To Fly or Float
Critic:
Lee Sinden
|
Posted on:
Aug 22, 2026

Directed by:
Charlotte Peters
Written by:
Olivia Maiden
Starring:
Talia Sokal, Ben Caplan, Charlie Bishop, Yoav Oved, Rebecca Van Klinken and Jonny Sokal
This is a short film exploring grief from the point of view of a child who has lost both her parents. Losing her parents means that she is taken under the wing of her uncle. It appears that this relationship is not one that has been close and so the story follows their relationship as they try to come to terms with the deaths of their loved ones. A very important aspect of their life is their faith in god.
The audience is taken to 1970s Birmingham and the director is able to portray some elements of the time. The struggles of the people living through that period are shown particularly at the uncles home. The sets are dimly lit to show the mood perfectly for those working and living in this era. Each scene is edited together seamlessly and there is good use of locations throughout.
The film depicts the emotions of grief with real sensitivity. The grief is calm and quiet and feels real. The audience will be completely captivated by the performances of the main character Eva played by Talia Sokal and uncle David played by Ben Caplan. This is a difficult subject matter and one that is dealt with beautifully through the actions of the child. The viewers will be encouraged to observe the relationship between uncle and niece as the film moves through each scene. You feel how uncomfortable this relationship is and the awkwardness that comes when relative strangers are being pushed together at such a difficult time. Full credit goes to the actors for making every emotion feel real.
The other important relationship is between Eva and her friend Sam played by Charlie Bishop. They really encapsulate how it can be easier to talk to someone of your own age. The scenes between these two characters are really well used and pivotal to the story going forward. Charlie Bishop is able to portray empathy and compassion throughout, which is a credit to him and the writing and the direction.
The film develops a childlike way of discussing death and attempting to deal with death. It does this by showing how a child would communicate with those that are gone and does this in a unique way. The writer was able to get inside the mind of the child and their response to grief. The audience will understand the message and the symbolic nature of this film. It is simple but simplicity is quite often the best way to tell a story. They were also able to show the audience how important faith is to the main characters. There are scenes that show certain elements of the Jewish faith such as Hamotzi, which are well used and add further meaning to the story. Some of the best scenes are between the uncle and niece at the uncles home. The story has a strong focus on the main characters and does not deviate from the message.
This is an important film which tackles a very difficult subject but does so in a very quiet manner with no drama. It is a subtle look at grief but this does not in anyway reduce the power of the images shown. The performances are developed well and show a real understanding of the subject, which is particularly impressive considering the age of the main actors involved. This will have an effect on those who know grief first hand.
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