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In the trailer for Ready Or Not 2: Here I Come establishes a new, thrilling chapter. It’s a sequel that dares to go bigger, transforming a single family’s twisted tradition into a full-scale, world-controlling bloodsport. . Brand new film trailers. Ready Or Not 2: Here I Come The announcement of a sequel to 2019’s cult favourite Ready or Not was met with cautious optimism, but the newly released trailer for Ready Or Not 2: Here I Come has instantly quelled any concerns. Set for release in cinemas on 10th April 2026, the footage reveals that directors Matt Bettinelli-Olpin and Tyler Gillett are not merely rehashing the original's successful formula but dramatically expanding the scope of their gleefully bloody game. The genius of the original film lay in its tight, single-location premise: a lethal game of hide-and-seek gone wrong. The sequel trailer opens by confirming that Grace (Samara Weaving) did indeed survive the horrifying ritual of the eccentric Le Domas family. However, her relief is short-lived. The stakes have been brutally elevated, moving the conflict from a single night of domestic terror to a global conspiracy involving a shadowy cabal known as the High Council. Grace learns that by surviving, she has inadvertently triggered a new, high-stakes game of "double or nothing." Visually, the trailer suggests a significant jump in production scale. The gothic interiors of the Le Domas mansion have been traded for slicker, more expansive backdrops, hinting at the involvement of the four rival families now hunting Grace. The frantic editing, characteristic of Bettinelli-Olpin and Gillett’s work on films like Scream VI , promises a breathless, action-heavy experience. There is still a clear injection of the dark humour that defined the first film, but the underlying threat feels more professional and far-reaching. The trailer successfully balances the familiar terror of the hunt with the new, intriguing elements of world-building, culminating in a sequence where the rival hunters are formally introduced to the "game." Samara Weaving, who became an instant horror icon with her performance as the bloodied, kick-ass bride, returns as Grace, bringing that same manic energy. Crucially, she is joined by Kathryn Newton as her estranged sister, Faith. This new dynamic adds a fresh emotional core to the high-octane violence, as Grace is tasked not only with her own survival but with keeping her sibling alive—a mission complicated by the fact that the winner claims the High Seat of the Council, granting control over the world. The supporting cast list is nothing short of exceptional, providing an impressive genre pedigree. The inclusion of Sarah Michelle Gellar, Shawn Hatosy, and Elijah Wood signals a clear commitment to casting talent capable of handling the film's sharp comedic and violent shifts. Even legendary director David Cronenberg makes an appearance, rounding out a cast that promises top-tier performances in this expanded narrative. With original writers Guy Busick and R. Christopher Murphy returning, the script is guaranteed to retain the sharp wit and genre savvy that made the first film a breakout success. In summary, the trailer for Ready Or Not 2: Here I Come establishes a new, thrilling chapter. It’s a sequel that dares to go bigger, transforming a single family’s twisted tradition into a full-scale, world-controlling bloodsport. Based on this footage, fans can look forward to a cinematic event that is every bit as inventive, chaotic, and bloody good fun as its predecessor. Ready Or Not 2: Here I Come In the trailer for Ready Or Not 2: Here I Come establishes a new, thrilling chapter. It’s a sequel that dares to go bigger, transforming a single family’s twisted tradition into a full-scale, world-controlling bloodsport. Shelter People We Meet On Vacation People We Meet On Vacation looks set to be a thoroughly British affair in its tone and appeal—a charming, heartfelt escape, promising both belly laughs and a good cry. Doctor Plague Wake Up Dead Man: A Knives Out Mystery This first glimpse of Wake Up Dead Man isn’t just a trailer; it’s a brilliant statement of intent. The film looks primed to be a festive treat for audiences looking for a compelling, cleverly constructed mystery. Michael Michael is set to arrive in cinemas in the UK and Ireland on the 24th of April 2026, and based on this compelling first look, the world will indeed be waiting. The Carpenter's Son We anticipate that The Carpenter's Son will be less of a retelling and more of a deeply disquieting examination of power, temptation, and the human cost of being chosen. It arrives on 21st November. Eternity Eternity looks set to be a sophisticated, imaginative film that avoids the usual genre clichés by grounding its absurd plot in stellar performances. Kontinental '25 The promotional material and critical buzz surrounding Kontinental ’25 confirm that the winner of the Silver Berlin Bear for Best Screenplay is not only back, but operating at a fever pitch of urgency and daring. Anniversary Kenny Dalglish It's rare for a documentary trailer to stir the soul quite as effectively as the first look at Kenny Dalglish, the upcoming feature focusing on the life and legacy of one of British football's most revered and complex figures. Is This Thing On? Searchlight Pictures has premiered the teaser trailer for Is This Thing On?, and it suggests we are in for a sharp, melancholic comedy that mines the humour and heartbreak of mid-life crisis through the lens of stand-up. Springsteen: Deliver Me From Nowhere The first official trailer for Springsteen: Deliver Me From Nowhere, the biopic chronicling the turbulent creation of the 1982 masterpiece Nebraska, has landed. The Bride The latest tease for The Bride, the highly anticipated 2026 offering from Maggie Gyllenhaal, has dropped, and if this brief glimpse is anything to go by, British cinema-goers should prepare themselves for a truly spectacular and unsettling cinematic experience. A Tooth Fairy Tale Overall, the trailer for A Tooth Fairy Tale delivers exactly what it needs to: a clear premise, an exciting quest, and the promise of high-quality vocal performances. Delivery Run From the first stark frames of the trailer for Delivery Run, it is immediately clear that this is a thriller operating under pressure. In Your Dreams "In Your Dreams," a new animated comedy set to enchant audiences. This delightful film, co-directed by Alex Woo and Erik Benson, promises a fantastical journey into the boundless landscape of dreams, arriving on November 14, 2025. A House of Dynamite A House of Dynamite, a gripping new thriller that plunges audiences into a high-stakes global crisis. The trailer for Bigelow's latest offering paints a chilling picture of a world on the brink, arriving in select UK cinemas on October 3rd The Man in My Basement With an intense psychological trailer that leaves you with more questions than answers, Andscape’s new film The Man in My Basement is poised to be a must-watch for UK and Ireland audiences, arriving on Disney+ on Friday, 26th September. Wicked: For Good The final trailer for Wicked: For Good has finally landed, promising an electrifying and emotional conclusion to the untold story of the Witches of Oz.

Film Trailers Ready Or Not 2: Here I Come More Shelter More People We Meet On Vacation More Doctor Plague More Wake Up Dead Man: A Knives Out Mystery More Michael More The Carpenter's Son More Eternity More Kontinental '25 More Anniversary More Kenny Dalglish More Is This Thing On? More

Film trailers and movie reviews from some of the best cinema releases in the UK. Watch film trailers and movie clips here. Film Trailers Watch the Latest Movie Trailers Here! Alongside our passionate Film Reviews , we also like to promote the biggest and best film trailers from this year's upcoming theatrical releases. Here you will find some of the most exciting clips of films, from your dramas and romantic comedies, to superhero films and biopics. Fair warning, these movie trailers may contain spoilers or give you unreasonable expectations as to the quality of the full film. UK Film Review take no responsibility as to whether these trailers are appropriate to your sensibilities. If you are looking for movies off the beaten track, check out our other movie trailers pages for short and indie films. You can find these by looking under the Film Trailers drop-down in the main navigation. There you will find some of our favourite movie trailers from filmmakers in the UK and worldwide, doing our best to support indie films. If you would like to submit your trailer, there is an option at the bottom of those pages. Don't forget to FOLLOW us on Facebook and Twitter, where we promote the latest film trailers and film reviews. Also use the YouTube button below to SUBSCRIBE to our channel, which has tons of movie trailers, vlog film reviews, and clips. All that's left to say is enjoy these trailers, share with your friends (and enemies), and come back regularly for more. Ready Or Not 2: Here I Come Shelter People We Meet On Vacation Doctor Plague Wake Up Dead Man: A Knives Out Mystery Michael The Carpenter's Son Eternity Kontinental '25 Anniversary Kenny Dalglish Is This Thing On? Springsteen: Deliver Me From Nowhere The Bride A Tooth Fairy Tale Delivery Run In Your Dreams A House of Dynamite The Man in My Basement Wicked: For Good Movie Trailers to Come Looking for a reason to check back? Well, this page will promote movies for the rest of the year and we will continue to unleash them as the months progress. Many film studios release their best movie trailers near the final stages of a film's release to tie in with their marketing which builds to a crescendo, like the final third of a Marvel superhero movie! If you would like to submit a trailer for our consideration, please do so to info@ukfilmreview.co.uk . If we like what we see we may put it on one of our pages. We may also promote it on social media, because that is where people love to engage with vids and clips...but mostly of pugs. Who doesn't love pugs? Spoilers in Movie Trailers Many film lovers get in touch with us to express their outrage at firstly studios who include way too many spoilers in their marketing material, and then at us for sharing such spoilerific clips. A totally understandable and reasonable feeling, especially given the recent popularity amongst trailer makers to show footage from the final third of a film! If you think one of the movie trailers on our website contains too many spoilers, please let us know (using the usual social media platforms) and we will investigate. It may be that we grab the pitchforks and turn up at the doors of Warner Bros demanding satisfaction. It may be that we take to Twitter and bombard the film's stars with the most aggressive emojis and hashtags we can muster. Or it may be that we do absolutely nothing. Either way, you can be sure that you did your darndest to effect massive change in the world for a genuinely important cause. What is a movie trailer? A movie trailer is a promotional piece of footage compiled using scenes or sequences from a film. The movie trailer may also include additional material or music to enhance the effec for the viewer. What is the purpose of a movie trailer? Movie trailers are used to build anticipation and excitement leading up to a film's release. Often they contain elements that will particularly appeal to fans of the genre they are targeting. How long should a movie trailer be? Typical movie trailers are around 2 minutes in length. Sometimes teaser trailers are used and these can be anything from 10 seconds to 1 minute plus. How do I make a movie trailer? You will need to have the footage material from the film you are planning to make a trailer for. You should also have video editing software, music (including the licence to use it), as well as any graphics you plan to use such as intro or outro sequences.

Eraserheads: Combo on the Run film review by UK film critic Chris Olson. Starring Ely Buendia, Marcus Adoro, Buddy Zabala, Raimund Marasigan directed by Maria Diane Ventura. HOME | FILMS | REVIEWS Eraserheads: Combo on the Run Film Review average rating is 4 out of 5 Critic: Chris Olson | Posted on: Dec 4, 2025 Directed by: Maria Diane Ventura Written by: Maria Diane Ventura Starring: Ely Buendia, Marcus Adoro, Buddy Zabala, Raimund Marasigan Formed in 1989 following the fall of the authoritarian regime of President Ferdinand Marcos (1986), the Filipino rock band Eraserheads consists of lead singer and primary songwriter Ely Buendia, guitarist Marcus Adoro, bassist Buddy Zabala, and drummer Raimund Marasigan. Eraserheads: Combo on the Run , directed by Maria Diane Ventura, is a fierce rockumentary that does not shy away from the vibrating internal conflict of a profoundly influential group. Viewers get to see a warts-and-all approach to the band’s journey from raw and edgy college band to winning MTV awards and selling out huge arenas. The filmmakers utilise home video footage, interviews with the band, talking heads of those who knew the band, and music videos. This eclectic array of media offers considerable insight into the trouble and strife experienced by the band’s members. Some of the earlier performance footage is a little on the rawer side of things, and this may make it harder for audiences to fully engage with the movie if (like me) they are unaware of Eraserheads and what’s to come. But, enduring is highly recommended. The latter half of the documentary is incredibly compelling and emotional, delving deep into several challenges the band faced, including going on hiatus, struggling with fame, the chaos of touring, and personal family issues that resonated through their group. Strong drama presents itself when we learn more about the fracturing internally of the band, the resentments they had towards each other, and how the pressure of representing a nation’s creative freedom weighed on them all. One of the most compelling aspects of Eraserheads: Combo on the Run is how artists can rise to fame at a specific point in time culturally, making their arrival far more significant than ticket sales and streaming numbers. In 2025, with the rise of fascism in certain areas of the world, the story of Eraserheads is just as relevant now as it was in 1989, especially when you consider their 2022 comeback in support of the candidate facing off against a relative of Marcos. The band means so much to Filipinos because they were expressing themselves, dissenting, and generally punk in their attitude towards most things, which would never have been condoned under the previous regime. It’s also noteworthy that the band members were not immune to the way things were before the fall of martial law. Several of them mention during the documentary how they struggled to process the new ways of doing things and how this led to further fractures within their band. Rockumentaries live and die on their approach, and with this, Maria Diane Ventura has brilliantly captured the tense and conflicted atmosphere that emanated from this band for so long without losing any of the energetic and comedic trappings that made the band so popular. This movie feels like a truly profound insight into a significant period in time for Eraserheads, their fans, and indeed their country. About the Film Critic Chris Olson Theatrical Release, Digital Release < All Reviews Next Film Review >

Jake & Pete’s Christmas Special film review by UK film critic William Curzon. Starring Luke Marley, Taylor Taberner, Kaitlyn Walker directed by Luke Marley. HOME | FILMS | REVIEWS Jake & Pete’s Christmas Special Film Review average rating is 3 out of 5 Critic: William Curzon | Posted on: Dec 4, 2025 Directed by: Luke Marley Written by: Luke Marley, Taylor Taberner Starring: Luke Marley, Taylor Taberner, Kaitlyn Walker Jake & Pete’s Christmas Special follows the titular characters in their small town in Gloucestershire, when the spirit of Christmas seems to have left. Jake and Pete must find a way to restore it in time for Christmas, just around the corner. Heavily reminiscent of South Park (1997-), the piece even pays loving homage to the series as it clearly wears its influences on its sleeve with its deeply raunchy and absurd comedic elements. One of the most endearing qualities of the piece is the gorgeous animation, which suits the tone and setting perfectly for the Winter season in Gloucestershire. Its animation is predominantly impressive to witness despite its budget limitations. The film also surprisingly feels incredibly grounded, given the absurd nature of the more fantastical elements of the narrative. However, the use of a visualisation of gameplay implemented into the animation can look bizarre and unnatural, ultimately detracting from the film’s style. Specific pieces of dialogue are also delivered inadequately due to the use of subdued voice acting, which detracts from the experience. While many of the comedic gags effectively land, the raunchy dialogue becomes grating and repetitive towards the end, despite its limited runtime. However, the live coverage sequences are mostly brilliant as they employ social commentary on the current state of the cost-of-living crisis within the UK. The piece feels profoundly British within its iconography and references, which may not resonate with audiences outside the UK as much. It's accompanied by a lovely Winter backdrop, which is integral to the narrative and again feels heavily inspired by South Park. The central three characters, Pete (Taylor Taberner), Jake (Luke Marley) and Beth (Kaitlyn Walker), all work well together with fun onscreen chemistry as their banter and charm are the driving point of the experience. On the other hand, specific supporting players are deeply unlikeable due to their absurd and misogynistic nature. While the social commentary is justly impactful in its attempt at darkly comedic satire, many of the gags come off as problematic and sometimes uncomfortable to digest as a viewer. The film can also lose some steam towards the conclusion, thanks to how stilted and awkward the central conflict between characters feels at times. Its narrative amounts to just minor, with a lack of character development for either Jake or Pete, and their bizarre motives don't give the audience enough reason to care enough about where they eventually end up. The performances across the board are solid, in particular Kaityn Walker, who portrays Beth. She is ultimately the heart and soul of the narrative and a far more likeable leading player than Jake and Pete. Another major standout is the use of music, which is effectively implemented throughout to fit the tone and Christmas setting. This is a prime example of a piece of filmmaking that may resonate with a target demographic of teenagers for repeat viewings, thanks to its provocative and edgy humour. Jake & Pete’s Christmas Special is a fun and endearing comedic piece with an effective splice of social commentary regarding the state of the cost-of-living crisis in the UK. While it may suffer from bizarre creative decisions in the art direction and insensitive jabs at creative talent in the film industry, it draws on well-loved influences to deliver a charming Christmas delight. About the Film Critic William Curzon Short Film < All Reviews Next Film Review >

Merrily We Roll Along film review by UK film critic George Wolf. Starring Jonathan Groff, Lindsay Mendez, Daniel Radcliffe directed by Maria Friedman. HOME | FILMS | REVIEWS Merrily We Roll Along Film Review average rating is 3 out of 5 Critic: George Wolf | Posted on: Dec 4, 2025 Directed by: Maria Friedman Written by: George Furth Starring: Jonathan Groff, Lindsay Mendez, Daniel Radcliffe Stephen Sondheim’s Merrily We Rolling Along may have taken a while to attain beloved musical status, but it’s certainly getting the flowers now. Closing just 16 performances after its 1981 Broadway premiere, the show got various rewrites and new stagings over the years, a 2016 documentary on the original production, and finally a Tony award-winning revival in 2023. And while fans wait for Richard Linklater’s adaptation, which is being filmed over the course of twenty years , director Maria Friedman delivers a film pro shot of a June 2024 performance at New York’s Hudson Theatre. Tony winners Jonathan Groff and Daniel Radcliffe are songwriters Franklin Shepard and Charley Kringas. When we meet them in 1976, the friendship is strained over Frank’s decision to “go Hollywood” and produce movies. Writer Mary Flynn (Lindsay Mendez, 2018 Tony winner for Carousel ) – their third musketeer – tries to make peace but is often drunkenly sarcastic about the cost of their quest for success. Frank’s self absorption and philandering ways have taken their toll on his family and friends, and as Frank confronts the lowest point in his life, the show begins a series of “Transitions” that gradually roll back to the beginning of the three long friendships. It’s easy to see why musical theatre fans love this show. It’s a salute to dreamers everywhere – Broadway dreamers especially – sporting several Sondheim tunes (“Opening Doors,” “Old Friends,” “Our Time”) that have become favorites. The ensemble is fantastic, starting right at the top with the three leads. Of course, Groff (Hamilton ‘s original King George) and Mendez are longtime musical theatre powerhouses, so it’s Radcliffe’s absolutely charming turn that will be the biggest surprise. It is Merrily ‘s direction that ends up hampering its effectiveness on screen, with a cramped approach that often yearns for room to breathe. Just earlier this year, Hamilton ‘s film pro shot achieved a near perfect balance of intimacy and movement. Friedman leans too heavily on quick cuts and close ups, which tends to neuter the live feeling that is essential to the pro shot experience. Still, this is one that musical fans should make time for, even if it can’t blend stage and screen quite as merrily as we’ve seen before. But for holding us over for the next couple decades? It’ll do. About the Film Critic George Wolf Theatrical Release < All Reviews Next Film Review >

Hamnet film review by UK film critic Hope Madden. Starring Jessie Buckley, Paul Mescal directed by Chloé Zhao. HOME | FILMS | REVIEWS Hamnet Film Review average rating is 5 out of 5 Critic: Hope Madden | Posted on: Dec 3, 2025 Directed by: Chloé Zhao Written by: Chloé Zhao Starring: Jessie Buckley, Paul Mescal It’s been five years since Chloé Zhao took home two Oscars, one for directing and one for adapting the screenplay for Nomadland . She returns to form in both respects with Hamnet , the cinematic adaptation of Maggie O’Farrell’s novel that imagines the way grief may have shaped Shakespeare’s greatest tragedy. Zhao’s film opens stunningly on Jessie Buckley, nestled womblike among the roots of a massive tree, her face and hands dirty, her hair tangled with leaves. Buckley is Agnes, believed by those in town to be the daughter of a forest witch. Agnes comes from what is. Will (Paul Mescal) imagines what can be. The hyper real poetry of Zhao’s camera perfectly articulates their yin/yang balance. It’s with Will that we first see Agnes’s nurturing side applied to humanity rather than the wild. It’s a trait that will become the backbone of their story. Her love is powerful, messy, and unforgiving, and Buckley’s more than up to the task. Her performance, as is so often the case, feels dangerous and uncensored. And gazing adoringly at her, inspired and nurtured, is Will. If there is a better face in cinema than Mescal’s for earnest yet doomed longing, I don’t know whose it could be. The young cast more than keeps pace. Jacobi Jupe is particularly amazing and utterly heartbreaking as Will and Agnes’s boy, Hamnet. (His older brother Noah Jupe also impresses later in the film as the actor portraying the great Dane in the first ever stage production.) By the time the most famous lines in theatre are uttered, it takes restraint and rawness. The slightest hint of artifice and the previous ninety minutes are ruined, the film a gimmick. But Zhao never skirts artifice, not even when she makes a Marvel movie, and Mescal delivers lines we know by heart as if they were freshly pulled from an open wound. Zhao has crafted, aided by magnificent performances and hauntingly stunning cinematography from Lukasz Zal (The Zone of Interest, Cold War), a film that is shattering in its articulation that it is the depth of love that deepens and amplifies the pain of grief. People make movies about grief all the time. We can expect one every Oscar season. But what Chloé Zhao does with Hamnet is ask us to experience that grief, not just witness it, and in experiencing it we understand the power and vital importance of art. About the Film Critic Hope Madden Theatrical Release < All Reviews Next Film Review >

Far From Water film review by UK film critic Jason Knight. Starring Lucas Nealon, Jarid Dominguez directed by Josh Cox. HOME | FILMS | REVIEWS Far From Water Film Review average rating is 3 out of 5 Critic: Jason Knight | Posted on: Dec 3, 2025 Directed by: Josh Cox Written by: Josh Cox Starring: Lucas Nealon, Jarid Dominguez A short drama written and directed by Josh Cox and starring Lucas Nealon and Jarid Dominguez. Two male youths (Nealon and Dominguez) arrive at an isolated beach. There, they undress and go for a playful swim. Then, they lay on the grass and get intimate. However, all does not seem to be well. Two young men, alone, in the countryside. With this simple premise, this short tells a dramatic story about a romance that may already exist or could be just beginning. By having very limited dialogue and providing almost no information about the lives of the two protagonists, the story is mysterious and that is probably because the goal was to concentrate on the relationship, the romance, which appears to be unstable. Things start out joyfully, with the two youths enjoying each other's company and after they get intimate, the atmosphere changes, making it questionable whether the romance that develops is welcomed by the youngsters. Cox took on many roles for this project, including cinematographer and editor and the result is a viewing experience that contains wonderful shots of the beach, the ocean, the forest and the sky. The fact that the weather is unsettling adds to the drama and so does the beautiful music. The story centres on the two characters and they are the only ones in the film. The are brought together by the fact that they are attracted to each other, however, Dominguez's character appears to be the one who is unsure about the relationship, much to the dissatisfaction of the other guy. Through a homosexual romance, the screenplay explores happiness, peacefulness, self-discovery, as well as regrets and uncertainty. A four-and-a-half-minute-long film about an unsteady homosexual relationship between two young men. During its short duration, the script is able to generate a great deal of drama and end on a note of significant character development. A moving and thoughtful viewing. About the Film Critic Jason Knight Short Film, LGBTQ+ < All Reviews Next Film Review >

Just the Usual film review by UK film critic James Learoyd. Starring Søren Sætter-Lassen, Petrine Agger, Casper Kjær Jensen directed by Nanna Tange. HOME | FILMS | REVIEWS Just the Usual Film Review average rating is 4 out of 5 Critic: James Learoyd | Posted on: Dec 3, 2025 Directed by: Nanna Tange Written by: Nanna Tange Starring: Søren Sætter-Lassen, Petrine Agger, Casper Kjær Jensen Just the Usual is a rich and emotional Danish film about an older hairdresser, Ole Benny (played terrifically by Søren Sætter-Lassen), and how exactly he spends his final day before his beloved barbershop closes. He encounters a few other characters through the story who each illuminate a different facet of his professional life – much like the narrative structure of a fable. But at its heart, this is a tale of a deeply lonely man who is about to lose a significant aspect of his identity: his passion. The film’s running time is 27 minutes. It’s a slow, textural, contemplative film; one which won’t entirely sit right with everyone for its slow place. Yet, this is an immensely accomplished piece – masterfully designed, performed and constructed. A wonderful picture. There’s plenty to discuss when it comes to the visuals. The first thing that strikes you is the flawless set-design. The Wes Anderson-feeling colours; the vintage lights; the pleasing combination of materials and eras. That, combined with what Ole Benny looks like as a character – the particularities of his formal wear, his use of hairspray and black-rimmed glasses – really infuse the story with a fully-realised sense of style. Directorially, this is an incredibly confident piece. The camera is seemingly always in the right place, as the lenswork, in turn, complements the arrangement of the location. One characteristic of the cinematography which I’d like to draw attention to is the effective yet sparing use of the dolly shot. In the opening shot – in addition to one or two shots later on – the camera slowly slides forward through the location, and it’s incredibly satisfying. It’s a form of camera movement whose sensibility seems to match nicely with the lines, operations and smooth surfaces of the establishment; – and heightens a certain sense of meticulous care and focus from the protagonist himself. Writer-director Nanna Tange has done a truly immaculate job with the mise-en-scene of this movie. There’s not a detail in any frame which doesn’t please the eye or stimulate the senses in some way. I found myself becoming very relaxed due to the pastel balance of the colours, the softness of the light, the crispness of the sound, and of course, the slow flow of the pace. Anyone can tell that, from the form and technicalities alone, this movie is a wonderful and positive work. But I’d argue that it’s the central performance – its tenderness, charisma and emotional depth – that elevates this smooth aesthetic into genuinely moving territory. The conceit itself if quite random; this isn’t a setup we’ve seen before, and in addition to that fact, it’s being depicted in a uniquely restrained, matter-of-fact manner. Some may find such a setup intriguing, but maybe too mundane to sustain their attention. But it’s the opinion of this critic that the concept and lax runtime provide a refreshingly open space for the filmmakers to form their tone, and – maybe most importantly – for the lead performer to find the beauty and complexity in his character. In summation, this is a near-masterpiece; and potentially a film which, due to its refined, comforting tone and deep sense of identity, a film I may be inclined to revisit. About the Film Critic James Learoyd Short Film, World Cinema < All Reviews Next Film Review >

The Big Pelvis film review by UK film critic William Hemingway. Starring Joseph Jeavons, Howard May, Jordan Mook, Beckett Nichols directed by Joseph Jeavons. HOME | FILMS | REVIEWS The Big Pelvis Film Review average rating is 1 out of 5 Critic: William Hemingway | Posted on: Dec 2, 2025 Directed by: Joseph Jeavons Written by: Joseph Jeavons and Owen Swift Starring: Joseph Jeavons, Howard May, Jordan Mook, Beckett Nichols Three friends meet up for their monthly attempt to land the fabled fish known as ‘The Big Pelvis’ before their arch-nemesis gets to it first. It’s that time of the month. The time when ‘The Big Pelvis’ comes out to play and is active enough to be caught, but only for a brief, short window. Three teenage friends who have been searching for ‘The Big Pelvis’ for quite some time now, are together again to go fishing down by the pier, in the hope of landing the biggest catch of their lives. The Cast Master (Jeavons), Knot Master (May), and Bait Master (Mook), who prefers to go by the name of Brad, are all suited and booted in their cargo shorts, tie-string bucket hats, and short-sleeved shirts, ready to take their shot at ‘The Big Pelvis’ , while their close rival, Other Brad (Nichols) also wants a piece of the action. We watch as the scene plays out down by the lake, with the three stooges bouncing off one another in that bumbling, annoying, nonsensical way, as they argue over who should be doing what, and who is the most/least useful in their group. Then thrown into the mix comes Other Brad, who approaches the simplest member of the group on his own first, coming over all nicey-nicey while actually listening to and being considerate of this mostly overlooked of the three friends. Knot Master thinks it might be quite a good idea if they let Other Brad join the group and the hunt for ‘The Big Pelvis’ , but when faced with the staunch disdain of the Cast Master and Bait Master/Brad, it soon becomes clear that this is not going to happen. So, what we’ve got is a home movie style of video, shot on a digital camera, with four friends acting out a scene down by the lake thinking they’re funny, while the world goes on around them in the background. The dialogue at least has been scripted and is then delivered, but that doesn’t mean that it’s any good or makes any real sense to anyone outside of the group, or that the performances are any better for it. The direction and sound are as basic as they can possibly get, with a home camera being pointed in people’s faces as they stand around statically talking with one another, and everything being picked up ‘as is’ from in front of the lens and the microphone. There’s also some background incidental music as well as a process of editing going on behind the scenes, which helps The Big Pelvis mark itself out as an actual production, but beyond that there’s very little for the viewer to enjoy. It seems as though the teenagers behind the film wanted to make some jokes around their idea of ‘the fish that got away’, and their puerile humour comes through at every mention of The Big Pelvis and the fact that ‘they want their shot at it’, or they ‘don’t want to distract it from coming’, and other such basic double-meanings. It’s obvious that ‘The Big Pelvis’ is a metaphor for sex and judging by the poor, poor quality of this film, it’s something that the filmmakers are going to be chasing after for quite some time. About the Film Critic William Hemingway Digital / DVD Release, Short Film < All Reviews Next Film Review >

. Brand new film trailers. Shelter The launch of the official trailer for Shelter has immediately set this high-stakes thriller, due for release in cinemas on January 30, 2026, apart from the usual January fare. Directed by Ric Roman Waugh (known for his muscular, grounded action in films like Angel Has Fallen) and penned by Ward Parry, this looks like a beautifully grim piece of cinema that balances visceral action with character study. The synopsis promises a familiar yet compelling narrative: a reclusive man, Michael Mason, played by the inimitable Jason Statham, is forced out of his self-imposed isolation on a remote coastal island after rescuing a young girl, drawing them both into an urgent danger. What the trailer, provided by Black Bear, confirms is that Mason’s past isn’t just ‘turbulent’—it’s soaked in the blood of an elite operative, a “precision instrument.” Statham, looking rugged and weathered, delivers his classic blend of stoicism and lethal capability, but with an added layer of tragic gravitas that hints at a more complex performance than we have perhaps come to expect. Visually, the film appears magnificent. The wild, unforgiving British coastline—its greys, browns, and relentless weather—acts as both a sanctuary and a cage for Mason. This sense of brutal realism is a hallmark of Waugh’s work, suggesting the action will be tight, tactical, and impactful, rather than relying on bloated spectacle. One particularly tense sequence shows Statham guiding the young girl, played by Bodhi Rae Breathnach, on how to handle a weapon whilst imploring her to “never operate on fear.” This mentorship dynamic will clearly form the emotional core of the film, transforming a simple survival story into one focused on surrogate fatherhood and redemption. Crucially, the trailer also reveals a superb ensemble of British acting talent lending serious dramatic weight to the narrative. The inclusion of Billy Nighy, whose distinctive voice and theatrical presence always elevate a production, suggests a deeply ingrained antagonist or handler figure from Mason’s past, ready to bring the full force of his old life crashing down. Likewise, Naomi Ackie, Daniel Mays, and Harriet Walker all make appearances, ensuring that the surrounding cast is formidable. Ackie in particular, following her success in various high-profile projects, is certain to bring compelling energy to whichever side of the conflict her character falls. The escalating threat is expertly foreshadowed. Initial hints of an old life catching up—a “retinal match,” a command to “send them”—build to a crescendo of armed units and intense firefights. The stakes are defined when the command shifts: the hunters realise their target is "not who we thought" and they must now take him "in alive." This twist suggests that the turbulent past Mason is trying to outrun is not just about guilt, but about a dangerous secret he possesses. Shelter looks like a potent combination of classic action thriller and emotionally resonant drama. It’s an intriguing prospect for the new year, promising genuine tension, stellar performances from its all-star cast, and a beautifully bleak aesthetic. We’re eager to confront Mason’s troubled history when the film hits the big screen. Shelter People We Meet On Vacation People We Meet On Vacation looks set to be a thoroughly British affair in its tone and appeal—a charming, heartfelt escape, promising both belly laughs and a good cry. Doctor Plague Wake Up Dead Man: A Knives Out Mystery This first glimpse of Wake Up Dead Man isn’t just a trailer; it’s a brilliant statement of intent. The film looks primed to be a festive treat for audiences looking for a compelling, cleverly constructed mystery. Michael Michael is set to arrive in cinemas in the UK and Ireland on the 24th of April 2026, and based on this compelling first look, the world will indeed be waiting. The Carpenter's Son We anticipate that The Carpenter's Son will be less of a retelling and more of a deeply disquieting examination of power, temptation, and the human cost of being chosen. It arrives on 21st November. Eternity Eternity looks set to be a sophisticated, imaginative film that avoids the usual genre clichés by grounding its absurd plot in stellar performances. Kontinental '25 The promotional material and critical buzz surrounding Kontinental ’25 confirm that the winner of the Silver Berlin Bear for Best Screenplay is not only back, but operating at a fever pitch of urgency and daring. Anniversary Kenny Dalglish It's rare for a documentary trailer to stir the soul quite as effectively as the first look at Kenny Dalglish, the upcoming feature focusing on the life and legacy of one of British football's most revered and complex figures. Is This Thing On? Searchlight Pictures has premiered the teaser trailer for Is This Thing On?, and it suggests we are in for a sharp, melancholic comedy that mines the humour and heartbreak of mid-life crisis through the lens of stand-up. Springsteen: Deliver Me From Nowhere The first official trailer for Springsteen: Deliver Me From Nowhere, the biopic chronicling the turbulent creation of the 1982 masterpiece Nebraska, has landed. The Bride The latest tease for The Bride, the highly anticipated 2026 offering from Maggie Gyllenhaal, has dropped, and if this brief glimpse is anything to go by, British cinema-goers should prepare themselves for a truly spectacular and unsettling cinematic experience. A Tooth Fairy Tale Overall, the trailer for A Tooth Fairy Tale delivers exactly what it needs to: a clear premise, an exciting quest, and the promise of high-quality vocal performances. Delivery Run From the first stark frames of the trailer for Delivery Run, it is immediately clear that this is a thriller operating under pressure. In Your Dreams "In Your Dreams," a new animated comedy set to enchant audiences. This delightful film, co-directed by Alex Woo and Erik Benson, promises a fantastical journey into the boundless landscape of dreams, arriving on November 14, 2025. A House of Dynamite A House of Dynamite, a gripping new thriller that plunges audiences into a high-stakes global crisis. The trailer for Bigelow's latest offering paints a chilling picture of a world on the brink, arriving in select UK cinemas on October 3rd The Man in My Basement With an intense psychological trailer that leaves you with more questions than answers, Andscape’s new film The Man in My Basement is poised to be a must-watch for UK and Ireland audiences, arriving on Disney+ on Friday, 26th September. Wicked: For Good The final trailer for Wicked: For Good has finally landed, promising an electrifying and emotional conclusion to the untold story of the Witches of Oz. Time Travel Is Dangerous The moment we clapped eyes on the first trailer for Time Travel Is Dangerous, we knew we were in for something special. Blending the charming, grounded sensibility of a classic British comedy with the mind-bending chaos of a high-concept sci-fi flick, this film promises a riotous journey through time and space.

People We Meet On Vacation looks set to be a thoroughly British affair in its tone and appeal—a charming, heartfelt escape, promising both belly laughs and a good cry.. Brand new film trailers. People We Meet On Vacation Netflix is kicking off 2026 with a cracking adaptation, bringing Emily Henry’s beloved novel, People We Meet On Vacation , to the global screen on January 9th. The trailer, a sun-drenched jaunt across the globe, immediately reassures fans that the core elements—the decade-long, tension-fraught, summer-only friendship of Poppy and Alex—have been beautifully preserved under the careful eye of director Brett Haley. The two-minute preview introduces us to Poppy (Emily Bader), the ostensibly carefree travel writer, and Alex (Tom Blyth), the reserved, routine-loving anchor in her life. Their premise is a romantic comedy gold mine: two people who are clearly soulmates, yet stubbornly remain "just friends." The footage opens with a brilliantly timed, albeit brief, cameo from Molly Shannon, whose well-meaning, boundary-pushing advice sets the easy, conversational humour early on. This exchange, alongside the subsequent montage of Poppy coaxing Alex out of his shell—from spontaneous skinny-dipping requests to a raucous moment where he picks her up in a crowded street—firmly establishes the effortless chemistry between Bader and Blyth. They feel genuinely comfortable together, a necessity for a story resting on a decade of shared history. Haley’s direction, coupled with the screenplay by Yulin Kuang and Amos Vernon & Nunzio Randazzo, promises a visually arresting film. The trailer serves as a magnificent travelogue, cutting rapidly between sun-bleached beaches, bustling markets, and charming European cityscapes. This 'vacation' aesthetic isn't just window dressing; it acts as the necessary, external catalyst for the central romance. When they are away, they can be "Vacation Alex" and "Vacation Poppy"—the people they want to be, unburdened by their everyday lives in different cities. The contrast between this holiday liberation and the messy reality back home is where the dramatic tension will surely reside. Crucially, the trailer doesn't shy away from the inevitable emotional turning point. We see the classic rom-com confusion as they are constantly mistaken for newlyweds, before the mood shifts. Alex’s confrontation of Poppy, accusing her of "always running away to new places" and the resulting question—"What am I to you?"—lands with the necessary weight. Their answer, "You’re my friend," is delivered with that perfect, heartbreaking ambivalence that fans of the source material will recognise and appreciate. This segment confirms that the film isn’t just about exotic locations; it’s about the vulnerability required to choose love over the comfort of friendship. With a supporting cast that also boasts Jameela Jamil and Alan Ruck, the picture is shaping up to be a robust and highly anticipated streaming event. People We Meet On Vacation looks set to be a thoroughly British affair in its tone and appeal—a charming, heartfelt escape, promising both belly laughs and a good cry. We’re chuffed to bits with this glimpse; mark your calendars for January 2026. People We Meet On Vacation People We Meet On Vacation looks set to be a thoroughly British affair in its tone and appeal—a charming, heartfelt escape, promising both belly laughs and a good cry. Doctor Plague Wake Up Dead Man: A Knives Out Mystery This first glimpse of Wake Up Dead Man isn’t just a trailer; it’s a brilliant statement of intent. The film looks primed to be a festive treat for audiences looking for a compelling, cleverly constructed mystery. Michael Michael is set to arrive in cinemas in the UK and Ireland on the 24th of April 2026, and based on this compelling first look, the world will indeed be waiting. The Carpenter's Son We anticipate that The Carpenter's Son will be less of a retelling and more of a deeply disquieting examination of power, temptation, and the human cost of being chosen. It arrives on 21st November. Eternity Eternity looks set to be a sophisticated, imaginative film that avoids the usual genre clichés by grounding its absurd plot in stellar performances. Kontinental '25 The promotional material and critical buzz surrounding Kontinental ’25 confirm that the winner of the Silver Berlin Bear for Best Screenplay is not only back, but operating at a fever pitch of urgency and daring. Anniversary Kenny Dalglish It's rare for a documentary trailer to stir the soul quite as effectively as the first look at Kenny Dalglish, the upcoming feature focusing on the life and legacy of one of British football's most revered and complex figures. Is This Thing On? Searchlight Pictures has premiered the teaser trailer for Is This Thing On?, and it suggests we are in for a sharp, melancholic comedy that mines the humour and heartbreak of mid-life crisis through the lens of stand-up. Springsteen: Deliver Me From Nowhere The first official trailer for Springsteen: Deliver Me From Nowhere, the biopic chronicling the turbulent creation of the 1982 masterpiece Nebraska, has landed. The Bride The latest tease for The Bride, the highly anticipated 2026 offering from Maggie Gyllenhaal, has dropped, and if this brief glimpse is anything to go by, British cinema-goers should prepare themselves for a truly spectacular and unsettling cinematic experience. A Tooth Fairy Tale Overall, the trailer for A Tooth Fairy Tale delivers exactly what it needs to: a clear premise, an exciting quest, and the promise of high-quality vocal performances. Delivery Run From the first stark frames of the trailer for Delivery Run, it is immediately clear that this is a thriller operating under pressure. In Your Dreams "In Your Dreams," a new animated comedy set to enchant audiences. This delightful film, co-directed by Alex Woo and Erik Benson, promises a fantastical journey into the boundless landscape of dreams, arriving on November 14, 2025. A House of Dynamite A House of Dynamite, a gripping new thriller that plunges audiences into a high-stakes global crisis. The trailer for Bigelow's latest offering paints a chilling picture of a world on the brink, arriving in select UK cinemas on October 3rd The Man in My Basement With an intense psychological trailer that leaves you with more questions than answers, Andscape’s new film The Man in My Basement is poised to be a must-watch for UK and Ireland audiences, arriving on Disney+ on Friday, 26th September. Wicked: For Good The final trailer for Wicked: For Good has finally landed, promising an electrifying and emotional conclusion to the untold story of the Witches of Oz. Time Travel Is Dangerous The moment we clapped eyes on the first trailer for Time Travel Is Dangerous, we knew we were in for something special. Blending the charming, grounded sensibility of a classic British comedy with the mind-bending chaos of a high-concept sci-fi flick, this film promises a riotous journey through time and space. Game The trailer for the film GAME, set for release in November 2025, falls squarely into that last category. It's a two-minute masterclass in tension, leaving you with more questions than answers and a palpable sense of unease.