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★★★ Directed by: #DianaGalimzyanova Short Film Review by: Alexandra James   The music video for Hunger  is a rock song by Bitter Cherry and portrays a woman who meets a guy at a bar, and they really start to hit it off. Spending a lot of time together, partying and sharing drinks, their relationship develops at a rapid rate. However, the audience can see that as the relationship progresses, the boyfriend’s controlling behaviour begins to emerge forcing her away from her close friends and becoming extremely dependent on him. A gothic and edgy music video that brings in strong themes of vampirism and demonic possession, and feeds into this controlling aspect of the narrative giving the video a dramatic and strong message to all. Apart from the song playing over the video, there is no dialogue to this music video, we see the characters speaking with one another but are unable to make out their conversations. However, through expressions and body language alone it becomes very obvious the direction of the narrative, this was great way in which to see the story unfold through expressions alone, therefore, the acting needed to have a lot of exaggeration. In parts this was good but occasionally it became too much and we needed to bring it back to the central storyline, occasionally this overacting appeared cheesy. It was enjoyable to see this crossover of demonic and gothic imagery combined with the manipulation and controlling behaviour from the boyfriend. This made him feel dark and disturbed with the added scenes of what looked like a padded room, portraying that mentally she is incapable of escaping her partners clutches and just how much his power has driven her into madness. This was a strong music video and created a real narrative that explored artistic ways of manipulative and toxic relationships. To push this video further, the acting needed to have a more serious undertone to the characters and avoid the more over the top acting style as this can come across as awkward in places. Regardless, there is a lot of potential and scope for improvement, but the overall feel of this music video was edgy, real and haunting.

★★★★ Starring: #EllaMaisyPurvis and #BaxterWestby Directed by: #LadaKopytova Short Film Review by: Alexandra James Blueprint  follows young screenwriter Cass, who attempts to find inspiration for her writing. She comes across a young café worker, Ezra who ignites her passion for writing and discovers that Ezra is her muse. However, this obsession of Ezra and her writing quickly merge into one, Ezra struggles to connect with Cass as she tries to make him a character in her work and their daily interactions are recorded. Ezra begins to wonder if Cass is her true self or just another character to write about. At the beginning of their relationship, there appeared to be desire and lust between the two, however, as that excitement begins to slowly wear away and the mundane elements of the relationship come to fruition, Cass slowly loses interest and is unable to create a story from Ezra. I think one of the crucial elements to highlight within this short is the acting, real noteworthy performance from both characters, particularly Cass played by Ella Maisy Purvis. Cass appears to be a complex character, however, as the film evolves, we discover that she longs to be the ‘main character’ in her life and work and attempts to make this happen at all costs. Her selfish and narcissistic ways eventually drive her boyfriend Ezra away, his thoughts and feelings are second when it comes to her screenwriting. Ezra longs for a deeper connection with Cass and chooses to walk away than become just a character in her stories. Cass disregards Ezra’s boundaries and he urges her to live her life rather than write about his. He becomes just a pawn in Cass’ life rather than a real lover, someone to feed off for inspiration rather than form a true relationship. I found this short enjoyable especially when the audience can view the relationship from both perspectives. Cass’s internal monologue dominates the first half of the film; however, we soon discover Ezra’s feelings towards Cass and how her actions are making him feel used and overlooked and he begins to question whether anything is real between them. There is that sense of fear in his voice perhaps because of the worry about what happens when he is unable to provide that inspiration she desperately desires. A great story with a great cinematic style to match, Blueprint is a perfect example of toxicity within relationships and to be able to watch this downfall in real time was fascinating. Its interesting to see how people begin to change the deeper you get into a relationship, director Lada Kopytova perfectly captures this demise as well as the sweet and bitter moments of a relationship, and what happens when that lust eventually subsides.

★★★★ Starring: #LauMeiTak and #WongWaiMan Directed by: #LauMeiTak Short Film Review by: Alexandra James The Gift  explores the relationship between a mother and her autistic daughter, Yan Yan. Life is hard for them both but in very different ways. Yan Yan struggles to communicate which creates a lot of barriers and her mother is struggling to balance her work life and care for her daughter and her needs. Yan Yan’s mother is under a lot of pressure to be able to provide for her daughter and give her a good life, however, there appears to be a lot of resentment and anger for the situation she is in, and a lot of this anger is taken out on daughter Yan Yan. This is a very hard hitting and real drama that reflects the struggles of being a single mother and highlights the perspective of Yan Yan and the challenges she faces on sharing her emotions with her mother. Yan Yan has the mindset of a young child, and her way of communicating is through her pictures and drawings, however, her mother chooses to ignore and disregard her feelings and fails to understand her true needs which is to spend more quality time with her mother. This leads to a lot of conflict within the family home leading to her mother sharing some cruel and hurtful comments about her daughter. It was great to see a very open interpretation of family life, the not so picture-perfect dynamics of relationships between mother and daughter. Instead, we are met with a down to earth, realistic portrayal of everyday home struggles and an understanding that not every family is going to be able to navigate through stressful situations successfully. I really thought that both characters were convincing and wore their hearts on their sleeves for the role, allowing the audience to relate and connect with that subject of miscommunication between family members. The music playing over the scenes did create a dramatic effect, however, at times it seemed almost too theatrical and serious, a toned-down version of this would have fit the scenes slightly better. The locations used were great and made the story very real especially the family home, it aided the storyline nicely. I think what was fantastic about this story was the ending, the audience could see growth from the mother as she begins to learn about her daughter’s true feelings by looking at her pictures. She finally learns that her daughter longs for that connection between the two and the simple pleasures in life are what truly make her happy. From then on, both characters became closer and could finally connect with one another. A heartwarming story that focuses on struggles but also learning from your mistakes and building on this. Not every family is perfect, and there will always be conflict and communication problems, The Gift shows the audience how to grow from this and learn from faults.

Film Feature by Chris Olson Ah, Happy Gilmore 2. The very mention of it sends a ripple through the cinematic landscape, a tremor of anticipation mixed with that familiar, nagging whisper of caution: can back-to-back holes in one happen? For those of us who came of age with Adam Sandler’s peculiar brand of chaotic charm, the first Happy Gilmore wasn't just a film; it was a phenomenon. And now, almost three decades later, the golf-club-wielding, hockey-loving, anger-management-challenged anti-hero is back. And mark your calendars, folks, because the rumour mill has solidified into concrete fact: Happy Gilmore 2 is set to release on Netflix on July 25th, 2025. It’s a date that’s had film critics and casual viewers alike buzzing for months. The original, released in 1996, was a brilliant concoction of Sandler's signature slapstick, surprisingly endearing character work, and a genuine underdog story. Happy (played by Adam Sandler), a failed ice hockey player with a cannon for a slapshot and a temper as volatile as a volatile thing, inadvertently stumbles into the world of professional golf. His sole motivation? To win enough prize money to save his beloved grandmother's house from foreclosure. It’s a premise that’s both absurd and deeply relatable, creating a comedic alchemy that resonated with audiences. The cast, of course, was integral to its success. Adam Sandler, in his prime, delivered a performance that perfectly encapsulated the lovable brute. Then there was Christopher McDonald as the smarmy, perpetually infuriating Shooter McGavin, the quintessential golf villain you loved to hate. Julie Bowen as the charming public relations director Virginia Venit provided the romantic interest, a calming counterpoint to Happy's tempestuous nature. And who could forget Ben Stiller's uncredited, yet unforgettable, turn as the sadistic orderly Hal? The beauty of Happy Gilmore was how it allowed these diverse comedic talents to play off each other, creating genuinely memorable moments. Now, with the sequel, the good news is that many of these familiar faces are returning. Adam Sandler, naturally, reprises his role as Happy. Christopher McDonald is back as Shooter McGavin, much to the delight of those who relish a good villain. Julie Bowen returns as Virginia Venit, and even Ben Stiller is confirmed to be back as Hal. There’s a comforting sense of continuity there, a promise that the core essence of the first film will be preserved. But the film also boasts some intriguing new additions. The likes of Bad Bunny, Travis Kelce, and even Eminem are slated to appear in various roles or cameos, which certainly adds a contemporary flavour and broadens the film's appeal beyond just the nostalgic. It speaks to the enduring cultural impact of the original that such diverse talents want to be a part of its legacy. Golf films, as a genre, are a curious beast. They often fall into two camps: the earnest, inspirational dramas like The Greatest Game Ever Played or The Legend of Bagger Vance, which aim for a more poignant reflection on the sport and life itself, or the outright comedies that revel in the absurdity of the game, much like Caddyshack. Happy Gilmore firmly cemented itself in the latter camp, pushing the boundaries of what a golf comedy could be. It wasn't just about golf; it was about smashing conventions, about an outsider disrupting a stuffy, elitist world with raw, unbridled passion (and a few well-placed insults). It took the inherent frustrations of golf and amplified them to hilariously over-the-top levels. The challenge for Happy Gilmore 2 lies in recapturing that magic. The comedic landscape has shifted, and audience expectations have evolved. Will Sandler's brand of humour still hit the mark? Will the film find new ways to lampoon the golf world without feeling dated? The fact that it’s landing on Netflix on July 25th, 2025, means it will have an immediate, global audience, a testament to the enduring power of the original. There’s no pressure, then. Only the weight of nearly three decades of anticipation. My hope, as a critic and a long-time admirer of Happy Gilmore’s unique approach to the fairway, is that it finds its footing, embraces its inherent silliness, and delivers another memorable slice of cinematic joy. Because sometimes, a bit of glorious, unpretentious chaos is exactly what the doctor ordered. Watch the Happy Gilmore 2 Official Trailer .

Film Feature by Chris Olson Julian Fellowes won over a global audience with his incredible period drama TV show, Downton Abbey, back in 2010. Since then, we have had two feature films based on the series, one in 2019 simply called Downton Abbey, and then in 2022, audiences were given Downton Abbey: A New Era. With the release of the new trailer and given a UK release date of 12th September 2025, essentially, Downton Abbey: The Grand Finale is positioned as a heartfelt send-off to the characters and the iconic estate, aiming to tie up loose ends and provide a satisfying conclusion to the beloved story. It will likely be emotional, reflective, and undoubtedly filled with the charm and elegance that fans have come to expect. The First Downton Abbey Film Set a short hop after the television phenomenon left us, the film plunges us back into the familiar, impeccably manicured world of the Crawley family and their ever-so-loyal staff. The plot, if one can call it such a dramatic word for something so utterly charming, revolves around the arrival of King George V and Queen Mary at Downton. A royal visit, no less! One can almost hear the collective gasp from Mrs. Patmore's kitchen. Of course, this isn't just about polishing the silverware and airing out the guest rooms. Oh no. The film, in true Downton fashion, quickly establishes a delicious upstairs-downstairs dynamic with an added layer of class snobbery. The King and Queen, it transpires, bring their own retinue of pompous, overbearing servants, intent on wresting control of every last napkin and champagne flute from the bewildered but resolute Downton faithful. This, dear reader, is where the film finds its most genuine and often rather amusing conflict. Witness the delightful spectacle of Mr. Bates and Anna, usually the picture of stoic obedience, orchestrating a subtle yet highly effective coup to restore their rightful place in the Downton hierarchy. It's a testament to the enduring appeal of these characters that their petty squabbles with the King's man prove more engaging than any dramatic turn of the century. The Second Downton Abbey Film "Downton Abbey: A New Era" features two main storylines: The French Villa : The Dowager Countess, Violet Crawley, announces that she has inherited a villa in the South of France from a mysterious man she knew decades ago. This news sends a portion of the Crawley family, including Robert and Cora, on a journey to the Riviera to uncover the truth behind this unexpected bequest. While there, they meet the family of the deceased Marquis and encounter some surprising revelations about Violet's past and even Robert's paternity. Filming at Downton Abbey : Back at Downton, a film crew arrives to shoot a silent movie. This provides a fascinating glimpse into the nascent world of cinema and the disruption it brings to the traditional routines of the estate. Lady Mary takes charge of overseeing the production, which creates both excitement and challenges for the household staff. The arrival of the glamorous film stars and crew also leads to comedic moments and some unexpected romantic developments. The film cleverly intertwines these two plots, showcasing the changing times of the late 1920s and how the Crawley family and their staff adapt to the "new era" while still holding onto their cherished traditions. It also provides a poignant and fitting farewell to the beloved Dowager Countess, as her health declines throughout the film. Watch the Downton Abbey: The Grand Finale Trailer Downton Abbey Official Teaser Trailer

Film Feature by Chris Olson Episode 27 of the UK Film Club Podcast saw a fantastic array of movies being reviewed, including the latest Mission: Impossible film - The Final Reckoning, starring the staple of cinema, Tom Cruise, in his final outing (supposedly) as Ethan Hunt. We also reviewed The Amateur, a spy-thriller starring Rami Malek, which impressed critic Brian Penn a lot. But it was the new Ryan Coogler movie, Sinners, that impressed him the most from the cinematic releases in May 2025. So much so that Brian crowned Sinners his "Film of the Month" a much-coveted award. For those of you who haven't heard, Ryan Coogler's latest film, Sinners , is a supernatural horror set in the Jim Crow-era Mississippi Delta of 1932. The film stars Michael B. Jordan in a dual role as twin brothers, Elijah "Smoke" and Elias "Stack" Moore, who return to their hometown of Clarksdale after years working for the Chicago Outfit. With money stolen from gangsters, they aim to establish a juke joint in an old sawmill, creating a haven for the local Black community. As they recruit local talent and navigate the racial tensions of the era, including threats from the Ku Klux Klan, a sinister force emerges. An ancient, music-loving vampire named Remmick, on the run from Choctaw vampire hunters, sets his sights on the juke joint and particularly on Sammie, Smoke and Stack's cousin and an aspiring musician whose transcendent music possesses an otherworldly power. What begins as a hopeful fresh start for the brothers quickly spirals into a terrifying fight for survival against a growing vampire horde, forcing them and the community to confront both supernatural evil and the deeply rooted dangers of their segregated world. The film blends period drama, blues music, and intense horror, exploring themes of art, freedom, and the enduring struggle against oppression. Read our 4-star Sinners film review . About the Director Ryan Coogler stands as a prominent voice in contemporary cinema, known for his emotionally resonant storytelling and unflinching exploration of identity, community, and systemic issues. His films often delve into the complexities of personal struggle within broader societal contexts. He first garnered significant attention with his acclaimed debut feature, Fruitvale Station, a powerful dramatisation of a real-life tragedy that earned him critical recognition. Coogler then transitioned seamlessly into revitalising beloved franchises, directing Creed, which reinvigorated the "Rocky" universe with fresh emotional depth, and subsequently helming Marvel's Black Panther. The latter became a cultural phenomenon, celebrated for its impactful representation and innovative narrative, further cementing his status as a visionary filmmaker. A frequent collaborator with actor Michael B. Jordan, Coogler has crafted a distinctive filmography that blends personal narratives with compelling spectacle. Beyond directing, he also co-founded Proximity Media, a production company dedicated to creating diverse and impactful stories across various platforms, including films, documentaries, and podcasts. His recent work on Sinners showcases his continued ambition to push boundaries and explore new genres with his signature blend of grit and heart, even negotiating rare deals to retain significant creative control and ownership of his projects. Other Films We Reviewed on the Podcast As well as the cinematic releases aforementioned, we also reviewed the following indie films on Episode 27 of the UK Film Club Podcast: Ambrogio: The First Vampire Set in the modern United States, indie horror romance Ambrogio: The First Vampire gives a fresh take on the classic story. The film is directed by filmmaker Alex Javo, who co-writes with Taz Lake and Johnny Ray Jr, and co-stars with Angelina Buzzelli and Zane Pappas. Javo plays the titular Ambrogio, a centuries-old vampire who we first see violently “acquiring” a new home in a nameless town in the U.S by giving a love bite to its current owner. We are then privy to his origins in ancient Greece and how he became immortal and a bit of a biter. One of Ambrogio’s problems is having to resettle every so often for fear of pitchforks and violent mobs, but he has a few more problems on the horizon in the form of some other famous baddies. He also becomes romantically involved with local historian Sarah (Buzzelli), and his future becomes increasingly uncertain. Shaken & Stirred: The Story of Flair Bartending The feature-length film delves into the history of flair bartending and how it emerged from established bars in the US to become a worldwide phenomenon where competitors meet to try and outdo each other with ever-more outlandish tricks with bottles, shakers and more. The different forms of the art are discussed, as well as organisational splits that mean different styles have emerged demanding different skillsets. The film covers one of these organisations and the competitors looking to become the best, showing their personal stories and the meaning they found behind the bar. Always Smile Always Smile comes from prolific indie filmmaking production company Hypatude Productions, and is directed by Hypatude’s founder Jason Park. Park’s passion for film, and for filmmaking, is obvious and present in ‘Always Smile’, yet sadly that never translates to any genuine quality. The film follows two brothers, Alex (played by Jason Park) and Johnny (played by Min Keon Kim) who, following the tragic deaths of their parents, have fallen into homelessness. The two brothers live out of a van, with Alex working a dead-end job and Johnny attending community college. That life of daily struggle is shaken up one day when they witness a woman’s kidnapping. Whisper Breach Mike Markoff plays Kent Collins, an ex-Navy SEAL whose peaceful retirement is disturbed when his partner, Sandy (Chelsea Gilson) commits suicide after a terminal diagnosis. When offered the exciting opportunity of testing a sophisticated AI software developed by his old friend Winston (Garon Grigsby), this could be just the operation to pull our protagonist from the depths of his grief. However, the military implications of Winston’s AI, known as WP, make it a hot property with plenty of baddies lining up to take control of it. And our "Nostalgia Pick" for the month was the classic Arnie action movie, Commando. Listen now on Apple Podcasts by clicking "Play" below, or search for UK Film Club on any good podcast platform.

Film Feature by Chris Olson If you are looking for the best films coming to UK cinemas for June 2025, you are in the right place. We have fast cars, dragons, and a return to the world of John Wick. Clown in a Cornfield (2025) - UK Release Date June 6th 2025 For those who like their horror films clowned up, Eli Craig's slasher mystery is likely to be an exhilarating trip to the movies. The upcoming film Clown in a Cornfield  centers on Quinn Maybrook and her father, who relocate to the seemingly quiet, fading Midwestern town of Kettle Springs for a fresh start. However, they quickly discover the town is deeply divided. On one side are the adults, desperate to restore Kettle Springs to its former glory after the local Baypen Corn Syrup Factory shut down. On the other are the town's teenagers, who simply want to have fun, make prank videos, and escape the stagnant community. As the generational tensions reach a boiling point, a sinister, grinning figure emerges from the cornfields: Frendo, the town's former clown mascot. What begins as a series of unsettling pranks quickly escalates into a terrifying onslaught. Frendo and an army of his murderous counterparts begin to brutally "cleanse" the town of its younger inhabitants, forcing Quinn and her new friends to fight for their lives against the homicidal clowns in a desperate struggle for survival. Ballerina (2025) - UK Release Date June 7th 2025 Directed by Len Wiseman, this action-thriller starring Keanu Reeves and Ana de Armas is a great choice for fans of the John Wick movies. Set within the intricate, shadowy world of the John Wick franchise, Ballerina follows Eve Macarro (Ana de Armas), a deadly assassin trained in the brutal traditions of the Ruska Roma. Orphaned after witnessing the murder of her family, Eve embarks on a relentless quest for vengeance against those responsible for her father's death. Chronologically positioned between the events of John Wick: Chapter 3 – Parabellum and John Wick: Chapter 4, the film delves deeper into Eve's past and her rigorous training at the secretive ballet academy run by The Director (Anjelica Huston). As Eve hunts down her targets, she navigates the perilous underworld, encountering familiar faces such as Winston Scott (Ian McShane) and Charon (Lance Reddick, in his final appearance). Her path inevitably crosses with the legendary John Wick (Keanu Reeves) himself, adding another layer to the high-stakes journey of this vengeful ballerina. How to Train Your Dragon (2025) - UK Release Date June 9th 2025 As live-action remakes go, this is one of the most anticipated. Based in the popular book series, Dean DeBlois returns to give us a retelling of the excellent story about a viking called Hiccup (played here by Mason Thames) and his dragon Toothless. Gerard Butler returns as Stoick, Hiccup's dad and legendary Viking Chief. Set on the mythical island of Berk, the live-action adaptation of How to Train Your Dragon  introduces Hiccup Horrendous Haddock III, a scrawny, intellectually curious Viking who doesn't quite fit into his tribe's dragon-slaying culture. Son of the formidable chieftain Stoick the Vast, Hiccup's awkward attempts to prove himself in battle often end in disaster, much to his father's frustration. During a dragon raid, Hiccup manages to bring down a legendary, elusive Night Fury, a dragon never before seen up close. Instead of killing it, he finds himself unable to deliver the fatal blow and instead forms an unlikely bond with the creature, whom he names Toothless. As Hiccup secretly nurses Toothless back to health, he begins to understand dragons not as savage beasts, but as intelligent, misunderstood creatures. This forbidden friendship challenges everything Hiccup and his fellow young Viking recruits have been taught in their dragon training, leading him to question his tribe's long-held beliefs. When a far greater threat to both Vikings and dragons emerges, Hiccup and Toothless must bridge the divide between their worlds, proving that courage comes in many forms and that true strength lies in understanding, not conquest. Tornado (2025) - UK Release Date June 13th 2025 Set in the rugged and unforgiving landscape of 1790s Britain, Tornado  tells the story of a fierce young Japanese woman (Kōki) who finds herself thrust into a brutal fight for survival. She and her father, a travelling puppeteer and former samurai, perform a traditional Japanese puppet show that subtly incorporates his martial arts training. Their nomadic life takes a perilous turn when they cross paths with a ruthless gang of criminals led by the grizzled and cunning Sugarman (Tim Roth) and his ambitious son, Little Sugar (Jack Lowden). After a young boy steals the gang's ill-got gold, Tornado impulsively intervenes, inadvertently drawing the full wrath of Sugarman's crew. When her father is brutally murdered, Tornado, armed with the samurai skills he secretly taught her, embarks on a relentless and bloody quest for vengeance. She must outwit and outfight the relentless gang across the treacherous British countryside, transforming from a reluctant performer into a formidable warrior, determined to avenge her father's death and forge her own destiny. 28 Years Later (2025) - UK Release Date June 20th 2025 Danny Boyle returns with a new film from his popular zombie horror franchise. This time starring Jack O'Connell, Jodie Comer and Aaron Taylor-Johnson. Decades after the devastating Rage virus transformed Britain into a perilous wasteland, pockets of humanity cling to existence in isolated, heavily fortified communities. 28 Years Later  plunges us back into this terrifying world, focusing on a group of survivors residing on a small island connected to the mainland by a single, guarded causeway. Among them are Isla (Jodie Comer), a woman grappling with memory loss, her husband Jamie (Aaron Taylor-Johnson), and their young son Spike. When circumstances compel Jamie and Spike to venture into the treacherous, infected mainland on a critical mission, they uncover a landscape far more complex and horrific than they could have imagined. Not only have the infected evolved in disturbing new ways, but the survivors they encounter are equally unpredictable, harbouring their own dark secrets and fractured societies. As the family confronts these mutated threats and unsettling truths, the film explores how time has twisted both the infected and the very fabric of human survival, proving that some wounds never truly heal. F1: The Movie (2025) - UK Release Date June 25th 2025 The upcoming film F1: The Movie , directed by Joseph Kosinski ( Top Gun: Maverick ), plunges audiences into the high-octane world of Formula 1 racing. The story centres on Sonny Hayes (Brad Pitt), a former F1 prodigy from the 1990s whose promising career was cut short by a devastating crash. Years later, now a middle-aged, nomadic racer in lower leagues, Sonny is given a surprising lifeline by his old friend and struggling APXGP team owner, Ruben Cervantes (Javier Bardem). Ruben convinces Sonny to return to Formula 1 for one last shot at glory, not just for himself, but to mentor a hotshot rookie sensation, Joshua "Noah" Pearce (Damson Idris). As Sonny grapples with his past demons and the intense demands of the sport, he finds himself in a fierce rivalry with his new teammate, pushing both men to their limits on and off the track. The film promises an authentic and immersive experience, with real F1 cars and tracks used during filming, aiming to put viewers directly in the cockpit of these incredible machines. So there you have it, a gamut of great films for you to watch in UK cinemas in June. Be sure to listen to the UK Film Club Podcast, hosted by me and film critic Brian Penn - the latter of whom will be reviewing some of the above on our next episode.

Film Feature by Chris Olson Directed by Jonathan Entwistle and starring Jackie Chan, Ben Wang and Joshua Jackson, a new Karate Kid movie was released in the UK today. Karate Kid: Legends (2025) is rated a 12A by the BBFC, so a perfect end-of-half-term option for families with older children this weekend. Forced to trade the tranquillity of his martial arts training for the concrete jungle of New York, kung fu prodigy Li Fong finds himself an outsider at a demanding new school. His attempts to forge a normal life are shattered when his innate talent sparks a rivalry with an undefeated karate champion. With his newfound friendships hanging in the balance, Li commits to entering the city's premier karate competition. His path forward is illuminated by two legends: his devoted kung fu master, Mr. Han, and the seasoned wisdom of Daniel LaRusso. Together, they help Li forge a unique fighting philosophy, preparing him for an epic clash that will test his limits and honour a martial arts legacy. Fans of The Karate Kid (2010), are likely excited to see Jackie Chan back in action and those of the original 1984 film will be happy to see Ralph Macchio in the lineup. For those who don't remember, here's a synopsis of the original The Karate Kid movie: Uprooted from his familiar New Jersey life, awkward teenager Daniel LaRusso finds himself a fish out of water in sunny Los Angeles. His attempts to make friends and impress a local girl quickly backfire, drawing the relentless ire of Johnny Lawrence, the charismatic leader of the menacing Cobra Kai karate dojo. Constantly targeted and outmatched, Daniel's despair leads him to the unassuming apartment handyman, Mr. Miyagi. What begins as a plea for protection blossoms into an extraordinary mentorship. Miyagi, a quiet and wise Okinawan immigrant, agrees to teach Daniel karate, but not in any way Daniel expects. Through mundane chores like waxing cars and sanding floors, Daniel unknowingly masters fundamental defensive techniques, learning that true martial arts are about balance, discipline, and inner peace, not aggression. As the bullying escalates, Miyagi orchestrates a truce: Daniel will face his tormentors on neutral ground at the upcoming All-Valley Karate Tournament. With Miyagi's unconventional wisdom and unwavering support, Daniel transforms from a victim into a determined contender, ready to confront Johnny and the "strike first, strike hard, no mercy" philosophy of Cobra Kai in a climactic showdown that will test his newfound skills and spirit. About the Director Jonathan Entwistle is a highly regarded British director celebrated for his distinctive visual style and ability to craft compelling narratives, particularly those with a blend of dark humour and poignant character development. He first gained widespread critical acclaim as a director and executive producer for the BAFTA-winning Netflix series The End of the F*ing World, which cemented his reputation for unique storytelling. Following this success, Entwistle continued to make his mark in television with the similarly acclaimed series I Am Not Okay with This and the retro-futuristic Hello Tomorrow!. His talent for bringing fresh perspectives to established properties has also extended to feature films. He helmed the upcoming Karate Kid: Legends and is attached to other high-profile projects like Power Rangers and The Lost Boys, showcasing his versatility across genres. From his earlier short films like Human Beings to his current slate of major studio productions, Entwistle has consistently demonstrated a keen eye for evocative atmosphere and an innate understanding of his characters' journeys.

Filmmaker Interview by Chris Olson Hi Ranw, great to be interviewing you. Please tell us a little bit about you and your filmmaking? Great to be here—thanks for having me! My name is Ranw Aso-Rashid. My journey into filmmaking has been anything but traditional. I originally studied Biomedicine at the University of Westminster before becoming a qualified science teacher and later Head of Department at a secondary school. But storytelling has always been a passion of mine. At 19, I made my first micro-short film on an iPhone. Later, while teaching, I started making films with my students, which eventually led me to establish AR Studios. Since then, I’ve written, produced, and directed 10 films, including Whispers of Redemption, The Silent Choice (a KINO Original currently on the international festival circuit), and Our Little Act of Rebellion, an international co-production. At AR Studios, I’m fortunate to work with incredible industry mentors, including development consultant Deborah Sheppard, script consultant Pete Daly, and Executive Producer Marcus Liversedge. Our ambitious documentary slate is now entering production, with support from Oscar-nominated producer Hanna Polak and BAFTA-nominated executive producer Clare Richards (Founder of We Are Doc Women). Beyond my work as a filmmaker, I also serve as a judge for the BIFA-qualifying KINO Film Festival and the British Short Film Awards. Filmmaking, for me, is about telling stories that challenge perspectives and leave a lasting impact. I’m always looking for bold, meaningful narratives that push boundaries. Tell us about your new film, Our Little Act of Rebellion. How would you describe the plot of the movie? At 75, Konstantine spends his birthday reminiscing over old photographs with his caregiver, Eleni. But when he stumbles upon a picture of Aysha—a woman he met in a private music club in 1974—memories he thought were long buried begin to resurface. What starts as nostalgia soon unravels into something deeper, revealing a past intertwined with political turmoil, forbidden love, and the secrets hidden within music. As the echoes of that fleeting yet powerful connection grow stronger, Konstantine is drawn back to the club that once changed everything. But some stories aren’t finished yet. Why did you want to make this film? I was drawn to this story because it weaves together themes of forbidden love, political tension, and personal memory—elements that resonate across cultures and generations. At its heart, it’s a deeply human story about connection, loss, and the way the past lingers in unexpected ways, especially regarding experiences that have remained hidden until this film came along. Unlike many filmmakers, especially producers, I am risk-focused rather than risk-averse. I actively seek out bold, challenging projects rather than shying away from them. Knowing how complex this film would be—both as a story and as an international co-production—only fueled my determination to make it happen. I also saw it as an opportunity to push myself, working with a reasonably sized professional crew while ensuring underrepresented stories reach a wider audience in mainstream indie cinema. It sounds great! What were the challenges getting it made? Every film comes with its challenges, and this one was no exception. Time always seemed to be slipping away—long shoots, tight schedules, and the constant race against the clock. There were moments when shots needed to be changed, and I had to ensure the crew stayed on track to keep to our schedule. But, honestly, I thrive in high-stress situations, and I approached these challenges with humor and a calm mindset, which helped keep the momentum going. I made sure to personally know the crew by name, thank everyone for their efforts, and keep the camaraderie with the cast strong. They were absolutely superb, and maintaining that positive energy throughout the process was key. The live music scenes were particularly time-consuming to set up, but I leaned on my teaching background to break down clear instructions for the crew, ensuring everyone knew exactly what we were doing. Seeing the crew and cast working in harmony was incredibly rewarding. Despite the long hours, I found it all fun—there's something exhilarating about being in the thick of it. I remember when we wrapped at nearly 2am on July 31st, I still had the energy to shoot! But, of course, we had to wrap eventually. What stage is the film currently in? The film finished post-production in February 2025, and is about to begin its festival journey, courtesy of KINO London. Our world premiere will take place in Athens this summer, followed by a special screening in London later this year. For those eager to get a first look, we’ll also be releasing the official trailer on our social media channels soon. We’re currently in talks with ERTFLIX for a Greece-territory acquisition, as well as discussions with distributors for global distribution. After completing its festival run, the film will be available on demand via Vimeo and other key distribution platforms before eventually being fully publicly available online. Why do you make movies? I make films because stories are the most powerful way to connect us—to our emotions, to each other, and to the truths we sometimes struggle to face. At the heart of my work is human fragility—the raw, unfiltered moments that shape us. My stories often come from the many students and young people I have taught, coached, and mentored. Their struggles, dreams, and resilience have profoundly influenced my storytelling. I want to give voices to experiences that might otherwise go unheard, to explore sensitive topics with honesty, and to challenge genre conventions in ways that feel fresh and daring. I am heavily inspired by Frank Darabont’s screenwriting, the visceral, unapologetic storytelling of Quentin Tarantino, and the way Christopher Nolan elevates narrative through music—how a single note can change everything. There is always a part of me in the stories I write, produce, and direct. Each film is, in some way, a reflection of something deeply personal. And ultimately, telling these stories isn’t just thrilling—it’s cathartic. It’s therapeutic. My journey into filmmaking began in the classroom, at Friern Barnet School, with the support of my headteacher, Simon Horne. I started making films with my students, and that experience changed everything for me. Watching young people gain confidence, discover their creative voices, and see new career possibilities because of filmmaking—that was the moment I knew this was what I had to do. To this day, I’ve had over 130 students involved in my productions, gaining work experience, volunteering, receiving mentorship, and even landing their first paid jobs. That impact, that ability to shape lives through film, is what drives me. I make movies because I believe in the power of storytelling—not just to entertain, but to inspire, challenge, and transform. What advice would you give to someone just starting a career in filmmaking? The best advice I can give is simple: just start. Film school can help, but not essential. I did biomedicine at university and have learnt my way into the industry. Only do it if you're passionate though. Don’t wait for permission, don’t wait for the perfect camera—use your iPhone, your Android, whatever you have. Make films with your friends. Experiment. Learn by doing. The more you create, the more you’ll grow. Go to networking events. Find people who are passionate about what you love. Surround yourself with those who push you to be better. And if you’re serious about getting into the industry, reach out to AR Studios. We’re highly connected in the independent film scene, not just in the UK but increasingly in Europe and the USA. We’ve provided countless opportunities for young filmmakers to connect with experienced Heads of Department and industry professionals—people who can help you take that next step. But beyond that, understand this: filmmaking is an incredible but tough industry. Don’t enter it expecting to make friends in the personal sense—protect your boundaries, know your worth, and be mindful of who you let into your creative space. Educate yourself on the challenges and issues within the industry, and always stay informed. Read up on what’s happening in film every week using online outlets. Knowledge is power. Above all—keep making work. No one’s going to hand you a career. You build it, one film at a time. Who would you love to work with and why? I would absolutely love to work with Colman Domingo. As an actor, he brings an incredible depth to every role he plays, and his performances are always layered with so much truth and intensity. What really draws me to him is not just his talent, but his dedication to storytelling—how he fully commits to his characters and elevates every project he’s part of. I also deeply admire the way he helped bring Sing Sing to life. His involvement went beyond acting—he was part of the creative process, working to ensure the film was made with authenticity and heart. That kind of passion for storytelling and commitment to meaningful projects is something I resonate with. Working with someone like him, who not only delivers powerhouse performances but also understands the bigger picture of filmmaking, would be an incredible experience. What's next for you? Next, I’m diving deeper into TV development. I’m currently working on three TV series, one of which is an adaptation of Our Little Act of Rebellion. It’s a project I’m incredibly excited about, and I’m in talks with a potential co-producer to bring it to life. On top of that, a major streamer has officially solicited the submission of the project, which is a thrilling next step.

Film Feature by Chris Olson Whether you are a West, Keaton, Bale, Pattinson or other when it comes to who your top Bruce Wayne/Batman is, film fans can't deny Matt Reeves's 2022 noir crime drama The Batman gave us a noteworthy addition and something to look forward to when another movie was announced. Having found plaudits aplenty starring in numerous arthouse films and more independent outings, actor Robert Pattinson has been able to glide above his initial stardom found as the vampire Edward Cullen in the Twilight Saga films. In his most recent film, Die, My Love , he stars alongside Jennifer Lawrence and the film is garnering quick critical praise (indeed, a 5-star review for UK Film Review). Robert Pattinson's depiction of Batman in the 2022 version generally received strong positive critical feedback, with many film critics praising his fresh and intense take on the character. In his review for UKFR, movie critic George Wolf said this about the performance: "Pattinson’s Emo Batman works well within the structure and aesthetic Reeves develops. He carves out a very different crusader, one more introspective and heartbroken than righteous. This Bruce Wayne views the bat signal as both a call and a warning, and Pattinson is able to effectively keep the tortured soul’s head above self-pitying water." The Batman (2022) was a commercial success, grossing a total of $770,860,380 at the worldwide box office. With this and a steady stream of die-hard fans always eager for another Gotham-set movie, it's no surprise that studios are greenlighting yet another Batman movie. After the incredible success of Christopher Nolan's trilogy of Dark Knight movies, and the much-praised Tim Burton movies (we don't talk about the two after that), it will be interesting to see how many Batman movies starring Robert Pattinson get made in end, if indeed the actor wishes to continue with a franchise role having such a troubled relationship with them in the past. The release date for The Batman Part II is currently October 1st 2027 (this may change).

Film Feature by Chris Olson Whether it's the final instalment of the Mission: Impossible franchise or not, The Final Reckoning has received a middling response at best from critics. It also got dunked on financially by Lilo & Stitch at the box office, garnering only $64m on its opening weekend in the US & Canada, compared to $146m by Dean Fleischer Camp's 2025 live-action L&S. That being said, there have been questions about how much money Tom Cruise got paid for Mission: Impossible - The Final Reckoning , as well as the money he's made in total from all of the M:I movies. One outlet suggested he's made $600m across all of the movies from the franchise, with $120m from the final film alone. When it comes to star power, no one can deny that Tom Cruise should have been paid that much for the Mission: Impossible movies. His face is synonymous with cinema and gets more bums on seats than pretty much any other Hollywood actor. From the ludicrous stunts to the exponentially convoluted storylines, the M:I movies are not for everyone, as the critical backlash to The Final Reckoning is showing, but one cannot deny their solid place amongst cinematic royalty. Few movie franchises have been able to accomplish such an impossible feat and the paycheck Tom Cruise has received marries up with his contribution fittingly. It's possible the Mission: Impossible film series has collectively earned over $4.35 billion worldwide. Tom Cruise's indelible mark on the Mission: Impossible franchise extends far beyond his iconic portrayal of Ethan Hunt. As both the lead actor and a dedicated producer, his contributions are arguably the primary driving force behind the series' enduring critical and commercial success, which has collectively grossed over $4.35 billion worldwide. Firstly, Cruise's unwavering commitment to the character of Ethan Hunt provides a consistent, compelling anchor for the films. He has meticulously shaped Hunt into a relatable, albeit extraordinary, hero whose moral compass and relentless determination resonate deeply with audiences across two decades. This continuity in character and performance builds trust and anticipation for each new instalment. Secondly, Cruise's role as a producer grants him significant creative control, allowing him to champion visionary directors and ensure a high standard of quality. He's known for his meticulous involvement in every aspect of production, from script development to post-production, fostering a collaborative environment that pushes boundaries and maintains artistic integrity. This hands-on approach ensures that each film feels fresh and ambitious, avoiding the common pitfalls of long-running franchises. Perhaps most famously, Cruise's dedication to performing increasingly elaborate and dangerous practical stunts is a monumental draw. From scaling the Burj Khalifa to HALO jumps and intricate motorcycle chases, these real-world feats create a visceral sense of excitement and authenticity that CGI often struggles to replicate. This commitment not only thrills audiences but also generates immense buzz, making the "how did they do that?" factor a key marketing asset. Finally, Cruise is a fervent advocate for the theatrical experience. His passion for cinema and his insistence on delivering spectacle-driven entertainment have helped keep audiences returning to the big screen, even in an evolving media landscape. His singular vision and relentless pursuit of excellence have transformed Mission: Impossible from a film series into a benchmark for action cinema, securing its place as one of the most successful and respected franchises in history. Will The Final Reckoning be the last M:I movie? That remains to be seen and speaking with film critic Brian Penn recently on the UK Film Club Podcast, he thinks they left the door open for more. With the amount of money Tom Cruise gets paid, it's perhaps a mission he can't ever walk away from.

Film feature by Chris Olson Fresh from the Cannes Film Festival , our critic Jack Salvadori posted a glowing 5-star film review of Die My Love on the 19th of May. Whilst his review picked out many of the fantastic aspects of Lynn Ramsay's new movie, it was his adulation of Jennifer Lawrence's performance that struck many of the UK Film Review readers. "Jennifer Lawrence gives a career-best performance as Grace, a young mother exiled to a remote Montana countryside home with her partner Jackson (Robert Pattinson)." Having won the Academy Award for Best Actress in 2013 for her performance in "Silver Linings Playbook", many film fans are aware of the acting prowess of Jennifer Lawrence. Her incredible filmography includes performances in the likes of American Hustle (2013), Joy (2016), and Mother! (2017). Even Lawrence's franchise appearances have garnered her positive critical acclaim, from her best-known role as Katniss Everdeen in The Hunger Games films, to playing Raven/Mystique in three X-Men films (two of which are very good films - you know the ones I mean). In Die, My Love, Jennifer Lawrence is acting opposite another popular actor with a similarly accomplished background, Robert Pattinson . Brought to global popularity with the Twilight and Harry Potter films, Pattinson has proven himself time and again as a fantastic on-screen presence. If you haven't seen his more niche films such as The Rover (2014), Good Time (2017), or The Lighthouse (2019) then you are missing out. He also pops up in many bigger movies, such as the 2022 version of The Batman and in Christopher Nolan's divisive Tenet (2020). Listen to the UK Film Review Podcast episodes on Nolan's films to see what we all thought of that. I first came to know of director Lynne Ramsay with her extraordinary 2011 film We Need to Talk About Kevin, starring Tilda Swinton. An adaption of the 2003 novel by author Lionel Shriver, Eva Khatchadourian (Tilda Swinton) grapples with the aftermath of a horrific school massacre committed by her son, Kevin (Ezra Miller). Told through fragmented flashbacks and Eva's present-day struggles, the film explores her challenging relationship with Kevin from infancy. From a young age, Kevin exhibits disturbing, manipulative behaviour, often hidden from his father (John C. Reilly). Eva constantly questions whether his malevolence is inherent or a result of her own perceived lack of maternal affection. The chilling narrative delves into themes of nature versus nurture, parental guilt, and the unspeakable horror of a child capable of such evil. Film fans will rejoice to know that Die, My Love is coming to cinemas on June 6th 2025.