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Congo Boy

average rating is 4 out of 5

Critic:

William Curzon

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Posted on:

Oct 7, 2026

Film Reviews
Congo Boy
Directed by:
Rafiki Fariala
Written by:
Tommy Baron, Rafiki Fariala, Boris Lojkine
Starring:
Bradley Fiomona Dembeasset, Christy Djomanda Louba, Pétruche Mbomba

Congo Boy is set in Bangui, Central African Republic, and follows Robert (Bradley Fiomona Dembeasset), a 17-year-old who dreams of a music career, but civil war is tearing his country apart. When both his parents are thrown into prison, he is left to look after his younger siblings on his own, juggling daily life, school exams and concert stages, determined to follow his dream.

 

Congo Boy is an autobiographical feature based on director Rafiki Fariala’s experiences as a Congolese refugee growing up in Bangui. Rafiki Fariala brings the material to life with a clear understanding of the topics he's tackling and never shies away from the struggles of growing up in Bangui. The personal lens helps the material resonate more, and despite its crowd-pleasing elements, it has a more sombre tone than audiences may expect from a coming-of-age story. While it may take a while to find its rhythm, as the viewer is instantly thrust into Robert’s life, it pays off satisfyingly with a familiar underdog story. Despite the simplicity of the narrative structure, the unpredictability of Robert’s life makes the experience unnerving at times as he struggles with a life full of interruptions.

 

Congo Boy is a difficult watch at times, as the experiences of Congolese refugees are incredibly underrepresented in cinema, and it's tough to watch Robert take on so much responsibility. However, despite how grim the subject matter is at times, the narrative finds time for joy and beauty in the interactions between Robert and his younger siblings. It's an educational story and explores the ramifications of living amongst political tension. While the narrative could have delved more into Robert’s connection with his art, it's understandable that the filmmakers prioritised the focus on how much pressure was on him to protect his family and juggle his daily life.

 

It's an incredibly well-shot film, with the camera rarely shying away from the horrors of civil war tearing Robert’s country apart. Adrien Lallau serves as the film's cinematographer and utilises tracking shots as Robert commits to his daily life routines. It's a commendable choice and feels incredibly personal in Robert’s coming-of-age journey. The camera also shifts to wide framing during the incredible musical sequences to capture the spectacle and intimacy of each performance. Both editors of the film, Cesar Simonot and Xavier Sirven, do a wonderful job blending the uplifting and unnerving sequences of tension without ever feeling jarring.

 

The performances across the board are incredibly raw, given most of the cast are non-actors. Bradley Fiomona Dembeasset gives a compelling central performance as Robert and won Best Actor in Un Certain Regard at the Cannes Film Festival. It's easy to see why, as it's an incredibly moving portrayal of an individual determined to fulfil his dreams and do what it takes to protect his family. His performance helps the audience root for his character’s ambitions, and the supporting players breathe so much life and humanity into the narrative.

 

While Congo Boy doesn't reinvent the familiar underdog story, it remains an inspiring film that shines a light on the often-overlooked realities of intra-African migration. The film also reminds us not to give up on our dreams, with an uplifting conclusion that may leave audiences brimming with hope. Congo Boy is a personal and uncompromising coming-of-age story.

About the Film Critic
William Curzon
William Curzon
Indie Feature Film
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