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Springsteen: Deliver Me From Nowhere film review by UK film critic George Wolf. Starring Jeremy Allen White, Jeremy Strong, Paul Walter Hauser directed by Scott Cooper. HOME | FILMS | REVIEWS Springsteen: Deliver Me From Nowhere Film Review average rating is 4 out of 5 Critic: George Wolf | Posted on: Oct 23, 2025 Directed by: Scott Cooper Written by: Scott Cooper, Warren Zanes Starring: Jeremy Allen White, Jeremy Strong, Paul Walter Hauser My sister-in-law Ellen still tells the story of when she bought Bruce Springsteen’s new album Nebraska in 1982. She was a college student, and was ready to rock out in her dorm room with the guy who was coming off the top ten singalong smash “Hungry Heart.” What she got was a collection of stark, acoustic songs about murder, desperation and dead dogs. Not much to dance to. Why would a rock star on the verge of global superstardom make such an unexpected move? Writer/director Scott Cooper explores that question with Springsteen: Deliver Me From Nowhere , a heartfelt and emotional story of a man caught between the echoes of his past and the promise of his future. Jeremy Allan White is sensational as Bruce. The look is right, and White’s playing and singing often get eerily close to the real thing. But even more than that, White captures the tortured soul of a rising phenom seemingly terrified of the success he knew was suddenly within his grasp. Adapting Warren Zanes’s 2023 book, Cooper revisits some themes from his Oscar-winning Crazy Heart and makes the film a collection of small moments that capture a pivotal snapshot in the life of a living legend. And none of it pushes too hard. Glimpses of a Flannery O’Connor book, the movies Badlands and Night of the Hunter , and the Suicide song “Frankie Teardop” quietly tell us much about Bruce’s inspirations for the album. Black and white flashbacks to Bruce’s childhood with a troubled father (Stephen Graham) and a protective mother (Gaby Hoffmann) take a similarly understated approach, effectively layered as the lingering memories they were. Bruce’s relationship with fictional girlfriend Faye (Odessa Young) begins as an awkward choice amid all this attention to detail, but the device ultimately gives us some insight into his fear of any happiness he felt was undeserved. Lighter moments do come, almost always with the reactions to Bruce’s new direction. Manager Jon Landau (yet another terrific supporting turn from Jeremy Strong) gently tries to steer him toward the songs that would become Born in the U.S.A ., while a record exec (David Krumholtz) throws up his hands in exasperation. And through it all, everyone (including Marc Maron as longtime engineer Chuck Plotkin) keeps wondering where the case is for Bruce’s cassette of homemade demos. Bruce fans know well that those demos became the album, one now regarded as a seminal statement of untold influence. Those longtime followers will appreciate Cooper’s respectful approach that doesn’t feel the need to explain who people like Jon Landau are and where they fit in. Because even for people who haven’t listened since 1982, Deliver Me From Nowhere presents a richly satisfying story of inspiration, artistic passion, and finding an inner peace that has long eluded you. And yes, there’s a bit of “Born to Run” in here, too. About the Film Critic George Wolf Theatrical Release < All Reviews Next Film Review >

Read music video reviews by film critics at UK Film Review. Submit your music video for review by clicking Get Reviewed at the top of the website. Music Video Reviews One of the most exciting sub-genres our critics review is music videos. They are often incredible pieces of storytelling, either in their own right or aligned with the song playing over them. On this page you will find a great selection of music video reviews from the team of critics at UK Film Review. If you are a filmmaker or artist who would like us to review your music video, submit your film here . When it comes to reviewing a music video, the process differs slightly from perhaps a narrative short film or documentary. The music has to be explored far more intimately than if it were a soundtrack because that's where the story originates from rather than being added further down the line. Music videos do conform to genres but these are often musical genres rather than film categories, for example pop, folk, rock, rap etc. So this will also influence the music video review our critics write because the target audience is going to be considered. Music videos may take a variety of forms or even combine different aspects to create a different effect on the viewer. For example, it is common for a music video to contain a small narrative, as well as live performance footage. Top filmmakers making music videos will be able to immerse you into the song and story without leaving you feeling like you have just watched a promo piece. Choreography is also a common trait in music videos, with dance sequences and flash mobs recurring - often in pop music videos. Editors of music videos will have their work cut out to ensure the choreography looks tight and engaging without it feeling staged or lifeless. Hopefully the array of music video reviews you see below will include some gems for you to peruse. Don't forget to scroll to the bottom of the article, as we often include the actual music video so you can watch it for yourself. Psiblingz - Till We're Found William Curzon Mammoth: Adventures In Gnomeman's Land William Hemingway Flesh Wanting Blood William Hemingway Lovin' You James Learoyd To Be Frank Chris Olson The Wanderer Matt Trapp The Sanctity of Faith Patrick Foley 2024 Patrick Foley The Road Back Patrick Foley Bitter Cherry – Hunger Short Film Review alexjames96 Jun 3 2 min read Ain’t my Vibe Short Music Video Review alexjames96 Jun 6, 2024 2 min read Cinerama (Music Video) Short Film Review alexjames96 Mar 17, 2024 2 min read Homecoming (Music Video) Short Film Review alexjames96 Dec 19, 2023 2 min read Sheep F-cked In the Head Short Film Review alexjames96 Nov 16, 2023 2 min read Service for The King short film review Theo Aug 1, 2022 2 min read More Film Reviews

Film reviews from some of the biggest movies in UK cinemas. We also review short films, indie films, and documentaries. Find a movie review now. Film Reviews Here at UK Film Review we like to tackle all kinds film reviews. Our writers come from all walks of life, and feel passionate about critiquing the movies they watch. From the latest Theatrical Releases to Short Films, Indie Films, Documentaries and even Animation, the contributors of UK Film Review are as eager to please as Dev Patel in The Best Exotic Marigold Hotel (2011). If you are a filmmaker, or are working in film PR and want to promote one of your clients, please get in touch using the Submit Your Film button under the drop-down menu for Home. Take a look at our list of film reviews below from some of the hottest releases in UK cinemas. Simply click the image of the review you would like, or the title of the movie. Or use the search button to find the movie you are looking for. We have given any feature length film a star rating (out of 5) in order to help viewers sort the Citizen Kanes from the Waterworlds, the Inceptions from the Transformers. Michael Bay will be given a fair film review from our writers, but that probably will not go in his favour. Speaking of Filmmakers, head over to our Filmmaker Features page for awesome articles about some of the best filmmaking geniuses who ever lived. Movie Trailers are also available, either underneath the film reviews, or on the Movie Trailers page. And lastly, if you like your film reviews verbalised. Simply because reading is boring and listening is marvellous, then make sure you Subscribe to the UK Film Review Podcast. Our critics offer up some banterous opinions on the best and worst movies across all genres. Head over to the Podcast page, or click this link to go straight to iTunes. If you would like to read or view any of the following, simply use the navigation. Alternatively, you can click on one of the images to read the film reviews here, or simply have a ganders at the lovely movie artwork on display. Remember to listen to film reviews on our regular film podcast. GET REVIEWED average rating is 4 out of 5 Springsteen: Deliver Me From Nowhere Read Review average rating is 3 out of 5 TV Man (Te(L)o Comando) Read Review average rating is 3 out of 5 The Hand That Rocks the Cradle Read Review average rating is 4 out of 5 Love + War Read Review average rating is 4 out of 5 Antithesis Read Review average rating is 3 out of 5 The Whip Read Review average rating is 2 out of 5 Man on the Hill Read Review average rating is 3 out of 5 Helloween Read Review average rating is 2 out of 5 A Tooth Fairy Tale Read Review average rating is 1 out of 5 Lost And California Read Review average rating is 1 out of 5 Ellipsis in Writing Read Review average rating is 4 out of 5 Chain Reactions Read Review Spoilers in our film reviews As with all digital forms of expression sometimes people may find something that upsets them online. Spoilers can often be one of these things! Whilst we do our best to ensure that major plot points, twists, character deaths and celebrity cameos are not found in our reviews, it can sometimes be difficult to judge what each and every film lover on the planet would to be a spoiler. If you feel that one of our film reviews contains one too many details then please do let us (politely) know using our social media platforms. We may then take serious action, such as expelling the critic responsible from this and every other movie publication past and present, declaring war against the studio for leading our writer into temptation, or we may do nothing at all. To be honest, it is most likely going to be the latter unless some serious rules have been broken. You may also see some movie trailers in our reviews that could also contain potential spoilers. In which case anyone who is hoping to avoid these should probably not click the play button on them. Or click the play button, turn the sound down on your device, then leave the room for a least 28 minutes whilst the trailer finishes and leaves your life naturally. You may be wondering what you could do with all 28 of those minutes! Why not read some more film reviews on another device? Or make a short film of your cat playing with a piece of string? Spend it wisely guys and gals.

Directed by: Asif Kapadia Written by: N/A Starring: Kenny Dalglish, Marina Dalglish, Graeme Souness, Alan Hansen Documentary Film Review by: Chris Olson ⭐️⭐️⭐️⭐️⭐️ Kop a load of this, Kapadia has pulled off something special here. A football doc that transcends the beautiful game and captures a true legend. Powerful, moving, and truly respectful to the best bits of football in the UK, which often get tarnished unfairly. From his upbringing as a wee lad in Scotland, through his time playing for Celtic, then Liverpool, onto his Player/Manager role at the latter, this Kenny Dalglish documentary paints a heartfelt picture of an honourable and very talented footballing icon. Directed by Asif Kapadia (whose other documentaries include Amy, Senna, Diego Maradona and more), the piece eschews talking heads being awkwardly filmed in a studio for a more authentic approach. Narrated by Kenny himself, we also hear from Manrina (his wife), other footballing heroes like Graeme Souness and Alan Hansen, and the film is presented with copious amounts of archive footage from amazing matches over the span of Kenny Dalglish’s career, mostly in the 1980s. We are also privy to exclusive home footage of Kenny’s family, giving us a true insight into his life as a family man, which we learn is a massive part of his character. A documentary about one of the best footballers ever is going to get a massive UK audience. Whether (like this film critic) you knew the name from your childhood, or you are a youngster playing FIFA in 2025, this is a fascinating journey that so many young boys and girls across the nation have dreamt of taking. There is a quality to this man’s sporting skill that is jaw-dropping when you see him create goals out of nowhere, whether directly curling the ball like magic around defenders or setting up his partner-in-crime, Ian Rush. The film also provides an emotional depth that many will not expect from a sporting documentary. Kapadia bravely explores Kenny’s experiences with fan hooliganism, rioting, and the heartbreaking events at Hillsborough. The tragedy of the latter becomes the documentary’s most powerful section, engulfing the viewer in the immense sorrow felt by the communities affected. It’s Dalglish’s profound response, however, that will cement his place as a true great not just in Liverpool (where he is still revered as an idol) but across our country. Whether you get to see the Kenny Dalglish documentary on its very limited cinema run or on Amazon Prime Video, it’s vital viewing for any football fan, whether you are a Liverpool fan or not.

Directed by: Jacob Stockton Written by: Jacob Stockton Starring: Michael Tait, Alexander Clark Short Film Review by: Jason Knight ⭐️⭐️⭐️⭐️ A short World War II drama written and directed by Jacob Stockton and starring Michael Tait and Alexander Clark. The story takes place on the 12th of June, 1944, six days into the Normandy Invasion and British soldier, Jim (Tait), is briefly captured by German fighter, Oscar (Clark), before Jim turns the tables and holds him at gunpoint, forcing him on a journey across the battle-torn, French area. This is a journey involving two men from opposite sides of the global conflict, and the screenplay focuses primarily on the relationship that develops between them, beginning as untrustworthy and hostile, before turning into a strong bond of understanding. Their journey takes them to a variety of places in the countryside, including a church and an abandoned outpost. As they travel, they also encounter the atrocities of the Nazis. Filming took place around Northumberland and the countryside of Teesside, and North-East re-enactment groups volunteered to help, providing props, vehicles and costumes. Although the budget was £800, the production value creates an environment and an atmosphere that feels like Second World War battle grounds. The mise-en-scène is pretty impressive, with convincing clothing, vehicles and weaponry, and the sight of dead bodies is haunting. The addition of James Tearne's music further supports the dreadful and despairing situations. Jim and Oscar are the centre of the film, and the script does a decent job in exploring them and acknowledging that they have similarities between them. They both yearn for the conflict to end, so that they can return to their partner and they both understand that even though a war is taking place, they are not each other's enemy, and they are both capable of understanding and forgiveness. Utilising a WW2 setting, this story goes on a journey about self-reflection, friendship, redemption and having a loving partner. The effects of war are present, its brutality being depicted quite dramatically. A war film about two fighters who start off as enemies and end up becoming friends. A main message appears to be that even in the darkest times, good can be born, such as a powerful friendship bond.

Film Festival Feature by Chris Olson It’s official: Trieste Science+Fiction Festival  is celebrating its 25th birthday, and what a spectacular party it sounds like! For over two decades, this festival in Italy has been a beacon for all things fantastic and imaginative, proving year after year that science fiction is far more than just spaceships and laser guns. The best sci-fi holds a mirror up to our own world, and the line-up for October 28 to November 2 promises to be one hell of a compelling reflection. Festival Director Alan Jones  is absolutely right on the money when he says this milestone edition will "innovate, challenge, thrill, amaze and, of course, ultimately entertain." With over 50 film premieres  packed into the programme, this isn’t just a festival; it’s a full-blown cinematic odyssey exploring "the wonders of the possible." The UK's Ben Wheatley Heads the Bill What’s caught my eye immediately is the strong British flavour in the main programming. The festival’s coup in landing the new film from the mighty Ben Wheatley  is massive. His previous work— Kill List , High Rise , Sightseers —is always wickedly inventive, so hearing about his sci-fi horror Bulk  is incredibly exciting. A high-octane flick "filled with car chases, gunfights, and romance"? Yes, please. Wheatley’s style of chaotic energy and black humour is perfect for a genre that can often take itself too seriously. Mark your calendars for Halloween night, October 31st , for that UK premiere. A Galaxy of Cinematic Wonders The opening night on October 28th  is looking phenomenal. Kicking things off is the Italian premiere of L’Homme qui rétrécit  ( The Shrinking Man ) by Jan Kounen, starring the brilliant Jean Dujardin. Richard Matheson’s classic novel is a genre touchstone, and seeing a modern, French-Belgian adaptation with a star like Dujardin fighting for survival after a "mysterious contamination" is a huge draw. I’m expecting a mix of tense psychological horror and top-drawer visual effects. Later that same night, things get wonderfully weird with the body-horror re-imagining of Cinderella , The Ugly Stepsister . It’s this kind of bold, genre-bending choice that shows Trieste’s commitment to truly fantastic  film—pushing the boundaries of what sci-fi and horror can do. Other highlights that have piqued my interest include: Egghead Republic  (Oct 30th): A dystopian tale imagining a world where the Cold War never ended? Sounds like the perfect kind of bleak, yet timely, alternate history drama. Orion  (Nov 1st): From Jaco Bouwer, the director of Gaia  (a great little eco-horror, that was), this intense thriller about an amnesiac astronaut promises a deep-dive into paranoia and hidden truths. Chien 51  (Nov 2nd): A closing-night dystopian drama set in a divided Paris investigating the murder of an AI pioneer. Modern authoritarianism and the dangers of AI—talk about hitting that nerve of contemporary relevance that good sci-fi demands! Beyond the Screen: A World of Ideas The festival isn’t just about the darkness and thrills, either. It’s an intellectual feast. The guests alone are enough to justify the trip. Having Ted Chiang , the genius author behind the short story that inspired Arrival , as a key guest is an absolute masterstroke. His insights on artificial intelligence and the future of humanity are essential listening right now. Plus, the president of the Asteroide Award jury is none other than Italian director Gabriele Mainetti  ( Freaks Out ), a hugely acclaimed genre filmmaker in his own right. All the talk of video games, comics, and literature taking place under the spectacular Sci-Fi Dome  in Piazza della Borsa shows the breadth of the genre’s reach. It’s all about a shared conversation, a celebration of the creative minds who make us think about tomorrow. Ultimately, the Trieste Science+Fiction Festival proves that genre cinema is vital. It’s a place for established masters and emerging voices to show us, through incredible futures, how to see the stark present more clearly. It sounds like an unmissable few days in Italy, offering a true galaxy of experiences. Bravo, Trieste.