Masc

Masc (2026) is a short feature film written and directed by Bertil Nilsson. It follows protagonist Robin, played by Joshua Griffin, (who is also credited as a writer). Robin is a biracial, queer and autistic man struggling to fit in. On his journey to understand who he is, Robin tries out different roles in society. He embarks on a journey of self-discovery by changing careers, strengthening friendships, and reconnecting with his father.

This film was a beautiful and deeply heartwarming exploration of self-identity. The representation of the main character, Robin, felt incredibly nuanced. The longer takes and breathing room given to the performances of all the cast (and their interactions with each other) felt sincere to real-life experiences. Without any major plot twists or turns, the narrative was still incredibly engaging, with the vulnerability of Robin fulfilling audiences’ interests.

Robin does not make any overly noticeable discoveries within his character development, but his transformation can be observed through the subtle, yet definitely not underappreciated, moments of vulnerability and authenticity. A scene that illustrates this deeply is when Robin dances in front of a room full of people, an activity he previously stated was “private”. His new sense of self and ability to not perform as anyone else, but to move within his genuine individuality, is a satisfying ending and an overall moving moment.

The cinematography stands out as an element definitely worth talking about. The visuals were striking and warm, without losing the naturalism needed for such a character-focused story. The stylistic choice of the 4:3 aspect ratio made the film hit even closer to home, with the borders providing a closer look into Robin and his life. The text layered over the final scene was also very aesthetically pleasing and made for some interesting end credits.

My main praise has to go to the performances, however, with Joshua Griffin as the most notable actor, curating such a genuine and pleasing-to-watch character. As a neurodivergent viewer, it was exceptionally refreshing to see the character of Robin exist as himself, not as a stereotype. He is a multi-faceted and engrossing character who is more than his race, sexuality or autism diagnosis.

Overall, this film felt human. Awkward and embarrassing at times, odd and unexpected, but all moments were wonderfully full of emotion (whether good or bad). I hope audiences can also appreciate the project’s simplicity at face value, whilst taking a deeper look at the real compassionate edge to this film and realising it is not so simple after all.

Masc is showing as part of the 2026 London Film Festival.