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Seven Snipers film review by UK film critic Rachel Willis. Starring Radha Mitchell, Annabel Wolfe, Tim Roth directed by Sandra Sciberras. HOME | FILMS | REVIEWS Seven Snipers Film Review average rating is 3 out of 5 Critic: Rachel Willis | Posted on: Jun 4, 2026 Directed by: Sandra Sciberras Written by: Andrew O'Keefe Starring: Radha Mitchell, Annabel Wolfe, Tim Roth Director Sandra Sciberras and writer Andrew O’Keefe drop us into the outback of Australia for her intense thriller, Seven Snipers . The movie doesn’t take its time before jumping into the action. The intensity throughout the first half of the film is top notch. We’re not given much information as we’re introduced to a reclusive mom (Radha Mitchell) and her stubborn daughter, Anja (Annabel Wolfe). After Anja leaves for school with her boyfriend, a realtor drives onto the scene to offer to buy the farm from Mom. From here, we’re thrown right into an intense battle that leaves you wondering just what the hell is happening. When the realtor addresses our main character as Voodoo Child and references The Dragon, Mom’s shocked and fearful reaction lets us know something bad is on its way. Seven Snipers works best during its first half. The lack of information only makes the situation more interesting as the tension ratchets up with the arrival of six battle-hardened men and women who offer to help protect Voodoo Child and her daughter. It’s when the action slows and backstory creeps in that the movie starts to feel bogged down. While Seven Snipers never spends too much time on the why of things, it’s still a disappointing comedown from the preceding action. Especially since the reason behind it all is not very interesting. Despite the dissatisfaction that colors the backstory, the acting is stellar. We spend very little time with each character in service of the action, but the actors still carve out independent personalities (well, most of them). O’Keefe tends to rely on oft-used character tropes, but Sciberras makes it work. You’re not going to find the most lively cast of characters, but the acting does a lot of the heavy lifting to make the audience at least feel something as everyone is put through the wringer. Flaws and all, Seven Snipers is an entertaining hell of a ride. About the Film Critic Rachel Willis Digital / DVD Release, World Cinema, Indie Feature Film < All Reviews Next Film Review >

The Applecalypse film review by UK film critic Finn O'Toole. Starring Julian Mudge-Burns, Benjamin Bowman, McKenna Dvorak, Mary Kathryn Brown, Romina Duran. directed by Minh Ngô. HOME | FILMS | REVIEWS The Applecalypse Film Review average rating is 4 out of 5 Critic: Finn O'Toole | Posted on: Jun 4, 2026 Directed by: Minh Ngô Written by: Minh Ngô, Richie Iden Starring: Julian Mudge-Burns, Benjamin Bowman, McKenna Dvorak, Mary Kathryn Brown, Romina Duran. As the debut short-film of 21 year old Vietnamese director Minh Ngô, this film is perhaps one of the most unique projects produced in recent memory. This film was created in an attempt to create a brand new “Neo-Mythical” genre, defined by its absurdist, high energy, and historically-inspired (emphasis on inspired) characteristics. But does ‘The Applecalypse’ succeed in this pursuit? Ngô claims he is making an ‘active effort to ensure that his works will be unlike anything the audience have ever seen before, on both a conceptual and emotional level’. However it could be argued that what makes this project so unprecedented is how it utilises a mix of familiar forms of media in order to create something fresh. In this piece the creative team emulates classic silent films, with a lack of dialogue and monochromatic visuals, but it begins to stylistically differ early on in the narrative as it introduces colour isolation creating a striking image of a bright red apple against the colourless backdrop. There is also a metatextual aspect to the style as later on; the protagonists actually see the dialogue cards and wield them as physical objects to battle with. The plot itself seems to follow a humorous blend of real life, biblical, and cultural events – mixing the story of Adam and Eve with a comical rivalry between Steve Jobs and Sir Isaac Newton, both of whom have strong historical ties to an apple. With a silent film, a lot of the entertainment value rides on the music that is laid on top of it. Flint Steppenrock does a fantastic job of scoring this piece, always tailoring each track to the beats of the unfolding farce, and crescendoing in an epic piece befitting of the battle taking place. Although not the typical style for a silent film, this divergence from tradition works in the film’s favour. With minimal set and costume design, one might think that this would limit the craft, but for a surreal project like this it lends itself very well to the aesthetic. However, I feel there are some unusual moments that take the audience out of the experience, such as a moment mid-way through the film set in the clouds against a green screen backdrop. Given the hands-on approach to the rest of the film, this feels jarringly out of place and could easily have benefitted from a practical set. Ultimately, with its focus on absurdism, humorous tone, and charming melodramatic performances – The Applecalypse is a refreshing change of pace and truly succeeds in establishing a unique style. Minh Ngô is an artist worth keeping an eye on, and I cannot wait to see what he creates next. About the Film Critic Finn O'Toole Short Film < All Reviews Next Film Review >

The Marina film review by UK film critic William Curzon. Starring Kieran Sullivan directed by Seán Leahy. HOME | FILMS | REVIEWS The Marina Film Review average rating is 4 out of 5 Critic: William Curzon | Posted on: Jun 4, 2026 Directed by: Seán Leahy Written by: N/A Starring: Kieran Sullivan The Marina is a short documentary that follows producer Kieran Sullivan as he explores the significance of The Marina Market to the people of Cork City, Ireland. While the documentary is incredibly brisk and simplistic in its exploration of The Marina Market, it is evidently crafted with its heart in the right place, displaying a clear love and understanding for the material. As the documentary opens, the viewer is immediately thrust into the experience with a somewhat jarring introduction to the central figure, Kieran Sullivan. While the material isn't anything groundbreaking in documentary filmmaking, its simplicity is welcoming and easily accessible to any viewer. It's an insightful and entertaining experience as the central figure delves into the significance of The Marina Market by interviewing many local individuals. The interviews are engaging thanks to the endearing and welcoming approach the central figure employs when asking a wide range of questions of many of the local individuals in Ireland. The Marina Market itself feels incredibly welcoming and may prompt the viewer to explore the area for themselves and learn more about what it provides. Seán Leahy, serving as the director and the cinematographer, keeps the framing exceptionally engaging, as it mostly consists of wide shots that track the central figure in the exterior sequences. The camerawork is consistently engaging as you never lose sight of the narrative focus on The Marina Market. Another surprisingly impactful aspect of the piece is the infrequent use of needle drops that feel apt within establishing shots of the surrounding area of Cork City. The pacing throughout is also incredibly fluid, as the documentary's primary focus is straight to the point and it rarely overstays its welcome thanks to its brisk runtime. Despite the strength of its formal craftsmanship, the documentary’s editing can at times be abrupt, shifting too quickly from establishing shots into dialogue-driven interviews. This issue is also apparent in the documentary's opening, which has no context for the central figure’s investigation. Another minor issue is the occasional soft focus in the camerawork, which becomes somewhat distracting during one of the extended interview segments. While much of the runtime is dedicated to interviewing a plethora of local individuals, towards the end of the piece, it loses some momentum as it focuses heavily on a prolonged conversation. That said, the documentary remains informative and reasonably engaging due to the depth of its coverage of the community. Despite the piece losing some momentum towards the conclusion, the central figure's commitment to interviewing a wide range of individuals is commendable, and it feels rewarding due to the in-depth nature of his exploration of The Marina Market. While it may struggle to linger in viewers' minds after the credits roll due to its length, its exploration of The Marina Market is thoughtful and remains engaging throughout. The Marina is an endearing and enjoyable experience, crafted with care and nuance for the significance of The Marina Market in Ireland. Despite its jarring editing at times, the documentary is a heartfelt and informative piece of filmmaking made by a group of inspiring young filmmakers. About the Film Critic William Curzon Short Film < All Reviews Next Film Review >

Masters of the Universe film review by UK film critic Hope Madden. Starring Nicholas Galitzine, Camila Mendes, Idris Elba directed by Travis Knight. HOME | FILMS | REVIEWS Masters of the Universe Film Review average rating is 3 out of 5 Critic: Hope Madden | Posted on: Jun 4, 2026 Directed by: Travis Knight Written by: Chris Butler, Aaron Nee, Adam Nee Starring: Nicholas Galitzine, Camila Mendes, Idris Elba Mattel, the company behind Greta Gerwig’s brilliant blockbuster Barbie , follows that unprecedented success by backing another woman centered feature driven by an Oscar worthy screenplay and helmed by a genius female filmmaker. JK. They’re just making another toy movie. Mattel welcomes you to Pride month with the return of their second pinkest toy. Bulging hero He Man (Nicholas Galitzine), saucy villain Skeletor (Jared Leto), and scrappy helpers including Ram Man (Jon Xue Zhang) and Fisto (Jóhannes Haukur Jóhannesson), unite for a semi-campy Masters of the Universe origin story. Director Travis Knight, who somehow carved one worthwhile film out of the Transformers franchise (Bumblebee ), is tapped to try to Gerwig-up this afternoon 80s staple. The filmmaker’s been nominated three times for Oscars, all for producing truly exceptional animated films. He works here with a team of writers (Chris Butler, Aaron Nee, Adam Nee), collaborators all on other great animated features. It’s not Gerwig and Baumbach, but it’s an impressive pedigree for Masters of the Universe . The cast off the top impresses. Galitzine, so spot-on in both Bottoms and 100 Nights of Hero , charms as the bumbling prince returned from Earth to save Eternia from the clutches of the cackling, weirdly muscular Skeletor. Idris Elba elevates scene after scene as Duncan/Man at Arms, the tough talking softie who mentored young Adam and has become a bit of a lush in his absence. Leto’s adequate. But Knight articulates his henchmen (Trap Jaw, Beast Man, Goat Man) well with a good practical/CGI mix. The tone is the thing. Masters of the Universe is both playful and self-serious. This doesn’t always work cinematically, but there’s tenderness for the franchise baked into the film. And certain things require a bit of ribbing. Fisto? Seriously? The good natured humor is not enough to entirely salvage the movie. Indeed, it makes you realize anew how remarkable Barbie was for its lack of cynicism and endless insight. But we may never again see a film quite like Barbie , especially if men keep deciding who makes movies. As Orko might have helped us see at the end of an episode, Masters of the Universe is no masterpiece, but sometimes it’s OK to have fun. And the movie is OK. Stay tuned for three post-credits scenes. Number one will thrill fans, while two and three tease future installments. Bye for now! About the Film Critic Hope Madden Theatrical Release < All Reviews Next Film Review >

Carolina Caroline film review by UK film critic Hope Madden. Starring Samara Weaving, Kyle Gallner directed by Adam Rehmeier. HOME | FILMS | REVIEWS Carolina Caroline Film Review average rating is 4 out of 5 Critic: Hope Madden | Posted on: Jun 3, 2026 Directed by: Adam Rehmeier Written by: Tom Dean Starring: Samara Weaving, Kyle Gallner Bourbon soaked and steamy, Carolina Caroline spins a modern Bonnie & Clyde tale with brains, sexual chemistry and emotional impact. Samara Weaving is Caroline Daniels, stocking shelves and cleaning bathrooms at a two-pump filling station in an ambiguously timestamped, uncertainly located small Texas town. In walks Oliver (Kyle Gallner). He’s not from around here. And she is the one thing Oliver cannot entirely predict. Director Adam Rehmeier struck gold with this cast. Certainly, he knew Gallner’s capabilities going in, the actor having led his subversive yet adorable misfit romance Dinner in America in 2022. Gallner’s as reliably magnetic an actor as anyone working today, forever mining the outsider character for its humanity. And Weaving is just a star, pure and simple. Impossible to look away from, charming and vulnerable, those enormous eyes taking everything in, the wheels always turning, in her hands, Caroline is no cliched country beauty. Strong support from Jon Gries (so dear as Caroline’s dad) and Kyra Sedgewick (brutal!) keep you emotionally engaged. After two top-tier comedies (Dinner in America and Snack Shack ), it’s impressive to see Rehmeier show such instincts with sexier, heavier material. It would have been simple enough for him to coast on the chemistry between his leads, Jean-Philippe Bernier’s photography, and an impossibly on-point honky tonk score and still produce a film worth watching. Although, there are times when that’s kind of what he does. Writer Tom Dean (Charlie Harper ) usually sidesteps cliché, even given the film’s worn-thin roadmap. We have heist machinations, romance, violence, laughs, family drama and more, none of it out of place or off putting. But maybe because of the skill Rehmeier shows in keeping this road picture intimate, when the script hits some obvious notes, they stand out. But then Weaving moseys in and rescues the scene with unbridled charisma, and you’re back to enjoying yourself. For the film’s handful of rough patches, it would be a shame to miss Gallner and Weaving sizzle like this. About the Film Critic Hope Madden Theatrical Release < All Reviews Next Film Review >

Chum film review by UK film critic George Wolf. Starring Alice Eve, Eric Michael Cole, Jim Klock directed by Jonathan Zuck. HOME | FILMS | REVIEWS Chum Film Review average rating is 1 out of 5 Critic: George Wolf | Posted on: Jun 3, 2026 Directed by: Jonathan Zuck Written by: Dick Grunert, Ryan R. Johnson, James Kondelik Starring: Alice Eve, Eric Michael Cole, Jim Klock After Chum ‘s third or fourth continuity error with Alice Eve’s sandals, you start to wonder why they didn’t just fix that with AI, too. We get AI sharks, and AI victims, so at that point some AI bare feet are hardly going to register. This is just a terrible movie, so bad you can’t help but imagine what kind of bet Eve must have lost to sign on. She plays Tina, who gets hitched to Tom (Eric Michael Cole) at a destination wedding in the Mediterranean. Neither bride nor groom is happy on the big day, and only reluctantly agree to join some family and friends (Elle Haymond, Lisa Yaro, Sarah Siadet, Johnny Gaffney) on a daytime yacht excursion. But after a fire onboard, the gang is rescued by a passing seafaring psycho (Jim Klock), and soon find themselves fighting against being dangled as bait for a predatory Great White. I know you’re thinking Dangerous Animals right now, but this mess from director/co-writer Jonathan Zuck leans more Jaws: The Revenge – in both story and stupidity. The premise is laughable, the characters and dialog inane, the wooden support cast make Eve look like Streep, and the eye rolling moments – from battle cries spoiling sneak attacks to Eve’s disappearing/reappearing shoe – come early and often. And honestly, it’s just depressing to know this is where we’re headed. At least the recent Deep Water didn’t go further than CGI sharks – and even that muted the tension considerably. But after Zuck teases us with a few looks at real man-eaters, he lets loose a succession of attacks that more than justify the branding of “AI slop.” I know it’s too expensive to shred on the natch (thank you, Doonesbury) with mechanical sharks these days, but if this is what it’s come to, just go over-the-top absurdist and call it a day. Intentional comedy always has at least a chance of being funny. Chum can’t muster much more than sympathy – for Eve and the audience. About the Film Critic George Wolf Digital / DVD Release < All Reviews Next Film Review >

Sophie Price writes movie reviews for UK Film Critic. As one of the talented UK film critics, find out more here. Sophie Price Sophie is a writer for UK Film Review. Providing film reviews on a range of movies. Read Latest Film Reviews Who's There? Sophie Price Read Film Reviews

Ahmed Abbas writes movie reviews for UK Film Critic. As one of the talented UK film critics, find out more here. Ahmed Abbas Ahmed “Dr. Donothing” Abbas, a medical student at King’s College London, is a freelance writer. Ahmed has published media-related content, including film reviews, for six years on YouTube, Rotten Tomatoes, and the UK Film Review forums. He currently writes for the UK Film Review. Ahmed’s six years as a musical theatre actor awards him a unique perspective on cinema that gives his articles an edge in the populous of film review sites. Additionally, Ahmed is very knowledgeable on the technical side of screening formats and likes to include viewing recommendations based on how the picture was filmed or mastered. Ahmed is an enthusiast of most film genres but has extensive comprehension of, and reverence for, many science fiction and comic book releases. Follow him @doctor_do_nothing on Instagram. Read Latest Film Reviews Top Gun Ahmed Abbas Read Film Reviews

Jack Salvadori writes movie reviews for UK Film Critic. As one of the talented UK film critics, find out more here. Jack Salvadori Over the past decade, Jack Salvadori has worked across film and documentary, specialising in writing, directing, producing, and film criticism. A regular reviewer and festival correspondent, he has attended major international festivals including Cannes and Venice for over ten years. His own work has been recognised at more than 75 international film festivals, and his latest film, Blondi, was longlisted for the BAFTA Award for Best British Short Film. Read Latest Film Reviews La Bola Negra Jack Salvadori Read Film Reviews Club Kid Jack Salvadori Read Film Reviews Father Mother Sister Brother Jack Salvadori Read Film Reviews Honey Don't! Jack Salvadori Read Film Reviews Eddington Jack Salvadori Read Film Reviews Joker: Folie à Deux Jack Salvadori Read Film Reviews The Brutalist Jack Salvadori Read Film Reviews Il Cinema Ritrovato Jack Salvadori Read Film Reviews The Shrouds Jack Salvadori Read Film Reviews Megalopolis Jack Salvadori Read Film Reviews Perfect Days Jack Salvadori Read Film Reviews Fjord Jack Salvadori Read Film Reviews The Voice of Hind Rajab Jack Salvadori Read Film Reviews Frankenstein Jack Salvadori Read Film Reviews Splitsville Jack Salvadori Read Film Reviews Peacock Jack Salvadori Read Film Reviews Queer Jack Salvadori Read Film Reviews Maria Jack Salvadori Read Film Reviews Grand Tour Jack Salvadori Read Film Reviews Emilia Perez Jack Salvadori Read Film Reviews Furiosa: A Mad Max Saga Jack Salvadori Read Film Reviews El Conde Jack Salvadori Read Film Reviews Fatherland Jack Salvadori Read Film Reviews The Smashing Machine Jack Salvadori Read Film Reviews Bugonia Jack Salvadori Read Film Reviews Die My Love Jack Salvadori Read Film Reviews April Jack Salvadori Read Film Reviews The Room Next Door Jack Salvadori Read Film Reviews Beetlejuice Beetlejuice Jack Salvadori Read Film Reviews Anora Jack Salvadori Read Film Reviews Kinds of Kindness Jack Salvadori Read Film Reviews The Second Act Jack Salvadori Read Film Reviews Coup de Chance Jack Salvadori Read Film Reviews

Sarah Smeaton writes movie reviews for UK Film Critic. As one of the talented UK film critics, find out more here. Sarah Smeaton What I love most about film is the chance to escape, even for just a couple of hours (or sometimes minutes) into another world, with people you would perhaps never associate with or even meet. My love of film began at a very early age when having two older brothers meant my favourites quickly became Rocky (three being the winner hands-down) and the Terminators over Disney and Rom Coms. My interest in film was further developed at uni, where studying a module on Australian Literature and Film made me crave film that wasn’t afraid to step out of enforced boundaries. The stereotypes that Hollywood churn out lost their appeal and I began to crave the kooky and brave. Nowadays, give me a dark plot, with in-depth characters who have many, many levels and I’m there. I’m a sucker for gangland films and psychological thrillers, and love discussing theories and different viewpoints almost as much as I enjoy the viewing. Read Latest Film Reviews

Rochelle McLaren writes movie reviews for UK Film Critic. As one of the talented UK film critics, find out more here. Rochelle McLaren I am an aspiring film critic and actress living in London. My favourite directors are Ava Duvernay and Tyler Perry however I am a lover of all genres especially a good thriller. Read Latest Film Reviews

Alicia Moore writes movie reviews for UK Film Critic. As one of the talented UK film critics, find out more here. Alicia Moore You could say my personality is composed of only film, because that’s how passionate I am about it. I love watching good films, bad films, any film at all, and then finding the time to write from my heart about it. It’s a passion that will never lower in level. Poetry and I have a pretty close friendship too. I think I just adore words. Find your spot of creativity and let it flow wildly and widely!” (I’m terribly sorry if that is too long you can shorten it however you want, my twitter can be added to if that’s okay, I tweet freely about film a lot. Read Latest Film Reviews Eye Without a Face Alicia Moore Read Film Reviews