As a lifelong DC fan, of both comics and films, I was immeasurably excited to see Justice League. Despite my many grievances with most of the previous entries in this DC cinematic universe, (Man of steel, Batman v Superman, Suicide Squad) I was looking forward to seeing my favourite superhero team on the big screen for the first time. Throughout the entirety of its production, rumours of reshoots, disagreements and tonal changes were rampant, and with the switch between directors happening mere months before the film was due out things were not looking good for Justice League. Admittedly, I was dubious by the time I finally got to see it. As I got into the cinema, I found myself praying fervently that the film would be, at the very least, fun as opposed to the monochromatic mess of Batman V Superman. I was not disappointed. Objectively this is not a well made film, with rather obvious green screen, evident reshoots and countless scenes cut that appeared in the trailers. While objectively from the point of view of the average filmgoer this film was a muddled mess whose weak villain, watered down plot and frankly horhorrific cgi Superman face may have been enough to turn them away, I simply could not move. As a fan, I absolutely loved this film. Despite its plethora of aforementioned problems what was eventually delivered was a fun romp through the DC universe, with just enough fan service to make a fanboy swoon. I found myself squealing with delight when Superman used his freeze breath and to see Steppenwolf (the admittedly weak villain) carve through amazons like cake was pure, unadulterated awesomeness. Throughout the superman films of yesteryear, the prevailing issue through them all has been Superman's characterisation. The Christopher Reeve films of the 70s leaned too heavily into the golden age boy scout rendition of the character, while the grim and gritty Man of Steel bombarded us with elements of the brooding post-crisis version of the character, feeling more like a stereotype than a living, breathing character. This film nailed his characterisation to a T. Granted it took death itself to give us the true Superman, but this is truly Superman. Gone is the stoic, isolated outsider, replaced instead with a quippy, slightly arrogant Superman who takes joy out of being the most powerful being to ever exist. The one caveat for this is, of course, the weirdly pasted out, distended face of Henry Cavill. While his actual face is fine, due to a legal dispute between Warner Bros. and Paramount the editors were forced to green screen out a moustache that the actor had grew for a different role. Wonder Woman was awesomely characterised, with her arc carrying over from her solo film seamlessly. Characterising Cyborg was a positively herculean task, but one that they pulled off far better than I could imagine. Aquaman, while not really resembling his classic 60s persona is surprisingly pleasant to watch, despite being a nigh complete departure from his actual character. The three weakest characters were by far Batman, The Flash and the villain, Steppenwolf. While not necessarily a bad character, the Flash we got resembles more the Wally West incarnation of the character as opposed to being Barry Allen. Steppenwolf is a fairly one dimensional character, with little being known about him besides his coveting of the three mystery macguffins of this film, the Mother Boxes. This is in part due to the copious editing the film endured before release, but also due in part to the significantly shorter runtime of 2 hours, seemingly a ploy by Warner Bros. in an attempt to recoup their losses. . Arguably the single worst characterisation in the film was Batman. In this film, Batman comes across more as a bumbling, self-aware wise guy instead of the brooding, burly badass we have come to love. After a standout performance in last year's Batman V Superman, Ben Affleck seems to have lost all of the initial enthusiasm that made his portrayal so good, with his lines obviously being phoned in, and his fight scenes leave a lot to be desired, especially after the universally lauded warehouse scene from BVS. While originally this Batman seemed able to go toe to toe with Superman, this version seems incapable of fighting his way out of a paper bag. Despite these issues, I loved Justice League and while it didn't hit all of the right beats in order to make it a standout hit it is definitely a step in the right direction for DC comics' film division, and I am definitely excited for where they take this franchise next.
(Release Info London schedule; November 14th, 2019, Genesis Cinéma, 93-95 Mile End Rd, Bethnal Green, London E1 4UJ, United Kingdom, 18:10) "The Nightingale" "The Nightingale" is a meditation on the consequences of violence and the price of seeking vengeance. Set during the colonization of Australia in 1825, the film follows Clare Carroll (Aisling Franciosi), a 21-year-old Irish convict. Having served her 7- year sentence, she's desperate to be free of her abusive master, Lieutenant Hawkins (Sam Claflin) who refuses to release her from his charge. Clare’s husband Aidan (Michael Sheasby) retaliates and she becomes the victim of a harrowing crime at the hands of 'The Lieutenant' and his cronies. When British authorities fail to deliver justice, Clare decides to pursue Hawkins, who leaves his post suddenly to secure a captaincy up north. Unable to find compatriots for her journey, she's forced to enlist the help of a young Aboriginal tracker Billy (Baykali Ganambarr) who grudgingly takes her through the rugged wilderness to track down Hawkins. The terrain and the prevailing hostilities are frightening, as fighting between the original inhabitants of the land and it's colonisers plays out in what's now known as 'The Black War'. Clare and Billy are hostile towards each other from the outset, both suffering their own traumas and mutual distrust, but as their journey leads them deeper into the wilderness, they must learn to find empathy for one another, while weighing the true cost of revenge. At the heart of the story is Clare, 21, an Irish female convict. Convicts generally came from terribly poor backgrounds, stealing for survival. A theft of a loaf of bread, or a coat, could see a person being transported for 7 years as an indentured slave to a free settler or soldier, their poverty ensuring permanent exile. She has served her time, and is now trying to secure her freedom and start a new life as a free settler with her husband Aidan and baby Brigid in this new world. But Hawkins is unnecessarily withholding her release, preventing her from fleeing the violence and despair of the situation She's an indentured servant for Lieutenant Hawkins, who took her from prison to serve out her remaining sentence at his barracks, and Hawkins uses and abuses Clare sexually, a fact she keeps hidden from her husband out of shame and fear. Clare has a beautiful voice, a thread of purity in this bleak place, and is sometimes called on to sing for the men. To them she's their little nightingale. Female convicts, were often treated badly by their masters, as is the case with Hawkins, the officer in charge of Clare’s fate. It's this abuse and loss of everything she holds dear, that serves as the trigger for Clare’s revenge, seeing her take a life-threatening journey, from the south of the island to the north. This is during a period known as The Black War’, and the land is not safe to travel, nor easy to navigate, with huge tracks of rugged wilderness. The character of Clare has to possess a fierce tenacity and a steely strength, character traits that came from close research into the era. In the convict prison in Richmond, Tasmania, a plaque on the wall explains that women inmates were put in solitary confinement for three weeks straight, no light, freezing cold, on a sandstone floor with a hessian sack. They're put in for talking back to their masters, or getting drunk, or other very minor crimes. They would be released after 21 days to go back to that same master, and they would deliberately commit another crime so that they could be put back into solitary confinement. To be poor in 'The Georgian' era is not seen as an economic problem but a moral weakness. So convicts are viewed with next to no compassion. And female convicts are seen as worse than male convicts, because women are meant to be a symbol of purity. And 'The Irish' are seen by 'The English' as 'The Scum Of The Earth'. Why would a woman do that? What's so bad about that situation that they would prefer total deprivation? The answer is rape, beatings, physical and psychological abuse. Clare shows how resilient so many women are and how resilient women can be has her flaws, she’s not always likeable, but she’s incredibly resilient and powerful; a fully-formed human being as a lead female character. Lieutenant Hawkins is a lower middle class lieutenant, who, perhaps because of his class, perhaps due to who he's, has not risen to his much desired rank of captain. He's intelligent, handsome, but driven by blind ambition, and profoundly damaged by his past. He expects to shortly be promoted by his superior in Launceston, and when this is compromised by his own behaviour, he lashes out violently at those around him, then sets off to take control of his own future. Hawkins demonstrates physical and psychological cruelty to his men, as well as to civilians. He's amongst other things a rapist, who commit acts of sexual violence. It's about power and, in Hawkins’ case, rage. To build up a character like Hawkins, you've to understand the first-hand accounts of Tasmania in the period, as well as contemporary psychological texts, which led him to identify Hawkins as suffering from narcissistic personality disorder. Hawkins has a profound lack of empathy, and genuinely thinks that it’s his right to have more, to be recognized and raised up, and he uses people around him to get what he thinks he needs, but he’ll never be happy or satisfied. He’s a man who has a very difficult upbringing. When all his power is taken away, his rage is directed out onto the feminine, at Clare; or whoever's around. In his complex relationship with Clare, signs of fragility and possibility can perhaps be briefly glimpsed. Hawkins spent his life thinking that women weren’t as good as men. At the time, men were generally thought to be the stronger and the better sex, and that’s something that's so deeply embedded in his being. He struggles to see the world as it really is, and as it should be. The character of Hawkin is damaged. To exact her revenge, Clare must head towards Launceston, in the north east of Tasmania, but will have no chance of surviving in the rugged terrain unless she pairs with the character of Billy, a young 'Aboriginal' man who acts as her tracker, or guide. Billy, also 21, a 'Letteremairrener' man, who as a child watched his uncles, brothers and father killed in front of him by 'The British'. Billy has experienced forced assimilation and slavery, so he speaks English, When Clare offers him a shilling now and a shilling once he tracks down her quarry, Billy is drawn not just by the money, but by traveling north, a trip that will see him returning to his country, and potentially finding his mother and aunts, who disappeared when the men of the family were killed. He has suffered greatly too, a result of the terrible treatment of his people by the invaders, and although the pair are initially distrustful and openly hostile towards each other, through the physical and psychological challenges of their journey, they come some of the way to understand and support each other. 'Mangana The Black Bird', is Billy’s totem, an animal that's his medicin, his way towards healing, and the animal that gives him most strength. Clare and Billy begin by treating each other badly, and any steps that move in the opposite direction towards understanding and care are earned as the story unfolds. We cannot imagine what it would've been like for Billy to see his family murdered, then to be brought up by the people who had done the deed, but that was common for 'Aboriginal' people across Australia. It's unfathomable, but the film explores more than that; Billy’s tenacity, his will to survive. Ultimately, it's a story of him coming home to himself. Sergeant Ruse (Damon Herriman) is Lieutenant Hawkins right hand man and attack dog. He has the qualities of a traditional drill sergeant; we see him speaking to the soldiers underneath him in an aggressive and belittling way. He’s not a pleasant human being. Around his men and civilians, Ruse projects a domineering alpha male persona, but that all changes when he’s around Hawkins. Hawkins is not only his superior, Ruse genuinely respects him. Ruse likes the hard, cruel line that Hawkins takes, so they’re very similar characters, but around Hawkins there’s a sycophantic version of Ruse that emerges. He wishes he could be Hawkins, but second-best to that's being able to perform whatever Hawkins demands. Jago (Harry Greenwood) is a young ensign, new to the army. Unlike Ruse, he has come from the middle classes; and despite his entry level position, he's an ensign, which is an officer’s rank not a soldier’s. He's in effect Ruse’s superior because of this, but struggles to gain any sort of authority in this environment, a fish out of water. He’s on his first tour, and doesn’t really know anything about how the army works or how soldiers operate, so he’s flying by the seat of his pants. He’s thrust into possibly the worst penal colony in the world, Tasmania, and not even the larger 'Hobart Colony' but a small outpost, under the command of Hawkins, who’s a hard boss at the best of times. Jago initially looks up to Hawkins, but as the film unfolds the relationship changes as he’s exposed to the disturbing things that both Hawkins and Ruse do. Aidan (Michael Sheasby), Clare’s husband, represents both the hope of love, and the perils of revenge and violence. He has a fierce love for Clare and for his baby, Brigid, but he’s a very instinctual, gut-driven person. He can tell that something’s not right with Clare, and decides to confront it, with terrible consequences. In this world that’s so dark and violent, they've an unadulterated love for each other. The energy and care between them provides important moments of light. Tasmania is a place of extraordinary natural splendour, sitting alone at the bottom of the world, but for some there's a haunting quality to the island, which lent itself perfectly to the mood of "The Nightingale". 'The Landscape' emerges as another powerful character in the film, with it's own areas of light and darkness. As you learn more about the history of the place, that only heightens your awareness of the terrible things that happened there. There's a deep, longstanding culture in Tasmania, but for the arriving 'British', there's nothing there that they're used to, so it became frightening and alienating. 'The British' characters are continuously in a state of fight orflight; they never know what’s around the corner. Suddenly the demons of history started to emerge. It’s definitely something the film is aware of from Aidan’s perspective; a sense of pure fear. In line with eschewing standard iconic views of the island, the film avoids using equipment such as drones for capturing the landscapes in a glorified way. What also sets Tasmania apart is that the majority of it's forests has been preserved, and a large amount is 'World Heritage' or 'National Parks', so the film enters those areas, make it feel real, and showcase the beauty. But it’s a scene about Clare and her relentless drive, and the emotion of wanting to cross a dangerous river because her revenge is driving her, and so we take the lead from the character’s motivations. Through the characters of Clare and Billy, the film asks; how can human beings retain their compassion, humanity and courage in a brutal environnt In looking at the futility of violence and revenge, the film carries a striking message of anti- violence and forgiveness. Clare and Billy have endured extreme suffering and loss. They’re broken when they meet, and therefore have a very hard time trusting and respecting each other at a basic human level. When they go on their physical journey together, they’re put through a series of tests; nature beats them down, and finally they open up to each other. They make the idea of living a bit more bearable for each other. Billy for Clare provides a sense of hope for life. In this environment where things are brutal and violent and there are so many obstacles they've to overcome to get what they desire, the fact that there’s a correlation, a mutual understanding, is something that takes them a long time to realise, but when they do it’s the most beautifully poetic relationship, so authentic and human. Feeling for 'The Aboriginal People' wasn’t part of their psyche. So, we’re judging these characters, in that sense, but the audience have to see how the characters are motivated and we've to show the brutality to put the audience in Clare’s shoes. What Clare learns, and what the audience sees, it that the shining light from the beginning to the end is hope. All the characters are yearning for lightness, for something more, in this brutal reality. Through Clare and Billy’s journey, despite the horrific things they’re exposed to, there are moments of lightness and humanity. Despite the situations we’re faced with in life you can communicate with and understand someone. That’s at the core of the film; despite the terrible things that people do and experience, they do go on, they continue to live. "The Nightingale" is set in 'Van Diemen’s Land' (now Tasmania), 'The Australian Island State' off the far south east coast of the mainland. A fledgling 'British' penal colony was established in Tasmania in 1803, following on from the Sydney penal colony established on the mainland 15 years earlier. Setting the film in 1825 Tasmania isn't an intellectual choice to make a period film, but something to remove the story from the present day, and in doing so allowing it's universal themes to take precedence. Tasmania was the most brutal of the Australian colonies, known as hell on earth through the western world at the time. Repeat offenders sent there; the rapists, murderers, hardened criminals. And severe punishments are devised for them to strike fear in the hearts of those back in Britain, to deter them from crime. Women on the other hand who’d often committed minor crimes are sent to Tasmania to even the gender balance. They're outnumbered 8 to 1. You can imagine what kind of an environment that would set up for women. It's not a good place or time for them. And in terms of 'The Aboriginal Invasion', what happened in Tasmania is often considered the worst attempted annihilation by the British of 'The Aboriginal' people and everything they hold dear. Many Australians know what happened in certain parts of the country during that time, and other people don't. A lot of people outside Australia know nothing or very little about it. We can not go into this part of our history and water it down. Like many other countries that have been colonized, the indigenous people of Australia were subject to horrendous treatment by the colonizers. 'The Aboriginal People' lived through two 'Ice Ages Evidence' uncovered in one of the latest Tasmanian archaeological digs dates back 42,000 years. Besides the massacres and taking land away that happened, similar to anywhere else in Australia where 'Aboriginal' people were invaded and colonized, kids were taken away from families and put in Tasmanian orphanages. When they're old enough, they’d be used as cheap labour on farms. It wasn’t uncommon for 'Aboriginal' people to be working in all sorts of jobs, and a lot of 'Aboriginal' people in Tasmania today are here because they survived by mingling in with white fellas, right across the state. Violence against women is as relevant now as it has ever been. This is a story about violence. In particular the fallout of violence from a feminine perspective. The colonization of Australia was a time of inherent violence; towards 'Aboriginal' people, towards women, and towards the land itself, which was wrenched from it's first inhabitants. Colonization by nature is a brutal act. For this reason, this a current story despite being set in the past. And the arrogance that drives it lives on in the modern world. The film features graphic and potentially triggering acts of sexual violence towards women and violence motivated by racism. "The Nightingale" presents complex issues, and the film doesn’t attempt to offer neat solutions to systemic issues of race, misogyny, sexual violence, or classism. Nothing depicted in this film is fictional. The story itself is fictional, but the events are based in historical fact. The film deals with a story of colonization and violence that some people say didn't happen, so it's really important that things are accurate. The story of "The Nightingale" is important because it’s a history that was never told, about what 'Aboriginal' people went through in this time. It's a dark story and there will be tears, but it will touch people. The film presents the opportunity to open up an honest dialogue about cycles of violence, the repercussions of colonialism, and in experiencing our own discomfort to reflect on humanity and the importance of empathy for our survival. All the concerns about violence, towards women, towards indigenous people, towards nature, the repercussions of colonization, they're very much in our mentality and in the way we live now, but by placing something in the past, you can give people a distance from it, so they can see it without feeling like they're being attacked. Everything is relevant now. This is a story set nearly 200 years ago and we’re still dealing with the same crimes against women. It’s a mythical film, in the true sense of the word. It’s visually astounding. Not as in something that never existed, but a story that deals with very universal themes, things that happen everywhere in the world, to all of us. "The Nightingale" questions the state of the world. What are the alternatives to violence and revenge? How do we retain our humanity in dark times? We do not have all the answers to the question of violence. But they lie in our humanity, in the empathy we hold for ourselves and others.