that are outside and they're also they've also got rifles and I felt that that needed a bit more exploring. 00:57:17.56 Chris Olson It's kind of like, oh, hold on, like this whole like end of the world type society that's going on was really interesting, but we're getting given this sort of murder mystery sort of thing on the inside. 00:57:18.20 Brian Penn Yeah. 00:57:21.19 Brian Penn Yeah. 00:57:25.81 Brian Penn Yeah. Well, I suppose really, it's a question of what you you found most intriguing is what was going on inside and what was going on outside. 00:57:33.64 Chris Olson Mmm. 00:57:34.00 Brian Penn And I what was outside was more peripheral, wasn't it really, but it may have given it more, um more depth if if we did see more of what was going on outside to give it more of a more of a contrast. 00:57:46.67 Brian Penn I think the goal that played loopy was good. i 00:57:49.30 Chris Olson Yeah, I thought she was a stronger performance and and she was having a bit of fun as well. 00:57:51.74 Brian Penn too Yeah, she was good. 00:57:56.19 Chris Olson It was sort of moments where you could see she was sort of having fun with this film and you sort of felt that energy coming through um because yeah, it's quite it can be quite dark and heavy otherwise. 00:58:01.82 Brian Penn Yeah. Yeah. Well, yeah, that's right. I think most horror movies will will inject some some humor. You have to do that. Because I think horror can be can and should be very tongue in cheek. You know, it should be taken for the that kind of slightly comedic um element. I think horror that takes itself too seriously. A lot of the time can can miss the point. You know, ah but yeah, it's a good effort. Very interesting. 00:58:35.18 Chris Olson Yeah, I think films like this are really great. i love Horror in particular is a genre that people get a kick out of it for different reasons, and they they attach things to different reasons. 00:58:48.24 Chris Olson And for me, the thing that kept me watching was that unpredictability but between those three characters, that dynamic. 00:58:54.53 Brian Penn Yeah. 00:58:55.95 Chris Olson like said theres There's a mystery going on behind what they're doing and why they're doing it and and what's going on. 00:59:01.92 Brian Penn Yeah. yeah 00:59:03.86 Chris Olson That for me was why I watched it. um ah But I think other people might find different aspects that they enjoy here um because it's a feature length, so there's always a little bit more to go on. 00:59:09.98 Brian Penn Yeah. 00:59:15.29 Chris Olson But I also think that they've put a lot in there. It's a well-packed film, if you know what I mean. 00:59:21.25 Brian Penn yeah they left it all all on there aren't they that's for sure yeah um have you noticed though that the number of indie features that we review that are horror based no it seems to be more it seems to be better represented than any other genre in in the but indie film making I wonder why that is or is it just coincidence 00:59:23.84 Chris Olson Hmm. 00:59:33.01 Chris Olson Yeah. 00:59:41.09 Chris Olson Well, I think... it lends itself right to the budget. So I think sometimes even scary films with no budget like Blair Witch Project can be really scary, right? 00:59:53.95 Chris Olson Whereas if you're trying to make, I don't know, a James Bond thriller, it's quite hard to sort of make it look good with a low budget. 00:59:54.37 Brian Penn Yeah. Yeah. 01:00:01.43 Chris Olson So there's that. And often horror films, I don't know, like locations, you could film it in the woods, you could film it anywhere, right? It could be anywhere that's just dark and scary. 01:00:11.27 Brian Penn So it lenses. 01:00:11.35 Chris Olson um 01:00:12.03 Brian Penn So yeah, that's a good point. So it lends itself more too. 01:00:13.30 Chris Olson So there's this that. 01:00:15.51 Brian Penn Yeah. 01:00:15.60 Chris Olson But I also think that you know ah lot for a lot of people, those are the stories that they found the most compelling. When you were younger, you got told a a scary story. It sticks with you. 01:00:24.05 Brian Penn Yeah, yeah. 01:00:24.51 Chris Olson And yeah you want to do that. Because like we've said before, you me and you were not necessarily the biggest fans of horror. But we like it when it's done well. 01:00:32.90 Brian Penn Yeah, that's right. 01:00:33.63 Chris Olson But I do know a lot of people that love horror, it's that feeling like that they get. They don't get that from other genres. 01:00:38.47 Brian Penn Yeah, yeah, that's right, yeah. 01:00:39.11 Chris Olson It's that feeling of being scared, which they love. um But yeah, I mean, continuance was a password protected link, so we don't have um the actual ah film available as far as I'm aware. 01:00:52.62 Chris Olson as's an Instagram ah page, I believe, instagram dot.com at itchy the scratcher ah underscores between the words. 01:01:03.02 Brian Penn Of course, actually, yeah 01:01:04.16 Chris Olson um So yeah, if you want to, you can look that up um and follow and follow some more details. They often let you know yeah when the film's coming out and where you can see it. ah Go to the site, you can read Jason's review from October. 01:01:15.57 Brian Penn yeah. 01:01:17.59 Chris Olson um And yeah, he he picked up some really interesting parts of the film too. he was talking about this sort of idea of misanthropy and some other stuff. So yeah, yeah well done to Tony Olmos and the cast. 01:01:29.48 Chris Olson I think yeah it's a really interesting film, lots there to unpick. 01:01:29.66 Brian Penn yeah 01:01:33.55 Chris Olson And yeah, I look forward to hearing some um reviews of that. 01:01:38.06 Brian Penn Yeah, definitely. 01:01:39.19 Chris Olson Moving on, one I reviewed very recently to us recording this ah the show, um which is the indie film Death, which is D-E-A-T-H, Death, by the way. 01:01:53.09 Chris Olson It's getting confused. 01:01:53.78 Brian Penn um 01:01:55.00 Chris Olson ah Written and directed by Anmol Mishra. 01:01:55.29 Brian Penn ah right okay yeah 01:01:58.50 Chris Olson now Australian art house film with horror inflections is kind of how I would describe this to anyone yeah looking up death and it starts out with this character Sabrina she's in a bathtub and it's looking pretty yeah pretty dire for her let's just say that 01:02:20.32 Brian Penn Not right. 01:02:22.16 Chris Olson and Not great. 01:02:22.20 Brian Penn Not right. 01:02:22.76 Chris Olson um The film then kind of moves backwards and we see what led up directly to that bathtub scene and then we jump in from further back and we meet ah Sabrina's friends and also her boyfriend Romeo. 01:02:23.10 Brian Penn not 01:02:36.91 Chris Olson um her friends Wendy and her boyfriend Maza they all have this dinner party and we learn that Sabrina so obviously she's got a boyfriend and the boyfriend had proposed at one point but also her and Wendy have a slight um romantic history, shall we say. 01:02:56.74 Chris Olson um And yeah, it's all kind of working towards this idea of how did we get to this opening scene? 01:02:57.75 Brian Penn Yeah. 01:03:04.42 Chris Olson What is that? ah Why did we get here? Yeah, it's it's a really interesting mix. I think films that try and combined well first off art house is already gonna alienate um a massive part of your of your audience and ah a lot of people were throwing around the phrase lynchian when they were talking about this film and i was like i'm not sure i would have said lynchian but i get i get the idea that maybe it's because it's unconventional um and it's it's doing something a little bit different but for me with death it was um it was a and i i did a video review for this um which you can watch on our youtube channel 01:03:19.76 Brian Penn Yeah, like I was saying, yeah. and time ah 01:03:27.14 Brian Penn Hmm. No, not really. Yeah. Yeah. 01:03:44.50 Chris Olson that I talked about, I thought it was a bit of an uncomfortable mix of ah the horror stuff with the sort of silly comedy stuff. ah How did you feel about death, Brian? 01:03:57.07 Brian Penn Well, look, it's well acted. I liked it, but I did struggle to follow it at times. 01:04:02.95 Chris Olson Oh yeah, it's absolutely bonkers, isn't it? 01:04:04.83 Brian Penn Yeah, it is. But I'm sure that's deliberate. That's the intention, isn't it? The premise is intriguing. you know It's portraying the final faults and memories of someone before they die. But to me, they didn't fill that space with a clear narrative. 01:04:19.96 Brian Penn Now, I think, as I said, that's deliberate to challenge the audience. But I think there's a limit to the amount of confusion they portray on screen. They have to rationalize at some point. um Was it a dream? Was it real? um But it's job done for the filmmaker because it's it's taking you to that point of thinking, right, you're scratching your head, you're not sure what it's about. But you know there's lots of interesting things going on there. the um That kind of mix between horror and comedy slaps the cool most 01:04:53.38 Brian Penn you know, doesn't always come off. I could see what they were trying to do. You know, the master was one of the characters that fascinated me. You know, he had a cigar that you never lit. 01:05:04.24 Chris Olson Huh. 01:05:05.60 Brian Penn And one of the characters that actually said that to them, they should really have explained that I was really, really curious about that. But look, you know, as I say, the premise is fine. 01:05:18.35 Brian Penn I like the setup, the storyline, basic storyline is good. um but it's not what I was necessarily expecting but you know it does the job and that's you know it's got they've got it across the line but you know there's always parts of a film like this that you could find quite annoying and parts you quite enjoy you know 01:05:39.17 Chris Olson yeah it's it's the start that Yeah, I think annoying was sort maybe a bit harsh, but I think the it's the that tonal yeah polarity that for me was really... 01:05:49.66 Chris Olson oh so you got that I loved the horror a bit actually. I thought that was just really striking, really interesting. But if I play you the clip, um it's a scene where Wendy and Mazda are talking and it's kind of this will give you the idea of what we mean by that sort of silliness. 01:06:03.74 Chris Olson So this is a clip from the film. 01:06:04.62 Brian Penn Mm. 01:07:06.84 Chris Olson i say 01:07:07.89 Brian Penn Yeah. 01:07:07.93 Chris Olson he 01:07:08.09 Brian Penn All right. I'll take it back, Chris. I forgot about that line about the chickens. That's actually quite good. Yeah. and Yeah. Yeah. but It's it's definitely got something, isn't it? 01:07:18.49 Brian Penn For sure. 01:07:19.66 Chris Olson But I think that clip really does, it shows you how like silly it gets, how yeah that tone gets to real. 01:07:25.85 Brian Penn Yeah. Yeah. 01:07:29.05 Chris Olson like In my review, I talked about this like idea of stoner comedy. It was this sort of like, we're having a scene just for the laughs here, jokes and a lot of... 01:07:42.54 Chris Olson people would enjoy that it would enjoy that as like as a comedy film but when it's been put in the same sphere the same time frame as a horror film with a really sort of interesting and serious arthouse kind of vibe for me i felt that that comedy was going to let it down a bit and i think people would struggle to like both sides and both aspects i could be completely wrong i could find that you know maybe people absolutely love that but for me with death i thought i felt that tonally it was a challenge but i did enjoy a lot of it a lot of the aspects like i said the performances are really good the um the two lead actresses um who i'll give a shout out to samara gold pizar and lauren johnson 01:08:26.57 Chris Olson So Marigold plays Sabrina and Lauren Johnson plays Wendy. um Yeah, really good performances, ah really ah strong acting skills going on. They do some really daring scenes. And yeah, I thought that paid off for that side of it. But for me, they could have chopped out quite a lot of the funny stuff and the goofy stuff and still been left with ah a more interesting film. um But yeah, that was death. 01:08:56.07 Chris Olson So yeah, death let me see if we've got anything on that. I don't believe it's out. So I think we watched it on a film freeway link, which is the sort of festival link. But I think maybe when I went to the website, there was some stuff. 01:09:14.05 Chris Olson um Yeah, so. Let me just check that out. 01:09:19.73 Brian Penn Hmm. 01:09:21.14 Chris Olson Talk amongst yourselves. who It's from Prossia Media um and they have a website. 01:09:22.46 Brian Penn Yeah. 01:09:28.30 Chris Olson If you go to prosya.com, there's some really useful information on there. I think there are some links to where you might be able to see it. Sometimes with these films, they are you ah region specific. I feel like when I looked at those before, there's like a Google one and Apple one. I think they are US links, so might not be ah available for UK viewers. But yeah, um if not, go to Instagram, Prossia Media, P-R-O-S-Y-A, media, all one word, and follow them. And you'll be able to find out when you can watch death because, yeah, fans of art house, fans of... 01:10:04.57 Chris Olson ah yeah wacky combinations, I think you'd be in your element. I don't think it's a film that'll be for everyone. 01:10:08.78 Brian Penn Yeah? 01:10:10.22 Chris Olson and I think that ah the bits that are strong do get kind of outweighed slightly by the things that aren't as strong for me. 01:10:10.65 Brian Penn Nice. 01:10:18.23 Chris Olson But like I said before, I think the performances were great. 01:10:18.35 Brian Penn Yeah. 01:10:20.51 Chris Olson The horror stuff was really good. And I always like a film that does yeah at least try and be original, try and challenge itself. 01:10:22.68 Brian Penn Yeah. 01:10:26.85 Brian Penn Yeah, of course. Yeah. look I mean, we've often said in the past, haven't we, that if you, you have to dare to be different in filmmaking and not play too safe. So they've done that. They've like done something different and they did ah deserve a lot of credit for it. 01:10:42.53 Chris Olson so ah Moving on to our final indie film, a short film called OK Not OK. 01:10:48.50 Brian Penn Yeah. 01:10:48.63 Chris Olson um And I'm going to play a clip for this first. 01:11:23.78 Chris Olson So absolutely baffling clip there for you to to try and um unpack. 01:11:27.50 Brian Penn ah Yeah, well, yeah, it's a little bit. 01:11:30.85 Chris Olson But um written and directed by Padi Sohatta and yeah, starring Beyvari Manohara and Jay Taylor. it is set in, oh, so as we could say, a sci-fi future, ah I think that's what I say, where it's possible to have an AI robot, um essentially, who you can have a relationship with as long as you can afford the subscription. 01:11:46.41 Brian Penn Yeah, yeah. 01:11:57.73 Chris Olson um And yeah, our lead character, she has one, ah Loretta, she has a boyfriend, um but, yeah struggles to maintain the payments and her lifestyle, all the while becoming quite deeply entrenched romantically with her her robot boyfriend. um The whole film is shot on this static shot of sort of a would youco It's not quite a long shot, is it a mid shot? 01:12:27.15 Chris Olson I would say it's a mid shot. 01:12:28.46 Brian Penn Yeah, yeah. 01:12:28.99 Chris Olson Mid shot, but they they're very much due. The whole the whole pulp apartment is in focus and the the backgrounds keep changing quite quickly and the colour keeps changing. 01:12:39.37 Chris Olson It felt a little bit like an IKEA advert actually at one point. I was like, oh, they're swapping. 01:12:42.20 Brian Penn cra Maybe started out so you don't know. 01:12:44.64 Chris Olson yeah Yeah, it could double up. um But yeah, we've basically seen the insight into this relationship as she's yeah with this this robot, who looks like a human, by the way, doesn't look like a robot. 01:12:56.60 Brian Penn Yeah. 01:12:57.19 Chris Olson um And yeah, it essentially has problems with it. um And we see how that affects her. um It's absolutely hilarious at times. 01:13:07.75 Brian Penn and Yeah. 01:13:07.78 Chris Olson I thought it was really funny. The bit where she's on the customer service call with the Indian call center. 01:13:11.67 Brian Penn Yeah. and Yeah. 01:13:13.28 Chris Olson And he says something like, oh and oh, if you want me to be more polite, that's premium. 01:13:16.56 Brian Penn Yeah. yeah Get a premium, get a new premium love package. 01:13:21.33 Chris Olson Good. 01:13:22.83 Brian Penn Yeah. 01:13:23.06 Chris Olson um Yeah, what do you think, bro? 01:13:23.70 Brian Penn Right. Yeah. You know what? Yeah. I thought this was really good. In some ways, this is a classic short indie feature. It's basically set in one room, isn't it? Very rich dialogue, strong characters, you know, 01:13:37.80 Brian Penn And really, it's set in the future, but it says a lot about what life could be like in the future, couldn't it? 01:13:45.78 Chris Olson Not that far future as well, I think, yeah. 01:13:47.30 Brian Penn Well, yeah, and I know. But where we're reduced to a series of virtual transactions. um And so it's speaking a lot of truth and it's very perceptive. 01:13:57.99 Brian Penn It's very cleverly done. um As you say, it's very funny when they're on the lines of the customer services advisor. um you know Very, very good. 01:14:09.37 Brian Penn And again, no, it's original. I've not seen anything like this before. If you, you know, I'm in that way. 01:14:14.85 Chris Olson The only thing it reminded me of was, not that way, I've seen things like humans, it reminded me of the TV show where they have these like, ah yeah, robots that you can buy to sort of look after your house. 01:14:22.01 Brian Penn Yeah. 01:14:26.41 Chris Olson And it's a really good show actually humans. But this was done in a way that felt fresh, it felt original in in its own right. 01:14:32.66 Brian Penn yeah 01:14:34.34 Chris Olson It was, what I loved about it was this, um the whole thing had a pace to it that felt like an advert it felt like it was trying to sort of have that high octane energy but then at the core of it you've got this character who's deeply embedded in this situation there's all this stuff going on outside the window and it sounds like riots or gunshots and things like that but inside her flat is just changing lights and it's all quick fire it's all very very rapid that 01:14:43.55 Brian Penn Yeah. Yeah. 01:14:59.22 Brian Penn Yeah. 01:15:06.40 Chris Olson it reminded me of what it sort of felt like it reflected how our society has become. We are very reliant on technology and how capitalism takes over all these things eventually and it will monetize even someone's lifestyle. 01:15:12.01 Brian Penn yeah 01:15:16.71 Brian Penn Yeah. Yeah. 01:15:22.37 Chris Olson um And yeah, the fact that she was like a hermit almost ah by herself with this robot, it felt it felt very like it felt tragic. 01:15:22.70 Brian Penn Yeah. 01:15:27.98 Brian Penn yeah but I know. 01:15:32.76 Chris Olson but funny at the same time and how they've pulled that off is actually very impressive. 01:15:32.77 Brian Penn I know. 01:15:37.73 Brian Penn No, no, it is. I think it's very innovative and says a lot about the way The way things are going in in the way we we rely on sort of convenience and reinforce routine and habit. With this virtual boyfriend, she's watching TV, playing games, chess, eating together, discussing the meaning of life. But there's that disconnect between us and other human beings. It's solitary. And it's a frightening sort of vision in some ways. and 01:16:14.39 Brian Penn You know, it does make make you wonder how far away we are from it and how we we need to guard out against it as well. 01:16:20.60 Chris Olson And I think the tone of the film stops you from realizing how much despair there is going on here. I think that it is using these methods to keep you in a sense of like, this is really vibrant, really playful, really fun. 01:16:37.14 Chris Olson And then you're sort of, as over time, you kind of realize that, Wait well wait wait a minute, actually, this is actually quite a sad story. 01:16:37.23 Brian Penn Yeah. 01:16:42.10 Chris Olson like This is actually, yeah, it hits you really hard and you don't actually understand until maybe a bit later. 01:16:42.57 Brian Penn Yeah, it's quite serious really, isn't it? Yeah. I know. 01:16:47.24 Chris Olson And I think part of that is, yeah, due to the way they filmed it, it's got very high production values, it looks great. 01:16:47.94 Brian Penn Yeah. 01:16:51.99 Brian Penn Yeah, you're right. 01:16:52.91 Chris Olson um And it's also, yeah, the way that they've combined those elements to reflect the way that we're all being conditioned, the way that we're all experiencing life now. 01:17:02.63 Brian Penn Yeah. 01:17:03.96 Chris Olson I think it's a really strong film. um Yeah, I could easily see this doing, very well on the festival circuits and and things like that. 01:17:14.42 Brian Penn Yeah, definitely. 01:17:14.48 Chris Olson um And yeah, i'd I'd be happy to watch more films from Pardip Sahota. 01:17:15.33 Brian Penn Yeah. 01:17:19.59 Brian Penn Yeah, it. 01:17:20.64 Chris Olson Really good. 01:17:21.66 Brian Penn Yeah, it's a natural standout. I mean, very rare. Do you see something innovative? I know you mentioned hum the humans TV show, but um it's not something you see very often. 01:17:32.05 Brian Penn And it's it almost feels like an indictment of the way we are being conditioned by convenience by AI. 01:17:34.04 Chris Olson Hmm. 01:17:41.48 Brian Penn And that's the way it's going. and You think god we need to We need to put the brakes on really. Um, but yeah, 01:18:00.31 Chris Olson Yeah, no interesting, really interesting film. 01:18:03.29 Brian Penn definitely. I mean, it's going to strike a chord because you know, the, the, the facts is that we, we do live a very fast life, a very hectic life. That's. 01:18:14.02 Brian Penn ruled by rooting and habit and convenience. And that's what it's plugging into. And it's it's almost a frightening vision, but it gets it out there. It's important to have this as a serious study of modern living, future living. 01:18:29.74 Chris Olson So OK Not OK is not available in lineably. I think it is actually in the festival circuit. They sent some notes about it having its premiere at the Leeds International Film Festival. 01:18:41.05 Chris Olson and Yeah, so do stay tuned for them. The film itself has its own Instagram profile, which is okay dot not okay underscore short film. 01:18:52.05 Chris Olson So yeah, you might want to make a note of that. 01:18:54.29 Brian Penn Mm-hmm. 01:18:54.78 Chris Olson But definitely worth looking out for and and checking out and following because for me, when I see films like this, I'm always intrigued always think, right, okay, I need to see the next film that they make. 01:19:05.36 Chris Olson I need to see the next yeah one that they take on because I think there's a lot of potential here. 01:19:05.91 Brian Penn Yeah. 01:19:09.27 Brian Penn Yeah, but they put a marker down, haven't they, really, with a film like this. So, yeah, I'm very impressed. 01:19:15.07 Chris Olson And that's your lot of indie films. 01:19:16.97 Brian Penn Mm. 01:19:17.23 Chris Olson um We've covered seven films in this episode. And yeah, hopefully um some of them have piqued your interest. 01:19:20.63 Brian Penn Well. 01:19:24.95 Chris Olson You're gonna check them out. Some are are available online, some are not, but do follow everyone that we've mentioned, especially if we've mentioned their Instagram ah profile, because it's great to be able to, as we say, shine a light on these um these ah very talented filmmakers from across the world. 01:19:36.12 Brian Penn Yeah. 01:19:40.02 Brian Penn Yeah. Big thumbs up to all the directors and all the creatives involved in these films. The standard is incredibly high. I'm very impressed. 01:19:47.62 Chris Olson keeps keeps getting better and better. 01:19:49.30 Brian Penn Yeah. 01:19:49.59 Chris Olson um Or maybe we just become more appreciative, like you have in your five years, you know, since you reviewed. 01:19:49.95 Brian Penn Yeah. 01:19:53.62 Brian Penn ah we As I say, that extra star that, yeah, yeah we're all growing, aren't we? 01:19:55.53 Chris Olson Yeah, maybe it's that. Maybe you've grown. 01:19:59.93 Brian Penn yeah Which is all good. Yeah. No, really good. Very impressed. 01:20:03.82 Chris Olson But yeah, thank you for joining us on this episode of UK Film Club, an indie special this time. And we'll be back again a couple of weeks with our ah regular episode where we'll have, actually we'll have some more indie films in that because we had so many. 01:20:16.73 Chris Olson but We've got even more to do in there, but we'll also be reviewing some cinema releases and actually a couple of Christmas films, would you believe? 01:20:19.36 Brian Penn its no Yeah. 01:20:25.30 Brian Penn yeah 01:20:25.84 Chris Olson Yeah, not long now. 01:20:26.62 Brian Penn Looking forward to that. Getting the jingle jingle spirit. 01:20:27.95 Chris Olson Jingle, jingle. 01:20:30.23 Brian Penn Yeah. All right. 01:20:31.53 Chris Olson But yeah, thank you all again for listening. 01:20:34.36 Brian Penn Bye for now. Previous Next

DOWNTON ABBEY: THE GRAND FINALE, the cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. As the beloved cast of characters navigates how to lead Downton Abbey into the future, they must embrace change and welcome a new chapter.. Brand new film trailers. Downton Abbey: The Grand Finale Official Trailer for Downton Abbey: The Grand Finale DOWNTON ABBEY: THE GRAND FINALE, the cinematic return of the global phenomenon, follows the Crawley family and their staff as they enter the 1930s. As the beloved cast of characters navigates how to lead Downton Abbey into the future, they must embrace change and welcome a new chapter. Starring: Simon Russell Beale, Hugh Bonneville, Laura Carmichael, Jim Carter, Raquel Cassidy, Brendan Coyle, Michelle Dockery, Kevin Doyle, Michael Fox, Joanne Froggatt, Paul Giamatti, Harry Hadden-Paton, Robert James-Collier, Allen Leech, Phyllis Logan, Elizabeth McGovern, Sophie McShera, Lesley Nicol, Alessandro Nivola, Dominic West, Penelope Wilton, Arty Froushan, Joely Richardson, Paul Copley, Douglas Reith. Directed by: Simon Curtis Screenplay by: Downton creator and Academy-Award® winner Julian Fellowes Producers: Gareth Neame, Julian Fellowes, Liz Trubridge Executive Producers: Nigel Marchant Paper Tiger The Paper Tiger trailer suggests a searing, deeply moving examination of ambition, guilt, and the toxic pursuit of the American Dream. Ink The newly dropped trailer for Ink confirms those expectations, delivering a relentless, kinetic glimpse into Fleet Street's most disruptive era. The Social Reckoning Seeing the first teaser trailer drop for its spiritual companion piece, The Social Reckoning, sent an absolute chill down my spine. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here.

It's rare for a documentary trailer to stir the soul quite as effectively as the first look at Kenny Dalglish, the upcoming feature focusing on the life and legacy of one of British football's most revered and complex figures.. Brand new film trailers. Kenny Dalglish Kenny Dalglish: Trailer Promises a Footballing Life Defined by Courage and Community It's rare for a documentary trailer to stir the soul quite as effectively as the first look at Kenny Dalglish , the upcoming feature focusing on the life and legacy of one of British football's most revered and complex figures. We at UK Film Review have seen our share of sporting biopics, but this is clearly aiming for something far deeper than a highlight reel. This is the story of a man whose greatness on the pitch was only matched by his profound humanity off it, particularly in the face of unimaginable tragedy. The trailer opens, as it should, on the exhilarating rush of his playing days. From the outset, we are reminded of the high stakes involved in his move to Liverpool. There’s a palpable sense of pressure, an acknowledgement of the sheer cost—the question, "Do you think you're worth all that money?"—which is swiftly countered by his characteristic nonchalant reply. Yet, the footage quickly asserts that he was worth every penny and more. The trailer captures the glory days, the blistering talent, and his vital role as an 'integral' figure in ushering in a 'new era' of unparalleled success for the Merseyside club. We see fleeting glimpses of trophies and ecstatic crowds, hinting at the incredible narrative arc of a player who became a legend, culminating in the "unbelievable double." For the football purist, this first act promises a thrilling journey through a golden age. However, the trailer makes a powerful and necessary turn, shifting the focus away from the silverware and onto the sombre reality that changed his life forever: the Hillsborough disaster. The mood darkens instantly, the voiceover confirming the shift in focus: "some things you wish it never happened." It is here the film’s true purpose emerges. The raw, emotional weight of the tragedy is evident, not just in the historical context but in the deeply personal toll it took on Dalglish himself. The narration highlights the creation of the terrible, dehumanising "myth of crowd violence" and the subsequent feeling of abandonment by the authorities, where a community 'felt that Westminster and the police and the media were against them.' The film pivots to celebrate Dalglish's response—a man who refused to stand aside. "One man stood up," we hear, a powerful statement on his moral courage. The trailer posits that "everything that Kenny does is for the family," drawing a direct line between his professional devotion and his compassionate, enduring support for the bereaved families. It makes the compelling case that for Dalglish, his commitment went far beyond the remit of a manager. It was about community, solidarity, and basic human decency. The trailer’s concluding sentiment—"life is more important than any job" and that the 'family of Liverpool' was "more than football"—suggests a documentary that has correctly identified the defining characteristic of Kenny Dalglish’s legacy. What the trailer ultimately sells is not a typical sports flick, but a crucial piece of social history and an extraordinary character study. It looks set to be an unflinching look at a man who, despite his immense sporting achievements, found his most important role in a time of crisis. This is a film we should all be keeping a very close eye on. Paper Tiger The Paper Tiger trailer suggests a searing, deeply moving examination of ambition, guilt, and the toxic pursuit of the American Dream. Ink The newly dropped trailer for Ink confirms those expectations, delivering a relentless, kinetic glimpse into Fleet Street's most disruptive era. The Social Reckoning Seeing the first teaser trailer drop for its spiritual companion piece, The Social Reckoning, sent an absolute chill down my spine. Focker-in-Law If the film can sustain the frantic, competitive energy displayed in this preview, Focker-In-Law might just be the rarest of cinematic beasts: a comedy sequel that actually manages to justify its own existence. We are officially on high alert. Heart of the Beast Heart of the Beast looks like a gripping, tear-jerking cinematic triumph that will resonate with action fans and animal lovers alike. We will definitely be front and centre with our popcorn when this one hits the big screen! Klara and the Sun Klara and the Sun looks like a heart-wrenching, beautifully acted triumph that will linger in the mind long after the curtains close. Power Ballad What has us incredibly excited about Power Ballad is the dynamic friction between its two leads. Paul Rudd seems perfectly cast as the rugged, everyday musician who just wanted a shot at the big time, acknowledging with a heavy heart that having his name on a song of that magnitude would have completely changed his life. The Debut UK Film Review hasn't yet seen the final curtain rise on this one, but if the film matches the sheer dramatic potency of its trailer, The Debut is set to be a staggering, must-see cinematic triumph. One Night Only One Night Only looks to be a sharp, subversively funny, and emotionally resonant look at how we connect when time is running out. It takes a wild, satirical premise and uses it to explore a timeless question: Who would you choose if you only had one night? Supergirl As we look toward the 2026 release, Supergirl: Woman of Tomorrow stands as a testament to the new direction of DC Studios. Masters of the Universe With the arrival of the first trailer for the 2026 reboot of Masters of the Universe, the cinematic landscape prepares for a collision of sword, sorcery, and surprisingly, suburban Earth. Wild Foxes Dune: Part Three Picking up roughly seventeen years after the seismic events of Part Two, the trailer immediately signals a shift in tone. While the first film was an act of world-building and the second a visceral war epic, Dune: Part Three—an adaptation of Frank Herbert’s Dune Messiah—looks to be a far more claustrophobic and tense affair. In The Grey Scary Movie 6 The horror-comedy world is officially being turned upside down as the first trailer for Scary Movie 6 has finally arrived, marking a monumental return for the franchise that defined a generation of parody cinema. Empire of Lies Empire of Lies arrives in UK cinemas and on digital platforms on 27th March. Undertone Undertone is scheduled to arrive in cinemas on Friday, March 13th, 2025. If the trailer is anything to go by, we suggest you keep the lights on and perhaps think twice before pressing play on your next favourite podcast. The Moment The Land of Sometimes Twins Alfie and Elise find a magical Wish Watch on Christmas Eve and are swept by the Wish Collector into the musical Land of Sometimes, where they learn that wishes have consequences. Avengers: Doomsday Fans are elated at the release of the first teaser trailer for Avengers: Doomsday. Set for a theatrical release on 18th December 2026, find out more here.