Search Results

Netflix Film Feature by Chris Olson Netflix Release Date: March 20th, 2026 There is a specific kind of electricity that hums through the British film industry when a cultural titan prepares to make its final stand. For over a decade, Peaky Blinders has been more than just a television programme; it has been a sartorial movement, a masterclass in atmospheric #cinematography, and a vessel for one of the greatest character studies in modern fiction. As we approach March 2026 , that electricity is reaching a fever pitch. The announcement of the feature-length continuation, titled Peaky Blinders: The Immortal Man , feels less like a traditional sequel and more like a long-awaited coronation for Tommy Shelby. The transition from the small screen to the silver screen—albeit via a hybrid theatrical and Netflix release—is a gamble that many franchises have attempted with varying degrees of success. However, with filmmaker Steven Knight once again penning the script and Tom Harper returning to the director’s chair, there is a profound sense that the soul of the Black Country is in safe hands. Set in 1940, the film shifts the narrative into the heart of the Second World War. This is a brilliant, if inevitable, progression. We left Tommy Shelby in 1936, a man who had faked his own death to escape the suffocating walls of his own making. The title, The Immortal Man, carries a heavy irony. Is it a reference to Tommy’s uncanny ability to survive the impossible, or a nod to the fact that the ghost of the Birmingham gangster can never truly rest while the world burns around him? Peaky Blinders Official Teaser Trailer from Netflix The synopsis promises a Tommy Shelby driven back from self-imposed exile. The idea of an older, perhaps even more weary Tommy navigating the chaos of the Blitz is a mouth-watering prospect for any fan of gritty, British drama. Cillian Murphy (read our Oppenheimer review ), fresh from his global accolades, seems to have an unbreakable tether to this character. Seeing him trade the industrial smoke of the 1920s for the falling bombs of the 1940s suggests an epic scale that the television format, despite its high production values, could never quite capture. One cannot discuss this film without highlighting the extraordinary ensemble Knight has assembled. While it is a joy to see familiar faces like Sophie Rundle and Stephen Graham returning to the fray, it is the new additions that truly elevate my expectations. Rebecca Ferguson is an actor of immense poise and mystery, whose role is currently shrouded in secrecy. Barry Keoghan is a personal favourite of mine, ever since his excellent performance in the short film Candy Floss . Tim Roth is a veteran of the genre whose inclusion suggests a level of grit and gravitas that fits the Peaky universe like a well-tailored overcoat. The prospect of Keoghan and Murphy sharing the screen is enough to justify the price of a Netflix subscription alone. Both actors possess an intensity that can be felt through the lens, and seeing how their characters collide in a Birmingham under siege will likely be the film’s highlight. What makes me most excited about The Immortal Man is the promise of closure. Steven Knight has always been vocal about his vision for the Shelby family ending with the sounds of air-raid sirens. By setting this film during the war, he is fulfilling a decade-long promise to the audience. There is a risk, of course. Feature films born from television shows can sometimes feel like "extended episodes" rather than cinematic events. Yet, everything we know about this production—from the shooting locations in Digbeth to the sheer calibre of the talent involved—points toward a standalone epic that will honour its roots while forging a new legacy. As we look toward the release dates—6 March in select cinemas and 20 March on Netflix—we remind ourselves why this story resonates so deeply. It is a story of trauma, ambition, and the inescapable gravity of family. If The Immortal Man can capture even a fraction of the series' original magic while scaling up the stakes for the cinema, we are in for something truly special. The Shelbys are coming home, and for many of us, the wait is almost unbearable. By order of the Peaky Blinders, let us hope it is the masterpiece we deserve.

Film Feature by Chris Olson Please note: Release Dates correct as of publication. As we stand on the precipice of another cinematic year, the House of Mouse has unveiled a slate for 2026 that feels remarkably different from the franchise-heavy schedules of recent memory. While the heavy hitters and the billion-dollar sequels are certainly present, there is a refreshing sense of creative risk-taking appearing across the Disney, 20th Century, and Searchlight banners. From high-concept survival thrillers to long-awaited returns to iconic worlds, 2026 is shaping up to be a year where the multiplex offers a genuine variety of spectacle and substance. Send Help U.S Release Date: January 30th, 2026 (no mention of a UK release date yet, for shame!) The year kicks off with a double-bill of tension from 20th Century Studios that suggests Disney is keen to lean back into adult-oriented, genre-driven storytelling. In late January, we are treated to Send Help , a survival thriller that marks a significant return to form for director Sam Raimi. Starring Rachel McAdams and Dylan O’Brien, the film follows two colleagues who find themselves the sole survivors of a plane crash on a deserted island. Knowing Raimi’s penchant for visceral tension and dark wit, this is easily one of my most anticipated starts to the year. Psycho Killer UK Release Date (limited): February 20th, 2026 Closely following in February is Psycho Killer, a project that has been whispered about in horror circles for some time. Directed by Gavin Polone, it presents a gritty investigation as a police officer hunts down "The Satanic Slasher," the man responsible for her husband’s murder. It is encouraging to see Disney-owned studios embracing the darker corners of the genre so early in the calendar. Hoppers UK Release Date: March 6th, 2026 As we move into the spring, Pixar enters the fray with Hoppers in March. This original IP sounds like a wonderfully eccentric departure for the studio. The plot involves a young girl transferring her consciousness into a robotic beaver to infiltrate the animal kingdom and protect it from a real estate developer. With a voice cast featuring Jon Hamm and Bobby Moynihan, it sounds like the kind of imaginative, heart-driven adventure Pixar excels at when they aren't tied to an existing franchise. Ready or Not 2: Here I Come UK Release Date: April 10th, 2026 Speaking of existing franchises, March also sees the return of Samara Weaving in Ready or Not 2: Here I Come. The 2019 original was a masterclass in modern horror-comedy, and the prospect of seeing Grace back in the fray—this time joined by Kathryn Newton and the legendary Sarah Michelle Gellar—is enough to make any genre fan giddy. The Devil Wears Prada 2 UK Release Date: May 1st, 2026 May 2026 looks set to be the month that defines the first half of the year. First, we have the unexpected but utterly welcome The Devil Wears Prada 2. Returning to the cutthroat world of high fashion with Meryl Streep, Anne Hathaway, and Emily Blunt is a bold move, but in an era where legacy sequels are king, this feels like a genuine event. Star Wars: The Mandalorian & Grogu UK Release Date: May 22nd, 2026 However, the true box office titan of the spring arrives on May 22nd: The Mandalorian & Grogu. After three seasons of defining the cultural landscape on the small screen, Din Djarin and his tiny apprentice finally make the leap to the cinema. Under the direction of Jon Favreau, this isn't just a Star Wars film; it’s a test of whether the "Mando-verse" can translate its intimate, Western-inspired storytelling into a grand theatrical spectacle. Toy Story 5 UK Release Date: June 19th, 2026 The summer blockbusters continue with a one-two punch of animated and live-action heavyweights. June brings Toy Story 5, a sequel that many (including myself) initially questioned after the poetic ending of the fourth film. Yet, the premise of the toys facing off against a digital threat—electronics and tablets competing for a child's attention—is a stroke of genius that feels incredibly relevant to the modern parent. Moana (Live Action) UK Release Date: July 10th, 2026 In July, the live-action reimagining of Moana arrives. While the animated original still feels fresh in our minds, the casting of Catherine Laga’aia alongside the returning Dwayne Johnson as Maui promises a lush, musical spectacle that will undoubtedly dominate the school holidays. Following this, the cult comedy crowd gets a treat in August with Super Troopers 3: Winter Soldiers. The Broken Lizard team has a unique, irreverent energy that provides a perfect palate cleanser for the summer’s bigger productions. The Dog Stars UK Release Date: August 28th, 2026 As we transition into autumn, the tone shifts toward prestigious, high-stakes drama. Ridley Scott, who seems to have more energy in his eighties than most directors have in their thirties, brings us The Dog Stars in late August. Starring Jacob Elordi and Margaret Qualley, this adaptation of Peter Heller’s post-apocalyptic novel is exactly the kind of gritty, character-focused sci-fi that thrives in Scott’s hands. Whalefall UK Release Date: 16th October, 2016 October offers perhaps the most intriguing premise of the entire year: Whalefall. Directed by Brian Duffield and starring Austin Abrams and Josh Brolin, the film depicts a diver who is swallowed by a sperm whale and has only one hour to escape before his oxygen runs out. It sounds like a claustrophobic nightmare in the best possible way, a high-concept survival story that reminds me of The Martian but with a far more aquatic, terrifying twist. Hexed U.S Release Date: November 25th, 2026 (No UK Release Date as of yet) November sees Disney Animation return to its roots with Hexed, an original musical that looks to be the big family draw for the festive season. While details remain somewhat under wraps, the story of an awkward teen discovering magical powers alongside his mother suggests a blend of contemporary relatability and classic Disney wonder. Avengers: Doomsday UK Release Date: 18th December, 2026 Finally, the year concludes with what is arguably the most significant cinematic event of the decade so far: Avengers: Doomsday. With Robert Downey Jr. returning to the fold—this time as the villainous Doctor Doom—the stakes for the Marvel Cinematic Universe have never been higher. Directed by the Russo Brothers, this is the film that is expected to reshape the MCU and bring back the ensemble magic that made the Infinity Saga so unforgettable. Looking at this 2026 slate, it is clear that Disney is attempting to strike a difficult balance. They are giving us the comfort of Woody, Buzz, and the Avengers, but they are also handing the keys to Sam Raimi, Ridley Scott, and Brian Duffield to tell original, often darker stories. As a critic, I am often wary of the "franchise fatigue" narrative; there is something about this specific line-up that feels revitalising. It isn't just about the brands; it’s about the filmmakers and the variety of genres on display. Whether it’s surviving a plane crash, infiltrating a colony of beavers, or witnessing the return of the world’s most iconic superhero-turned-villain, 2026 at the cinema looks set to be a year of genuine discovery.

Film Feature by Chris Olson There is a particular atmosphere that permeates the British cinema landscape during the final week of January. The festive decorations have long since been relegated to the loft, the initial burst of New Year optimism has often been replaced by the biting reality of a UK winter, and we find ourselves in that fascinating crossroads of the cinematic calendar. It is a period where the prestige of the awards season begins to collide with the bold, experimental, and sometimes wonderfully strange offerings of the new year. As we look toward the week commencing 26 January 2026, the schedule is looking remarkably robust, offering a slate that promises to challenge, entertain, and perhaps even provoke a few heated debates in the foyer. Shelter (2026) starring Jason Statham At UK Film Review , we are always looking for those titles that demand to be seen on the largest screen possible, and this upcoming week is no exception. From Shakespearean reimaginings to political biopics and high-concept thrillers, the diversity on display is a testament to the health of the industry. I have been poring over the release schedules, and while I haven’t yet had the pleasure of sitting in the dark with these specific titles (no invites for this guy), the anticipation is palpable. Here are the five films I am most looking forward to as we close out the month. 1. Hamlet UK Release Date: January 26th, 2026 It feels almost reductive to call any version of Hamlet "just another adaptation." Shakespeare’s "The Dane" is the mountain every great actor eventually wants to climb, but the buzz surrounding this 2026 iteration is particularly loud. What has me incredibly excited is the prospect of seeing #RizAhmed tackle the role. Ahmed is an actor of such immense, twitchy energy and profound intellectual depth that he feels tailor-made for the Prince of Denmark. This production, directed by Aneil Karia, reportedly moves away from the stuffy, period-accurate stagings of old and instead leans into a contemporary, urban setting. The idea of Hamlet as a modern psychological thriller, set against the backdrop of a restless, claustrophobic London, is a masterstroke. We have seen many versions of this story, but the combination of Ahmed’s intensity and Karia’s visceral #filmmaking style suggests something that will feel vital and immediate. It isn’t just about the "To be or not to be" monologue; it’s about how that existential dread translates to the 21st century. I suspect this will be the version that a whole new generation of filmgoers points to as their definitive Hamlet. 2. Melania UK Release Date: January 30th, 2026 Biopics of living political figures are always a bit of a tightrope walk. They run the risk of being either too flattering or too dismissive, but Melania looks set to be one of the most talked-about films of the year regardless of where it lands. Shifting the focus away from the chaotic centre of the American political storm and onto the enigmatic figure of Melania Trump is a fascinating narrative choice. The film promises to trace her journey from her origins in Slovenia to the heights of the fashion world and eventually the White House. What intrigues me most is the tone. Will it be a sharp, satirical look at the "American Dream" gone strange, or a more sombre, internal character study of a woman who remains largely a mystery to the public despite being one of the most photographed people on the planet? In an era of extreme political polarisation, a film like Melania is a lightning rod. I am fascinated to see how British audiences react to this story, and whether it can strip away the headlines to find the human being underneath the iconography. 3. Primate UK Release Date: January 28th, 2026 Read our Primate film review If you are looking for something that leans into the darker, more unsettling corners of the genre, Primate may be the one to watch. In her review, Hope Madden said: The film follows Lucy (Johnny Sequoyah) home from college. She’s summering with family—dad (Troy Kotsur, CODA), little sister (Gia Hunter), and Ben, the family’s beloved chimpanzee, in their incredibly impressive compound on the side of a cliff in Hawaii. Like any monster movie worth its chlorine, Primate is a survival tale. Quickly, the partiers assess the danger and jump into the pool because chimps can’t swim. Did you know that? I didn’t know it. Is it even true? 4. Shelter UK Release Date: January 30th, 2026 One cannot discuss the final week of January without mentioning Shelter. This film has been on my radar for months, largely due to its intriguing premise and the pedigree of the talent involved. A recluse on a remote Scottish island rescues a girl from the sea, unleashing a perilous sequence of events that culminate in an attack on his home, compelling him to face his turbulent history. 5. Is This Thing On? UK Release Date: January 26th, 2026 Read our Is This Thing On? film review Finally, we have Is This Thing On?, directed by Bradley Cooper. As their marriage unravels, Alex faces middle age and divorce, seeking new purpose in the New York comedy scene. Meanwhile, his wife Tess confronts sacrifices made for their family, forcing them to navigate co-parenting and identities. As we move toward the end of the month, the sheer range of storytelling on offer in UK cinemas is breathtaking. We have the weight of classical literature in Hamlet, the contemporary intrigue of Melania, the visceral thrills of Primate and Shelter, and the soulful, creative exploration of Is This Thing On?. It is easy to get caught up in the digital world, but there is no substitute for the experience of the cinema—the hushed silence before the film starts, the shared gasps of a crowd, and the long walk to the car or the bus station afterwards, processing what you have just seen. These five films represent why we do what we do at UK Film Review. They represent the diversity of thought and the bravery of filmmakers who are still willing to take risks. I don't know yet which of these will be "film of the month" on the next UK Film Club Podcast, but I do know that the last week of January is going to be a very busy, very rewarding time to be a film lover in the UK.

Star rating: 5/5 Writer: Christopher M. Anthony Director: Christopher M. Anthony Starring: Jordan Bolger and Nicholas Pinnock Heavyweight is a sensational, gripping, flawless sports drama. Sports film is an ambitious subgenre to tackle, such is the history of it, with classics such as Chariots of Fire, Rocky, Raging Bull and Bend it like Beckham, and more recent examples of Air and the Beautiful Game in the list. Heavyweight, written and directed by Christopher M. Anthony may definitely join the canon. Our main character, Derek Douglas, a boxer, is arriving at the venue for a fight that could make or break his young career. The stakes could not be higher as him and his team (coach, assistant coach and doctor) settle in the dressing room. Tension is thick in the air as Derek is nervous his brother won’t be there on time for the fight, him and his team acutely aware of his underdog status, the media pressing for interviews and the event runners and sponsors pushing for a perfect occasion. In these conditions, the drama unfolds . Heavyweight is told with the narrative brilliance and adept pace of some of the best films made, recounting the up and down, push and pull pressure of sportsmanship, which in a way is a question of choosing your battles and keeping your focus, with a seamless flow. The film features a stellar cast throughout, with appearances from Jason Isaacs and Siena Guillory, and starring Jordan Bolger and Nicholas Pinnock, who previously worked together in the Steven Knight’s BBC series This Town. Their and the supporting actors' performances are exceptional, the dynamic between them electric. The actors truly relish the emotionally layered yet realistic dialogue and clearly responded to the film’s unerring direction. Technically, Heavyweight is superb. The use of close ups and moving shots to express the energy within and between the characters is a pleasure to see, and the cinematography which paints the intimacy of the dressing room does the story full justice too. Meanwhile the sound design is perfectly harnessed to express the quiet, tense candidness of the dressing room in contrast to the stress and noise outside as the fight approaches. ‘Go out there, say thank you’, Derek is told by his coach right before he gets onto the ring. That is what sport is about. Gratitude, for the opportunity and celebration as much as for the challenges and lessons. It is only January, but I have no doubt one of the best films of the year is already here.   In UK Cinemas 23rd January.

Netlix Film Feature by Chris Olson Welcome to another monthly breakdown of what’s hitting the small screen. As we shake off the last of the January blues, Netflix is stepping up its game with a February slate that feels remarkably diverse. We’ve got a heavy-hitting #documentary that’s already the talk of the #filmfestival circuit, a high-octane Brazilian spin-off, some trademark Tyler Perry chaos, and a Spanish psychological thriller that might just be the hidden gem of the season. At UK Film Review , we’ve always championed the idea that great cinema doesn’t require a theatrical seat and a ten-pound tub of popcorn, although they are preferable. This month’s home-streaming highlights prove that the "big" in big-screen storytelling is more about the stakes than the size of the monitor. Queen of Chess Release Date: February 6th Queen of Chess on Netflix 6th February 2026 Kicking things off on February 6th is Queen of Chess . Directed by the formidable Rory Kennedy (whose work on Downfall: The Case Against Boeing  remains a masterclass in investigative #filmmaking), this documentary arrives on Netflix fresh from its prestigious slot at the 2026 Sundance Film Festival . The film focuses on the legendary Judit Polgár, widely regarded as the greatest female chess player in history. But don't expect a dry, play-by-play recount of grandmaster matches. Kennedy’s film is a "battle of the sexes" epic, charting Polgár’s fifteen-year crusade to dismantle the deep-seated sexism of the international chess world. From being a twelve-year-old prodigy to her historic showdowns with Garry Kasparov, it’s a story about a family experiment in "cultivating genius" that turned into a global revolution. With a vibrant visual style and a soundtrack that leans into "girl-power" energy, this looks set to be the definitive portrait of a trailblazer who refused to be told where she belonged. State of Fear Release Date: February 11th State of Fear on Netflix February 2026 For those who prefer their drama with a side of adrenaline, February 11th brings us State of Fear . This isn't just another action flick; it’s a significant milestone for Netflix Brazil, serving as the first feature-film spin-off from the hit series Brotherhood (Irmandade) . Directed by Pedro Morelli, State of Fear  plunges us back into the volatile world of the Brotherhood, but with the stakes raised to a breaking point. When the gang’s top leadership is transferred to maximum-security facilities, the city of São Paulo descends into a "State of Fear"—a coordinated wave of violence against the police. At the heart of the chaos is Elisa (Camilla Damião), the daughter of the Brotherhood's founder, who finds herself caught between the legacy of her father and a desperate bid for survival. Morelli is known for his immersive, complex tracking shots, and I’m expecting this to be a visceral, gritty exploration of justice and the cycle of violence. Tyler Perry’s Joe’s College Road Trip Release Date: February 13th Tyler Perry’s Joe’s College Road Trip Look, I’ve often said that film criticism is about finding the joy in what a filmmaker is trying to achieve, and Tyler Perry knows exactly what his audience wants. Dropping just in time for the Valentine’s weekend on February 13th is Joe’s College Road Trip . After appearing as a supporting player in twelve Madea  films, Joe Simmons—Madea’s cantankerous, weed-loving brother—finally takes center stage. The premise is classic Perry: Joe takes his sheltered, high-achieving grandson B.J. (Jermaine Harris) on a cross-country trip to visit prospective colleges. Tyler Perry's Joe's College Road Trip Official Netflix Trailer Naturally, Joe’s idea of "the real world" involves a series of disastrous encounters and unfiltered advice. While the Madea  cinematic universe (MCU, if you will, but please don't) isn't everyone's cup of tea, there’s an undeniable heart to Perry’s work. Expect broad comedy, a few "hallelujah" moments, and a surprisingly touching look at the generational divide between a grandfather and his grandson. Firebreak Release Date: February 20th Firebreak Date Announcement on Netflix YouTube Channel Finally, on February 20th, we have what might be the most intense watch of the month. Firebreak  (originally titled Cortafuego ) is a Spanish psychological thriller directed by David Victori, the man behind the frenetic Sky Rojo . The film stars the incredible Belén Cuesta ( Money Heist ) as Mara, a widow who takes her family to their remote summer house in the woods to finalize its sale. Things take a terrifying turn when her young daughter vanishes after an argument, just as a massive, uncontrollable wildfire begins to consume the forest. When the authorities order a total evacuation, Mara refuses to leave, leading her family on a desperate, unsanctioned search through the smoke and flames. It sounds like a claustrophobic nightmare, but the real hook is the suspicion that the fire isn't the only threat lurking in the trees. Victori is a master of high-tension pacing, and Firebreak  looks like it will be an absolute nail-biter. Whether you're looking for the intellectual rigor of a chess grandmaster, the gritty streets of São Paulo, the chaotic laughs of a Tyler Perry road trip, or the searing tension of a forest fire, February on Netflix has you covered. It’s a month that celebrates resilience—whether that’s against a patriarchal sporting system or the literal flames of a wildfire.

Film Festival Feature by Chris Olson In March, the streets of Austin, Texas, will once again be flooded with the heady scent of barbecue and the even more intoxicating aroma of cinematic ambition. For those of us who live and breathe film, the South by Southwest Festival is not just another date on the industry calendar; it is a vital, beating heart of independent storytelling. At UK Film Review , we have always championed the underdog and the visionary, and the 2026 lineup feels like a particularly potent blend of high-concept genre pieces and intimate, soul-baring narratives. The beauty of this festival lies in its refusal to be pigeonholed. You can spend your morning moved to tears by a #documentary about human composting and your midnight screaming at a slasher film about murderous cults. It is a playground for the bold. With the first wave of programming finally revealed, the task of narrowing down the must-see titles is a daunting one, but there are certain projects that leap off the page with that unmistakable SXSW energy. Here are the twelve films that have firmly planted themselves at the top of my watchlist for the 2026 festival. 1. I Love Boosters I Love Boosters Film Trailer Opening the festival with a jolt of pure adrenaline is Boots Riley’s latest offering, I Love Boosters. Riley has already proven himself a master of surrealist social commentary with Sorry to Bother You, and his return to the director’s chair is cause for celebration. Centred on a crew of professional shoplifters targeting a ruthless fashion mogul, the film boasts an ensemble cast that is frankly staggering: Keke Palmer, Naomi Ackie, LaKeith Stanfield, and Demi Moore. Knowing Riley, this will be far more than a simple heist movie. Expect a stylish, sharp-witted dissection of capitalism and consumer culture that will leave the opening night audience buzzing. 2. Ready or Not 2: Here I Come Ready or Not 2: Here I Come Film Trailer There is a specific brand of joy found in a well-executed horror sequel, and after the riotous success of the 2019 original, Ready or Not 2: Here I Come is easily one of the most anticipated titles in the Headliner section. Samara Weaving returns as Grace, the bride who fought her way through the world’s worst wedding night. This time, she is joined by Kathryn Newton in what promises to be another high-stakes game of life and death. If the directors can maintain that perfect balance of pitch-black comedy and genuine tension, this will be the crowd-pleaser of the festival. 3. The Sun Never Sets The Sun Never Sets One of the most intriguing additions to the 2026 Narrative Spotlight is Joe Swanberg’s The Sun Never Sets . Swanberg, a stalwart of independent cinema who essentially helped define the mumblecore movement, returns to Austin with a drama that feels both deeply personal and uncomfortably relatable. The film stars Dakota Fanning as Wendy, a woman whose life is upended when her boyfriend, Jack (played by the reliable Jake Johnson), decides they need "space" to evaluate their future. What follows is a messy, volatile triangle when Wendy unexpectedly reconnects with her ex, Chuck (Cory Michael Smith), during the hiatus. Featuring an impressive supporting cast including Anna Konkle and Lamorne Morris, the film promises to be a raw exploration of modern commitment and the ghosts of past relationships. It is exactly the kind of character-driven, performance-led storytelling that has made Swanberg a festival favourite for over two decades. 4. Over Your Dead Body Over Your Dead Body In the realm of high-concept genre cinema, few titles on the 2026 slate carry as much dark promise as Over Your Dead Body . Directed by Jorma Taccone—one-third of the legendary Lonely Island trio—the film is a world premiere that leans into the "lovers to enemies" trope with lethal commitment. The narrative follows a hopelessly dysfunctional couple who retreat to a remote cabin under the guise of saving their marriage, only for the audience to discover that both partners have arrived with meticulous plans to murder the other. Produced by the action heavyweights at 87North, including Kelly McCormick and David Leitch, the film promises a level of visceral, inventive stunt work to match its cynical wit. The cast is a masterclass in eclectic talent: Samara Weaving, who has become a modern scream queen, stars alongside Jason Segel, with the formidable Timothy Olyphant and Juliette Lewis rounding out a group that feels perfectly calibrated for Taccone’s brand of chaotic energy. Written by Nick Kocher and Brian McElhaney, this is a pitch-black marital satire that suggests the only thing more dangerous than falling in love is trying to get out of it. 5. They Will Kill You They Will Kill You Film Trailer Zazie Beetz leads this slasher-action-comedy as a housekeeper who discovers her employers are part of a murderous cult. Directed by Kirill Sokolov, They Will Kill You sounds like the kind of blood-soaked, high-octane genre mashup that thrives in the Headliner category. Beetz is an actress of immense range, and seeing her take on a lead role in a survival horror setting is a prospect that should have every genre fan reaching for their badge. 6. Brian In the Narrative Feature Competition, Brian stands out as a potential breakout hit. Directed by Will Ropp and starring Ben Wang alongside the legendary William H. Macy, the film follows an acerbic high school student with panic attacks who runs for class president to woo a teacher. It sounds like a classic coming-of-age tale with a modern, anxious edge. At UK Film Review, we always keep a keen eye on the competition slots for the next great indie voice, and Brian has all the hallmarks of a film that finds the extraordinary within the ordinary. 7. Black Zombie Black Zombie The Documentary Spotlight often provides the most thought-provoking moments of the festival, and Black Zombie looks to be no exception. This documentary uncovers the origins of the zombie film, tracing its deep roots back to Black culture and Haitian folklore. In an age where the zombie genre is a staple of mainstream entertainment, understanding its historical and cultural foundations is essential. This is the kind of educational, engaging filmmaking that reminds us why the documentary format is so vital. 8. Family Movie Family Movie Few things are as intriguing as a meta-horror comedy starring a real-life Hollywood family. Kyra Sedgwick and Kevin Bacon co-direct and star in Family Movie , alongside their children Travis and Sosie Bacon. The plot, involving a filmmaking family whose production takes a dark turn, allows for a fascinating exploration of the industry and family dynamics. It is a bold move to put one’s own family life under the cinematic microscope, especially within the framework of a horror-comedy. 9. Drag Drag The Midnighter section is where SXSW truly lets its hair down, and Drag sounds like a quintessential late-night treat. Starring Lizzy Caplan and John Stamos, the film follows two amateur burglars whose routine robbery turns into a nightmare when one of them throws out their back. It is a simple, high-concept premise that relies heavily on performance and comedic timing. With Caplan’s sharp wit and Stamos’s veteran presence, this could be a sleeper hit of the festival. 10. Campeón Gabacho Campeón Gabacho Directed by Jonás Cuarón and produced by Alfonso Cuarón, Campeón Gabacho brings a much-needed international perspective to the Narrative Spotlight. Jonás has previously shown a knack for building unbearable tension with Desierto, and his latest project, exploring the Mexican experience through a unique lens, is highly anticipated. The Cuarón name is synonymous with technical excellence and emotional depth, making this an essential watch for those looking for global stories told with masterful precision. 11. Obsession Obsession Curry Barker’s Obsession arrives with the "Festival Favourite" tag, and for good reason. The story of a man who uses a "One Wish Willow" to win over his crush, only to find the price is far too high, is a classic supernatural cautionary tale. It sounds like a modern-day Twilight Zone episode, focusing on the dark side of human desire. These kinds of grounded genre pieces often provide the most resonance, staying with the viewer long after the credits have rolled. 12. Mike & Nick & Nick & Alice Mike & Nick & Nick & Alice Finally, we have BenDavid Grabinski’s R-rated action comedy, Mike & Nick & Nick & Alice . While plot details remain somewhat under wraps, the title alone suggests a chaotic, character-driven romp. Grabinski has a reputation for playful, inventive writing, and in a festival often dominated by heavy themes, a well-crafted action-comedy can be the perfect palate cleanser. It represents the fun, unapologetic side of independent cinema that SXSW celebrates so well. Mike & Nick & Nick & Alice Teaser Film Trailer As we look toward March, the 2026 SXSW Film Festival promises to be a landmark event. From the high-budget spectacles of the Headliner section to the scrappy, inventive world premieres in the competition categories, there is a sense of renewal in the air. For those of us in the UK, looking across the Atlantic at this vibrant display of creativity, it serves as a reminder of the power of film to connect us, to challenge us, and, above all, to entertain us. Whether you are in Austin or following from afar, these twelve films are the ones to watch.

Film Feature by Chris Olson As the frost of January continues to bite, the British cinematic landscape is heating up with a slate of releases that suggests 2026 is going to be a vintage year for the silver screen. For those of us who spent the first half of the month nursing hangovers and catching up on the dregs of the holiday blockbusters, next week marks the moment where the "serious" cinema season truly begins. On Friday, 23rd January, the UK gets access to a diverse array of stories ranging from prestige literary adaptations and harrowing sporting dramas to the return of iconic psychological horror. It is a weekend that feels uniquely British in its distribution, offering a balanced diet of intellectual stimulation and visceral thrills. Here is what you can expect to find at your local multiplex and independent arthouse next week, or some home releases too. The History of Sound Paul Mescal in The History of Sound - releasing on MUBI Leading the charge is a film that has been whispered about in hushed, reverent tones since its premiere on the festival circuit. The History of Sound , directed by Oliver Hermanus, is a sweeping period drama that pairs two of the most formidable young talents of their generation: Paul Mescal and Josh O’Connor. Set during the First World War, the narrative follows two young men, Lionel and David, who embark on a journey across the American landscape to record the lives, voices, and music of their countrymen. The History of Sound official film trailer What begins as an ethnomusicological expedition quickly evolves into a deeply felt and clandestine romance. Mescal, who seems incapable of a false note, brings a soulful vulnerability to the role of Lionel, while O’Connor provides a counterpoint of restless energy. In a month where Mescal already dominates screens with Hamnet , it is his work here that may well define his year. It is a film about the ephemeral nature of life and the permanence of sound, captured with a painterly eye that demands the biggest screen possible. Expect this to be a heavy hitter when the awards nominations start rolling in. H is for Hawk For those seeking a more introspective, though no less emotional, experience, H is for Hawk  arrives via Lionsgate. Based on Helen Macdonald’s seminal memoir, the film stars Claire Foy as a woman grappling with the sudden death of her father (played in flashbacks by the reliably brilliant Brendan Gleeson). In her grief, she turns to a tradition as old as time but rarely seen in modern London: falconry. H is for Hawk official film trailer The film focuses on her relationship with Mabel, a young goshawk. It is a prickly, difficult, and ultimately life-affirming story about the wildness of grief and the discipline required to tame both a bird of prey and one's own internal demons. Foy’s performance is a masterclass in restrained anguish; she captures the jagged edges of a mind pushed to the brink. It is a quiet film, but one that lingers long after the credits roll, reminding us that sometimes the best way to process human loss is through a connection with the non-human world. Saipan On a completely different note, we have Saipan , a film that will likely dominate pub conversations across the country. This isn't just a sports movie; it is a dramatisation of a national trauma. Centred on the infamous 2002 World Cup incident, the film stars Éanna Hardwicke as Roy Keane and Steve Coogan as Mick McCarthy. Saipan official film trailer For the uninitiated, the "Saipan incident" was the moment the Irish captain walked out on his team—or was sent home, depending on whose side you took—following an explosive row over training facilities. Coogan is an inspired choice for McCarthy, capturing the pragmatic, weary frustration of a manager caught between a legend and a hard place. Hardwicke, meanwhile, has the unenviable task of portraying Keane’s singular, terrifying intensity. It is a claustrophobic, dialogue-heavy drama that plays out like a Shakespearean tragedy set in a Pacific island training camp. Whether you are a football fan or not, the clash of egos on display here is riveting. Return to Silent Hill If the psychological weight of the aforementioned dramas feels too heavy, Entertainment Film Distributors is offering a different kind of darkness with Return to Silent Hill . This marks a long-awaited return to the fog-shrouded town that defined survival horror for a generation. Director Christophe Gans, who helmed the 2006 original, returns to adapt the story of Silent Hill 2 , widely considered the narrative peak of the franchise. Return to Silent Hill final film trailer The film follows James Sunderland, a man drawn back to the mysterious town after receiving a letter from his deceased wife. While video game adaptations are often a mixed bag, the early word on this is that Gans has leaned heavily into the Lynchian surrealism and body horror that made the source material so iconic. With a score that reportedly pays homage to Akira Yamaoka’s haunting industrial themes, this is a treat for horror purists. It is less about jump scares and more about the creeping dread of one's own psyche, manifested in the form of grotesque creatures and rusted, metallic corridors. Mercy For those craving a high-concept thriller, Timur Bekmambetov’s Mercy  arrives courtesy of Amazon MGM Studios. Starring Rebecca Ferguson and Chris Pratt, the film is set in a near-future where capital crimes are on the rise. Pratt plays a detective who finds himself accused of a crime he didn't commit and is forced to prove his innocence in a society where the justice system has become increasingly automated and merciless. Mercy official film trailer Bekmambetov, known for his kinetic visual style in films like Wanted , brings his signature energy to the proceedings. While it may not have the intellectual weight of The History of Sound , it serves as a necessary jolt of adrenaline for the January schedule. Ferguson continues to prove she is one of the most versatile actors working today, providing a grounded presence in a film that often moves at breakneck speed. The 23rd also sees a smattering of smaller, yet intriguing, releases. Dogs at the Opera  offers a bit of levity for families, an animated feature that is exactly what it says on the tin, though one suspects it might be more of a "wait for streaming" title for many. On the more experimental end of the spectrum, MUBI brings us No Other Choice , a film that promises to challenge audiences with its uncompromising look at contemporary social structures. Additionally, for the cinephiles who prefer the classics, Park Circus is re-releasing Steven Spielberg’s Duel . Seeing that 1971 masterpiece on the big screen remains a thrill; it is a reminder of how much tension can be wrung from a simple premise and a very large truck. The final full week of January 2026 offers a remarkably robust selection of cinema. We are seeing a trend of "double-headers" for certain actors—Paul Mescal being the prime example—which highlights the current star-driven nature of the UK market. Whether you are in the mood for the historical romance of The History of Sound , the grit of Saipan , or the nightmares of Return to Silent Hill , there is a genuine reason to brave the cold and head to your local cinema next Friday. The diversity of these releases suggests that distributors are no longer treating January as a dumping ground for subpar content, but rather as a launchpad for films that require a bit more breathing room than the summer blockbusters allow.

Star rating: 3/5 Writer: Chris Skotchdopole Director: Chris Skotchdopole Starring: Rigo Caray, Ella Peck, Lorraine Farris and John Speredakos Crumb Catcher is a sumptuous, ominous and tense thriller. It all starts very nicely, in the morning after the wedding of the two main characters, Shane, a writer, and Leah, a publisher, an American couple in their late twenties. On occasion of them getting married, they are giving an interview about Shein’s new book, which Leah has helped publish- closely binding the personal and professional. We quickly realise something does not seem to have gone quite well as Shane gets flashbacks of something he cannot quite remember. After the interview, as they leave for the honeymoon, the strangely clingy waiter at the party holds them up in their car to give them their cake. After managing to end the conversation with the waiter, and a long drive through American forest, they arrive at their honeymoon house, borrowed from Leah’s boss. In there, it all unravels. Crumb Catcher is technically beautiful. Close up shots of the couple, a deeply expressive wide shot of Leah, ominous close ups of the car rear lamps flashing red, a birds-eye-view shots of the thick woodland they are driving through, the film is of really high quality aesthetically. The cinematography and set design are deeply complementary, with autumnal light and earthy colours of the interiors working their magic visually. Meanwhile, the sound design really does justice to the film’s thriller genre, really playing with the sound of the characters’ physical movement and their breath for sound. In terms of the story, it is deeply gripping at the beginning, with an entertaining middle. The ending however feels excessively drawn out, tense to the point of it being easy for the viewer to tune out. It is saved somewhat by the actors’ performances. Both Rigor Caray, who plays Shane, and Ella Peck, who plays Leah deliver thought out, intentional performance that bring the character’s vulnerability to the surface. Lorraine Farris and John Speredakos go all out, fearlessly portraying the unhinged characters of John, the previously-mentioned waiter and his wife Rose. The ending is saved by their performances. Crumb Catcher is a thriller of high narrative, dramatic and technical quality, although its conclusion stressfully disappoints. Notwithstanding, there is a lot to like about this film.

Film Feature by Chris Olson Welcome to another week at the British box office. As we settle into the rhythm of 2026, the cinematic landscape is offering a stark and diverse trio of new releases. Next week, we see a return to a beloved horror franchise that has been reinvented for a new generation, a heartwarming exploration of human connection in modern Japan, and a devastating docudrama that demands our absolute attention. At UK Film Review , we often speak about the power of cinema to transport us, but this week’s line-up is more about the power of cinema to make us look at the world we currently inhabit. 28 Years Later: The Bone Temple UK Cinematic Release Date: January 14th, 2026 First, we return to the post-apocalyptic plains of Great Britain with 28 Years Later: The Bone Temple . Following the cliffhanger ending of last year’s 28 Years Later, this second instalment of the new trilogy sees director Nia DaCosta take the reins from Danny Boyle. DaCosta, working from a screenplay by Alex Garland, has crafted something that feels both connected to the legacy of the original 2002 film and entirely its own beast. 28 Years Later: The Bone Temple Official Trailer Set nearly three decades after the initial Rage Virus outbreak, the film stars Ralph Fiennes as Dr Kelson, a man searching for a glimmer of humanity in a world that has institutionalised brutality. He is joined by Alfie Williams, reprising his role as Spike, and Jack O’Connell, who plays the terrifyingly charismatic Jimmy Crystal. In this chapter, the threat is no longer just the sprinting infected; it is the society that has emerged in the aftermath. DaCosta has moved away from the kinetic, grainy energy of Boyle’s earlier work to focus on a more atmospheric, ritualistic horror. The Bone Temple explores how survivors have rationalised violence, creating a cult-like existence that is perhaps more frightening than the monsters outside the gates. It is a bold, visceral continuation of a story that remains one of the most significant pillars of British horror. Rental Family UK Cinematic Release Date: January 16th, 2026 In complete tonal contrast, we have Rental Family , the latest feature from director Hikari. This film marks a significant and welcome return for Brendan Fraser, who stars as Phillip Vanderploeg, an American actor living in Tokyo. Phillip’s career has stalled, leaving him relegated to bizarre toothpaste commercials, until he finds a new calling working for a "rental family" agency. Rental Family Official Trailer The concept of hiring actors to play relatives—whether as a mourner at a funeral or a stand-in father—is a real-life phenomenon in Japan, and Hikari uses it to explore the profound loneliness of the modern age. Fraser brings his signature warmth and vulnerability to the role of Phillip, a man who finds his own emotional void being filled by the very roles he is paid to perform. His interactions with a young girl (played by Shannon Mahina Gorman) and an elderly client with dementia (Akira Emoto) provide the heart of the film. Rental Family is a luminous, gentle piece of cinema that avoids the trap of being overly sentimental. Instead, it offers a nuanced look at how we seek connection, even when those connections are built on a foundation of performance. It is a film that reminds us that, sometimes, playing a part is the only way we can learn to be ourselves. The Voice of Hind Rajab UK Cinematic Release Date: January 16th 2026 Finally, we come to a film that is undoubtedly one of the most important releases of the year. The Voice of Hind Rajab , directed by the Oscar-nominated Kaouther Ben Hania, is a harrowing docudrama that recounts the tragic death of six-year-old Hind Rajab in Gaza in early 2024. The Voice of Hind Rajab Film Trailer The film utilises a hybrid approach, blending real audio recordings from the Red Crescent dispatchers with meticulous scripted re-enactments. It is a single-location drama, set almost entirely within the walls of the rescue centre as the staff desperately try to navigate bureaucratic hurdles and military blockades to reach a child trapped in a car. Ben Hania’s decision to keep the violence off-screen makes the experience no less intense; the horror lives in the audio, in the waiting, and in the growing desperation of those trying to help. Our own Jack Salvadori recently reviewed the film for UK Film Review (read our The Voice of Hind Rajab film review ) and his words capture the weight of this experience perfectly. Salvadori noted that this is "cinema in its purest, most urgent form," describing it as a work that is less about entertainment and more an "act of witness." He highlighted the shattering effect of hearing Hind’s actual voice woven into the narrative, stating, "She is not performing, and we never see her. We only hear her words, while a photograph of her is pinned to the wall." Jack’s review emphasised that the film functions like a vice, tightening with every passing second as the audience is forced to confront a universal grief and a collective failure. As he so aptly put it, "It is impossible to watch The Voice of Hind Rajab and remain unchanged." Next week’s cinema offerings are a testament to the versatility of the medium. We have the high-concept horror of Nia DaCosta, the empathetic humanism of Hikari, and the urgent, essential truth-telling of Kaouther Ben Hania. Whether you are looking for the thrill of the genre or the profound impact of real-world storytelling, the UK box office has something that will stay with you long after the credits roll.

Film Feature by Chris Olson Priyanka Chopra and Karl Urban in The Bluff The landscape of the modern action epic is shifting. We have moved beyond the era of simple pyrotechnics into a space where emotional stakes and high-concept storytelling must coexist. This shift is perfectly exemplified in the latest offering from Amazon Prime Video, The Bluff . As we look ahead to its release on 25th February 2026 , there is a palpable sense that director Frank E. Flowers has crafted something that is both a relentless thrill ride and a poignant exploration of maternal ferocity. Priyanka Chopra Jonas in The Bluff At the heart of this gritty period thriller is Priyanka Chopra Jonas , delivering a fierce and physical performance that marks a significant departure from her previous roles. She portrays Ercell “Bloody Mary” Bodden, a woman who has traded the lawless life of a pirate for the quiet serenity of the Cayman Islands. However, peace is a fragile thing for those with blood on their hands. Karl Urban in The Bluff When her notorious former captain, Connor—played with a menacing edge by Karl Urban —resurfaces seeking a brutal revenge, Ercell is forced to reclaim the warrior identity she thought she had buried. This is not just an action heroine; this is a mother whose tactical brilliance and lethal swordsmanship are fueled by the indomitable strength of a parent’s love. One of the most striking elements of The Bluff  is its commitment to its setting. Directed by Frank E. Flowers , who co-wrote the script with Joe Ballarini, the film is steeped in the historical and cultural richness of the Cayman Islands . By filming on location, Flowers has captured the rugged beauty of the region, from the towering bluffs to the haunting atmosphere of the iconic Skull Cave. Location shot for The Bluff These real-world locations provide a grounded reality to the film’s non-stop action. The choreography is a masterclass in period combat, blending: Gripping, high-stakes sword fights. Intricate tactical traps. Gritty, bloody brawls that eschew Hollywood gloss for something more impactful. It is no surprise that the film looks to carry a certain cinematic ambition, given the involvement of AGBO . Producers Anthony Russo, Joe Russo, and Angela Russo-Otstot can offer the same precision and large-scale storytelling that defined their work on Avengers: Endgame . Their production house has become synonymous with high-concept projects that never lose sight of their emotional foundation. In The Bluff , they will need to balance the adrenaline of a pirate pursuit with the intimate story of a family under siege. The supporting cast, including Safia Oakley-Green , Temuera Morrison , and Ismael Cruz Cordova , will likely add depth to a narrative that questions the lengths one will go to protect their own. It is a story of survival and redemption that feels remarkably contemporary despite its 19th-century backdrop. As we prepare for its debut on Prime Video, The Bluff  stands out as a promising entry in the action-adventure genre. With a lean runtime of 101 minutes , it appears to be a focused, muscular piece of #filmmaking that prioritises pace and impact. For those seeking a film that offers both breathtaking spectacle and a complex, dynamic heroine, this will hopefully be a journey worth taking.

Film Feature by Chris Olson As the Christmas decorations come down and we move into the first full week of 2026, the cinematic landscape is already beginning to shift. While the blockbusters of the winter usually dominate the conversation this time of year, there is a particular thrill in seeing the slate open up for homegrown stories and prestige dramas that carry a bit more grit and emotional weight. This week, two films in particular have been circling my radar, and their arrival in UK cinemas this Friday feels like a significant moment for British and Irish talent. Giant, in UK Cinemas 9th January, 2026 On Friday, 9th January, we see the release of Giant , a film that has generated considerable buzz since its world premiere at the BFI London Film Festival late last year. For those of us who grew up in the 1990s, the name Prince Naseem "Naz" Hamed is synonymous with a specific kind of peacocking brilliance. He was not just a boxer; he was a cultural firebrand who brought a sense of theatre—and leopard-print shorts—to a sport that often took itself far too seriously. Giant  is directed by Rowan Athale, a filmmaker who has always shown a keen eye for the textures of British life. What makes me particularly excited about this project is the central casting. Amir El-Masry takes on the mantle of "Naz," and from the early footage, he seems to have captured that lightning-in-a-bottle charisma that made Hamed a global icon. Giant Official Film Trailer However, the real intrigue for many will be Pierce Brosnan. Transitioning from his suave, post-Bond years into more weathered, character-driven roles, Brosnan plays Brendan Ingle, the legendary Irish trainer who operated out of a church crypt in Sheffield. The relationship between the disciplined, understated Ingle and the flamboyant Hamed is the stuff of sporting legend. Seeing that dynamic play out between Brosnan and El-Masry promises to be one of the highlights of the month. The film carries a 15 certificate, suggesting that Athale has not shied away from the harsher realities of the Sheffield boxing scene or the complexities of Naz’s meteoric rise from humble beginnings. Hamnet, in UK Cinemas 9th January, 2026 Simultaneously arriving this Friday is Hamnet , a film that feels destined for the upcoming awards conversation. Based on the celebrated novel by Maggie O’Farrell, the film explores the domestic life of William Shakespeare and his wife, Agnes, in the late 16th century. Hamnet While we have seen countless adaptations of Shakespeare’s plays, Hamnet  looks to offer something far more intimate: a portrait of the family tragedy that arguably changed the course of English literature. The story follows the birth of their son, Hamnet, and the devastating impact of his untimely death—a loss that would eventually find its echoes in the halls of Elsinore and the writing of Hamlet . The pedigree behind this production is staggering. It is directed by Chloé Zhao, the Academy Award winner behind Nomadland and The Rider - which I absolutely loved. Zhao has a unique ability to find the vastness in small, quiet moments, and her naturalistic style seems like a perfect match for O’Farrell’s lyrical prose. In the lead roles, we have two of the most compelling actors working today: Jessie Buckley as Agnes and Paul Mescal as William. Buckley has an earthy, unpredictable energy that feels ideal for a character often described as having an almost mystical connection to the natural world. Pairing her with Mescal—who has cornered the market on sensitive, fractured masculinity—is a masterstroke of casting. I am incredibly eager to see how they navigate the profound grief at the heart of this story. With a 12A certificate, it is a film that likely aims for a wide, empathetic audience, focusing on the universal experience of love and loss rather than just historical biography. It is refreshing to see January kicking off with such distinct offerings. In Giant , we have a high-energy, rags-to-riches sporting biopic that celebrates British-Yemeni identity and the grit of the North. In Hamnet , we have a stately, poetic meditation on art and mourning. Both films represent a strong start for the UK box office in 2026, leaning on powerful performances and directors with very specific, uncompromising visions. Whether you are looking for the adrenaline of the ring or the quiet reflection of the Tudor countryside, the cinema remains the essential place to be this weekend. As always, keep an eye on our full reviews as the week progresses, you can already read our Hamnet film review here.

Film Festival Feature by Chris Olson There is a specific kind of electricity that fills the air at the Glasgow Film Theatre during the final week of February. It is a mixture of cinematic anticipation and civic pride—a feeling that the eyes of the international film community are fixed firmly on Rose Street. Today, that excitement has found its lightning rod with the announcement that the 22nd edition of the Glasgow Film Festival (GFF26) will open on 25 February with the UK Premiere of Everybody To Kenmure Street . Everybody To Kenmure Street For those who follow the trajectory of Scottish documentary filmmaking, the name Felipe Bustos Sierra carries significant weight. His 2018 debut feature, Nae Pasaran , was more than just a critical success; it was a cultural moment. That film told the incredible story of East Kilbride Rolls-Royce workers who grounded the Chilean Air Force in protest against Pinochet’s regime. It felt only fitting that it closed the festival back then. Now, Bustos Sierra returns to open the proceedings with a story that hits even closer to home. Everybody To Kenmure Street  chronicles the extraordinary events of May 2021. For the uninitiated—or those outside the Glasgow "bubble"—a dawn raid by the UK Home Office in Pollokshields was met with a spontaneous, community-led blockade. In one of Scotland’s most diverse neighbourhoods, on a day meant for Eid celebrations, a handful of local residents grew into a crowd of hundreds. They surrounded an immigration enforcement van for eight hours, eventually securing the release of two of their neighbours. EVERYBODY TO KENMURE STREET KICKSTARTER What makes this announcement particularly tantalising for a film critic is the approach Bustos Sierra has taken to the material. Rather than a standard "talking heads" documentary, the film is described as a multifaceted tapestry. It utilises crowd-sourced footage from the day, archive film, and meticulously designed scenes captured by cinematographer Kirstin McMahon. In a bold, creative choice, actors are used to relay verbatim testimonies from contributors who wished to remain anonymous. This technique allows for a depth of perspective that news cameras simply cannot capture. It moves the narrative away from the politics of the Home Office and into the living rooms and hearts of the people who stood on the tarmac. Executive produced by the formidable two-time Oscar winner Emma Thompson, the film promises to be as much a piece of art as it is a record of resistance. Thompson herself has noted that the film demonstrates the "innate and deep decency" of people in the face of institutional structures that lack that very quality. Adding further local DNA to the project is the original score by Barry Burns of Mogwai. Anyone familiar with the band's work knows their ability to build atmospheric, emotionally resonant soundscapes that mirror the grit and grandeur of Glasgow itself. The combination of Bustos Sierra’s investigative eye and Burns’ sonic textures suggests an immersive theatrical experience that will likely leave Glasgow Film Festival's audience in stunned silence before the inevitable standing ovation. The director himself has described the film as a "snapshot of a day" and a "joyful reminder" of what a community can achieve. His wait to watch it with a hometown audience is shared by many who remember the headlines but crave the human story behind them. Glasgow Film Festival Highlight Reel The opening of GFF26 with Everybody To Kenmure Street  marks a significant trend for the festival. For the second year running, Scotland’s largest film gathering will both open and close with major Scottish features. Following the UK Premiere of James McAvoy’s directorial debut, California Schemin’ , as the closing gala on 8 March, the festival is effectively bookending its 22nd year with voices that reflect the city’s own identity. California Schemin' official film trailer Paul Gallagher, the Head of Programme for Glasgow Film Festival, described the film as capturing the "people-loving heart" of Glasgow. In a world where cinema can often feel like a conveyor belt of globalised content, GFF continues to prove that the most universal stories are often the most local ones. For those looking to secure their place at what will undoubtedly be the most talked-about ticket in town, set your alarms. Tickets for both the Opening Gala on 25 February and the Closing Gala on 8 March will go on sale at 10 am on Monday, 19 January 2026. The full festival programme, always a highlight of the January calendar, will be unveiled on 21 January. Following its festival debut, the film will be released in UK and Irish cinemas from 13 March 2026 by Conic.