Without Kelly

Without Kelly follows a young mother, Esther (Medea Strid), as she is forced to leave her baby daughter with the child's father. Caught in a wake of longing and desperation, through the night she chases comfort and purpose and seeks ways to hold onto what she cares for the most. The piece is an uncompromising and raw tale of motherhood, told in a rather simplistic narrative approach, entirely from the female perspective.

One of the most impressive feats of the piece is how immediately the viewer is swept into the sheer intimacy of the filmmaking on display. The visually stunning photography from DP Christine Leuhusen is commendable and eases you into Esther's experience as a mother. The camerawork at times is frenetic and urgent as it tracks Esther in a state of distress and discomfort, utilising extreme close-ups. Lisa Rydberg’s musical score is evocative and emotionally resonant, and anchors the lack of context through Esther’s characterisation. The filmmakers also strip away the score from specific scenes and rely entirely on the actors’ performances, which is a risky formal decision that pays off beautifully. Its tight pace at times is a detriment and a positive to the experience, as the lack of context for Esther makes it demanding to resonate with her struggles. An extended runtime could have perhaps fleshed out her characterisation more profoundly and enhanced its staying power after the credits roll. That being said, the “show, don't tell” approach is commendable and a remarkable way to convey her inner turmoil.

The central performance from Medea Strid in her raw portrayal of Esther is phenomenal. Her screen presence is essential as the narrative relies entirely on her character and performance to convey her longing to be with her child. While the supporting players are given less material to chew on, their performances are serviceable to the plot, and their chemistry is magnetic with Strid’s leading screen presence. The unpredictability of the narrative is astounding at times and entirely conveyed profoundly through Esther’s choices as she uses her body and physical need for desire to numb the pain of isolation. Writer/director Lovisa Sirén clearly set out to express the emotional devastation of a young mother grappling with the life-changing decision she has made after being forced to leave her child, and they succeeded with flying colours in that regard.

While the experience is tightly paced and never overstays its welcome, the conclusion to the narrative amounts to fairly minor, with a lack of resolution for Esther’s character growth. On the other hand, the complexity of Esther’s motivations is remarkable and evocative, leaving the viewer with much to ponder on regarding the female perspective when separated from their child.

Without Kelly is a stunning piece of filmmaking that sheds a harsh light on a woman’s longing for connection after being forced away from her child. Resting entirely on a masterful lead performance from Medea Strid and Lovisa Sirén’s formalism, the simplistic narrative approach may detract from the experience at times; however, this is a heart-stirring exploration of motherhood.

WITHOUT KELLY will screen at the 2026 Sundance Film Festival in Short Film Program 3 — premiering on January 24 at 9:15pm MST.