Every Time I See A Yellow Car

Every Time I See a Yellow Car (2026) follows protagonist Olly as he is troubled by his childhood trauma and recent sexual assault. His declining mental health causes him to spiral, as his older brother attempts to protect him in violent ways. Their different approaches to healing cause a large rift between the brothers and as their methods of overcoming emotional distress contradict each other, more pain is forced upon the pair.

 

This short film is beautifully written; the voiceover explains enough, yet not too much, keeping you engaged and curious throughout. Audiences can enjoy the buildup of tension before the twist in the narrative changes everything. The film tells the story in a non-linear way that is composed of delicate sound work and interesting cinematography. The use of colour, especially the reinforced meaning behind the yellow (which seems to forcefully display a never-ending cycle of trauma), is tactically placed, enhancing the flashbacks to Olly’s childhood.

 

The performance of Ty Tennant (previously known for his 2022 work in House of the Dragon) was exceptional, full of depth and emotion without an ounce of melodrama. His exhibition of mental health was subtle yet deeply moving and his voiceover elements were executed with such conviction.

The act of displaying trauma and sexual assault through the journey of brotherhood was a unique approach, one that ensured the audience could empathise with the characters without needing to know every small detail of their previous hardships. The shots of the young boys playing the game ‘yellow car’ definitely aid in the amount of sympathy felt by audiences. It is a breath of fresh air that the film ensures viewers understand the characters as more than what has tragically happened to them.

 

One of the most breathtaking shots that stands out is the choreography of the hands coming out of the yellow car, an eerie sight when you begin to understand the symbolism behind the use of the colour yellow. Another creative choice that was intelligently produced is the reveal that the ‘therapy’ session with Olly is being watched by what seems to be investigators. This helps round off the narrative and ensures audiences have a moment where everything clicks into place for that satisfying ‘aha’ moment.

 

Overall, this short film is produced with great professionalism; all technical elements seem to be of the highest quality. The non-linear structure and fast-paced montages keep viewers engaged throughout, and the performances in such a touching story are admirable.